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Buddy Holly Center Plaza
Buddy Holly Center Plaza Heath Barfield Olivia Sievers Ross Surinder Aulakh LARC 2402 Design Process Dr. Yi Luo “I’m not trying to stump anybody... It’s the beauty of the language that I’m interested in.” Studio Context Design - Heath Barfield Site Context Design - Olivia Sievers Ross Group Work Design - Surinder Aulakh Programming- Goals & Objectives Landscape Performance Benefits Case Studies Heath Barfield Inventory Olivia Sievers Ross Programming Surinder Aulakh Goals & Objectives - Heath Barfield Works Cited Goals & Objectives - Olivia Sievers Ross Goals & Objectives - Surinder Aulakh Site Analysis Heath Barfield Olivia Sievers Ross Surinder Aulakh Concept Plan Heath Barfield Olivia Sievers Ross Surinder Aulakh Heath Barfield Olivia Sievers Ross Surinder Aulakh Table of Contents Comprehension of physical, cultural and ecological issues at diverse scales allow for a designer to enrich the built environment with communal and social spaces. Enhancement and design decisions for the Buddy Holly Center are established with proprietary evidence. Site Inventory is a process which the designer uses to assess the context and Site Analysis is the interpretation of the forces influencing a site. Conceptual design is an iterative process which entails the designer to test, make and repeat until a refined design emerges. The methodologies implemented during the design development range from sketches, models, doodles, etc., thus, leading into finished documents. Studio Context Heath Barfield Olivia Sievers Ross Surinder Aulakh “The Buddy Holly Center, a historical site, has dual missions; preserving, collecting and promoting the legacy of Buddy Holly and the music of Lubbock and West Texas, as well as providing exhibits on Contemporary Visual Arts and Music, for the purpose of educating and entertaining the public. -
West Texas Fiddlers and the Buddy Holly Center "Hardy Pioneers" And
Carr: West Texas Fiddlers and the Buddy Holly Center West Texas Fiddlers and the B “Hardy Pioneers” and Amarillo’s Panhandle Fiddle Contests By Joe Carr In the period from 1928 to 1931, at least six fiddle contests were held in Amarillo, Texas, most under the auspices of the Tri-State Fair Association. Contemporary newspaper re- ports offer interesting insights into the workings of the contests and the activities of the contestants, giving us a fascinating glimpse into the lives and fortunes of numerous early Panhandle fiddlers, including noted musicians Eck Robertson, J. T. Wills - father of Western Swing legend Bob Wills, Jess Morris, and others.1 Census statistics indicate just over 15,000 Amarillo residents in 1920, and the town had grown to a city of 43,000 by 1930.2 Amarillo’s older citizens who noticed the changing landscape may have had fond memories of the old days, and the Old Fiddler contests gave them an opportunity to enjoy what was perceived as a fast dying art. The first All Panhandle Old Fiddlers Contest in Amarillo was Loyd obviously felt an appeal based on memories of the “old sponsored by the Tri-State Fair Association and directed by Dr. days” was the best approach to draw a crowd. His language pre- O. H. Loyd. It was held March 20, 1928, a Tuesday night, at the sents the frontier days as the long distant past while, in truth, city auditorium in conjunction with the Cattlemen’s Conven- only twenty years had past since the “days of the cowboy.” He 44 tion. -
Jay Richardson Brushes Away Snow That's Drifted Around
When popular Beaumont deejay J.P. Richardson died on Feb. 3, 1959, with Buddy Holly and Ritchie Valens, he left behind more than ‘Chantilly Lace’ … he left a briefcase of songs never sung, a widow, a daughter and unborn son, and a vision of a brave new rock world By RON FRANSCELL Feb. 3, 2005 CLEAR LAKE, IOWA –Jay Richardson brushes away snow that’s drifted around the corpse-cold granite monument outside the Surf ballroom, the last place his dead father ever sang a song. Four words are uncovered: Their music lives on. But it’s just a headstone homily in this place where they say the music died. A sharp wind slices off the lake under a steel-gray sky. It’s the dead of winter and almost nothing looks alive here. The ballroom – a rock ‘n’ roll shrine that might not even exist today except for three tragic deaths – is locked up for the weekend. Skeletal trees reach their bony fingers toward a low and frozen quilt of clouds. A tattered flag’s halyard thunks against its cold, hollow pole like a broken church bell. And not a word is spoken. Richardson bows his head, as if to pray. This is a holy place to him. “I wish I hadn’t done that,” he says after a moment. Is he still haunted by the plane crash that killed a father he never knew? Can a memory be a memory if it’s only a dream? Why does it hurt him to touch this stone? “Cuz now my damn hand is cold,” Richardson says, smiling against the wind. -
