Cinema Club Spring Schedule
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Taylor Harvey(4).Pdf
1) An opera about this character is the subject of a long paper by University of Miami music professor Jeffrey Stern, in which he argues that opera should be considered among the canon of American opera classics along with the works of Menotti and Copeland. That opera about this character features an aria in which another character describes watching this man and seeing “a Glimmer of hope until the very last minute”. That opera about this character is by William Schuman and is called The Mighty this character. A literary work about this character describes a “pall-like silence [falling]” after Cooney died at first, and Barrows did the same. That poem describes this man’s visage shining with a smile of Christian charity, while later the air shattered by the force of his blow. That poem about him describes a situation where the Mudville Nine are losing by two, before this title character disappoints a stadium full of fans by striking out. For 10 points, identify this character in an 1888 poem often used to teach introductory poetry, the most enduring work of Ernest Thayer. In which he is “At the Bat” ANSWER: Casey Answer some other questions about American operas adapted from American literature for ten points each: [10] Marguerite Clarke set forty poems from this poetry collection in a work titled Across this place. This midwestern town is the setting of the poems “The Hill” and many others named for residents like Constance Hatley and Amanda Barker. ANSWER: Spoon River Anthology [10] John Eaton adapted this story by F Scott Fitzgerald into an opera. -
Mainstream Rock Tracks
1i1C-7L710 EiZN AG.F SITES + SOUNDS (Continued front page 80) Ten it comes time to pen songs, Nine Days' ed laughing. I realized that as much as she aggra- times you can spend months fine -tuning a song. I vocalist /guitarist John Hampson follows vates me, I absolutely love her when she smiles. will never say that I crafted this pop gem. What and Nokia Ventures among its finan- the adage "Write what you know," because, "I came up with a chorus to a song, and when I really happened was, I don't know where it came cial backers, is hoping to put its serv- he says, "when you're done with a song, it's the only started singing it, it was bouncing around in my from, but everything was about a true feeling." ice to work in everything from Inter- way you feel personally like you did it right." This honesty also permeates the group's debut net music appliances and online radio Hampson's personal attachment to Nine Days' don't know where 550 Music /Epic album, "The Madding Crowd," a to Internet retailers and Web portals. it came from, but single "Absolutely (Story Of A Girl)," No. 17 on everythinT, was reference to Thomas Hardy's book "Far From The It already has its own streaming this issue's Modern Rock Tracks chart, stemmed about a true Madding Crowd." Hampson says, "I read it when service known as RadioMongo, from a pre -show realization about his girlfriend. feeling' I was about 20, a time in my life that I was look- which will be featured in the free- He says, "I was playing a gig and got there -John Hampson, Nine Days ing for something important. -
Waynoka Man Charged with Murder November 25, 2020 Alva Review-Courier/Newsgram Page 2
