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BBC Music Booklet Celebrating 80 Years of Music.Pdf
Celebrating Years of Music A Serenade to Music “We are the music-makers And we are the dreamers of dreams…” (Arthur William Edgar O’Shaughnessy, Ode) The story of BBC Northern Ireland’s involvement in nurturing and broadcasting local musical talent is still in the making. This exhibition provides a revealing glimpse of work in progress at the BBC’s Community Archive in documenting the programmes and personalities who have brought music in all its different forms to life, and looks at how today’s broadcasters are responding to the musical styles and opportunities of a new century. It celebrates BBC NI’s role in supporting musical diversity and creative excellence and reflects changes in fashion, technology and society across 80 years of local broadcasting. “ Let us celebrate the way we were and the way we live now. Much has been achieved since 2BE’s first faltering (and scarcely heard) musical broadcast in 1924. Innovation has Let us celebrate the ways we will be... been a defining feature of every decade from early radio concerts in regional towns and country halls to the pioneering work of Sean O’Boyle in recording traditional music and Sam Hanna Bell’s 1950s programmes of Belfast’s Let us count the ways to celebrate. street songs.The broadcasts of the BBC Wireless Orchestra and its successors find their contemporary echo in the world-class performances of the Ulster Orchestra and BBC NI’s radio and television schedules continue to Let us celebrate.” reverberate to the diverse sounds of local jazz, traditional and country music, religious services, brass bands, choirs, (Roger McGough - Poems of Celebration) contemporary rock, pop and dance music. -
Interviews with Hugo Blanco, Other Exiles, on Right-Wing Junta's Repression · -Pages 5-7
OCTOBER 12, 1973 25 CENTS VOLUME 37/NUMBER 37 A SOCIALIST NEWSWEEKLY/PUBLISHED IN THE INTERESTS OF THE WORKING PEOPLE II Interviews with Hugo Blanco, other exiles, on right-wing junta's repression · -pages 5-7 Mexico City. Part of demonstration of 100,000 to protest Chile coup. U.S. protests, pages 9, 10. ln.Briel MICHIGAN STUDENTS OPPOSE TUITION HIKE: Stu in San Francisco last March of the tenth anniversary dents at the University of Michigan in Ann Arbor are of the CIA-backed coup that brought the shah of Iran THIS organizing a tuition strike to roll back a 24 percent fee to power. hike passed by the board of regents this summer. Widespread protests forced the dropping of the assault WEEK'S The Student Action Committee, which is coordinating charges. But Shokat and Ghaemmagham pleaded guilty the strike, held a rally of 250 students on Sept. 28, despite to the lesser charge of "intimidation" to bring the case MILITANT pouring rain. Militant correspondent Marty Pettit reports to an end. 3 UFW-Teamster talks the protesters then lined up in front of collection windows ·The Iranian Student Association has urged protests 4 Boudin describes gov't in the registration area and successfully prevented cashiers against these sentences, especially the imposition of the from accepting payments. maximum jail term on Shokat. Write to: Honorable Judge attempts to discredit him Strike leader Ruy Teixeira said, "A lot of people see this Williams, Federal Building, Nineteenth Floor, 450 Golden 8 New evidence of mass whole struggle, which hopefully will become nationwide, Gate Ave., San Francisco, <_::alif. -
Daniel Gilbert & Anton Kristiansson
