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The Nudge, Ahoribuzz and @Peace
GROOVe gUiDe . FamilY owneD and operateD since jUlY 2011 SHIT WORTH DOING tthhee nnuuddggee pie-eyed anika moa cut off your hands adds to our swear jar no longer on shaky ground 7 - 13 sept 2011 . NZ’s origiNal FREE WEEKlY STREET PRESS . ISSUe 380 . GROOVEGUiDe.Co.NZ Untitled-1 1 26/08/11 8:35 AM Going Global GG Full Page_Layout 1 23/08/11 4:00 PM Page 1 INDEPENDENT MUSIC NEW ZEALAND, THE NEW ZEALAND MUSIC COMMISSION AND MUSIC MANAGERS FORUM NZ PRESENT GOING MUSIC GLOBAL SUMMIT WHAT YOU NEED TO KNOW BEFORE YOU GO If you are looking to take your music overseas, come and hear from people who are working with both new and established artists on the global stage. DELEGATES APPEARING: Natalie Judge (UK) - Matador Records UK Adam Lewis (USA) - The Planetary Group, Boston Jen Long (UK) - BBC6 New Music DJ/Programmer Graham Ashton (AUS) - Footstomp /BigSound Paul Hanly (USA) - Frenchkiss Records USA Will Larnach-Jones (AUS) - Parallel Management Dick Huey (USA) - Toolshed AUCKLAND: MONDAY 12th SEPTEMBER FREE ENTRY SEMINARS, NOON-4PM: BUSINESS LOUNGE, THE CLOUD, QUEENS WHARF RSVP ESSENTIAL TO [email protected] LIVE MUSIC SHOWCASE, 6PM-10:30PM: SHED10, QUEENS WHARF FEATURING: COLLAPSING CITIES / THE SAMI SISTERS / ZOWIE / THE VIETNAM WAR / GHOST WAVE / BANG BANG ECHE! / THE STEREO BUS / SETH HAAPU / THE TRANSISTORS / COMPUTERS WANT ME DEAD WELLINGTON: WEDNESDAY 14th SEPTEMBER FREE ENTRY SEMINARS, NOON-5PM: WHAREWAKA, WELLINGTON WATERFRONT RSVP ESSENTIAL TO [email protected] LIVE MUSIC SHOWCASE, 6PM-10:30PM: SAN FRANCISCO BATH HOUSE FEATURING: BEASTWARS / CAIRO KNIFE FIGHT / GLASS VAULTS / IVA LAMKUM / THE EVERSONS / FAMILY CACTUS PART OF THE REAL NEW ZEALAND FESTIVAL www.realnzfestival.com shit Worth announciNg Breaking news Announcements Hello Sailor will be inducted into the New Zealand Music Hall of Fame at the APRA Silver Scroll golDie locks iN NZ Awards, which are taking place at the Auckland Town Hall on the 13th Dates September 2011. -
Annual Report 2009-2010 PDF 7.6 MB
Report NZ On Air Annual Report for the year ended 30 June 2010 Report 2010 Table of contents He Rarangi Upoko Part 1 Our year No Tenei Tau 2 Highlights Nga Taumata 2 Who we are Ko Matou Noa Enei 4 Chair’s introduction He Kupu Whakataki na te Rangatira 5 Key achievements Nga Tino Hua 6 Television investments: Te Pouaka Whakaata 6 $81 million Innovation 6 Diversity 6 Value for money 8 Radio investments: Te Reo Irirangi 10 $32.8 million Innovation 10 Diversity 10 Value for money 10 Community broadcasting investments: Mahi Whakapaoho a-Iwi 11 $4.3 million Innovation 11 Diversity 11 Value for money 11 Music investments: Te Reo Waiata o Aotearoa 12 $5.5 million Innovation 13 Diversity 14 Value for money 15 Maori broadcasting investments: Mahi Whakapaoho Maori 16 $6.1 million Diversity 16 Digital and archiving investments: Mahi Ipurangi, Mahi Puranga 17 $3.6 million Innovation 17 Value for money 17 Research and consultation Mahi Rangahau 18 Operations Nga Tikanga Whakahaere 19 Governance 19 Management 19 Organisational health and capability 19 Good employer policies 19 Key financial and non financial measures and standards 21 Part 2: Accountability statements He Tauaki Whakahirahira Statement of responsibility 22 Audit report 23 Statement of comprehensive income 24 Statement of financial position 25 Statement of changes in equity 26 Statement of cash flows 27 Notes to the financial statements 28 Statement of service performance 43 Appendices 50 Directory Hei Taki Noa 60 Printed in New Zealand on sustainable paper from Well Managed Forests 1 NZ On Air Annual Report For the year ended 30 June 2010 Part 1 “Lively debate around broadcasting issues continued this year as television in New Zealand marked its 50th birthday and NZ On Air its 21st. -
Katchafire - LEGACY