Waynoka man charged with murder November 25, 2020 Alva Review-Courier/Newsgram Page 2 Cherokee’s Treavor Green (85) takes down the Balko-Forgan offense during Friday night’s game. Photo by Desiree Morehead Cherokee’s Ruston James (20) and Gabe Wyatt (3) take down Balko-Forgan’s Jaden Hall (1). Cherokee lost to Balko-Forgan in 20-24. Photo by Desiree Morehead The Alva Review-Courier / Newsgram is published Wednesday by Martin Broadcasting Corp. 620 Choctaw St. Alva, Oklahoma 73717 Marione Martin, President Telephone Numbers: Alva Review-Courier 580-327-2200 Newsgram 580-327-1510 FAX 580-327-2454 www.alvareviewcourier.com E-Mail: manager @alvareviewcourier.net Cherokee’s Damein Lobato (18) knocks the Balko-Forgan quarterback Jaden [email protected] Hall (1) out of bounds. The Chiefs lost to Balko-Forgan Friday night 20-24 end- Entire Contents Copyright 2020 ing their 2020 season. Photo by Desiree Morehead November 25, 2020 Alva Review-Courier/Newsgram Page 3 November 25, 2020 Alva Review-Courier/Newsgram Page 4 Assessing the Thanksgiving risk By Marione Martin little under the current circumstances. Activities the chart ranks as high What are your plans for My previous vehicle was a hybrid that risk (ten) include attending a college Thanksgiving? When my daughter asked stored up battery power to augment house party, attending a large indoor a month ago if I wanted to go to her house the gasoline. I really liked the car but celebration with singing, and celebrating for Thanksgiving, I it began to have battery issues. Turned New Year’s Eve at a bar or nightclub. -
May 2, 2020 Live the Ucf Creed
UNIVERSITY OF CENTRAL FLORIDA COMMENCEMENT MAY 2, 2020 LIVE THE UCF CREED INTEGRITY I will practice and defend academic and personal honesty. SCHOLARSHIP I will cherish and honor learning as a fundamental purpose of my membership in the UCF community. COMMUNITY I will promote an open and supportive campus environment by respecting the rights and contributions of every individual. CREATIVITY I will use my talents to enrich the human experience. EXCELLENCE I will strive toward the highest standards of performance in any endeavor I undertake. UNIVERSITY OF CENTRAL FLORIDA | COMMENCEMENT | MAY 2, 2020 About the University of Central Florida The University of Central Florida is a bold, public research institution that is regularly ranked among the nation’s top 20 most innovative universities by U.S. News & World Report. With more than 69,500 students, UCF is one of the largest universities in the United States and is ranked as one of the best educational values in the nation by Forbes and Kiplinger. The university benefits from a diverse faculty and staff who create a welcoming environment and opportunities for all students to grow, learn, and succeed. A Foundation for Success UCF and its 13 colleges offer more than 220 degrees at UCF’s main campus, hospitality campus, health sciences campus, online and through multiple regional locations. The 1,415-acre main campus is 13 miles east of downtown Orlando and adjacent to one of the top research parks in the nation. Other campuses are located throughout Central Florida and include a fully accredited College of Medicine at Lake Nona. -
The Mixtape: a Case Study in Emancipatory Journalism
ABSTRACT Title of Dissertation: THE MIXTAPE: A CASE STUDY IN EMANCIPATORY JOURNALISM Jared A. Ball, Doctor of Philosophy, 2005 Directed By: Dr. Katherine McAdams Associate Professor Philip Merrill College of Journalism Associate Dean, Undergraduate Studies During the 1970s the rap music mixtape developed alongside hip-hop as an underground method of mass communication. Initially created by disc-jockeys in an era prior to popular “urban” radio and video formats, these mixtapes represented an alternative, circumventing traditional mass medium. However, as hip-hop has come under increasing corporate control within a larger consolidated media ownership environment, so too has the mixtape had to face the challenge of maintaining its autonomy. This media ownership consolidation, vertically and horizontally integrated, has facilitated further colonial control over African America and has exposed as myth notions of democratizing media in an undemocratic society. Acknowledging a colonial relationship the writer created FreeMix Radio: The Original Mixtape Radio Show where the mixtape becomes both a source of free cultural expression and an anti-colonial emancipatory journalism developed as a “Third World” response to the needs of