Bilan 2014 Du Centre Du Cinéma Et De L'audiovisuel
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Filmmaker Bios, 2008
FILMMAKER BIOS, 2008 Aneel Ahmad, Boot Polish Aneel Ahmad was born and raised from a working class family within the poverty- stricken, inner city suburbs of Manchester, Longsight, England. He has no formal training or any academic qualifications and is completely self-taught. His role models are the (late) Stanley Kubrick, Sir David Lean, Satyajit Ray and documentary filmmaker Peter Watkins. In 2003 Aneel made his first short film with North West Vision, A Man's World, as part of the Lottery-funded Virgin Shorts scheme. In 2004, Aneel progressed to the UK Film Council, Digital Shorts scheme and made his second film in association with North West Vision, Waiting for Sunrise. Aneel Ahmad's film won the UNICEF UK AWARD at Sheffield in 2005. It was short- listed for one of the film world's most distinguished awards - the Grierson Awards for documentary. Aneel has also won critical acclaim and praise for his work from some of the top industry professionals and directors such as Ridley Scott, Mike Leigh and Quentin Tarantino. Aneel's third film Boot Polish was shot in Lahore, Pakistan and has just been selected by the British Council for Film & Arts to be screened worldwide in 2007. Aneel is currently developing two British feature films and another short film to be shot in the UK in 2007/08. Chris Ahrens, D.O.P.E. (Death or Prison Eventually) Chris Ahrens, director, remembers seeing Bruce Logan bomb Black Hill at 40 miles per hour in the mid- 1970s and watched the rise and fall of world-champion skateboarders over the years. -
Film Reviews
Page 117 FILM REVIEWS Year of the Remake: The Omen 666 and The Wicker Man Jenny McDonnell The current trend for remakes of 1970s horror movies continued throughout 2006, with the release on 6 June of John Moore’s The Omen 666 (a sceneforscene reconstruction of Richard Donner’s 1976 The Omen) and the release on 1 September of Neil LaBute’s The Wicker Man (a reimagining of Robin Hardy’s 1973 film of the same name). In addition, audiences were treated to remakes of The Hills Have Eyes, Black Christmas (due Christmas 2006) and When a Stranger Calls (a film that had previously been ‘remade’ as the opening sequence of Scream). Finally, there was Pulse, a remake of the Japanese film Kairo, and another addition to the body of remakes of nonEnglish language horror films such as The Ring, The Grudge and Dark Water. Unsurprisingly, this slew of remakes has raised eyebrows and questions alike about Hollywood’s apparent inability to produce innovative material. As the remakes have mounted in recent years, from Planet of the Apes to King Kong, the cries have grown ever louder: Hollywood, it would appear, has run out of fresh ideas and has contributed to its evergrowing bank balance by quarrying the classics. Amid these accusations of Hollywood’s imaginative and moral bankruptcy to commercial ends in tampering with the films on which generations of cinephiles have been reared, it can prove difficult to keep a level head when viewing films like The Omen 666 and The Wicker Man. -
Listing of HORROR FILM FESTIVALS
