The Book of Huon De Bordeaux
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Pirates, Pieces of Eight, and Pacific Nights
Curriculum Units by Fellows of the Yale-New Haven Teachers Institute 1981 Volume II: An Interdisciplinary Approach to British Studies Pirates, Pieces of Eight, and Pacific Nights Curriculum Unit 81.02.02 by Anthony F. Franco I have seen wicked men and fools, a great many of both; and I believe they both get paid in the end; but the fools first. — Kidnapped The above statement closes David Balfour’s ordeal on the islet of Earraid and offers the reader a choice dose of the wisdom and philosophy of Kidnapped ’s author, Robert Louis Stevenson. The statement also conveys the underlying theme of a unit that attempts to examine the work of master storyteller Stevenson. Central to this survey is the concept of that rogue bandit, the pirate, who Stevenson immortalized through his characterization of Long John Silver. Equally important is the notion of treasure, both material and philosophical. The impetus for this effort is derived from an increasingly narrowed middle school English curriculum which advocates the reading of literature, and novels in particular, as a secondary line of study. This back seat relegation serves two major purposes in the English classroom: the compilation of cumulative book report records and a source for multicolored checklists that are hung in just about every middle school English classroom except my own. Clearly, the appreciation of novels and the exploration of critical themes inherent within such works by students prior to entering high school can only serve to enhance the impact of curricular reading at the more advanced levels of education. The choice of an author and a sampling of his work over several authors and their work was not a particularly difficult decision to make. -
Epic and Romance Essays on Medieval Literature W
EPIC AND ROMANCE ESSAYS ON MEDIEVAL LITERATURE W. P. KER PREFACE These essays are intended as a general description of some of the principal forms of narrative literature in the Middle Ages, and as a review of some of the more interesting works in each period. It is hardly necessary to say that the conclusion is one "in which nothing is concluded," and that whole tracts of literature have been barely touched on--the English metrical romances, the Middle High German poems, the ballads, Northern and Southern--which would require to be considered in any systematic treatment of this part of history. Many serious difficulties have been evaded (in Finnesburh, more particularly), and many things have been taken for granted, too easily. My apology must be that there seemed to be certain results available for criticism, apart from the more strict and scientific procedure which is required to solve the more difficult problems of Beowulf, or of the old Northern or the old French poetry. It is hoped that something may be gained by a less minute and exacting consideration of the whole field, and by an attempt to bring the more distant and dissociated parts of the subject into relation with one another, in one view. Some of these notes have been already used, in a course of three lectures at the Royal Institution, in March 1892, on "the Progress of Romance in the Middle Ages," and in lectures given at University College and elsewhere. The plot of the Dutch romance of Walewein was discussed in a paper submitted to the Folk-Lore Society two years ago, and published in the journal of the Society (Folk-Lore, vol. -
Mystara Declassified Archives Present
MYSTARA DECLASSIFIED ARCHIVES PRESENT MD04 BRETHREN OF THE SEA OF DREAD FILES COMPILATION BY IRVING GALVEZ Contents Prologue ........................................................................................................................................ 3 The Sea of Dread ............................................................................................................................ 4 The Pirate Lords ............................................................................................................................. 5 Dread´s Brethren Rules .................................................................................................................. 7 Pirates Types.................................................................................................................................. 8 Pirate Ship Crew ............................................................................................................................ 9 The Pirate Code ........................................................................................................................... 13 The Actual Pirate Lords ................................................................................................................ 16 Known Pirates of the Sea of Dread ............................................................................................... 17 Apendix A - Rings of the Pirate Lords ............................................................................................ 23 Apendix B - Pirate Lands and -