postcolonial nation-building. This dissertation explores the contemporary colonizing effects of media consolidation, cultural industry function, and copyright ownership, concluding that the development of an underground press that recognizes the tremendous disparities in advanced technological access (the “digital divide”) appears to be the only viable alternative. The potential of the mixtape to serve as a source of emancipatory journalism is studied via a three-pronged methodological approach: 1) An explication of literature and theory related to the history of and contemporary need for resistance media, 2) an analysis of the mixtape as a potential underground mass press and 3) three focus group reactions to the mixtape as resistance media, specifically, the case study of the writer’s own FreeMix Radio: The Original Mixtape Radio Show. -
Feature Guitar Songbook Series
feature guitar songbook series 1465 Alfred Easy Guitar Play-Along 1484 Beginning Solo Guitar 1504 The Book Series 1480 Boss E-Band Guitar Play-Along 1494 The Decade Series 1464 Easy Guitar Play-Along® Series 1483 Easy Rhythm Guitar Series 1480 Fender G-Dec 3 Play-Along 1497 Giant Guitar Tab Collections 1510 Gig Guides 1495 Guitar Bible Series 1493 Guitar Cheat Sheets 1485 Guitar Chord Songbooks 1494 Guitar Decade Series 1478 Guitar Play-Along DVDs 1511 Guitar Songbooks By Notation 1498 Guitar Tab White Pages 1499 Legendary Guitar Series 1501 Little Black Books 1466 Hal Leonard Guitar Play-Along® 1502 Multiformat Collection 1481 Play Guitar with… 1484 Popular Guitar Hits 1497 Sheet Music 1503 Solo Guitar Library 1500 Tab+: Tab. Tone. Technique 1506 Transcribed Scores 1482 Ultimate Guitar Play-Along Please see the Mixed Folios section of this catalog for more2015 guitar collections. 1464 EASY GUITAR PLAY-ALONG® SERIES The Easy Guitar Play-Along® Series features 9. ROCK streamlined transcriptions of your favorite SONGS FOR songs. Just follow the tab, listen to the CD or BEGINNERS Beautiful Day • Buddy Holly online audio to hear how the guitar should • Everybody Hurts • In sound, and then play along using the back- Bloom • Otherside • The ing tracks. The CD is playable on any CD Rock Show • Use Somebody. player, and is also enhanced to include the Amazing Slowdowner technology so MAC and PC users can adjust the recording to ______00103255 Book/CD Pack .................$14.99 any tempo without changing the pitch! 10. GREEN DAY Basket Case • Boulevard of Broken Dreams • Good 1. -
Dolphin Films Una Produzione Bieber Time Films & Scooter
DOLPHIN FILMS PRESENTA UNA PRODUZIONE BIEBER TIME FILMS & SCOOTER BRAUN FILMS IN ASSOCIAZIONE CON IM GLOBAL & ISLAND DEF JAM MUSIC GROUP DIRETTO DA JON M.CHU con JUSTIN BIEBER e la speciale partecipazione di SCOOTER BRAUN | USHER RAYMOND IV | JON M. CHU | PATTIE MALLETTE | JEREMY BIEBER | RYAN GOOD | MIKE POSNER | RODNEY JERKINS | ALFREDO FLORES | NICK DEMOURA ...e molti altri! Durata 92 minuti In Italia Believe è distribuito da Nexo Digital e Good Films in collaborazione con i media partner Sky Uno HD, Radio Kiss Kiss, MYmovies.it e Team World. SINOSSI BELIEVE di Justin Bieber regala una visione intima e profonda del tour mondiale dell’artista che ha registrato il tutto esaurito. Non solo vedrete le immagini sbalorditive delle performance dei suoi maggiori successi, ma avrete un biglietto personale per accedere al backstage e scoprire come l’intero tour è stato concepito. Believe garantisce una panoramica esclusiva sulla vita di Justin fuori dal palco ed è un viaggio che ne ripercorre la vita: dagli esordi da perdente che sognava di suonare al Madison Square Garden, fino a diventare la più grande pop star mondiale. “Believe” in Justin Bieber. NOTE DEL REGISTA Ho sempre saputo sin da quando finimmo “Never Say Never” nel 2011, che la storia di Justin Bieber non sarebbe finita. Avevo la sensazione che il capitolo successivo della sua vita sarebbe stato ancora più convincente dell’inizio della sua storia, ma non avrei mai pensato di essere di nuovo io a raccontarlo. Quando, qualche anno dopo, mi arrivò l’invito di Justin a seguirlo in tour per realizzarne un film, presi al volo questa opportunità. -