The Filmmaker’s Listing of HORROR FILM FESTIVALS CHICAGO HORROR FILM FESTIVAL CHICAGO, IL http://www.chicagohorrorfest.com http://www.myspace.com/chicagohorrorfest FESTIVAL DIRECTOR: JASON R. DAVIS SHRIEKFEST – The Los Angeles Horror / Sci-Fi Film Festival LOS ANGELES, CA http://www.shriekfest.com FESTIVAL DIRECTORS: DENISE GOSSETT and TODD BEESON EMAIL: [email protected] SCREAMFEST HORROR FILM FESTIVAL LOS ANGELES, CA http://www.screamfestla.com http://www.myspace.com/screamfestla FESTIVAL DIRECTOR: RACHEL BELOFSKY EMAIL: [email protected] PHONE: 310-358-3273 NEW YORK CITY HORROR FILM FESTIVAL NEW YORK CITY, NY http://www.nychorrorfest.com FESTIVAL DIRECTOR: MICHAEL J. HEIN EMAIL: [email protected] HOLLYWOOD HORROR FILM FESTIVAL HOLLYWOOD, CA http://www.hollywoodawards.com/horror.html SLAMDANCE FILM FESTIVAL PARK CITY, UT http://www.slamdance.com/ EMAIL: [email protected] EERIE HORROR FILM FESTIVAL EERIE, PA © 2010 Elsevier, Inc. All rights reserved. http://www.eeriehorrorfest.com/ FESTIVAL DIRECTOR: GREG ROPP EMAIL: [email protected] SACRAMENTO HORROR FILM FESTIVAL SACRAMENTO, CA http://www.sachorrorfilmfest.com/ FESTIVAL DIRECTOR: TIM MEUNIER EMAIL: [email protected] NEVERMORE FILM FESTIVAL DURHAM, NC http://festivals.carolinatheatre.org/nevermore/ FESTIVAL DIRECTOR: JIM CARL TROMADANCE FILM FESTIVAL PARK CITY, UT http://www.tromadance.com/ NOTES: NO ENRTY FEES! INSOMNIFEST THE WORLD’S FIRST ONLINE HORROR FILM FESTIVAL http://www.insomnifest.com/ FESTIVAL DIRECTOR: JOSH FREDRIK NORDSTROM EMAIL: [email protected] A NIGHT OF HORROR INTERNATIONAL FILM FEST SYDNEY, AUSTRAILIA http://www.anightofhorror.com EMAIL: [email protected] H.P. LOVECRAFT FILM FESTIVAL & CTHULHU CON PORTLAND, OR http://hplfilmfestival.com/ FESTIVAL DIRECTOR: ANDREW MIGLIORE WEEKEND OF FEAR – INTERNATIONAL HORROR FEST GERMANY http://www.weekend-of-fear.de/ FESTIVAL DIRECTOR: MICHAEL NEUN EMAIL: [email protected] DEAD BY DAWN HORROR FILM FESTIVAL UNITED KINGDOM http://www.deadbydawn.co.uk/ © 2010 Elsevier, Inc. -
Our Festival Partners
Our Festival Partners... A Night of Horror, Accolade Competition, AFI Dallas, AFI FEST, AFM, Almost Famous, Angelus Awards, Ann Arbor Film Festival, Appalachian Film Festival, Ashland Independent, Austin Film Festival, Babelgum, Beloit International, Bend Film Festival Big Bear Lake International Film Festival, Big Apple Film Festival, Big Island Film Festival, Big Sky Documentary Film Festival, Black Maria Film Festival, California Independent, California Film & Video Festival, Cine Gear Expo, Cine Las Americas, Cinequest, Coney Island Film Festival, Cucalorus, Crossroads Film Festival, DC Shorts Film Festival, DV Expo, Duke City Shootout, East Lansing Children’s Film Festival, Elevate Film Festival, Estes Park Film Festival, Fantastic Fest, Filmstock, FirstGlance, Flatland Film Festival, Flint Film Festival, Florida ART, Ft. Lauderdale International Film Festival, 48 Hour Film Project, FTX West Expo, Fusion Film Festival, Fylmz, George Lindsey UNA Festival, Hamptons International Film Festival, Haydenfilms, Hardacre Film Fest, HD Expo, HD Fest, Heart of Gold, Heartland, Indie Memphis, IP Schmoozefest, Jackson Hole Film Festival, Jackson Hole Wildlife, Long Island Film Festival, Los Angeles Film Festival, HP Lovecraft Film Festival, Indie Memphis, Indie Short Films, International Family Film Festival, International Horror & Sci-Fi Film Festival, MacWorld, Magnolia Independent, The Method Fest, Miami International Film Festival, Miami Underground Film Festival, Milwaukee International Film Festival, Moondance, NAB, NAB Post+ Production -
Switchblade Comb" by Mobius Vanchocstraw