KatCHAFIRE - LEGACY NEW ZEALAND ROOTS REGGAE LEGENDS KATCHAFIRE'S LEGACY CONTINUES INTO 2020 NZ – https://umusicnz.lnk.to/KatchafireLegacy WORLD exNZ - smarturl.it/katchafire-legacy KATCHAFIRE have created a universal vibe, crafting their sound from the foundations of classic roots reggae with an R’n’B and funk rub, fusing modern dancehall and with slinky pop, cool grooves and uplifting vibes. They released their highly anticipated 5th studio album 'LEGACY' (Universal NZ / Zojak Worldwide) on 1st June 2018, and within hours hit No.1 on the New Zealand iTunes album chart and No.1 on the USA iTune Reggae chart. The 'LEGACY' album also impacted iTunes charts around the world... No.1 in Fiji, No.8 in Poland, No.24 in Australia, No.56 in Lichtenstein and Ivory Coast, No.57 in USA, Bangladesh, Cameroon, Ethiopia, Maldives, Myanmar, Palestine and Libyan Arab Jamahiriya!! The 'LEGACY' album has spawned 5 singles & videos - 'Addicted', 'Way Beyond', 'Love Today', '100', and 'Fyah In The Trenches'. The‘ LEGACY’ album is exciting and fresh with messages of love, hope, togetherness, and family, featuring 12 brand new songs that the boys worked on between their extremely busy touring schedule, bringing you vibes, sounds and harmonies you expect from the brothers of the ‘Fire with some brand new feels and flavours sprinkled in the recipe. page 1 / 8 Hailing from Kirikiriroa in Aotearoa (Hamilton in New Zealand) KATCHAFIRE have become a global roots reggae phenomenon. The all Maori reggae band bring their pure classic sound to music lovers worldwide delivering one of the most authentic Reggae shows around today. -
Touring Biz Awaits Rap Boom
Y2,500 (JAPAN) $6.95 (U.S.), $8.95 (CAN.), £5.50 (U.K.), 8.95 (EUROPE), II1I11 111111111111 IIIIILlll I !Lull #BXNCCVR 3 -DIGIT 908 #90807GEE374EM002# BLBD 863 A06 B0116 001 MAR 04 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 HOME ENTERTAINMENT THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND Labels Hitching Stars To Clive Greeted As New RCA Chief Global Consumer Brands Artists, Managers Heap Praise On Davis, But Some Just Want Stability given five -year contracts, according BY MELINDA NEWMAN BY BRIAN GARRITY Goldstuck had been pres- While managers of acts signed to to Davis. NEW YORK -In the latest sign of J Records. Richard RCA Records are quick to praise out- ident/C00 that the marketing of music is will continue as executive going RCA Music Group (RMG) Sanders undergoing a sea change, the RCA Records. chairman Bob Jamieson, they are also VP /GM of major labels are forging closer ties "We absolutely loved and have heralding the news that J Records with global consumer brands in with Bob Jamieson head Clive Davis will now control enjoyed working an effort to gain exposure for their and hope our paths will cross with him both the J label and RCA Records. acts. As the deals become more says artist manager Irving BMG announced Nov. 19 that it is again," pervasive, they raise questions for whose client Christina Aguilera buying out Davis' 50 %, stake in J Azoff, artists, who have typically cut on RCA Oct. 29. "I've Records -the label he formed in released Stripped their own sponsorship deals. -
Hon Murray Mccully
Hon Murray McCully Minister for the Rugby World Cup Media Statement 2 September 2011 Kiwi innovation on show at The Cloud during Rugby World Cup 2011 Rugby World Cup Minister, Hon. Murray McCully today previewed The Cloud on Auckland‟s Queens Wharf, part of New Zealand‟s largest ever showcase of business creativity and innovation for Rugby World Cup 2011. “Today‟s preview of The Cloud is an important moment for New Zealand‟s business sectors. Our goal was to ensure New Zealand‟s innovation story plays a strong role in showcasing New Zealand during the Tournament. It is an investment which is a legacy that New Zealand Trade and Enterprise will continue to build on long after the Tournament ends,” Mr McCully says. The Cloud is open to the public at all times during the Tournament and entry is free. It includes an exhibition space, two giant screens for an innovation AV showcase and to broadcast the Rugby when it is a Fanzone, a „Taste at The Cloud‟ food and beverage experience, the NZ 2011 media lounge and the NZ 2011 business lounge. Visitors to The Cloud can taste the quality and diversity of New Zealand food and beverages at the daily „Taste at The Cloud‟, experience authentic „Kiwi‟ hospitality, see up close the amazing business innovations that New Zealand is increasingly known for internationally, attend fashion and design shows and enjoy the Fanzone of music and matches on big screens on match days. “Our investment in The Cloud to be more than just an entertainment venue is deliberate and important. -