xand • Ale er Dur en efe kin lt as • M T Nummer 10 • 2009 Sveriges största musiktidning i l • d n e o h i s H i j V e l s m i h • T O • a s k u w i o c o u L d • • I k s a Daniel GIlBert & AntoN KristianssoN Det gamla och det nya – samma Göteborg Joel Alme Pascal Fuck Buttons Bästa musiken 2009 Bibio Nile Dälek Up North Tildeh Hjelm This Is Head Riddarna 5 Årets album 7 Årets låtar Är trovärdighet på 8 Om autotunen må ni berätta väg ut? 8 Skivbolaget som blev ett fanzine Jag måste erkänna att jag vacklat i min tro illa om Henrik Berggren om han levt ett glas- på sistone. En tro som säger mig att trovär- sigt stekarliv. Att leva som man lär har sin ledare dighet i musiken är lika viktigt som i livet. Är poäng. Tycker jag. 10 Blågult guld det då så eller är jag bara en verklighetsfrån- I hiphopvärlden har trovärdighet å vänd drömmare? andra sidan varit A och O från dag ett. Där innehåll Riddarna Tankarna kring den vacklande trovärdig- förväntas man rappa om det man varit med hetssträvan kom till mig på en cykeltur till om. Att ha langat knark med ena handen på This Is Head kontoret. Jag tänkte på hårdrockare som pistolkolven är standard. Kulhålen ska finnas sjunger om Satan, döden, krig och annat där som bevis, liksom. Men det är lätt att Tildeh Hjelm hemskt. Kan det verkligen vara sant att så stelna i en form, och inte vilja utvecklas. -
Snow Patrol (UK) Till Stockholm
2009-02-26 14:54 CET Snow Patrol (UK) till Stockholm 18 maj - Stockholm, Cirkus (stående parkett) Snow Patrol föddes i exil. Sångaren och gitarristen Gary Lightbody och bassisten Mark McClelland var nämligen båda uppvuxna på Nordirland men möttes först efter att de flyttat till Skottland och universitet i Dundee. Tillsammans blev de embryot till det band som senare skulle hänföra folk runt om i världen. Tillsammans med Jonny Quinn på trummor släppte de 1998 debuten i form av "Songs for Polar Bears", och snart nog var de inte bara en lokal angelägenhet i Dundee, de omfamnades hjärtligt av en enad kritikerkår runt om på de brittiska öarna. När uppföljaren "When It's All Over We Still Have To Clear Up" kom blev den däremot inte mer än en perifer framgång och bandet blev av med kontraktet från det lilla indiebolaget Jeepster ( Belle & Sebastian). Här kunde historien ha tagit slut, men i samma veva anslöt sig gitarristen Nathan Connolly till Snow Patrol och bandet signade med storbolaget Polydor. Det ambitiösa arbetet med vad som skulle lyfta bandet som en projektil mot skyarna påbörjades, och inom kort skulle de fastslå den storhet som redan var inneboende i bandet. Tillsammans med producenten Jacknife Lee ( The Hives, Weezer) skapade de mästerverket "Final Straw", ett episkt verk som fullföljde de bombastiska drömmar Gary Lightbody såg inom sig. Det är knappast någon som kan ha undgått att beröras av "Chasing Cars", låten som etsade sig fast i etern för tre år sedan. Snow Patrols signum kan sägas vara enkelhet. Några få välvalda toner som vävs samman med Lightbodys lätt sorgsna stämma plöjer vägen för, i kontrast, stora arrangemang. -
Issue 171.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 171 October Oxford’s Music Magazine 2009 tristantristantristantristan &&& thethethe troubadourstroubadourstroubadourstroubadourstroubadours Oxford’s own Magnificent Seven ride out - Interview inside plus News, reviews and seven pages of local gigs photo: Marc West photo: Marc NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THIS MONTH’S OX4 FESTIVAL will feature a special Music Unconvention alongside its other attractions. The mini-convention, featuring a panel of local music people, will discuss, amongst other musical topics, the idea of keeping things local. OX4 takes place on Saturday 10th October at venues the length of Cowley Road, including the 02 Academy, the Bullingdon, East Oxford Community Centre, Baby Simple, Trees Lounge, Café Tarifa, Café Milano, the Brickworks and the Restore Garden Café. The all-day event has SWERVEDRIVER play their first Oxford gig in over a decade next been organised by Truck and local gig promoters You! Me! Dancing! Bands month. The one-time Oxford favourites, who relocated to London in the th already confirmed include hotly-tipped electro-pop outfit The Big Pink, early-90s, play at the O2 Academy on Thursday 26 November. The improvisational hardcore collective Action Beat and experimental hip hop band, who signed to Creation Records shortly after Ride in 1990, split in outfit Dälek, plus a host of local acts. Catweazle Club and the Oxford Folk 1999 but reformed in 2008, still fronted by Adam Franklin and Jimmy Festival will also be hosting acoustic music sessions. -