Music 18145 Songs, 119.5 Days, 75.69 GB
Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L.. -
First, Secure the Milk Then Quick I Must Show You My Body's Inventing Itself
First, secure the milk then quick I must show you my body’s inventing itself that my body should make herself ground for the great shock of suck that, I quaking metal in fixed ground, I site of infection, I, arrowroot cookie Taste is the true prophetic word Secure the milk and I’ll tell you grammatical properties of the pronoun motherfucker Secure the milk and we’ll talk about “Marxism Leninism Mao-Tse Tung Thought” which is milk thought which is what I believe 9 || FOR FLOSSIE You won’t remember the first time it was 1989 you were flanked by an Ankh and person I would learn to call your woman very soon and this would be things there would be a woman and I was something else other than early memory which is now perhaps memory of not having been noticed therapist would say of an invented hardship in long time of never mattering enough and seeking out long time of not mattering by finding in first moment definitive sensation of a given desire’s co-existence within erasure. Possibly of a certain age body of a nineteen year-old wincing quality of woman who will never be presence of your body exactly in cinematic “past” the body which in 1989 began to be yours and became body of your woman became also body of the changing year I remember 2:17 am. Expectation is a curious thing to develop around the problem of not having been noticed or been absent or been without yet this was your hour to begin to expect you one or two minutes prior is expectation was. -
Privateering and the Revolt of the Netherlands: the Watergeuzen Or Sea Beggars in Portsmouth, Gosport and the Isle of Wight 1570-71
Proc. Hampsh. Field Club Archaeol. Soc. 47, 1991, 171-180 PRIVATEERING AND THE REVOLT OF THE NETHERLANDS: THE WATERGEUZEN OR SEA BEGGARS IN PORTSMOUTH, GOSPORT AND THE ISLE OF WIGHT 1570-71 ByM] FRENCH ABSTRACT Flanders from where it spread to most of the other provinces. As a result of the assault on The purpose of this study is to examine English relations with the churches the governing classes rallied the Dutch Watergeuzen or Sea Beggars by reference to a behind the government in Brussels, which survey of shipping in the ports of Hampshire dated 24 July gradually regained the initiative. 1570 and a letter from Sir Henry Radeclyjf, the Captain of By the early spring of 1567 the forces of the Portsmouth, to the Privy Council dated 21 May 1571, both in government had easily suppressed the last the Public Record Office, London. These documents tell of the pockets of Calvinist resistance. Large numbers Sea Beggars' presence on the Hampshire coast in the early of those implicated in the political and relig years of the tumults that became known as the Revolt of the Netherlands or the Eighty Years' War. The letter of 21 May ious disturbances fled abroad to Germany and 1571, which throws light on the close links formed by certain England. Foremost among those who left at Englishmen with the Sea Beggars, is significant since these this time was William of Nassau, Prince of privateers by their very nature did not tend to leave detailed Orange (1533-84), the leading nobleman in accounts of their activities. -
Groove Doctors - Song List
GROOVE DOCTORS - SONG LIST VOCAL STANDARDS A KISS TO BUILD A DREAM ON ALL THE WAY AT LAST AS TIME GOES BY BEYOND THE SEA BUT NOT FOR ME CHEEK TO CHEEK COME FLY WITH ME COME RAIN AND COME SHINE DO NOTHING TILL YOU HEAR FROM ME DOWN IN BRAZIL EAST OF THE SUN EMBRACEABLE YOU FLY ME TO THE MOON GREEN DOLPIN STREET HEART ANDSOUL HERE’S THAT RAINY DAY HOW HIGH THE MOON I CONCENTRATE ON YOU I LEFT MY HEART IN SAN FRANCISCO I LOVE BEIN HERE WITH YOU ISN’T IT ROMANTIC I THOUGHT ABOUT YOU IT DON’T MEAN A THING I’VE GOT THE WORLD ON A STRING I’VE GOT YOU UNDER MY SKIN I WANNA BE AROUND LET’S FALL IN LOVE LIKE A LOVER LIKE SOMEONE IN LOVE LOVE AND MARRIAGE LOVE DANCE MASQUERADE MISTY MOONDANCE MY FUNNY VALENTINE MY ONE AND ONLY LOVE MY ROMANCE NEW YORK NEW YORK NEW YORK STATE OF MIND NIGHT AND DAY VOCAL STANDARDS OLD DEVIL MOON ON THE SUNNY SIDE OF THE STREET OUR LOVE IS HERE TO STAY PIANO MAN RUBY RUBY SCOTCH AND SODA SINCE I FELL FOR YOU SOMEONE TO WATCH OVER ME SPEAK LOW STARDUST STEPPIN OUT WITH MY BABY STOMPIN AT THE SAVOY SUMMERTIME SUMMER WINDS TEACH ME TONIGHT THAT’S ALL THE BEST IS YET TO COME THE GOOD LIFE THE NEARNESS OF YOU THE SECOND TIME AROUND THE VERY THOUGHT OF YOU THE WAY YOU LOOK TONIGHT THERE WILL NEVER BE ANOTHER YOU TIME AFTER TIME UNFORGETTABLE WATCH WHAT HAPPENS WHAT A WONDERFUL WORLD WHAT ARE YOU DOIN NEW YEARS EVE WHEN I FALL IN LOVE WITCHCRAFT YOU DON’T KNOW ME YOU’D BE SO NICE TO COME HOME TO YOUR NOBODY TILL SOMEBODY LOVES YOU POP AND BALLADS ANOTHER STAR A SONG FOR YOU BACK AT ONE COPACABANA DADDY’S LITTLE GIRL FEEL LIKE -
