Clay James Joyce
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Shahrzad and the Persian Culture in James Joyce's Finnegans Wake
International Journal of Humanities and Social Science Vol. 3 No. 19; November 2013 Shahrzad and the Persian Culture in James Joyce’s Finnegans Wake: A Chaotic “nightmaze” Dr. Leila Baradaran Jamili Department of English Literature Islamic Azad University Boroujerd Branch, Iran Abstract Novelists illustrate that linear assumptions persistently impinge upon their understandings of the cosmos. Whereas the nonlinear, disordered and dynamic system of chaos, or chaosmos and complexity theories can provide different perceptions, experiences, and interpretations that match the diversity of reading, as James Joyce believes, they cannot touch the Cartesian spring. Chaos, as a scientific, post-Einsteinian, theory unites science, literature, and culture by using modern and postmodern methods of interpretation. This paper discovers some proper links between cosmos and chaos in Joyce’s Finnegans Wake (1939), argues the existing systems of order versus disorder and the unpredictability of reality. Joyce visualizes a very chaotic system or “nightmaze” by constructing his major characters and mapping them in the world of literature through random acts of storytelling in various languages. He creates a world in which the invisible borders of reality and fantasy merge in an odd unpredictable relationship. In the chaosmos outlined by Joyce, he reveals that Shahrzad, the central character of The Thousand and One Nights, is trapped in an unsystematized chaotic “nightmaze” that instead paves the way to remap her identity and keep her alive not simply in the Persian literature but rather in the modern and postmodern world literature. Key Words: Chaos, Chaosmos, Nonlinearity, Shahrzad, Nightmaze, Persian Culture 1. Introduction The novelists consider linear assumptions persistently impinging upon their perceptions of the cosmos. -
Top Quark Physics in the Large Hadron Collider Era
Top Quark Physics in the Large Hadron Collider era Michael Russell Particle Physics Theory Group, School of Physics & Astronomy, University of Glasgow September 2017 arXiv:1709.10508v2 [hep-ph] 31 Jan 2018 A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Abstract We explore various aspects of top quark phenomenology at the Large Hadron Collider and proposed future machines. After summarising the role of the top quark in the Standard Model (and some of its well-known extensions), we discuss the formulation of the Standard Model as a low energy effective theory. We isolate the sector of this effective theory that pertains to the top quark and that can be probed with top observables at hadron colliders, and present a global fit of this sector to currently available data from the LHC and Tevatron. Various directions for future improvement are sketched, including analysing the potential of boosted observables and future colliders, and we highlight the importance of using complementary information from different colliders. Interpretational issues related to the validity of the effective field theory formulation are elucidated throughout. Finally, we present an application of artificial neural network algorithms to identifying highly- boosted top quark events at the LHC, and comment on further refinements of our analysis that can be made. 2 Acknowledgements First and foremost I must thank my supervisors, Chris White and Christoph Englert, for their endless support, inspiration and encouragement throughout my PhD. They always gave me enough freedom to mature as a researcher, whilst providing the occasional neces- sary nudge to keep me on the right track. -
The Realism of James Joyce: Autobiography, Intertextuality, and Genius
Western Washington University Western CEDAR WWU Honors Program Senior Projects WWU Graduate and Undergraduate Scholarship Spring 2004 The Realism of James Joyce: Autobiography, Intertextuality, and Genius Andrew Shanafelt Follow this and additional works at: https://cedar.wwu.edu/wwu_honors Part of the English Language and Literature Commons Recommended Citation Shanafelt, Andrew, "The Realism of James Joyce: Autobiography, Intertextuality, and Genius" (2004). WWU Honors Program Senior Projects. 