Top 40 Singles Top 40 Albums
20 September 2004 CHART #1426 Top 40 Singles Top 40 Albums We Gon Ride DIP IT LOW Into The West The Hard Way 1 Dei Hamo 21 Christina Milian 1 Yulia 21 213 Last week 2 / 2 weeks Gold x1 / HiRuys/Universal Last week 16 / 13 weeks Universal Last week 0 / 1 weeks Platinum x1 / Sony Music Last week 26 / 3 weeks Method/Shock So Damn Beautiful Taking Over / Loner Everyone Is Here SHREK 2 OST 2 Michael Murphy 22 Goodnight Nurse 2 The Finn Brothers 22 Various Last week 1 / 2 weeks Gold x1 / BMG Last week 19 / 2 weeks FMR Last week 1 / 4 weeks Platinum x1 / Capitol/EMI Last week 18 / 14 weeks Gold x1 / Universal My Place / Flap Your Wings Turn Me On Songs About Jane Absolution 3 Nelly 23 Kevin Lyttle 3 Maroon 5 23 Muse Last week 3 / 4 weeks Universal Last week 21 / 3 weeks EW/Warner Last week 3 / 17 weeks Gold x1 / BMG Last week 27 / 9 weeks Gold x1 / FMR Welcome Back Lola's Theme What To Do With Daylight Dead Letters 4 Mase 24 The Shapeshifters 4 Brooke Fraser 24 The Rasmus Last week 4 / 2 weeks Universal Last week 15 / 5 weeks Capitol/EMI Last week 2 / 43 weeks Platinum x4 / Sony Music Last week 16 / 8 weeks Universal Leave (Get Out) Look What You've Done Genius Loves Company California 5 JoJo 25 Jet 5 Ray Charles 25 Wilson Phillips Last week 36 / 2 weeks Universal Last week 24 / 15 weeks Capitol/EMI Last week 4 / 3 weeks Gold x1 / EMI Last week 19 / 8 weeks Gold x1 / Sony Music Getting Stronger Trick Me Suit Dino: The Essential Dean Martin 6 Adeaze feat. -
Hearing Ourselves: Globalisation, the State, Local Content and New Zealand Radio
HEARING OURSELVES: GLOBALISATION, THE STATE, LOCAL CONTENT AND NEW ZEALAND RADIO A thesis submitted in fulfilment of the requirements for the degree of Master of Arts in Sociology at the University of Canterbury by Zita Joyce University of Canterbury 2002 ii Abstract _____________________________________________________________________ Local music content on New Zealand radio has increased markedly in the years between 1997, when content monitoring began, and January 2002. Several factors have contributed to this increase, including a shift in approach from musicians themselves, and the influence of a new generation of commercial radio programmers. At the heart of the process, however, are the actions of the New Zealand State in the field of cultural production. The deregulation of the broadcasting industry in 1988 contributed to an apparent decline in local music content on radio. However, since 1997 the State has attempted to encourage development of a more active New Zealand culture industry, including popular music. Strategies directed at encouraging cultural production in New Zealand have positioned popular music as a significant factor in the development and strengthening of ‘national’ or ‘cultural’ identity in resistance to the cultural pressures of globalisation. This thesis focuses on the issue of airtime for New Zealand popular music on commercial radio, and examines the relationship between popular music and national identity. The access of New Zealand popular music to airtime on commercial radio is explored through analysis of airplay rates and other music industry data, and a small number of in-depth interviews with radio programmers and other people active in the industry. A considerable amount of control over the kinds of music supported and produced in New Zealand lies with commercial radio programmers. -
In New Zealand a Grounded Theory Analysis of Kiwi FM 2015