The Norse Influence on Celtic Scotland Published by James Maclehose and Sons, Glasgow
i^ttiin •••7 * tuwn 1 1 ,1 vir tiiTiv^Vv5*^M òlo^l^!^^ '^- - /f^K$ , yt A"-^^^^- /^AO. "-'no.-' iiuUcotettt>tnc -DOcholiiunc THE NORSE INFLUENCE ON CELTIC SCOTLAND PUBLISHED BY JAMES MACLEHOSE AND SONS, GLASGOW, inblishcre to the anibersitg. MACMILLAN AND CO., LTD., LONDON. New York, • • The Macmillan Co. Toronto, • - • The Mactnillan Co. of Canada. London, • . - Simpkin, Hamilton and Co. Cambridse, • Bowes and Bowes. Edinburgh, • • Douglas and Foults. Sydney, • • Angus and Robertson. THE NORSE INFLUENCE ON CELTIC SCOTLAND BY GEORGE HENDERSON M.A. (Edin.), B.Litt. (Jesus Coll., Oxon.), Ph.D. (Vienna) KELLY-MACCALLUM LECTURER IN CELTIC, UNIVERSITY OF GLASGOW EXAMINER IN SCOTTISH GADHELIC, UNIVERSITY OF LONDON GLASGOW JAMES MACLEHOSE AND SONS PUBLISHERS TO THE UNIVERSITY I9IO Is buaine focal no toic an t-saoghail. A word is 7nore lasting than the world's wealth. ' ' Gadhelic Proverb. Lochlannaich is ànnuinn iad. Norsemen and heroes they. ' Book of the Dean of Lismore. Lochlannaich thi'eun Toiseach bhiir sgéil Sliochd solta ofrettmh Mhamiis. Of Norsemen bold Of doughty mould Your line of oldfrom Magnus. '' AIairi inghean Alasdair Ruaidh. PREFACE Since ever dwellers on the Continent were first able to navigate the ocean, the isles of Great Britain and Ireland must have been objects which excited their supreme interest. To this we owe in part the com- ing of our own early ancestors to these isles. But while we have histories which inform us of the several historic invasions, they all seem to me to belittle far too much the influence of the Norse Invasions in particular. This error I would fain correct, so far as regards Celtic Scotland. -
Kod-4000 Sort by Title Tagalog Song Num Title Artist Num
KOD-4000 SORT BY TITLE TAGALOG SONG NUM TITLE ARTIST NUM TITLE ARTIST 650761 214 Luke Mejares 650801 A Tear Fell Victor Wood 650762 ( Anong Meron Ang Taong ) Happy Itchyworms 650802 A Wish On Christmas Night Jose Mari Chan 650000 (Ang) Kailangan Ko'y Ikaw Regine Velasquez 650803 A Wit Na Kanta Yoyoy Villame 650763 (He's Somehow Been) A Part Of Me Roselle Nava 650804 Aalis Ka Ba?(Crying Time) Rocky Lazatin 650764 (He's Somehow Been)A Part Of Me Roselle Nava 650805 Aangkin Sa Puso Ko Vina Morales 650765 (Nothing's Gonna Make Me) Change Roselle Nava 650806 Aawitin Ko Na Lang Ariel Rivera 650766 (Nothing's Gonna)Make Me Change Roselle Nava 650807 Abalayan Bingbing Bonoan 650187 (This Song) Dedicated To You Lilet 650808 Abalayan (Ilocano) Bingbing Bonoan 650767 ‘Cha Cha Cha’ Unknown 650809 Abc Tumble Down D Children 650768 100 Years Five For Fighthing 650188 Abot Kamay Orange&Lemons 650769 16 Candles The Crest 650810 Abot Kamay (Mtv) Orange&Lemons 650770 214 (Mtv) Luke Mejares 650189 Abot-Kamay Orange And Lemons 650771 214 (My Favorite Song) Rivermaya 650811 About Kaman Orange&Lemons 650772 2Nd Floor Nina 650812 Adda Pammaneknek Nollie Bareng 650773 2Nd Floor (Mtv) Nina 650813 Adios Mariquita Linda Adapt. L. Celerio 650774 6_8_12 (Mtv) Ogie Alcasid 650814 Adlaw Gai-I Nanog Rivera 650775 9 & Cooky Chua Bakit (Mtv) Gloc 650815 Adore You Eddie Peregrina 650776 A Ba Ka Da Children 650816 Adtoyakon R. Lopez 650777 A Beautiful Sky (Mtv) Lynn Sherman 650817 Aegis Rachel Alejandro 650778 A Better Man Ogie Alcasid 650190 Aegis Medley Aegis 650779 A -
Évolution Du Personnage Épique Médiéval Sur L'exemple De