Heather Hayes Experience Songlist Aretha Franklin Chain of Fools
Heather Hayes Experience Songlist Aretha Franklin Chain of Fools Respect Ben E. King Stand By Me Drifters Under The Boardwalk Eddie Floyd Knock On Wood The Four Tops Sugar Pie Honey Bunch James Brown I Feel Good Sex Machine The Marvelettes My Guy Marvin Gaye & Tammie Terrell You’re All I Need Michael Jackson I’ll Be There Otis Redding Sittin’ On The Dock Of The Bay Percy Sledge When A Man Loves A Woman Sam & Dave Soul Man Sam Cooke Chain Gang Twistin’ Smokey Robinson Cruisin The Tams Be Young, Be Foolish, Be Happy The Temptations OtherBrother Entertainment, Inc. – Engagement Contract Page 1 of 2 Imagination My Girl The Isley Brothers Shout Wilson Pickett Mustang Sally Contemporary and Dance 50 cent Candy Shop In Da Club Alicia Keys If I Ain’t Got You No One Amy Winehouse Rehab Ashanti Only You Ooh Baby Babyface Whip Appeal Beyoncé Baby Boy Irreplaceable Naughty Girls Work It Out Check Up On It Crazy In Love Dejá vu Black Eyed Peas My Humps Black Street No Diggity Chingy Right Thurr Ciara 1 2 Step Goodies Oh OtherBrother Entertainment, Inc. – Engagement Contract Page 2 of 2 Destiny’s Child Bootylicious Independent Women Loose My Breath Say My Name Soldiers Dougie Fresh Mix Planet Rock Dr Dre & Tupac California Love Duffle Mercy Fat Joe Lean Back Fergie Glamorous Field Mobb & Ciara So What Flo Rida Low Gnarls Barkley Crazy Gwen Stefani Holla Back Girl Ice Cube Today Was A Good Day Jamie Foxx Unpredictable Jay Z Give It To Me Jill Scott Is It The Way John Mayer Your Body Is A Wonderland Kanye West Flashy Lights OtherBrother Entertainment, Inc. -
Artists Composer 1958 Abc the Jackson 5 Gordy/Mizell
NO TITLE ARTISTS COMPOSER THE 1958 ABC JACKSON GORDY/MIZELL/PERREN/RICHARDS 5 THE AIN'T NO 1959 JACKSON WITHERS, BILL SUNSHINE 5 MICHAEL 1960 BAD MICHAEL JACKSON JACKSON MICHAEL 1961 BEAT IT MICHAEL JACKSON JACKSON MICHAEL 1962 BEN SCHARF / BLACK JACKSON MICHAEL 1963 BILLIE JEAN MICHAEL JACKSON JACKSON BLACK OR MICHAEL 1964 B. BOTTRELL / M. JACKSON WHITE JACKSON BLOOD ON MICHAEL 1965 THE DANCE MICHAEL JACKSON/TEDDY RILEY JACKSON FLOOR BREAK OF MICHAEL 1966 MICHAEL JACKSON, DR. FREEZE DAWN JACKSON MICHAEL AMBROSIUS, MARSHA/ HARRIS, 1967 BUTTERFLIES JACKSON ANDRE MICHAEL 1968 CRY R KELLY JACKSON THE DANCING 1969 JACKSON DAVIS/PARKS/FLETCHER MACHINE 5 MICHAEL MICHAEL JACKSON, BILL BOTTRELL 1970 DANGEROUS JACKSON AND TEDDY RILEY MICHAEL 1971 DIRTY DIANA MICHAEL JACKSON JACKSON DON'T STOP MICHAEL 1972 'TIL YOU GET MICHAEL JACKSON JACKSON ENOUGH MICHAEL 1973 EARTH SONG MICHAEL JACKSON JACKSON THE ENJOY 1974 JACKSON GAMBLE, K./HUFF, L. YOURSELF 5 MICHAEL 1975 GHOSTS MICHAEL JACKSON/TEDDY RILEY JACKSON GOT TO BE MICHAEL 1976 WILLENSKY, E THERE JACKSON HEAL THE MICHAEL 1977 MICHAEL JACKSON WORLD JACKSON HUMAN MICHAEL 1978 BETTIS, JOHN/ PORCARO, STEVE NATURE JACKSON MICHAEL I JUST CAN'T JACKSON 1979 STOP LOVING MICHAEL JACKSON & SIEDAH YOU GARRETT I SAW MOMMY THE 1980 KISSING JACKSON TOMMIE CONNOR SANTA CLAUS 5 THE I WANT YOU 1981 JACKSON GORDY/MIZELL/PERREN/RICHARDS BACK 5 MICHAEL GORDY, BERRY (JR)/ HUTCH, WILLIE/ 1982 I'LL BE THERE JACKSON DAVIS, HAL/ WEST, BOB MICHAEL MICHAEL JACKSON, JAMES HARRIS 1983 IS IT SCARY JACKSON III, AND TEDDY RILEY MICHAEL 1984 LIBERIAN GIRL MICHAEL JACKSON JACKSON MICHAEL 1985 LOVELY ONE JACKSON MAN IN THE MICHAEL 1986 G. -
The Neptunes Have Oversize Lincoln Navigator