Salsa2bills 1..2
By:AADuncan S.C.R.ANo.A12 CONCURRENT RESOLUTION 1 WHEREAS, Texas is well known for its pioneering musical 2 talent, and The Crickets are among those Texas legends who grew to 3 symbolize this brilliant creative spirit; and 4 WHEREAS, Originally formed in Lubbock by Buddy Holly, J.AI. 5 Allison, and Joe B. Mauldin, the group went on to include Sonny 6 Curtis, Niki Sullivan, Tommy Allsup, and Earl Sinks; and 7 WHEREAS, The Crickets were one of the first rock and roll 8 bands to be self-contained, writing, playing, producing, and 9 recording their own material; and 10 WHEREAS, Beginning in 1957, hits such as "That 'll Be the 11 Day," "Peggy Sue," "Oh Boy," "Not Fade Away," "Maybe Baby," "It 's So 12 Easy," "I Fought the Law," and "More Than I Can Say" established The 13 Crickets as a leading rock and roll band that would become known the 14 world over; and 15 WHEREAS, By solidifying the rock and roll instrumental format 16 of bass, guitars, drums, and vocals, and writing their own 17 material, The Crickets provided a blueprint and inspiration for the 18 Beatles, the Rolling Stones, and virtually every major rock band 19 that came after them; and 20 WHEREAS, Nearly 50 years later, The Crickets continue to 21 record and perform, and their songs are considered rock and roll 22 standards as evidenced by their release last year of "The Crickets 23 and Their Buddies," an all-star collection of The Crickets playing 24 their songs with such talented musicians and friends as Rodney 79R9007 MW-D 1 S.C.R.ANo.A12 1 Crowell, Waylon Jennings, John Prine, Phil and Jason Everly, Eric 2 Clapton, and Nanci Griffith; now, therefore, be it 3 RESOLVED, That the 79th Legislature of the State of Texas 4 hereby pay tribute to The Crickets for their many contributions to 5 Texas music and recognize March 16, 2005, as The Crickets Day in 6 Texas in their honor; and, be it further 7 RESOLVED, That an official copy of this resolution be 8 prepared for the members of The Crickets as an expression of high 9 regard by the Texas Senate and House of Representatives. -
BEACH BOYS Vs BEATLEMANIA: Rediscovering Sixties Music
The final word on the Beach Boys versus Beatles debate, neglect of American acts under the British Invasion, and more controversial critique on your favorite Sixties acts, with a Foreword by Fred Vail, legendary Beach Boys advance man and co-manager. BEACH BOYS vs BEATLEMANIA: Rediscovering Sixties Music Buy The Complete Version of This Book at Booklocker.com: http://www.booklocker.com/p/books/3210.html?s=pdf BEACH BOYS vs Beatlemania: Rediscovering Sixties Music by G A De Forest Copyright © 2007 G A De Forest ISBN-13 978-1-60145-317-4 ISBN-10 1-60145-317-5 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, recording or otherwise, without the prior written permission of the author. Printed in the United States of America. Booklocker.com, Inc. 2007 CONTENTS FOREWORD BY FRED VAIL ............................................... XI PREFACE..............................................................................XVII AUTHOR'S NOTE ................................................................ XIX 1. THIS WHOLE WORLD 1 2. CATCHING A WAVE 14 3. TWIST’N’SURF! FOLK’N’SOUL! 98 4: “WE LOVE YOU BEATLES, OH YES WE DO!” 134 5. ENGLAND SWINGS 215 6. SURFIN' US/K 260 7: PET SOUNDS rebounds from RUBBER SOUL — gunned down by REVOLVER 313 8: SGT PEPPERS & THE LOST SMILE 338 9: OLD SURFERS NEVER DIE, THEY JUST FADE AWAY 360 10: IF WE SING IN A VACUUM CAN YOU HEAR US? 378 AFTERWORD .........................................................................405 APPENDIX: BEACH BOYS HIT ALBUMS (1962-1970) ...411 BIBLIOGRAPHY....................................................................419 ix 1. THIS WHOLE WORLD Rock is a fickle mistress. -
48592-Memory-Folder.Pdf