Dorota Pudo Université Jagellonne de Cracovie ÉVOLUTION DU PERSONNAGE ÉPIQUE MÉDIÉVAL SUR L’EXEMPLE DE QUELQUES TEXTES CONSACRÉS À GUILLAUME D’ORANGE ET À HUON DE BORDEAUX Le moyen âge est une longue époque, et cela même si nous limitons notre champ de recherche à une partie de cette période seulement, à savoir celle qui voit la littérature en vieux français déjà en pleine floraison : le moyen âge « classique » (le XII e et le XIII e s.) et tardif (le XIV e et le XV e s.). Sur l’espace de quatre siècles, beaucoup de phénomènes littéraires ont eu le temps de naître, évoluer et disparaître dans l’oubli des époques à venir ; d’autres, en passant de leur état primitif vers des formes de plus en plus modernes et éclectiques, ont su se faire une place durable dans la culture universelle. La littérature épique de la France médiévale nous semble appartenir à cette dernière catégorie. Sa résistance au temps nous paraît considérable même si, peu intéressée aux spéculations concernant son existence pendant les « siècles muets » qui ne nous laissent pas de témoins écrits, nous bornons la portée de nos remarques à la période délimitée ci-dessus. Ce genre littéraire a subi certains changements considérables déjà au cours des XII e et XIII e s. ; au niveau formel, les laisses se sont généralement allongées avec le temps, et les procédés typiques de l’épopée de l’âge d’or (parallélismes, similarités, reprises) se sont faits moins fréquents. 1 Quant au contenu, à cause de l’assimilation de certains thèmes romanesques, l’épopée du XIIIe s. -
Legends of the Middle Ages, Narrated with Special Reference to Literature
CORONATION OF CHARLEMAGNE.— L^vy. Legends of the middle ages NARRATED WITH SPECIAL REFERENCE TO LITERATURE AND ART BY AUTHOR OF "myths OF GREECE AND ROME,'' " MYTHS OF NORTHERN LANDS," "CONTES ET LEGENDES." " Saddle the Hippogriffs, ye Muses nine. And straight ua^U ride to the land ofold Romance.*' WiEI-AND. NEW YORK • : • CINCINNATI • : • CHICAGO AMERICAN BOOK COMPANY Copyright, 1896, by American Book Company. LEGENDS OF THE MIDDLE AGES. B—P2 <J^ DEDICATED TO MY SISTER, ADfiLE E. GUERBER, ;; ; " Men lykyn jestis for to here, And romans rede in diuers manere " Of Brute that baron bold of hond, The first conqueroure of Englond Of kyng Artour that was so riche, Was non in his tyme him Uche. " How kyng CharUs and Rowlond fawght With sarzyns nold they be cawght Of Tristrem and of Ysoude the swete, How tney with love first gan mete; " Stories of diuerce thynggis, Of pryncis, prelatis, and of kynggis Many songgis of diuers ryme, As english, frensh, and latyne." Cursor Mundi. PREFACE. THE object of this work is to familiarize young students with the legends which form the staple of mediaeval literature. While they may owe more than is apparent at first sight to the classical writings of the palmy days of Greece and Rome, these legends are very characteristic of the people who told them, and they are the best exponents of the customs, manners, and beliefs of the time to which they belong. They have been repeated in poetry and prose with endless variations, and some of our greatest modem writers have deemed them worthy of a new dress, as is seen in Tennyson's " Idyls of the King," Goethe's " Reineke Fuchs," Tegn6r's " Frithiof Saga," Wieland's " Oberon," Morris's " Story of Sigurd," and many shorter works by these and less noted writers. -
Wisconsin Public Television World War II Stories Project Transcript Of
Wisconsin Public Television World War II Stories Project Transcript of an Oral History Interview with DONALD COLLINS Radio Striker, Submariner, Navy, World War II. 2002 OH 916 1 OH 916 Collins, Donald E. (1924-2006). Oral History Interview, 2002. Video Recording : 5 videorecordings (ca. 145 min.); ½ inch, color. Transcript : 0.1 linear ft. (1 folder) Abstract: Donald E. Collins, a Sunbury, Pennsylvania native, discusses his World War II service in the Pacific theater as a radio striker aboard the USS Finback , a Navy submarine. Collins talks about being too light weight to join the Marines, enlisting in the Navy, boot camp at Sampson Naval Training Center (New York), and practical jokes played during time in an outgoing unit. He discusses assignment to code school at the University of Wisconsin-Madison, meeting his future wife at a USO, attending submarine school at Naval Submarine Base New London (Connecticut), and being inspected for possession of liquor by Charles Spritz. Shipped to Hawaii aboard one of the “Kaiser's coffins” (an escort carrier built by Kaiser Shipbuilding Co.), Collins describes uneasy relations with the Seabees, earning extra money cutting meat, and being evacuated due to a fire. Assigned to the USS Finback (SS-230), he mentions crash course training in wolf pack procedure to work with other boats, and he explains their use of radio silence, LORAN (Long Range Navigation), and offensive tactics. He describes the different sounds heard while underwater, including identifying ships by the sound of their screws. Collins describes submarine rest camps and reflects on the privileges submariners had. He relates his first experience being near exploding depth charges, and he talks about duty in the conning tower and daily life.