00:00:00 Music Music "Switchblade Comb" by Mobius VanChocStraw. A jaunty, jazzy tune reminiscent of the opening theme of a movie. Music continues at a lower volume as April introduces herself and her guest, and then it fades out. 00:00:08 April Wolfe Host Welcome to Switchblade Sisters, where women get together to slice and dice our favorite action and genre films. I'm April Wolfe. Every week, I invite a new female filmmaker on—a writer, director, actor, or producer—and we talk in-depth about one of their fave genre films, perhaps one that influenced their own work in some small way, and today I'm very excited to have writer-director Alice Waddington here with me. Hi, Alice! 00:00:28 Alice Guest Hi, April! How are you? Waddington [Music fades out.] 00:00:30 April Host Oh, I'm quite well. [Alice laughs.] Despite fires raging. 00:00:32 Alice Guest Oh my goodness. 00:00:33 April Host But I gotta say your pink jumpsuit—pink corduroy jumpsuit is really livening up the place. 00:00:39 Alice Guest [Laughs.] Thank you so much. I'm—you know, I am on my Logan's Run stuff already. So. [Laughs.] 00:00:44 April Host Absolutely. I mean, Halloween should be year-round. [Alice laughs.] Okay, so for those of you who are not as familiar with Alice's work, please let me give you an introduction. Alice Waddington was born in a rural background, but she was raised in the big city of Bilbao, Spain. -
CABO DE GATA, LA INSPIRACIÓN DEL MEDITERRÁNEO CABO DE GATA, MEDITERRANEAN INSPIRATION Dirigido Por/Directed by BATISTE MIGUEL (JUAN BAUTISTA MIGUEL GIL)
CABO DE GATA, LA INSPIRACIÓN DEL MEDITERRÁNEO CABO DE GATA, MEDITERRANEAN INSPIRATION Dirigido por/Directed by BATISTE MIGUEL (JUAN BAUTISTA MIGUEL GIL) Productora/Production Company: DOCU PRODUCCIONES, S.L. Avda. Blasco Ibañez, 153, 81. 46022 Valencia. Tel.: +34 96 371 93 83. www.docuproducciones.com ; [email protected] Director: BATISTE MIGUEL (JUAN BAUTISTA MIGUEL GIL). Dirección de producción/Line Producer: CLARA SANZ. Guión/Screenplay: BATISTE MIGUEL. Fotografía/Photography: JOAQUÍN FERNÁNDEZ ALEMANY, BATISTE MIGUEL. Música/Score: JORGE PARDO CORDERO, GRUPO FLAMENCO DE ANA ALONSO. DOCUMENTAL/DOCUMENTARY Con/With:JEANNE CHEVALIER (Fotógrafa), ANA ALONSO (Bailaora de flamenco), JORGE PARDO (Músico), MATTHEW WEIR (Ceramista), ANNE KAMPSCHULTE (Escultora), MARIO SANZ (Farero y escritor), SOPHIE CUENDET (Ceramista, pintora, escultora). Cortometraje/Short Film. HD. Género/Genre: Documental / Documentary / Arte / Fine Arts. Duración/Running time: 52 minutos. Fechas de rodaje/Shooting dates: 01/07/2011 - 30/09/2011. Lugares de rodaje/Locations: Parque Natural de Cabo de Gata Nijar (Almería). Web: www.docuproducciones.com/cabo-de-gata.html Siete artistas, de distintos países y ramas del arte, encontraron aquí la libertad. El Cabo de Gata, situado en el sureste español, es el litoral que mejor conserva la esencia del Mediterráneo, por eso en los últimos 40 años se ha convertido en el hogar de artistas de diferentes nacionalidades. Aquí tienen su trabajo, realizan sus obras y disfrutan de vivir a orillas de un mar de aguas cristalinas y fondos marinos de gran belleza. De día, el único desierto europeo, muestra su desnudez bajo una luz extraordinaria y cuando oscurece se despierta el duende de la música y el baile flamenco con toda su energía. -
Fantastic Arcade Added to Festival
