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Ke$ha) Potato Song (Cuz I Want To) BFF (feat. Wrabel) Father Daughter Dance Chasing Thunder. Medium Quality / High Quality). High Road by Kesha is out now on toryextra listen/share with friends. Stream & Download: Kesha— High Road (2019) MP3 Album Zip File. You are currently enjoying. Are you sure you want to unsubscribe? Wallace & Gromit - A Matter Of Loaf And Death TV Show. Lil Nas X feat. BIlly Ray Cyrus - Old Town Road (Remix). Are you sure you want to remove this from your watching list?. We have noticed that you have an ad blocker enabled on your browser. Ankhiyon Se Goli Mare (From "Pati Patni Aur Woh") Movie. Link will be sent on below Email ID to reset your password. Welcome to a place where words matter. On Medium, smart voices and original ideas take center stage - with no ads in sight. Watch. Warning: If your comment includes an album download link or to an illegal download site, you will be banned!. By favoriting a song/ album/ playlist/ radio station/ music video/ movie. Why Mobile Number? Receive subscription updates via SMS. Rest assured we WON'T spam! Follow all the topics you care about, and we'll deliver the best stories for you to your homepage and inbox. Explore. We have received your winning story. It will be featured on Winners page shortly. Description: Free Kesha– Raising Hell ft. Big Freedia ringtone download, mp3 ringtone Kesha– Raising Hell ft. Big Freedia free for all mobile phones, Free Download Now! Kesha is back. After releasing her most personal album in 2017, "Rainbow", after the Dr. Luke polemic, she will be releasing her new album, "High Road", next year. She has released the first single, "Raising Hell", featuring the bounce queen Big Freedia. The album is expected to be a comeback to Kesha's old pop bangers. Are you sure you want to delete this track?. Hungama Music Pro getting expired on June 10. The Naari Naari Song (From "Made in China") Song. Are you sure you want to delete this playlist?. 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  • Kesha's 'High Road' Is a “Defiant Reclamation of Lightness”
    Kesha’s ‘High Road’ Is a “Defiant Reclamation of Lightness” New Album OUT TODAY via Kemosabe/RCA Records LISTEN HERE Today, Kesha drops her new album ‘High Road’ (Kemosabe/RCA Records), reclaiming her throne as “the badass of pop” (Billboard). A delicious mix of debaucherous odes to living life to the fullest, reflections on self-love, and folk-tinged moments embracing all that makes us human, ‘High Road’ is the GRAMMY-nominated popstar’s most eclectic collection to date. Whether discussing topics of self-identity, free love, best friendship, heartbreak or childhood longing, ‘High Road’ expertly encompasses Kesha’s knack for heartfelt vulnerability, her wild child energy, and oddball sense of humor all with major modern pop integrity. It’s an album about not taking life too seriously, but it is done seriously well. For 'High Road', Kesha enlisted a diverse roster of collaborators / songwriters / producers including John Hill, Dan Reynolds, Stuart Crichton, Jeff Bhasker, Drew Pearson, Brian Wilson, Sturgill Simpson, Nate Ruess, Justin Tranter, Stint, Wrabel, and Pebe Sebert among others to help her make this celebratory chapter of her career a reality. Today’s album release follows last night’s incredible performance of “Resentment” on The Late Late Show with James Corden, and the recent announcement of her forthcoming North American spring tour. ‘High Road’ has already delighted critics, with Stereogum saying it “strikes a believable balance between vulnerability and the bluster she made her name on,” The Independent praising it as “a mature and defiant reclamation of lightness,” and AllMusic calling it “a heady good time”. Album standout tracks like “Tonight” (“100 percent your new night-out anthem” – MTV), “Father Daughter Dance” (“a crushing vocal showcase that no one could have expected” – American Songwriter), “Raising Hell” (feat.