} THENERDM ENTALITY THHY6 AVffiJ AY-XA B*UNCT, LENITT hIglRF UhIKT S'N SYh*CA NM HUSTLTPB HATSF &R T'{H KING OF POP.I T WAS *h,l-Y A MATTERO F TIM€ gHF{3RgT I{K \IIRGII''I[AM E,4CHP R$SLJCTIONT EAM CALI-EDT F{€I \FPTU'XE$P tJTTi{ENRC LIg'\d?SO N'HI OLP Ah{& LKTTF{€IRO WTdg ?RANGgS *UNSS LSOSHS hNT'..IfC; I.,IART"BSY ETHAN BROWN IHARRELL wTLLIAMs HAs rHE EvENING MAppED our "lIsrrN," have been shockingly consistent hitmakers, racking up ahalf- "tonight |!|h" explains, we're gonna hang out with punks, dozen Top ro hits (and loads of Top 4os) in an arenawhererna' I skatersa nd brothers from the hood." He glances down jor players like Sean "Puffy" Combs and legendary hit men such at the freshly painted morel parking lot and climbs into his as Clive Davis often strike out. Moreover. the Neptunes have oversize Lincoln Navigator. "I can t hang with just one group of proved they can savea rtists from themseives,s pinning stalwart people." The z8-year-old producer-musician is the mirror im- stars in new directions. They transformed JayZ'shrstler-by- age of his inclusive social sphere-call it a ghetto-glam-bumpkin numbers "I Just Wanna Love U (Give It z Me)" inro a soulful look faded thrift-store jeans, tattered Rolling Stones baseball sing-along, remixed and rescued the Backstreet Boys' uninspiring cap, VersaceT -shirt and white Prada sneakers.A nd though he u.rth.- "The Call' and converted Mystlfal's clicired boory "rl'i wears a chunky diamond earring in one ear and a cartoonishly "Shake Ya Ass" into a brassv. -
Theoretical Approaches to Quotation in Hip-Hop Recordings Justin A
Williams, J. A. (2014). Theoretical Approaches to Quotation in Hip- Hop Recordings. Contemporary Music Review, 33(2), 188-209. https://doi.org/10.1080/07494467.2014.959276 Publisher's PDF, also known as Version of record Link to published version (if available): 10.1080/07494467.2014.959276 Link to publication record in Explore Bristol Research PDF-document University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ This article was downloaded by: [University of Bristol] On: 26 March 2015, At: 13:07 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Contemporary Music Review Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/gcmr20 Theoretical Approaches to Quotation in Hip-Hop Recordings Justin A. Williams Published online: 28 Oct 2014. Click for updates To cite this article: Justin A. Williams (2014) Theoretical Approaches to Quotation in Hip-Hop Recordings, Contemporary Music Review, 33:2, 188-209, DOI: 10.1080/07494467.2014.959276 To link to this article: http://dx.doi.org/10.1080/07494467.2014.959276 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. -
The Making of a Child of Destiny the Andretta Tillman Story
3. Book Summary: In 1997, A FEMALE GROUP BURST ON THE SCENE AND CATAPULTED INTO ONE OF THE MOST SUCCESSFUL FEMALE GROUPS OF ALL TIME. THAT GROUP WAS DESTINY’S CHILD. FOR YEARS THE PIC- TURE HAD BEEN PAINTED OF HOW MATHEW KNOWLES HELPED HIS GOLDEN CHILD DAUGHTER, BEYONCE; KELLY ROWLAND, AND DESTINY’S CHILD ACHIEVE PHENOMENAL SUCCESS. HOWEVER, AFTER YEARS OF SECLUSION AND SILENCE, THE FORMER CO-MANAGER, WHO DISCLOSED EVIDENCE TO HELP SETTLE THE LAWSUIT BETWEEN THE KNOWLES AND THE ESTATE OF ANDRETTA TILLMAN, FINALLY SPEAKS UP AND NOT ONLY SETS THE REC-ORD STRAIGHT, BUT REVEALS SOME VERY TELLING ACCOUNTS OF WHAT REALLY WENT ON BEHIND THE SCENES AND IN THE LIVES OF THE MAIN PEOPLE INVOLVED WITH THE GROUP IN HIS LONG-OVERDUE BOOK, BRIAN K. MOORE, TELLS AN UNFORGETTABLE AND HEART-WRENCHING STORY OF ONE WOMAN’S JOURNEY IN HELPING A GROUP OF YOUNG GIRLS FROM HOUSTON, TEXAS ACHIEVE FORTUNE AND FAME, AND WHAT ACTUALLY DROVE HER FROM HEARTBREAK CIRCUMSTANCES TO PUSH THEM TO STARDOM. HE WRITES A COMPELLING AND DE- TAILED EXPOSÉ OF HOW ANNDRETTA SECURED BOTH THE EL- EKTRA AND COLUMBIA/SONY RECORD DEALS, AS WELL AS CRE- ATED AND MANAGED THE GROUP, FROM GIRLS TYME TO DESTINY CHILD, UP TO THE TIME OF HER DEATH IN 1997. Press Kit for The Making of A Child of Destiny The Andretta Tillman Story This press kit Contains: 1. Cover images of The Making of a Child of Destiny 2. Publication details for The Making of a Child of Destiny 3. About The Making of a Child of Destiny (from the press re- lease) 4.