1 THE DAILY TEXAN NEWS PAGE 6 SPORTS PAGE 7 TOMORROW’S WEATHER UT gets ready to move High Low to new data center Lone Star State showdown 91 73 Thursday, September 23, 2010 Serving the University of Texas at Austin community since 1900 www.dailytexanonline.com Friendship TODAY Fantastic Arcade added to Festival from Navy raises $15m Calendar for building Free Henna By Collin Eaton Students help drum up Daily Texan Staff donations to aid flood victims in About 40 years ago, a young Na- Pakistan by offering free henna val officer named William Powers tattoos for donors. Stop by in Jr. was on a tour in Bahrain when front of the FAC from 9 a.m. to James Mulva, the man who would 5 p.m. become the chairman and CEO of ConocoPhilips, came to the island Craziest Cake fresh from UT’s Na- Competition val Re- Austin’s creative bakers serve Offi- compete for the title of the cer Train- craziest cake. The competition is ing Corps. at the AT&T Executive Education On two and Conference Center from different 7 to 10 p.m. and will offer sides of free cake samples. RSVP by the island, e-mailing rsvp@austinmonthly. Powers com. and Mul- va occa- sionally Delfos Danza James Mulva met each Conoco Philips CEO Contemporánea other at The Teresa Lozano Long events Institute of Latin American during their tours. But eight years Studies and the Department ago, it was at a Texas Exes event hon- of Theater and Dance presents Thomas Allison | Daily Texan Staff oring Mulva that UT President Pow- contemporary dance by Tech director Kody McKay Sandel demos one of eight custom-made arcade-style games for the upcoming Fantastic Arcade at The Highball. -
PRESS NOTES March 2019
PRESS NOTES March 2019 INFORMION 114 Minutes Ratio: 2:35 color Red Dragon DCP • AUDIO: 5.1 PRESS Emma Griffiths [email protected] PRODUCERS Larry Fessenden [email protected] Chadd Harbold [email protected] Jenn Wexler [email protected] PRINT TRAFFIC GLASS EYE PIX 172 East 4th Street #5F New York, NY 10009 WEBSITES A film by Larry Fessenden glasseyepix.com depravedfilm.com GLASS EYE PIX & FORAGER FILM COMPANY present DAVID CALL JOSHUA LEONARD and ALEX BREAUX "DEPRAVED" ANA KAYNE MARIA DIZZIA CHLOË LEVINE OWEN CampBELL and ADDISON TIMLIN cinematography CHRIS SKOTCHDOPOLE James SIEWERT production design APRIL LASKY costume design SARA ELISABETH LOTT makeup effects GERNER & SPEARS EFFECTS visual effects james SIEWERT music WILL bates sound design JOHN MOROS mix TOM EFINGER executive producers JOE SWANBERG EDWIN LINKER PETER GILBERT co-executive producerS andrew MER SIG DE MIGUEL STEPHEN VINCENT co-producer LIZZ ASTOR producers CHADD HARBOLD JENN WEXLER writer director editor producer LARRY FESSENDEN (c) 2019 DEPRAVED PRODUCTIONS INC. ALL RIGHTS RESERVED. A Glass Eye Pix COSTUME Lucy Double POST PICTURE "depRAVEd" Forager Film Company assistant costume designer ASHLEY MORGAN BLOOM Finishing Written and Performed by production ARIS BORDO Polidori Double CONTACT POST UNWANTED HOUSEGUEST wardrobe supervisor COLIN VAN WYE colorist publisher Tavistock Records CREW ALANNA GOODMAN Child Singers BLASE THEODORE BELLA MAGGIO "Wheels on the Bus" writer director editor Uniforms Edit and Online Facilities LARRY FESSENDEN KAUFMAN’S ARMY & NAVY JOEY MAGGIO THE STATION Performed by NIA AMALIA MOROS UNWANTED HOUSEGUEST producers additional animation LARRY FESSENDEN MAKEUP TV Voices BEN DUFF JAMES LE GROS "Pleasant Street" CHADD HARBOLD hair and makeup dept. -
Michael Marino 1436 N Martel Ave, Apt 213 Los Angeles CA 90046 • (410) 215-8253 • [email protected]