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  • Emotional Storytelling Choreography—A Look Into the Work of Mia Michaels
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2011 Emotional Storytelling Choreography—A Look Into The Work of Mia Michaels Bethany Emery Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/2534 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Bethany Lynn Emery 2011 All Right Reserved Emotional Storytelling Choreography—A Look Into The Work of Mia Michaels A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. by Bethany Lynn Emery M.F.A., Virginia Commonwealth University, 2011 M.A.R., Liberty Theological Seminary, 2003 BA, Alma College, 2001 Directors: Amy Hutton and Patti D’Beck, Assistant Professors, Department of Theatre Virginia Commonwealth University Richmond, Virginia July 2011 ii Acknowledgement The author would like to thank several people. I would like to thank my committee members Professor Amy Hutton, Dr. Noreen Barnes and Professor Patti D’Beck for sticking with me through this process and taking time during their summer plans to finish it out. I especially would like to thank Professor Hutton for her guiding hand, honest approach while also having an encouraging spirit. I would like to thank friends Sarah and Lowell for always being there for me though the happy and frustrating days.
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  • Dancing in Body and Spirit: Dance and Sacred Performance In
    DANCING IN BODY AND SPIRIT: DANCE AND SACRED PERFORMANCE IN THIRTEENTH-CENTURY BEGUINE TEXTS A Dissertation Submitted to the Temple University Graduate Board in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Jessica Van Oort May, 2009 ii DEDICATION To my mother, Valerie Van Oort (1951-2007), who played the flute in church while I danced as a child. I know that she still sees me dance, and I am sure that she is proud. iii ABSTRACT Dancing in Body and Spirit: Dance and Sacred Performance in Thirteenth-Century Beguine Texts Candidate’s Name: Jessica Van Oort Degree: Doctor of Philosophy Temple University, 2009 Doctoral Advisory Committee Chair: Dr. Joellen Meglin This study examines dance and dance-like sacred performance in four texts by or about the thirteenth-century beguines Elisabeth of Spalbeek, Hadewijch, Mechthild of Magdeburg, and Agnes Blannbekin. These women wrote about dance as a visionary experience of the joys of heaven or the relationship between God and the soul, and they also created physical performances of faith that, while not called dance by medieval authors, seem remarkably dance- like to a modern eye. The existence of these dance-like sacred performances calls into question the commonly-held belief that most medieval Christians denied their bodies in favor of their souls and considered dancing sinful. In contrast to official church prohibitions of dance I present an alternative viewpoint, that of religious Christian women who physically performed their faith. The research questions this study addresses include the following: what meanings did the concept of dance have for medieval Christians; how did both actual physical dances and the concept of dance relate to sacred performance; and which aspects of certain medieval dances and performances made them sacred to those who performed and those who observed? In a historical interplay of text and context, I thematically analyze four beguine texts and situate them within the larger tapestry of medieval dance and sacred performance.
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  • ISSUE 2: the Summer School Edition November 2015
    ISSN 2055-737X (Online) ISSUE 2: The Summer School Edition November 2015 1 Postgraduate Journal of Women, Ageing and Media (PGWAM), November 2015, Issue 2 EDITORS: Josephine Dolan, University of the West of England Abigail Gardner, University of Gloucestershire Hannah Grist, University of Gloucestershire Ros Jennings, University of Gloucestershire EDITORIAL ADVISORY BOARD: Amelia DeFalco, University of Toronto Joanne Garde-Hansen, University of Warwick Eva Krainitzki, University of Gloucestershire Kate Latham, University of Gloucestershire Karin Lövgren, Umeå University Ulla Kriebernegg, Karl-Franzens-University Graz Estella Tincknell, University of the West of England Sherryl Wilson, University of the West of England WEB EDITOR: Hannah Grist, University of Gloucestershire COPY-EDITOR: Hannah Grist, University of Gloucestershire COVER DESIGN: Kwamena Beecham The Postgraduate Journal of Women, Ageing and Media (ISSN: 2055-7361) is a rigorous, peer- reviewed journal which welcomes submissions from postgraduate students and early career researchers working in the fields of ageing studies, media studies, cultural gerontology, and other related disciplines. Run by postgraduates with support from more experienced academics, the journal aims to make ‘thinking with age’ a key lens from which to approach research focussed on women, ageing and the media (film, television, screen media, popular music, advertising radio and the press). For inquiries, requests, and changes, please visit: http://wamuog.co.uk/ or Email: [email protected] © 2015