A Estética Grotesca Da Banda Cicuta E a Representação Poética Transmidiática Na Obra Viver Até Morrer
UNIVERSIDADE FEDERAL DE GOIÁS FACULDADE DE ARTES VISUAIS PROGRAMA DE PÓS-GRADUAÇÃO EM ARTE E CULTURA VISUAL MESTRADO O INFERNO É AQUI: A ESTÉTICA GROTESCA DA BANDA CICUTA E A REPRESENTAÇÃO POÉTICA TRANSMIDIÁTICA NA OBRA VIVER ATÉ MORRER FREDERICO CARVALHO FELIPE Goiânia/GO 2015 UNIVERSIDADE FEDERAL DE GOIÁS FACULDADE DE ARTES VISUAIS PROGRAMA DE PÓS-GRADUAÇÃO EM ARTE E CULTURA VISUAL MESTRADO O INFERNO É AQUI: A ESTÉTICA GROTESCA DA BANDA CICUTA E A REPRESENTAÇÃO POÉTICA TRANSMIDIÁTICA NA OBRA VIVER ATÉ MORRER FREDERICO CARVALHO FELIPE Dissertação apresentada à Banca Examinadora do Programa de Pós- Graduação em Arte e Cultura Visual – Mestrado da Faculdade de Artes Visuais da Universidade Federal de Goiás, como exigência parcial para a obtenção do título de MESTRE EM ARTE E CULTURA VISUAL, sob orientação da Profa. Dra. Rosa Maria Berardo. Linha de pesquisa: Poéticas Visuais e Processos de Criação. Goiânia/GO 2015 TERMO DE CIÊNCIA E DE AUTORIZAÇÃO PARA DISPONIBILIZAR AS TESES E DISSERTAÇÕES ELETRÔNICAS (TEDE) NA BIBLIOTECA DIGITAL DA UFG Na qualidade de titular dos direitos de autor, autorizo a Universidade Federal de Goiás (UFG) a disponibilizar, gratuitamente, por meio da Biblioteca Digital de Teses e Dissertações (BDTD/UFG), sem ressarcimento dos direitos autorais, de acordo com a Lei nº 9610/98, o documento conforme permissões assinaladas abaixo, para fins de leitura, impressão e/ou download, a título de divulgação da produção científica brasileira, a partir desta data. 1. Identificação do material bibliográfico: [ ] Dissertação [x ] Tese 2. Identificação da Tese ou Dissertação Autor (a): Frederico Carvalho Felipe E-mail: [email protected] Seu e-mail pode ser disponibilizado na página? [x]Sim [ ] Não Vínculo empregatício do autor Agência de fomento: Sigla: Capes País: Brasil UF: GO CNPJ: Título: O inferno é aqui: a estética grotesca da banda Cicuta e a representação poética transmidiática na obra ‘Viver até Morrer’. -
Snow Patrol ‘Chasing Cars’
Rockschool Grade Pieces Snow Patrol ‘Chasing Cars’ Snow Patrol SONG TITLE: CHASING CARS ALBUM: EYES OPEN RELEASED: 2006 LABEL: POLYDOR GENRE: INDIE PERSONNEL: GARY LIGHTBODY (VOX+GTR) NATHAN CONNOLLY (GTR) PAUL WILSON (BASS) JONNY QUINN (DRUMS) TOM SIMPSON (KEYS) UK CHART PEAK: 6 US CHART PEAK: 5 BACKGROUND INFO NOTES ‘Chasing Cars’ is the second single from Snow Although it didn’t achieve a number 1 in the UK or Patrol’s 2006 album Eyes Open. It is a based on a the U.S. ‘Chasing Cars’ still receives massive airplay single three-chord progression, but ‘Chasing Cars’ is and can be heard almost constantly in TV shows. A far from simple. The song starts with a sparse picked moving acoustic version of ‘Chasing Cars’ appears on eighth-note guitar line which is augmented by subtle the soundtrack for the US TV show Grey’s Anatomy. keyboard parts. The arrangement uses changes in dynamics to develop the song. The third chorus sees ‘Chasing Cars’ move up another notch adding RECOMMENDED LISTENING drums and several distorted guitars playing different inversions (where the notes of a chord are arranged Snow Patrol’s songs are masterpieces of in a different order) to create an orchestra-like wall of arrangement and see the guitar adopting a supporting guitars. The end of the song sees the song return to role on their songs rather than the dominant riffs its sparse beginnings with the re-stating of the simple and extended guitar solos you might expect to hear picked guitar part. from a rock, blues or metal band. -
Gone, Baby, Gone' Is Darker Than Expected