Michael Marino 1436 N Martel Ave, Apt 213 Los Angeles CA 90046 • (410) 215-8253 • [email protected] Education Chapman University Dodge College of Film & Media Arts, Orange, California Master of Fine Arts; Concentration in Film Directing – May 2012 Temple University School of Communications and Theater, Philadelphia, Pennsylvania Bachelor of Arts in Film and Media Arts; Minor in English – Magna Cum Laude - May 2008 Employment Various Assistant Director Work • First Assistant Director - 12 independent short films o Experience managing large crews, union regulations, livestock, child actors, sound stage sets, 50+ background actors, dangerous flammable conditions, and coordinating with police, EMT and fire departments. • Second Assistant Director - 4 independent short films. Indian Paintbrush Productions Office Intern, Spring 2012, Los Angeles, California • Handled front desk duties at an established production company. • Read feature length scripts, wrote corresponding coverages, and attended meetings with the company’s executives. “Suck On This” Asthma Commercial Campaign Creator / Director, 2011, Los Angeles, California • Handled the production of seven viral commercials with the Asthma & Allergy Foundation of America to promote Asthma awareness. “Law Abiding Citizen” Feature Film Set Production Assistant, Winter 2009, Philadelphia, Pennsylvania • Crowd control duties and occasional background talent management. • Occasional duties as an Office Production Assistant “Lebanon, PA” Feature Film EPK Assistant, September 2008, Lebanon, Pennsylvania • Assisted with the Electronic Press Kit, including website and blog management. • Conducted interviews with talent and crew, in addition to filming behind the scenes. “Transformers 2” Feature Film Locations Production Assistant, June 2008, Philadelphia, Pennsylvania • Prepared set locations and assisted with general coordination • Helped manage parking, catering, and other production elements as needed. -
Loft Film Fest Staff SUPPORTING SPONSORS
THIS GUIDE PROVIDED BY THE LOFT CINEMA AND ZOCALO MAGAZINE Loft Film Fest FULL SCHEDULE LFF 12-13 2018 Loft Film Fest Sponsors SHORT FILM PROGRAMS LFF 18-19 IN COMPETITION LFF 20-22 TITLE SPONSORS Get your Tickets FILM FESTIVAL PASS General: $150 Loft Members: $125 FILMS General: $10 Loft Members: $8 PRESENTING SPONSORS OFFICIAL FEST SITE LoftFilmFest.org SCREENINGS TAKE PLACE AT The Loft Cinema 3233 E. Speedway Blvd. Tucson, AZ 85716 CONTACT [email protected] (520) 795-0844 Loft Film Fest Staff SUPPORTING SPONSORS FESTIVAL EXECUTIVE DIRECTOR Peggy Johnson FESTIVAL DIRECTORS J.J. Giddings, Jeff Yanc MANAGING DIRECTOR Zach Breneman FESTIVAL PROGRAMMING CONSULTANTS PROGRAM SPONSORS Aurélie Gomes, Sarah Gonzales, Debi Chess Mabie, Maggie Mackay, Mike Plante, Ernie Quiroz, Nikki Sanchez FINANCE DIRECTOR Jonathan Kleefeld ART DIRECTORS Ben Mackey, Matt McCoy SPONSORSHIP DIRECTOR Amber Kleefeld FILM SPONSORS DIRECTOR OF EDUCATION & ENGAGEMENT Shawna Dacosta GUEST RELATIONS Daniela Ontiveros DIRECTOR OF THEATRE OPERATIONS Jason Denholm ASSISTANT MANAGERS IN-KIND DONATIONS Blaine Austin, Ray Borboa, Becky Hall, Pedro Arizona Inn, Cafe Desta, A Priori Distribution, Tumerico, AZ Daily Robles-Hill, Brenda Rodriguez, A.J. Simon Star, Tucson Tamales THIS GUIDE PROVIDED BY THE LOFT CINEMA AND ZOCALO MAGAZINE Loft Film Fest LFF 04 The Lofty Achievement Award The Loft Film Fest is awarding 2 Lofty Awards this year. The Lofty is presented each year at the Loft Film Fest to an individual whose career and body of work have The Loft Film Fest was proud to receive a $20,000 Art significantly contributed to the world of cinema, and Works grant from the National Endowment for the Arts for who continues to inspire, entertain and enlighten our 2018 edition – the only film festival in Arizona to receive audiences. -
Electric Boogaloo: the Wild, Untold Story of Cannon Films