Powerful Music: Media, Culture and the ‘Third-way’ in New Zealand A Grounded Theory Analysis of Kiwi FM Matt Mollgaard School of Communication Studies Faculty of Design and Creative Technologies Auckland University of Technology A dissertation submitted to Auckland University of Technology in fulfilment of the requirements for the degree of Doctor of Philosophy 2015 2 Abstract The New Zealand radio market is one of the most deregulated in the world. There are no limits on ownership, very few constraints on content and no quotas for local content. New Zealand’s radio environment reflects the strong neo-liberal principles that underpin the open, market-driven New Zealand economy. Political promises and public discussions about the creation of a nationwide commercial-free public radio service for young people had faltered against these principles in the early to mid-2000s with strong opposition from incumbent commercial radio interests decrying government interference in their commercial rights. It was in to this environment in 2005 that one half of the foreign- owned radio broadcasting duopoly introduced a radio network into the three main cities that played only New Zealand music – Kiwi FM. Within a year the network had failed to attract sufficient listeners and advertisers to stay on-air and was nearing closure. At this point the Labour government of the day stepped in to save the struggling network by giving it access to temporary free frequencies and funding to make programmes featuring New Zealand music. This was an extraordinary situation in that commercial radio in New Zealand is notable for its focus on producing only programming that will create significant profits for shareholders, rather than public service-type programming benefiting national arts and culture. -
Mongrel Media
Mongrel Media Presents BOY A Film by Taika Waititi (90 min., New Zealand, 2011) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html FACT SHEET Title: BOY Writer/Director: Taika Waititi Producers : Ainsley Gardiner, Cliff Curtis, Emanuel Michael Co-Producer : Merata Mita Associate Producer: Richard Fletcher Production Company : Whenua Films, Unison Films In association with : The New Zealand Film Production Fund Trust, The New Zealand Film Commission, NZ On Air, Te Mangai Paho. Running Time : 90 minutes approx Starring : James Rolleston, Te Aho Eketone-Whitu, Taika Waititi Director of Photography : Adam Clark Editor : Chris Plummer Music : The Phoenix Foundation Production Designer : Shayne Radford Hair and Makeup: Danelle Satherley Costume Designer : Amanda Neale Casting: Tina Cleary SHORT SYNOPSIS The year is 1984, and on the rural East Coast of New Zealand “Thriller” is changing kids’ lives. Inspired by the Oscar nominated Two Cars, One Night, BOY is the hilarious and heartfelt coming-of-age tale about heroes, magic and Michael Jackson. BOY is a dreamer who loves Michael Jackson. He lives with his brother ROCKY, a tribe of deserted cousins and his Nan. Boy’s other hero, his father, ALAMEIN, is the subject of Boy’s fantasies, and he imagines him as a deep sea diver, war hero and a close relation of Michael Jackson (he can even dance like him). -
Top 40 Singles Top 40 Albums
12 May 2002 CHART #1308 Top 40 Singles Top 40 Albums SOPHIE A NEW DAY HAS COME A NEW DAY HAS COME MISSUNDAZTOOD 1 Goodshirt 21 Celine Dion 1 Celine Dion 21 Pink Last week 10 / 7 weeks CEMENT / EMI Last week 21 / 9 weeks SONY Last week 1 / 6 weeks Platinum / SONY Last week 0 / 6 weeks Gold / BMG IT'S ON IN YOUR EYES UNFORGETTABLE LATERALUS 2 Nesian Mystik 22 Kylie Minogue 2 Nat King Cole 22 Tool Last week 11 / 4 weeks BOUNCE/UNIVERSAL Last week 20 / 13 weeks FMR Last week 0 / 1 weeks Gold / CAPITOL/EMI Last week 43 / 19 weeks Platinum / BMG DON'T LET ME GET ME AMAZING ENCORE - NZ EDITION WEATHERED 3 Pink 23 Alex Lloyd 3 Russell Watson 23 Creed Last week 1 / 6 weeks BMG Last week 22 / 18 weeks CAPITOL/EMI Last week 4 / 14 weeks Platinum / UNIVERSAL Last week 38 / 20 weeks Platinum x2 / EPIC/SONY WHEREVER YOU