••■ AMIPAIMIIIIM 11111111111111111•1113•1111113111111111.1111111 w Aminms■ i • c.v. Lier.11111111r: g ggifi 4 C "Open Your Eyes" Worth Opening Your Ears Canada and the United States, respec- bums, it grows DANA LIVERMONT tively. The album features emotion- on the listener packed ballads and runs like a joy ride with each subse- After hearing mixed things about with tracks entitled "Chasing Cars," quent audition. I it, I decided to pick up Snow Patrol's "Headlights on Dark Roads," and The find the album to newest, "Eyes Open" (April 2006). Finish Line." be a bit mundane This is the fourth album for the Scot- After listening through "Eyes in places. In re- tish group, which is often classified Open," I was a bit disappointed. The flection, I have a under such genres as indie and alter- sound is much more mainstream than feeling about the native rock. Snow Patrol's sound is in the past. I thought maybe I had heard album as a often termed in reference to other UK a few of the songs on the radio before, whole, but only a ballad-bands like U2 and Coldplay. and whether I had or not, the point is few of the tracks Gary Lightbody is the voice and heart that it is radio-friendly. A radio-friendly stand out in my of the quintet which also includes Paul album usually speaks well for the melo- mind. Most of Wilson (bass), Jonny Quinn (drums), dies and production of an album, but the others sound Nathan Connolly (guitar), and Tom tends to make Indie enthusiasts cringe. -
PTA 1-87 Ammi111mr 1St MAB Units Enhance Skills More Than 1,400 Marines PTA 1-87
of Serving MCAS K neohe Bay, 1st IVIAB, Camp Smith and Marine Barracks, Hawaii ebtu.si'y l y 1997, PTA 1-87 AMMI111Mr 1st MAB units enhance skills More than 1,400 Marines PTA 1-87. During the first few and sailors of the 1st MAB days, the "cannon cockers" particpated in PTA exercise 1- conducted battery-level train- 87 at the Pohakuloa Training ing, then moved on to fire their Area on Hawaii, Jan. 12-29. 155mm and 105mm howitzers In general, the 1st MAB in a battalion-level exercise. sends units to PTA twice a Later, 1/12 conducted evalua- year for training at the spra- tions of key elements of the wling Army facility on the Big battalion, using the strict Island. PTA provides 57,000 standards of the Marine Corps acres of live-fire impact area Combat Readiness Evalua- and an additional 52,000 acres tion System. for maneuver in the rolling, Joining 1/12 for the exercise mountainous central area of was Battery R, 5/11, visiting Hawaii. from the 7th MAB headquar- The Marines of the PTA 1-87 tered at the Marine Corps Air Task Force put the training Ground Combat Center, 29 opportunity to good use, exer- Palms, Calif. 1st MAB's artil- cising infantry, aviation, lerymen loaned "Romeo Bat- artillery and service support tery" some 105mm howitzers units throughout the nearly for the deployment and pro- three-week deployment. vided other support. Marines of 2/3 provided the Throughout the exercise, primary ground maneuver Marines from BSSG-1 pro- element. -
Jon Theodore
12 Modern Drummer June 2014 Booth #1219 Always on the go, Daru Jones desired a highly portable cymbal set for hip-hop sessions, DJ Jams, and other sit-ins that spontaneously present themselves, enabling him to preserve his personal sound in modern urban mobility. The concept was developed in the PST X series, which provides a suitable basis for the type of fast and dry sounds that perfectly fit the world of Hip-hop & Electronica percussion. It is executed with the DJs 45 set consisting of a 12" Crash, 12" Ride and 12" Hats. INTRODUCING ?MbcRaf^aYbE^]WPERZRPcEVRZZDRPW_Rb͜ŬeRQWbcW]PcZh d]W`dRS^a\dZMb͜QRbWU]RQ͜PaRMcRQM]QcRbcRQc^_RaS^a\ ^_cW\MZZhW]cVRR]eWa^]\R]ccVMcORMabWcb]M\R͙ studio heritage modern dry stadium urban ?MbcRaf^aYbGaOM]bVRZZbSRMcdaRMa^d]QRQ ʎORMaW]URQUR P^\OW]RQfWcV^da6eR]BZhEWgOZR]Q^S3WaPVΧ8d\Χ3WaPVfWcV?M_ZR aRW]S^aPR\R]caW]Ubc^_a^\^cR_a^]^d]PRQZ^fR]QMccMPYfWcV b\^^cV͜ReR]QRPMh͙Ada\W]W\MZP^]cMPcEF>bfWeRZZdUb͜P^\OW]RQ fWcV^da ͙ \\Ed_Ra:^^_ZZhoops increase projection without W\_RQW]U_RaS^a\M]PRMPa^bbcVRcd]W]Ub_RPcad\͙ FVWbWbcVRWQRMZb^d]QS^aB^_͜D̿3^a8^b_RZ͙ ?MbcRaf^aYbGaOM]bV^f]W]ORMdcWSdZ3ZMPY lacquer fWcV:^Z^UaM_VWPůMYRb͙>WbcR]c^cVR GaOM]aRPW_R_ZMhRQOh3aWM]7aMbWRa?^^aR Mc_RMaZQad\͙P^\ CONTENTS Volume 41 • Number 12 CONTENTS Cover and Contents photos by Andreas Neumann FEATURES 28 MODERN DRUMMER 2018 56 ELI KESZLER READERS POLL The multidisciplinary artist has Make your voice heard in the most dedicated much of his career important poll in the drumming to exploring the solo drumset’s world! expressionistic capabilities, leading to new creative and career 30 THE PSYCHEDELIC FURS’ opportunities. -