Dean A. “Deano” Johnson always found the fun in everything. A simple man who never asked for much, he was giving of himself, and would do anything for anyone. Although quiet by nature, Deano appreciated a good joke, and found joy in sharing a good laugh. He loved his family more than anything, and possessed the heart of a loving teddy bear. Although life brought forth its share of diffi culties for Dean, he had eventually found an inner peace. He left us too soon, yet his caring and loving ways will live on in the hearts of all who knew him. Just as the winter snows were laying a foundation for a long Michigan winter ahead, Deano’s story began in 1959 as the nation celebrated Alaska and Hawaii joining the United States. Disney introduced its classic Sleeping Beauty, and Barbie made her debut. During these days of innocence, the fabric of America was dampened by growing tensions overseas as the U.S. prepared for its involvement in Vietnam, along with what was known as, “the day the music died”, when beloved musicians Buddy Holly, Ritchie Valens and the Big Bopper were killed in a fateful plane crash. Even in the midst of these changing times, along the lakeshore town of Muskegon, Michigan, Robert Arnold and Mary Alice (Tobey) Johnson had joyous reasons for celebration with the birth of their son Dean Arnold Johnson on December 12, 1959. Dean, or Deano as he was affectionately called, grew up with siblings Linda, Rick, Dale, Sue and Dawn. His father, who called him Peanut early on, supported his family as a laborer at Muskegon Piston Ring, while his mother was a homemaker; sadly, she died when Deano was 12 years old. -
Winter Dance Party Scholarship Program
WINTER DANCE PARTY SCHOLARSHIP PROGRAM FEBRUARY 3, 1959 - THE DAY THE MUSIC DIED Three young musicians soared to the heights of show business on the rock ‘n’ roll craze that swept the 1950’s. JP (Big Bopper) Richardson, Ritchie Valens, and Buddy Holly were major performers on what was termed the 1959 Winter Dance Party tour. Following a performance at the Surf Ballroom in Clear Lake, Iowa, the three performers left on a charter plane for their next engagement in Fargo, N.D. On February 3, 1959, their small airplane crashed in a farm field about 15 miles northwest of Clear Lake, Iowa, killing all three performers and their pilot, Roger Peterson of Storm Lake, Iowa. Each year, near the anniversary date of that final performance, a tribute show is held at the Surf Ballroom and thousands of fans from all over the world come to remember rock ‘n’ roll legends Ritchie Valens, JP(Big Bopper) Richardson, and Buddy Holly. To commemorate the 40th anniversary of the Winter Dance Party, a 1999 tribute touring show was staged by Dennis Farland of Newton, Iowa. The eleven cities of the original tour were visited on exactly the same dates as the 1959 Winter Dance Party. Following the completion of that tour, fans of these musicians established a scholarship program commemorating the lives and musical contributions of these artists, the pilot, and the late Darrel Hein, manager of the Surf Ballroom, who originated the winter dance party tribute shows in 1979. All net proceeds from the 1999 Winter Dance Party tour have been used to establish this scholarship fund. -
Music One Sheet FINAL.Indd
THE music scene Talent is bursting at the seams in every corner of Lubbock, from the West Texas Walk of Fame to the Buddy Holly Center and beyond. On any given Guitar night, you can follow the sounds of live bands, two-steppin’ country, Top 40 and many more right into the heartbeat of Lubbock’s nightlife, the Depot Entertainment District. MUSIC EVENTS Buddy Holly Center Summer Showcase Lubbock Moonlight Musicals Each summer the Buddy Holly Center heats up with a The summer nights heat up in Lubbock with the sound courtyard full of music, food, drinks, dancing and fun. of hit musicals. Guests have the chance to enjoy a picnic Concerts are held every Thursday evening during the meal and a show under the stars at the Wells Fargo summer months, and patrons can enjoy original and unique Amphitheatre in beautiful Mackenzie Park. Group ticket Texas-made music. rates and motorcoach parking are available. Cactus Theater Lubbock Symphony Orchestra Constructed in 1937, this historical venue features live Offering performances throughout the year, including musical productions, theatrical plays and musicals. Well- during the holiday season, the Lubbock Symphony known classics and regionally written productions will Orchestra boasts nationally-known guest conductors and entertain audiences of all ages year-round. soloists. Group ticket rates and motorcoach parking are available. Celebrity Attractions Broadway Series Celebrity Attractions brings world-famous performances National Cowboy Symposium and Celebration to the “Hub City.” Attendees will enjoy shows including Every September in Lubbock, one of the largest “Camelot” and “Broadway Holiday.” Group ticket rates and gatherings of cowboys in the world takes place. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Stars Over Clear Lake D Loretta Ellsworth