281. https://cedar.wwu.edu/wwu_honors/281 This Project is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Honors Program Senior Projects by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. The Realism of James Joyce Autobiography, Intertextuality, and Genius Andrew Shanafelt Honors Senior Project June 2004 Advisor: Dr. Margaritis WESTERN _______B WASHINGTON UNIVERSITY_________________________________ An equal opportunity university Honors Program HONORS THESIS In presenting this Honors paper in partial requirements for a bachelor’s degree at Western Washington University, I agree that the Library shall make its copies freely available for inspection. I further agree that extensive copying of this thesis is allowable only for scholarly purposes. It is understood that any publication of this thesis fog comififerotel purposes or for financial gain shall not be allowed without my written pe/mis^pn. Signature Date_ (^/3/zoo^ Stately, plump Oliver Gogarty sits down in 1921 to read the mammoth novel that his erstwhile friend and roommate has at last completed, and against all odds published. He is understandably disturbed and surprised by what he finds. -
The Transformative Energy of Children's Literature
Notes 1 Breaking Bounds: The Transformative Energy of Children’s Literature 1. I do not recognise Karin Lesnik-Oberstein’s insistence that the majority of academics who write about children’s literature are primarily concerned with finding the right book for the right child (Children’s Literature: New Approaches, 2004: 1–24). 2. Although publishing for children includes many innovative and important non- fictional works, my concern is specifically with narrative fictions for children. 3. See Rumer Godden’s entertaining ‘An Imaginary Correspondence’ featuring invented letters between Mr V. Andal, an American publisher working for the De Base Publishing Company, and Beatrix Potter for an entertaining insight into this process. The piece appeared in Horn Book Magazine 38 (August 1963), 197–206. 4. Peter Hunt raises questions about the regard accorded to Hughes’s writing for children suggesting that it derives more from the insecurity of children’s literature critics than the quality of the work: ‘It is almost as if, with no faith in their own judgements, such critics are glad to accept the acceptance of an accepted poet’ (2001: 79–81). 5. See Reynolds and Tucker, 1998; Trites, 2000 and Lunden, 2004. 6. Although writing in advance of Higonnet, Rose would have been familiar with many of the examples on which Pictures of Innocence is based. 7. By the time she reaches her conclusion, Rose has modified her position to empha- sise that ‘children’s literature is just one of the areas in which this fantasy is played out’ (138), undermining her claims that the child-audience is key to the work of children’s literature in culture. -
James Joyce (Irish)
ANALYSIS “Clay” (1914) James Joyce (Irish) (1882-1941) “Clay” from Dubliners is typical of Joyce the Modernist, whose perspective in the story is suggested by the physiognomy of that elusive corkscrew. Everything depends upon the reader being more perceptive than Joe Donnelly, for almost every detail of the story implies opposites or contradictions, the essence of irony. Reading on all levels simultaneously is somewhat like playing three-dimensional chess. Maria the central figure is a soul of clay, one of many old maids in Dubliners, isolated between the Flynn sisters and the Morkan sisters. Her spinsterhood invokes the most obvious and for her the most painful ironies: “Lizzie Fleming said Maria was sure to get the ring.” Maria pretends “she didn’t want any ring or any man either,” and laughs with “disappointed shyness.” The stylish bakery clerk “asked her was it a wedding cake she wanted to buy,” and Maria pretends amusement, blushing. In the saucer game Joyce emphasizes symbolic appropriateness rather than irony by having Maria miss the ring and get the clay (death). But her response is the most crucial irony in the story, at least as far as she personally is concerned: “Maria understood that it was wrong that time.” All present are relieved to see her get the prayer-book the next time; for them the appropriate choice is the abhorrent choice. “Soon they were all quite merry again and Mrs. Donnelly said Maria would enter a convent before the year was out because she had got the prayer-book.” Joe asks the old lady to sing “some little song before she went.” In her embarrassment Maria seems to sense some of the irony of her romantic song from The Bohemian Girl and it may be this partial consciousness which causes her to omit a stanza about a lover. -
Dubliners and the Joycean Epiphany