WILL GO FLY BY LAUNDRY SERVICE CAMINO PALMERO 4 The Calling 24 Blue 4 Shakira 24 The Calling Last week 5 / 11 weeks BMG Last week 26 / 5 weeks VIRGIN/EMI Last week 15 / 12 weeks Platinum / SONY Last week 9 / 3 weeks BMG CAN YOU FEEL ME? MOVE IT LIKE THIS J TO THA L-O! BIG THINGS 5 K'Lee 25 Baha Men 5 Jennifer Lopez 25 P Money Last week 3 / 9 weeks UNIVERSAL Last week 17 / 9 weeks CAPITOL/EMI Last week 7 / 7 weeks Gold / SONY Last week 11 / 6 weeks KOG/UNIVERSAL MURDER ON THE DANCEFLOOR WORLDWIDE THE BEST OF INSIDE THE DUB PLATES 6 Sophie Ellis Bextor 26 Outlawz 6 Van Morrison 26 Salmonella Dub Last week 2 / 12 weeks UNIVERSAL Last week 0 / 1 weeks SHOCK Last week 41 / 2 weeks UNIVERSAL Last week 24 / 31 weeks Platinum / VIRGIN/EMI INSATIABLE -
Making a Difference
Making a Difference Annual Report For the Year Ended 30 June 2014 Making a Difference To... Through... > Families and children > The aroha and donations of Aucklanders > The hungry > The kindness of volunteers > Isolated elderly and donors > The homeless > The generosity of > People captured by corporate partners addiction > The dedication of Mission > People with poor physical/ staff and board mental health > Excellent integrated > Prisoners services > People in desperate need > Effective advocacy Auckland City Mission - Annual Report 2014 3 Thoughts from one of our homeless clients Auckland City Mission - Annual Report 2014 5 Services Crisis Care The Calder Medical Centre Homeless Community Service Drug and Alcohol Rehabilitation Homeless Outreach and Support Food Distribution Older People Household Goods Distribution Auckland City Mission - Annual Report 2014 7 Contents Board Members 10 Managers and Support Staff 11 Chair’s Report 12 CEO/City Missioner’s Report 13 The Mission Provides 14 5-Year Statistics 15 The Difference the Mission Makes 16 Volunteers Making a Difference 17 Crisis Care and Community Services 18 Homeless Services 19 - 21 Isolated Elderly 22 The Calder Medical Centre 23 Drug and Alchohol Services 24 Foodlink 25 Distribution Services 26 The Wider Community 27 The Mission Christmas Lunch 28 - 29 Advocacy 30 - 31 How You Can Help 33 - 34 Acknowledgements 36 - 37 Financial Statements 39 - 48 Notes to the Financial Statements 49 - 53 Auditor’s Report 54 - 55 Auckland City Mission - Annual Report 2014 9 Board Members Managers -
NZME Annual Report 2018
Annual Report NZME Limited For the year ended 31 December 2018 There is no doubt that parts of our industry continue to face significant challenges, but the 2018 results suggest that we are on the right track and we look forward to embracing the exciting opportunities NZME has to grow. Page 2 TABLE OF CONTENTS NZME 2018 Results Summary 4 Chair’s Report 6 Chief Executive Officer’s Report 8 Channel Results 10 Corporate Social Responsibility Report 13 The NZME Board 22 The NZME Executive Team 24 Corporate Governance 28 Other Statutory Information 40 Consolidated Financial Statements 44 Independent Auditor’s Report 102 Directory 108 This annual report is dated 29 March 2019 and is signed on behalf of the Board of Directors by: Peter Cullinane Carol Campbell Director Director Page 3 NZME 2018 RESULTS SUMMARY Results impacted by Pro-active investment in Digital Classifieds Agency market headwinds Statutory NPAT Trading Revenue1 Trading EBITDA1 $11.6m $378.4m $54.7m 2017 $20.9m 44% 2017 $387.7m 2% 2017 $66.2m 17% Trading NPAT 1 Trading Earnings Final Dividend Per Share1 $18.9m nil 2017 $26.7m 29% 9.6cps 2018 total dividends 2017 13.6cps 29% 2 cents per share (1) Trading measures used throughout this Annual Report are non-GAAP measures that are explained and reconciled on pages 34 and 35 of the NZME Full Year 2018 Results Presentation available on the Company’s website. Page 4 The New Zealand Herald remains the most-read and highest-selling newspaper in the country. Page 5 CHAIR’S REPORT NZME’s financial results for 2018 reflect progress New Zealand Agency advertising demand in Radio, on our strategy of growing new revenue streams Digital and Print.