Art AIDS America Co-Curator Talks Activism, Exhibition
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Burris, Durbin Call for DADT Repeal by Chuck Colbert Page 14 Momentum to Lift the U.S
THE VOICE OF CHICAGO’S GAY, LESBIAN, BI AND TRANS COMMUNITY SINCE 1985 Mar. 10, 2010 • vol 25 no 23 www.WindyCityMediaGroup.com Burris, Durbin call for DADT repeal BY CHUCK COLBERT page 14 Momentum to lift the U.S. military’s ban on Suzanne openly gay service members got yet another boost last week, this time from top Illinois Dem- Marriage in D.C. Westenhoefer ocrats. Senators Roland W. Burris and Richard J. Durbin signed on as co-sponsors of Sen. Joe Lie- berman’s, I-Conn., bill—the Military Readiness Enhancement Act—calling for and end to the 17-year “Don’t Ask, Don’t Tell” (DADT) policy. Specifically, the bill would bar sexual orien- tation discrimination on current service mem- bers and future recruits. The measure also bans armed forces’ discharges based on sexual ori- entation from the date the law is enacted, at the same time the bill stipulates that soldiers, sailors, airmen, and Coast Guard members previ- ously discharged under the policy be eligible for re-enlistment. “For too long, gay and lesbian service members have been forced to conceal their sexual orien- tation in order to dutifully serve their country,” Burris said March 3. Chicago “With this bill, we will end this discrimina- Takes Off page 16 tory policy that grossly undermines the strength of our fighting men and women at home and abroad.” Repealing DADT, he went on to say in page 4 a press statement, will enable service members to serve “openly and proudly without the threat Turn to page 6 A couple celebrates getting a marriage license in Washington, D.C. -
Exploring Gender Expressiv Fashions Honors Thesis
IT’S ALL A BLUR: EXPLORING GENDER EXPRESSIV FASHIONS HONORS THESIS Presented to the Honors College of Texas State University in Partial Fulfillment of the Requirements for Graduation in the Honors College by Natalie Victoria Arida San Marcos, Texas May 2017 IT’S ALL A BLUR: EXPLORING GENDER EXPRESSIV FASHIONS by Natalie Victoria Arida Thesis Supervisor: _______________________________ Dr. Gwendolyn Hustvedt, Ph.D. Family Consumer Science Approved: ____________________________________ Heather C. Galloway, Ph.D. Dean, Honors College Abstract: Gender expressive fashion is a way of dress where individuals can show what gender role they are filling that day. Someone who identifies as gender-fluid may change their role every day because they do not identify with any one sex. Individuals who classify themselves as gender-neutral do not identify with any sex; they can be considered unisex or genderless. An androgynous person exhibits characteristics from both sexes, and this can be shown through gender expression as well as sexual expression. A transgendered individual is someone whose gender identity is different from their assigned sex at birth. Over the past few years there has been an increasing acceptance for these different gender expressions, and with that has come a large fashion movement. Through history different gender expressive fashions have been popular trends with the masses; and through my research I aim to uncover if the current fashion movement will repeat history and fade away or, if this is a new social reality that will forever change gender expression. In order to do this, I will first define four different gender expressions, and then research the historical fashion trends for each category, followed by the current fashion for the different expressions. -
2014–2015 Season Sponsors
2014–2015 SEASON SPONSORS The City of Cerritos gratefully thanks our 2014–2015 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at 562-916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following current CCPA Associates donors who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue where patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. MARQUEE Sandra and Bruce Dickinson Diana and Rick Needham Eleanor and David St. Clair Mr. and Mrs. Curtis R. Eakin A.J. Neiman Judy and Robert Fisher Wendy and Mike Nelson Sharon Kei Frank Jill and Michael Nishida ENCORE Eugenie Gargiulo Margene and Chuck Norton The Gettys Family Gayle Garrity In Memory of Michael Garrity Ann and Clarence Ohara Art Segal In Memory Of Marilynn Segal Franz Gerich Bonnie Jo Panagos Triangle Distributing Company Margarita and Robert Gomez Minna and Frank Patterson Yamaha Corporation of America Raejean C. Goodrich Carl B. Pearlston Beryl and Graham Gosling Marilyn and Jim Peters HEADLINER Timothy Gower Gwen and Gerry Pruitt Nancy and Nick Baker Alvena and Richard Graham Mr. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Advanced Sculpture Students “De-Disneyfy” Fairy Tales Through Couture Costume Millinery