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  • Drummer, Give Me My Sound: Frisner Augustin
    Fall–Winter 2012 Volume 38: 3–4 The Journal of New York Folklore Drummer, Give Me My Sound: Frisner Augustin Andy Statman, National Heritage Fellow Dude Ranch Days in Warren County, NY Saranac Lake Winter Carnival The Making of the Adirondack Folk School From the Director The Schoharie Creek, had stood since 1855 as the longest single- From the Editor which has its origins span covered wooden bridge in the world. near Windham, NY, The Schoharie’s waters then accelerated to In the spirit of full dis- feeds the Gilboa Res- the rate of flow of Niagara Falls as its path closure, I’m the one who ervoir in Southern narrowed, uprooting houses and trees, be- asked his mom to share Schoharie County. fore bursting onto the Mohawk River, just her Gingerbread Cookie Its waters provide west of Schenectady to flood Rotterdam recipe and Christmas drinking water for Junction and the historic Stockade section story as guest contribu- New York City, turn of Schenectady. tor for our new Food- the electricity-generating turbines at the A year later, in October 2012, Hurricane ways column. And, why not? It’s really not New York Power Authority, and are then Sandy hit the metropolitan New York that we couldn’t find someone else [be in loosed again to meander up the Schoharie area, causing widespread flooding, wind, touch, if you’re interested!]. Rather, I think Valley to Schoharie Crossing, the site of and storm damage. Clean up from this it’s good practice and quite humbling to an Erie Canal Aqueduct, where the waters storm is taking place throughout the entire turn the cultural investigator glass upon of the Schoharie Creek enter the Mohawk Northeast Corridor of the United States oneself from time to time, and to partici- River.
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  • Bringing Sacred Circle Dance to Multiple Communities
    1 Neskaya: My Talk for Joining Hands, April, 2018 Reaching Out/Reaching In: Bringing Sacred Circle Dance to Multiple Communities Evelyn (“Evi”) Torton Beck I am going to begin my presentation with an invocation, with a poem whose vision resonates with what our dancing embodies. The Merger Poem And then all that has divided us will merge And then compassion will be wedded to power And then softness will come to a world that is harsh and unkind And then both men and women will be gentle And then both women and men will be strong And then no person will be subject to another's will And then all will be rich and free and varied And then the greed of some will give way to the needs of many And then all will share equally in the Earth's abundance And then all will care for the sick and the weak and the old And then all will nourish the young And then all will cherish life's creatures And then everywhere will be called Eden once again -- Judy Chicago This poem is a weaving together of the motifs we call forth in our dancing, and it speaks to where I am today. In spite of the many years I have spent in the world of research and theory building, my true compass has always moved toward the healing power of art: the way written and spoken words can work in you, the way music penetrates the soul, how color and form take one’s breath away, how dance can become a prayer.
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  • JOSEARCADIO Limon (1908 -1972)
    CREATING SELFTHROUGH DANCE PERFORMANCE: A SELECTIVE INQUIRY INTO THE LIFE AND WORK OF JOSEARCADIO LIMoN (1908 -1972) A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Fine Arts in the Graduate School of The Ohio State University By Sarah Marie Adams, B.A. ***** The Ohio State University 1998 Master's Examination Committee: Approved by Professor Angelika Gerbes, Ph.D., Advisor Professor Michael Kelly Bruce Professor Sheila Marion, Ph.D. Professor Rosalind Pierson Department of Dance Copyright by Sarah Marie Adams 1998 ABSTRACT José Limón (1908 - 1972) was one of the most prominent American modern dance choreographer-performers of this century. His work survives through contemporary performances of the José Limón Dance Company, and through his students' teachings. However, Limón's contribution to the field of dance remains dramatically under-researched. While there are at least two forthcoming publications which will address Limón's life and work, dance research to date has largely neglected the contributions of this major artist. My thesis project addresses this gap in dance scholarship, exploring the manner in which Limón created his identity through dance. By studying José Limón, I also seek to understand the artistic heritage in which I place myself, as a dancer trained in the Limón style. I have investigated José Limón's life and work by consulting a wide variety of source materials. These include Limón's personal correspondence and handwritten autobiography, films of Limón's dancing and choreography, my own physical experience of dancing his choreographic movement, personal and previously recorded interviews with Limón dancers, and dance criticism texts which include analyses of Limón's work.