DUBLINERS AND THE JOYCEAN EPIPHANY A Thesis by Roger T. Briggs B.A., Wichita State University, 2003 Submitted to the Department of English and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts May 2006 DUBLINERS AND THE JOYCEAN EPIPHANY I have examined the final copy of this Thesis for form and content and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Arts with a major in Literature. ____________________________________ Peter T. Zoller, Committee Chair We have read this Thesis and recommend its acceptance: ____________________________________ Christopher K. Brooks, Committee Member ____________________________________ Wilson Baldridge, Committee Member ii The Roman Catholic Church was an important and prominent aspect of Irish life in the early twentieth century. Where most of Western Europe had become secularized during the nineteenth century, Ireland remained steadfast in its faith, be it Roman Catholic or Protestant. However, at the time, more than ninety percent of the Irish population was Roman Catholic with the numbers of Protestants belonging to the Church of Ireland or Presbyterian and Methodist Churches falling from eight percent in the second half of the nineteenth century to less than three percent in 1981 (Inglis 63). As a result of the growth of the Roman Catholic Church, much of Irish politics and society was infused with starkly Catholic tones—so much that individual citizens and the nation as a whole began to understand their inherent identity through their association with the Roman Catholic faith (59). -
01-Newsletter-060709.Pdf
END OF THE WORLD New SL E TT E R July-August 2009 Issue: 03 Editor Dougie Milton Chief Editors Alan Roughley Nuria Belastegui New S FROM TH E HOUS E Dear Honorary Patrons, Trustees, members and anybody with an interest in Burgess visiting this website: This edition of The End of the World Newsletter has been very of Gerry Docherty and the financial acumen of Gaëtan capably put together and edited by that well-known Burgessian, de Chezelles, purchased new premises to house its Burgess Dougie Milton. Sadly, this will be the first edition of the collection. The Engine House of a renovated cotton mill in Newsletter that Liana Burgess will not be reading. Liana passed central Manchester will provide away in December 2007. Mrs Burgess has provided funding space for readings and performances for us to continue the development of the Foundation until we of Burgess’s literary works and become financially self-sufficient. music, as well as offering an excellent performance space If you know of for writers and musicians from anybody who may Manchester and from the wider want to become national and international contexts. a member of the The Engine House at Chorlton Mill, Foundation, please The renovation of the Engine Manchester pass on our details House at Chorlton Mill is being to them. led by architect Aoife Donnelly. Completion date for the refurbishment of the premises will be late 2009 or very early Since the last 2010. We hope that you will all pencil those dates in your diaries, edition of the and come and help us celebrate the opening of the new IABF. -
Dead Centre Written and Directed by Ben Kidd and Bush Moukarzel
Next Wave 2019 Brooklyn Academy of Music Adam E. Max, BAM Board Chair Katy Clark, President William I. Campbell and Nora Ann Wallace, David Binder, Artistic Director BAM Board Vice Chairs Hamnet Dead Centre Written and directed by Ben Kidd and Bush Moukarzel BAM Fishman Space Oct 30—Nov 2 at 7:30pm; Nov 3 at 3pm Running time: approx. one hour, no intermission Presented in association with Irish Arts Center Season Sponsor: Leadership support for BAM Access Programs provided by the Jerome L. Greene Foundation Leadership support for theater at BAM provided by The Fan Fox & Leslie R. Samuels Foundation, Inc.; The SHS Foundation; and The Shubert Foundation, Inc. Hamnet Aran Murphy. Photo: Ernesto Galan Aran Murphy. Hamnet Performed by Aran Murphy Text by Bush Moukarzel, Ben Kidd, and William Shakespeare Dramaturgy by Michael West Set design by Andrew Clancy Costume design by Grace O’Hara Lighting design by Stephen Dodd Sound design by Kevin Gleeson Video design by José Miguel Jiménez Choreography by Liv O’Donoghue Onstage effects and costume supervisor Eugenia Genunchi Stage manager Harriet Stewart Producer Aisling Ormonde American Stage Manager Meg McDonald Aran Murphy is appearing with the permission of Actors’ Equity Association. The American Stage Manager is a member of Actors’ Equity Association. Presented with support from Culture Ireland Hamnet “LITTLE IS KNOWN ABOUT HAMNET” Because again, however much Hamnet might —Wikipedia stand as a symbol, he also stands—or stood —as a little boy. He lived, and then he died. Hamnet Shakespeare lived and died. He We are so often told to deal with grief through was 11 years old. -