Advanced Sculpture Students “De-Disneyfy” Fairy Tales through Couture Costume Millinery Liz Terlecki Introduction I am often aghast when students exhibit baffled looks at the mention of what I consider to be Blockbuster movies like Edward Scissorhands or Ghostbusters. Typically, the movies we all assume that everyone has seen are films that conjure only a few raised student hands verifying a one-time screening, or at least familiarity, with the movie. However, it rarely fails that Disney movies are those with which most students are not only familiar, but also well versed. This past year, Disney’s hit Frozen has all but taken over the world of animated films (and all merchandise born thereto) and now seems to dominate pop culture categories of “most watched” and “most referenced.” The fact that my students are teenagers in high school is certainly no exception to the rule, especially since cartoons like Adventure Time, Spongebob Squarepants, and even My Little Pony have begun to invade older age groups. Unfortunately, just as my students are mystified by references to the Stay Puft Marshmallow Man, so are they to the real stories that inspired many Disney classics. Just when I begin thinking that I do not have much in common with this generation of teenagers, I find myself admitting that prior to writing this unit, I, too, was unfamiliar with many of the real fairy tales that influence Disney films. I was surprised by the unexpected components of death and even gore—elements with which my students are all too familiar (and attracted to) considering the recent rising popularity of zombie and vampire television shows and teenagers’ inevitable natural draw to cheesy horror flicks. -
Drama Queer Exhibition Catalogue 2016 by Jonathan D
EXHIBITION CATALOGUE CURATED BY Jonathan D. Katz and Conor Moynihan I 21-30 JUNE 2016 EXHIBITION CATALOGUE Queer Arts Festival 2016 CURATED BY Jonathan D. Katz and Conor Moynihan ARTISTIC DIRECTOR SD Holman iii ESSAY: Jonathan D. Katz and Conor Moynihan Publication Notes Drama Queer Exhibition Catalogue 2016 By Jonathan D. Katz and Conor Moynihan, with an introduction by SD Holman Drama Queer, Queer Arts Festival, Vancouver, BC Curated by Jonathan D. Katz and Conor Moynihan June 21-30, 2016 Copyright © 2017 by Pride in Art Society EXHIBITION CATALOGUE All rights reserved. This book and any versions thereof may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review. First printing, 2017 ISBN 978-0-9937185-2-6 Library and Archives Canada Cataloguing in Publication Table of Contents Queer Arts Festival (2016 : Vancouver, BC) Drama Queer : exhibition catalogue / curated by Jonathan D. Katz and Conor Moynihan ; artistic director, SD Holman. Catalogue of an exhibition held at the Queer Arts Festival, Vancouver, BC, 2016. Issued in print and electronic formats. Introduction: SD Holman, Artistic Director ...................................................................................1 ISBN 978-0-9937185-2-6 (softcover).--ISBN 978-0-9937185-1-9 (PDF) 1. Homosexuality in art--Exhibitions. 2. Homosexuality and art--Exhibitions. 3. Emotions in art--Exhibitions. 4. Sex customs in art--Exhibitions. 5. Sex symbolism--Exhibitions. 6. Lesbianism in art--Exhibitions. 7. Gender identity in art--Exhibitions. 8. Transgender people in art--Exhibitions. Drama Queer: Conor Moynihan and Jonathan D. Katz, Curators ................................................6 9. -
Food Business Awards 2017
GLEN EIRA CITY COUNCIL JUNE 2017 VOLUME 227 gleneira news VOLUME 194 NEWS Food Business Awards 2017 Council recognises local Bistro 309 has been named Glen Eira City butter chicken and beef or lamb vindaloo, per year — this equates to about $100 per volunteersLocal volunteers honoured Council’s Shop of the Year. to ossobucco di vitello and pollo alla household per week. With less time being Open space — a high cacciatora.” spent on meal preparation in the home, Announced at Council’s annual Food priority consumers are putting more trust in local Recycling A to Z on Business Awards 2017 on Monday 1 May, Darwan said he feels very lucky and proud food businesses to provide food that is safe website the Bentleigh restaurant received the to have received Shop of the Year. to eat. award from Glen Eira Mayor Cr Mary Have your say on the “The hard work of my wife and our small Delahunty for achieving the highest food Council’s Five-Star Safe Food Program New2014–15 dads’ Draft playgroup Annual team of staff has made it possible for safety rating after being assessed by demonstrates our commitment to working Budget Bistro 309 to earn this award,” he said. Council’s environmental health officers in partnership with the local food industry during 2016. 2017 award finalists to ensure food is safe for consumers. This year, there were 10 finalists and Avoca Catering in Ormond was named To achieve a Five-Star food safety rating, each business was nominated as the best Shop of the Year Runner-up. -