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  • Kesha Launches Into Release Week with “Tonight”
    Kesha Launches Into Release Week With “Tonight” New Album ‘High Road’ Out This Friday (1.31) Performance on The Late Late Show with James Corden this Thursday It’s an exciting week for Kesha and her fans, a week that includes today’s release of “Tonight”, her much-anticipated latest track off of her fourth album ‘High Road’ (Kemosabe/RCA Records) which is dropping this Friday (1.31). Kesha is also set to hit the stage at The Late Late Show with James Corden to perform album cut "Resentment" this Thursday (1.30). Beginning with a few delicate bars of piano that lead into Kesha soulfully proclaiming that “tonight is the best night of our lives”, the new song undergoes a sudden morphing from heartfelt pop ballad into a dirty club-ready hip-hop ode to a wild night of throwing caution to the wind, living life to the fullest, losing your phone, and smuggling a bottle of wine in your purse. “Tonight” is a tantalizing merger of the inspiring heart found on her last album ‘Rainbow’ with the signature gritty IDGAF swagger from her early releases. The song is destined to become a celebratory anthem and is the perfect sampling of what’s to come when ‘High Road’ drops on Friday. LISTEN HERE Written by Kesha with Wrabel and Stint (w/ the lattermost producing the track), “Tonight” has become one of the most anticipated tracks off ‘High Road’ among Kesha’s social media following after it was featured in the ‘High Road’ album trailer and a portion was recorded on a fan-shot video at a live event in LA a few months back.
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  • Kesha Is “Raising Hell” Ft. Big Freedia
    Kesha Is “Raising Hell” ft. Big Freedia New Single & Video Out Today From Highly Anticipated Forthcoming Album ‘High Road’ Due Out January 10 PRE-ORDER AVAIL NOW Today Kesha drops her new song “Raising Hell” ft. Big Freedia, further cementing the legacy of a modern pop icon who has always used her rebellious spirit, irreverent sense of humor, quick-witted songwriting and undeniable heart to reinvent herself and bring joy to her fans. It’s the first taste of what’s to come off her upcoming album ‘High Road’, which will be released January 10 on Kemosabe/RCA Records, available now for pre-order HERE. The song begins soft with a piano and Kesha’s lush vocals before Big Freedia commands “Let’s go!” and a club-ready beat drops while Kesha unfurls fun-loving bars about embracing life’s wild moments. Co-written with Wrabel, Sean Douglas and Stint and produced by Stint and Omega, “Raising Hell” is a raucous celebration of the artist’s trademark IDGAF nature. As Kesha says during the chorus, “Mama raised me well, but I don’t wanna go to heaven without raising hell.” Watch the video for “Raising Hell” (directed by Luke Gilford), where Kesha plays a televangelist converted to the playful church of partying HERE. Following the monumental success of her GRAMMY-nominated album ‘Rainbow’, the release of ‘High Road’ finds an artist on a joyful musical journey of self-discovery. For ‘High Road’, Kesha enlisted an eclectic roster of collaborators/songwriters/producers including John Hill, Dan Reynolds, Stuart Crichton, Jeff Bhasker, Drew Pearson, Brian Wilson, Sturgill Simpson, Nate Ruess, Justin Tranter, Stint, Wrabel, and Pebe Sebert among others.
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  • African Dancing and Drumming in the Little Village of Tallahassee, Florida Andrea-Latoya Davis-Craig
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2009 Building Community: African Dancing and Drumming in the Little Village of Tallahassee, Florida Andrea-Latoya Davis-Craig Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATER, AND DANCE BUILDING COMMUNITY: AFRICAN DANCING AND DRUMMING IN THE LITTLE VILLAGE OF TALLAHASSEE, FLORIDA By ANDREA-LA TOYA DAVIS-CRAIG A Dissertation submitted to the Department of Art Education in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2009 Copyright © 2009 Andrea-La Toya Davis-Craig All Rights Reserved The members of the Committee approve the Dissertation of Andrea-La Toya Davis-Craig defended on 03-19-2009. ____________________________________ Pat Villeneuve Professor Directing Dissertation ____________________________________ Patricia Young Outside Committee Member ____________________________________ Marcia Rosal Committee Member ____________________________________ Tom Anderson Committee Member Approved: __________________________________ David Gussak, Chair, Department of Art Education The Graduate School has verified and approved the above named committee members. ii I am because you are. Dedicated to: My grandmother Aline Mickens Not a day goes by that I don’t think of you. I love you grandma. My grandmother Lottie Davis I never met you, but I know my dad and know that he is a reflection of you. My parents Lt. Col. Walter and Andrea Davis Your unyielding support, sacrifice, and example have taught me anything is possible. & My ancestors You fought the fight so that I could walk in the light.