Press Kit ELECTRIC BOOGALOO: THE WILD, UNTOLD STORY OF CANNON FILMS Table Of Contents CONTACT DETAILS And Technical Information 1 SYNOPSIS: LOGLINE AND ONE PARAGRAPH 2 SYNOPSIS: ONE PAGE 3 DIRECTOR’S STATEMENT 4 PRODUCER’S STATEMENT 5 KEY CREATIVE CREDITS 6 DIRECTOR BIOGRAPHY 7 PRODUCER BIOGRAPHY 8 KEY CREATIVEs 10 INTERVIEWEE LIST 11 - 12 SELECT INTERVIEWEE BIOGRAPHIES 13 - 16 FINAL END CREDITS 17 - 34 A CELEBRATION OF HOLLYWOOD’S LEAST LOVED STUDIO FROM THE DIRECTOR OF NOT QUITE HOLLYWOOD RATPAC DOCUMENTARY FILMS WILDBEAR ENTERTAINMENT IN ASSOCIATION WITH MELBOURNE INTERNATIONAL FILM FESTIVAL PREMIERE FUND SCREEN QUEENSLAND FILM VICTORIA AND CELLULOID NIGHTMARES PRESENT ELECTRIC BOOGALOO: THE WILD, UNTOLD STORY OF CANNON FILMS ORIGINAL MUSIC JAMIE BLANKS CINEMATOGRAPHER GARRY RICHARDS EDITED BY MARK HARTLEY SARA EDWARDS JAMIE BLANKS Check the Classification EXECUTIVE PRODUCERS NATE BOLOTIN TODD BROWN JEFF HARRISON HUGH MARKS JAMES PACKER PRODUCED BY BRETT RATNER VERONICA FURY WRITTEN AND DIRECTED BY MARK HARTLEY Press Kit A CELEBRATION OF HOLLYWOOD’S LEAST LOVED STUDIO FROM THE DIRECTOR OF NOT QUITE HOLLYWOOD RATPAC DOCUMENTARY FILMS WILDBEAR ENTERTAINMENT IN ASSOCIATION WITH MELBOURNE INTERNATIONAL FILM FESTIVAL PREMIERE FUND SCREEN QUEENSLAND FILM VICTORIA AND CELLULOID NIGHTMARES PRESENT ELECTRIC BOOGALOO: THE WILD, UNTOLD STORY OF CANNON FILMS ORIGINAL MUSIC JAMIE BLANKS CINEMATOGRAPHER GARRY RICHARDS EDITED BY MARK HARTLEY SARA EDWARDS JAMIE BLANKS Check the Classification EXECUTIVE PRODUCERS NATE BOLOTIN TODD BROWN JEFF HARRISON -
Bakalářská Práce
Univerzita Karlova v Praze Filozofická fakulta Katedra filmových studií Bakalářská práce Bc. Jiří Blažek Exploatace Víta Olmera: Bulvární zrcadlo polistopadové společnosti Vitus Olmer's exploitation: A Sensationalistic View of Post-communist Society Praha 2015 Vedoucí práce: PhDr. David Čeněk Poděkování: V prvé řadě patří poděkování vedoucímu práce PhDr. Davidu Čeňkovi, za odborné vedení mého výzkumného záměru. Rovněţ bych chtěl poděkovat Jiřímu Flíglovi, za jeho inspirativní uvedení fenoménu exploatace do českého polistopadového prostoru. Můj vděk dále patří zbytku pedagogického sboru; jedině díky jejich individuálnímu a odbornému přístupu jsem získal potřebný rozhled a oborové znalosti. Poděkovat se sluší i mým ročníkovým kolegům; naše pestré rozpravy mi dodaly nejednu inspiraci i určující impuls, jakým směrem bych chtěl vést svůj odborný zájem. Nakonec chci ale poděkovat hlavně své rodině, bez jejíţ neutuchající podpory bych nebyl tam, kde jsem nyní. Prohlášení: Prohlašuji, ţe jsem tuto diplomovou práci vypracoval samostatně a výhradně s pouţitím citovaných pramenů, literatury a dalších odborných zdrojů. V Praze, dne 15. ledna 2015 ………………………….. ABSTRAKT Bakalářská práce se soustředí na filmovou exploataci jako bulvární fenomén. Případovým modelem výzkumu je polistopadová produkce Víta Olmera vymezená roky 1990 – 1995 nejpříznačněji odráţející nové tvůrčí demokratické podmínky, jeţ Olmer účinně zuţitkoval ve svůj prospěch, a stal se jedním z nejproduktivnějších filmařů své doby. První část analýzy mapuje status exploatačního filmu v zahraniční akademické obci a s pomocí východisek Pierra Bourdieua objasňuje, jak se logika „dobrého vkusu“ podepsala na přístupu k „nevkusné kinematografii“, jejím výzkumu, a v neposlední řadě, na postojích samotných badatelů. Následně kapitola poskytuje obecný přehled obtíţných úloh přímo vzešlých z problematické pozice exploatace ve filmových studiích, k nejzásadnější z nich patří zřídkakdy teoreticky reflektovaná samotná identita exploatačního filmu, kterou vyznačuje výrazná roztroušenost.