Art AIDS America Co-Curator Talks Activism, Exhibition
VOL 32, NO. 11 NOV. 30, 2016 www.WindyCityMediaGroup.com THE ART OF ACTIVISM Roger Brown, Peach Light, 1983. Copyright The School of the Art Institute of Chicago and the Brown family Art AIDS America co-curator talks activism, exhibition BY GREtcHEN RACHEL HAMMOND The Alphawood Gallery and the city of Chicago will be the exhibit’s final home—a host to work that, for the most part, On World AIDS Day Dec. 1, The Alphawood Gallery in Chicago’s was never before seen until co-curators Chicagoan gay-rights Lincoln Park neighborhood will officially open the extraor- activist/Leslie-Lohman Museum of Gay and Lesbian Art Presi- dinary and historic new exhibit for which the building was dent Jonathan David Katz (who is also director of the visual CITIZEN JANE conceived and designed. studies doctoral program at State University of New York- Buffalo), alongside Tacoma Art Museum Chief Curator Rock Jane Lynch on Glee, new holiday CD. Since its Oct. 3, 2015 premiere at the Tacoma Art Musuem (TAM), Art AIDS America has been touring the country with Hushka, began years of painstaking work. Photo by Jake Bailey pieces depicting the history of AIDS in the United States as Katz spoke with Windy City Times about that work and the 34 seen through the uncompromising eyes and limitless creativ- life which gave rise to it. ity of the visual artist. Turn to page 23 UBER RELATIONSHIP HOLIDAY GIFT GUIDE FIDEL CASTRO Couple unites, thanks to ridesharing. Controversial world leader Photo of Tanya Serrano-Bargas and Marisela Bargas dies; LGBTs react. -
Kesha's 'High Road' Is a “Defiant Reclamation of Lightness”
Kesha’s ‘High Road’ Is a “Defiant Reclamation of Lightness” New Album OUT TODAY via Kemosabe/RCA Records LISTEN HERE Today, Kesha drops her new album ‘High Road’ (Kemosabe/RCA Records), reclaiming her throne as “the badass of pop” (Billboard). A delicious mix of debaucherous odes to living life to the fullest, reflections on self-love, and folk-tinged moments embracing all that makes us human, ‘High Road’ is the GRAMMY-nominated popstar’s most eclectic collection to date. Whether discussing topics of self-identity, free love, best friendship, heartbreak or childhood longing, ‘High Road’ expertly encompasses Kesha’s knack for heartfelt vulnerability, her wild child energy, and oddball sense of humor all with major modern pop integrity. It’s an album about not taking life too seriously, but it is done seriously well. For 'High Road', Kesha enlisted a diverse roster of collaborators / songwriters / producers including John Hill, Dan Reynolds, Stuart Crichton, Jeff Bhasker, Drew Pearson, Brian Wilson, Sturgill Simpson, Nate Ruess, Justin Tranter, Stint, Wrabel, and Pebe Sebert among others to help her make this celebratory chapter of her career a reality. Today’s album release follows last night’s incredible performance of “Resentment” on The Late Late Show with James Corden, and the recent announcement of her forthcoming North American spring tour. ‘High Road’ has already delighted critics, with Stereogum saying it “strikes a believable balance between vulnerability and the bluster she made her name on,” The Independent praising it as “a mature and defiant reclamation of lightness,” and AllMusic calling it “a heady good time”. Album standout tracks like “Tonight” (“100 percent your new night-out anthem” – MTV), “Father Daughter Dance” (“a crushing vocal showcase that no one could have expected” – American Songwriter), “Raising Hell” (feat. -
Emotional Storytelling Choreography—A Look Into the Work of Mia Michaels