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  • Art AIDS America Co-Curator Talks Activism, Exhibition
    VOL 32, NO. 11 NOV. 30, 2016 www.WindyCityMediaGroup.com THE ART OF ACTIVISM Roger Brown, Peach Light, 1983. Copyright The School of the Art Institute of Chicago and the Brown family Art AIDS America co-curator talks activism, exhibition BY GREtcHEN RACHEL HAMMOND The Alphawood Gallery and the city of Chicago will be the exhibit’s final home—a host to work that, for the most part, On World AIDS Day Dec. 1, The Alphawood Gallery in Chicago’s was never before seen until co-curators Chicagoan gay-rights Lincoln Park neighborhood will officially open the extraor- activist/Leslie-Lohman Museum of Gay and Lesbian Art Presi- dinary and historic new exhibit for which the building was dent Jonathan David Katz (who is also director of the visual CITIZEN JANE conceived and designed. studies doctoral program at State University of New York- Buffalo), alongside Tacoma Art Museum Chief Curator Rock Jane Lynch on Glee, new holiday CD. Since its Oct. 3, 2015 premiere at the Tacoma Art Musuem (TAM), Art AIDS America has been touring the country with Hushka, began years of painstaking work. Photo by Jake Bailey pieces depicting the history of AIDS in the United States as Katz spoke with Windy City Times about that work and the 34 seen through the uncompromising eyes and limitless creativ- life which gave rise to it. ity of the visual artist. Turn to page 23 UBER RELATIONSHIP HOLIDAY GIFT GUIDE FIDEL CASTRO Couple unites, thanks to ridesharing. Controversial world leader Photo of Tanya Serrano-Bargas and Marisela Bargas dies; LGBTs react.
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  • Kesha Takes the 'High Road' This Spring on 26-Date North American Tour
    Kesha Takes the ‘High Road’ This Spring on 26-Date North American Tour Tickets On Sale Friday (Jan. 10) Anticipated New Album ‘High Road’ Out Jan. 31 on Kemosabe/RCA Records This Spring, Kesha will unleash The High Road Tour on 26 cities across North America. Including stops in NYC, LA, Boston, Chicago, DC, San Francisco and more, The High Road Tour will showcase Kesha at her quintessential best: vibrant, rowdy, heartfelt, and badass. The tour will include Big Freedia as support and will follow the Jan. 31st release of Kesha’s highly- anticipated forthcoming album ‘High Road’ (Kemosabe/RCA Records), and will include a decade’s worth of iconic hits, from “TiK ToK” and “Your Love Is My Drug” through “Praying” and up to a selection of destined-to-be favorites from the new LP. A fan presale starts Wed, Jan 8 and tickets go on sale to the general public on Fri, Jan 10. To see the full list of tour dates and get tickets, visit www.bitchimblessed.com. Every ticket purchased online includes a CD copy of ‘High Road’ (max 4 per household). Watch the tour trailer HERE. From Kesha: "While shaking my ass at the stroke of midnight, ringing in the new year, new decade, with my new album coming this month, I thought to myself, ‘Damn. I think the best medicine for happiness and having a beautiful life is to celebrate it while I have it, with the people I love most. And ummm…shake my ass. As often as possible.’ So…this is my HIGH ROAD TOUR announce!!! If you wanna come shake ur body and hear the new jams LIVE, this is the place to do it! And, on the HIGH ROAD TOUR, you will have not 1, but 2 grand supreme expert body movers - BIG FREEDIA and YOURS TRULY - ME!!!!! Come see us on tour this Spring!!!!!!" ‘High Road’ has already been praised as “shaping up to be her most eclectic album to date” (Idolator).
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