Sounding Off: Folksong, Poetry, and Other Cognitive
SOUNDING OFF: FOLKSONG, POETRY, AND OTHER COGNITIVE DISSONANCE FROM THE AMERICAN WAR IN VIETNAM A Dissertation by MATTHEW KIRK IRWIN Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Terry H. Anderson Committee Members, David Vaught John Lenihan William Bedford Clark Head of Department, David Vaught December 2014 Major Subject: History Copyright 2014 Matthew Kirk Irwin ABSTRACT Among works treating Vietnam War history, few mention and none address extensively the folk culture that American and Vietnamese military forces produced. To bridge gaps between traditional and cultural primary sources, this study examines folk culture that the historiography has neglected: graffiti, folksongs, and poetry. Most were conceived and produced in-country, near in time to specific wartime experiences and their consequent emotions, thus lending them an emotional relevance and chronological proximity to Vietnam War history few other primary sources can boast. Graffiti, songs, and poems derived from specific historical contexts, registering social commentary and chronicling the cognitive dissonance that arose among combatants when their coveted, long-held, patriotic mythologies collided with wartime realities. These sources document the Vietnam War’s “inner-history”—the emotions, beliefs, concerns, and emotions of particular individuals, many of whom find voice virtually nowhere else in the historiographical canon. What folk culture lacks in terms of scope and scale vis-à-vis traditional sources, it abounds with in physical description, emotional narration, honesty, and transparency. Its value to historical inquiry lies in its tendency to pull no punches—ever. -
O Inferno É Aqui: a Estética Grotesca Da Banda Cicuta E a Representação Poética Transmidiática Na Obra Viver Até Morrer
UNIVERSIDADE FEDERAL DE GOIÁS FACULDADE DE ARTES VISUAIS PROGRAMA DE PÓS-GRADUAÇÃO EM ARTE E CULTURA VISUAL MESTRADO O INFERNO É AQUI: A ESTÉTICA GROTESCA DA BANDA CICUTA E A REPRESENTAÇÃO POÉTICA TRANSMIDIÁTICA NA OBRA VIVER ATÉ MORRER FREDERICO CARVALHO FELIPE Goiânia/GO 2015 UNIVERSIDADE FEDERAL DE GOIÁS FACULDADE DE ARTES VISUAIS PROGRAMA DE PÓS-GRADUAÇÃO EM ARTE E CULTURA VISUAL MESTRADO O INFERNO É AQUI: A ESTÉTICA GROTESCA DA BANDA CICUTA E A REPRESENTAÇÃO POÉTICA TRANSMIDIÁTICA NA OBRA VIVER ATÉ MORRER FREDERICO CARVALHO FELIPE Dissertação apresentada à Banca Examinadora do Programa de Pós- Graduação em Arte e Cultura Visual – Mestrado da Faculdade de Artes Visuais da Universidade Federal de Goiás, como exigência parcial para a obtenção do título de MESTRE EM ARTE E CULTURA VISUAL, sob orientação da Profa. Dra. Rosa Maria Berardo. Linha de pesquisa: Poéticas Visuais e Processos de Criação. Goiânia/GO 2015 UNIVERSIDADE FEDERAL DE GOIÁS FACULDADE DE ARTES VISUAIS PROGRAMA DE PÓS-GRADUAÇÃO EM ARTE E CULTURA VISUAL MESTRADO O INFERNO É AQUI: A ESTÉTICA GROTESCA DA BANDA CICUTA E A REPRESENTAÇÃO POÉTICA TRANSMIDIÁTICA NA OBRA VIVER ATÉ MORRER FREDERICO CARVALHO FELIPE BANCA EXAMINADORA: ________________________________ Profa. Dra. Rosa Maria Berardo Orientadora e presidente da banca – FAV/UFG ________________________________ Prof. Dr. Edgar Silveira Franco Membro interno – FAV/UFG ________________________________ Prof. Dr. Daniel Christino Membro externo – FIC/UFG ________________________________ Prof. Dr. Thiago Fernando Sant'Anna e Silva Suplente interno – FAV/UFG ________________________________ Profa. Dra. Maria Luiza Martins de Mendonça Suplente externo - FIC/UFG RESUMO O objetivo deste trabalho consiste em contribuir com os estudos relativos à estética do grotesco no rock’n’roll e à utilização de diferentes plataformas midiáticas como forma de estilização poética e criação de narrativas convergentes à obra Viver até Morrer da banda Cicuta.