Stars Over Clear Lake d Loretta Ellsworth Thomas Dunne Books St. Martin's Press New York 053-66526_ch00_5P.indd iii 2/20/17 6:56 AM This is a work of fi ction. All of the characters, organ izations, and events portrayed in this novel are either products of the author’s imagination or are used fi ctitiously. thomas dunne books. An imprint of St. Martin’s Press. stars over clear lake. Copyright © 2017 by Loretta Ellsworth. All rights reserved. Printed in the United States of Amer i ca. For information, address St. Martin’s Press, 175 Fifth Ave nue, New York, N.Y. 10010. www . thomasdunnebooks . com www . stmartins . com Title-page photo courtesy of freeimages.com The Library of Congress Cataloging-in- Publication Data is available upon request. ISBN 978-1-250-09703-3 (hardcover) ISBN 978-1-250-09704-0 (e-book) Our books may be purchased in bulk for promotional, educational, or business use. Please contact your local bookseller or the Macmillan Corporate and Premium Sales Department at 1-800-221-7945, extension 5442, or by e-mail at MacmillanSpecialMarkets@macmillan. com. First Edition: May 2017 10 9 8 7 6 5 4 3 2 1 053-66526_ch00_5P.indd iv 2/20/17 6:56 AM One d 2007 haven’t been inside this place in fi fty years,” I say softly as I pause in Ifront of the sand-colored brick building. The outside of the Surf Ballroom hasn’t changed from when it opened in 1948, its rounded roof making it look like a roller derby from the outside. -
Who Killed Buddy Holly ?
SpringerBriefs in Business For further volumes: http://www.springer.com/series/8860 Ronnie J. Phillips Rock and Roll Fantasy? The Reality of Going from Garage Band to Superstardom Ronnie J. Phillips Colorado State University Fort Collins, CO, USA ISSN 2191-5482 ISSN 2191-5490 (electronic) ISBN 978-1-4614-5899-9 ISBN 978-1-4614-5900-2 (eBook) DOI 10.1007/978-1-4614-5900-2 Springer New York Heidelberg Dordrecht London Library of Congress Control Number: 2012951330 © Springer Science+Business Media New York 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, speci fi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on micro fi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied speci fi cally for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. Permissions for use may be obtained through RightsLink at the Copyright Clearance Center. Violations are liable to prosecution under the respective Copyright Law. The use of general descriptive names, registered names, trademarks, service marks, etc. -
BEAR FAMILY RECORDS TEL +49 (4748) 8216-16 • FAX +49 (4748) 8216-20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49 (4748) 8216-16 • FAX +49 (4748) 8216-20 • E-MAIL [email protected] ARTIST Big Bopper TITLE Hello Baby - You Know What I Like! A wiggle in her walk and a giggle in her talk LABEL Bear Family Records CATALOG # BCD 17109 PRICE-CODE AH EAN-CODE ÆxAKABMRy171092z ISBN-CODE 978-3-89916-521-0 FORMAT 1 CD digipac with 52-page booklet GENRE Rock’n’Roll TRACKS 31 PLAYING TIME 73:26 ● The ultimate tribute to the artist who died alongside Buddy Holly and Ritchie Valens on 'The Day The Music Died'! ● Includes the all-time smash hit Chantilly Lace! Plus the Big Bopper's original version of the hit he wrote for George Jones, White Lightning ● Also includes ultra-rare recordings by the Big Bopper – as well as tribute records and sequels by Eddie Cochran, rockabilly legend Ray Campi, and Jayne Mansfield (yes, THAT Jayne Mansfield) INFORMATION When the Big Bopper died in the plane crash that took the lives of Buddy Holly and Ritchie Valens, he'd scored just two hits, but his tragic death on 'The Day The Music Died' ensured his immortality. And it turns out he had a far more interesting career than most one or two hit wonders. For one thing, he wrote several other hits. His original version of George Jones' #1 country hit White Lightning is included here (he also wrote but never recorded Johnny Preston's #1 pop hit Running Bear). Sadly, he never saw eit- her song top the charts. But this generously full CD includes a lot of Bopper, starting with all known recordings: his unissued-at- the-time first recording from 1954, his fabulously rare early rock 'n' roll singles for Mercury, his original recording of Chantilly Lace and the follow-up, and his original LP.