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2011 Emotional Storytelling Choreography—A Look Into The Work of Mia Michaels Bethany Emery Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/2534 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Bethany Lynn Emery 2011 All Right Reserved Emotional Storytelling Choreography—A Look Into The Work of Mia Michaels A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. by Bethany Lynn Emery M.F.A., Virginia Commonwealth University, 2011 M.A.R., Liberty Theological Seminary, 2003 BA, Alma College, 2001 Directors: Amy Hutton and Patti D’Beck, Assistant Professors, Department of Theatre Virginia Commonwealth University Richmond, Virginia July 2011 ii Acknowledgement The author would like to thank several people. I would like to thank my committee members Professor Amy Hutton, Dr. Noreen Barnes and Professor Patti D’Beck for sticking with me through this process and taking time during their summer plans to finish it out. I especially would like to thank Professor Hutton for her guiding hand, honest approach while also having an encouraging spirit. I would like to thank friends Sarah and Lowell for always being there for me though the happy and frustrating days. -
Dancing in Body and Spirit: Dance and Sacred Performance In
DANCING IN BODY AND SPIRIT: DANCE AND SACRED PERFORMANCE IN THIRTEENTH-CENTURY BEGUINE TEXTS A Dissertation Submitted to the Temple University Graduate Board in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by Jessica Van Oort May, 2009 ii DEDICATION To my mother, Valerie Van Oort (1951-2007), who played the flute in church while I danced as a child. I know that she still sees me dance, and I am sure that she is proud. iii ABSTRACT Dancing in Body and Spirit: Dance and Sacred Performance in Thirteenth-Century Beguine Texts Candidate’s Name: Jessica Van Oort Degree: Doctor of Philosophy Temple University, 2009 Doctoral Advisory Committee Chair: Dr. Joellen Meglin This study examines dance and dance-like sacred performance in four texts by or about the thirteenth-century beguines Elisabeth of Spalbeek, Hadewijch, Mechthild of Magdeburg, and Agnes Blannbekin. These women wrote about dance as a visionary experience of the joys of heaven or the relationship between God and the soul, and they also created physical performances of faith that, while not called dance by medieval authors, seem remarkably dance- like to a modern eye. The existence of these dance-like sacred performances calls into question the commonly-held belief that most medieval Christians denied their bodies in favor of their souls and considered dancing sinful. In contrast to official church prohibitions of dance I present an alternative viewpoint, that of religious Christian women who physically performed their faith. The research questions this study addresses include the following: what meanings did the concept of dance have for medieval Christians; how did both actual physical dances and the concept of dance relate to sacred performance; and which aspects of certain medieval dances and performances made them sacred to those who performed and those who observed? In a historical interplay of text and context, I thematically analyze four beguine texts and situate them within the larger tapestry of medieval dance and sacred performance. -
CV-2021V4-New Path
DAVID J. GETSY [email protected] // http://davidgetsy.com // pronouns: he/him Department of Art; University of Virginia; Fayerweather Hall 205; P.O. Box 400130; Charlottesville, VA 22904-4130 EDUCATION Ph.D., 2002, Department of Art History, Northwestern University M.A., 1996, Department of Art History, Northwestern University B.A. with Highest Honors, 1995, Oberlin College ACADEMIC AND PROFESSIONAL APPOINTMENTS University of Virginia 2021-present Eleanor Shea Professor of Art History, Department of Art, College and Graduate School of Arts and Sciences School of the Art Institute of Chicago 2011-2021 Goldabelle McComb Finn Distinguished Professor of Art History 2018-2019 Interim Director, Low-Residency MFA in Studio Program 2015-2016 Interim Dean of Graduate Studies 2013-2015 Chair of the Department of Art History, Theory, and Criticism 2008 named to Goldabelle McComb Finn Chair in Art History 2008-2011 Associate Professor, Department of Art History, Theory, and Criticism 2005-2008 Assistant Professor, Department of Art History, Theory, and Criticism Dartmouth College 2002-2004 Mellon Postdoctoral Fellow in the Humanities, Department of Art History Visiting professorships and appointments Freie Universität Berlin, John F. Kennedy Institute for North American Studies 2020-2021 Terra Foundation Visiting Professor of American Art University of York, Department of History of Art 2017 Honorary Visiting Professor of History of Art 2010 Honorary Visiting Professor of History of Art Ox-Bow School of Art 2014 Critic-in-Residence FELLOWSHIPS, GRANTS,