Reading the Margins of Joyce's Dubliners
Colby Quarterly Volume 18 Issue 2 June Article 6 June 1982 "Chronicles of Disorder": Reading the Margins of Joyce's Dubliners Joseph C. Voelker Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 18, no.2, June 1982, p.126-144 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Voelker: "Chronicles of Disorder": Reading the Margins of Joyce's Dubliner "Chronicles of Disorder": Reading the Margins of Joyce's Dubliners by JOSEPH C. VOELKER lIKE Flaubert's Madame Bovary, Joyce's Dubliners is a book which L derives its power from ambivalence. Of the two writers, Joyce is perhaps the more generous, for while Flaubert could qualify his hatred only in the case of his heroine, Joyce found himself to be of two minds toward an entire city. All his life, Joyce oscillated between injured rage at the parochial closed-mindedness of Dublin and a grudging fondness for its inexplicable and unsteady joie de vivre. It is strange, therefore, that even sensitive readers of Dubliners have agreed to see a very singleminded Joyce lurking behind the realism of his narrative. Perhaps because of the shrillness of his letters at the time, we have come to envision the young Joyce as a nlalignant artist, crafting maledictory leitmotivs out of coffins, priests, books, and gold florins. In such a view, the book is a clinically detailed diagnosis of hemiplegia, and all conclusions concerning the quality of actions within its pages are necessarily foregone. -
In Joyce's Dubliners
PARALYSIS AS “SPIRITUAL LIBERATION” IN JOYCE’S DUBLINERS Iven Lucas Heister, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2014 APPROVED: David Holdeman, Major Professor and Chair of the Department of English Masood Raja, Committee Member Stephanie Hawkins, Committee Member Mark Wardell, Dean of the Toulouse Graduate School Heister, Iven Lucas. Paralysis as “spiritual liberation” in Joyce’s Dubliners. Master of Arts (English), May 2014, 50 pp., references, 26 titles. In James Joyce criticism, and by implication Irish and modernist studies, the word paralysis has a very insular meaning. The word famously appears in the opening page of Dubliners, in “The Sisters,” which predated the collection’s 1914 publication by ten years, and in a letter to his publisher Grant Richards. The commonplace conception of the word is that it is a metaphor that emanates from the literal fact of the Reverend James Flynn’s physical condition the narrator recalls at the beginning of “The Sisters.” As a metaphor, paralysis has signified two immaterial, or spiritual, states: one individual or psychological and the other collective or social. The assumption is that as a collective and individual signifier, paralysis is the thing from which Ireland needs to be freed. Rather than relying on this received tradition of interpretation and assumptions about the term, I consider that paralysis is a two-sided term. I argue that paralysis is a problem and a solution and that sometimes what appears to be an escape from paralysis merely reinforces its negative manifestation. Paralysis cannot be avoided. Rather, it is something that should be engaged and used to redefine individual and social states. -
Kalba Ir Kontekstai
LIETUVOS EDUKOLOGIJOS UNIVERSITETAS FILOLOGIJOS FAKULTETAS KALBA IR KONTEKSTAI Mokslo darbai 2016 m. VII tomas (1) tomas 2 dalis 2016, Vilnius 1 ISSN 1822-5357 Mokslo darbų „Kalba ir kontekstai“ VII (1) tomas apsvarstytas Filologijos fakulteto Tarybos posėdyje 2016 09 12 (protokolo Nr. 1) ir rekomenduotas spaudai. Redaktorių kolegija / Editorial Board Atsakingoji redaktorė / Editor-in-Chief Prof. dr. Ernesta Račienė Lietuvos edukologijos universitetas (Filologija 04 H) Lithuanian University of Educational Sciences (Philology 04 H) Atsakingosios redaktorės pavaduotojas / Vice-Editor-in-Chief Doc. dr. Linas Selmistraitis Lietuvos edukologijos universitetas (Filologija 04 H) Lithuanian University of Educational Sciences (Philology 04 H) Nariai / Members Doc. dr. Natalja Avina Lietuvos edukologijos universitetas (Filologija 04 H) Lithuanian University of Educational Sciences (Philology 04 H) Prof. dr. Martin Dalmas Paryžiaus Sorbonos IV universitetas, Prancūzija (Filologija 04 H) The University of Paris-Sorbonne Paris IV, France (Philology 04 H) Dr. Klaus Geyer Pietų Danijos universitetas, Danija (Filologija 04 H) The University of Southern Denmark, Denmark (Philology 04 H) Doc. dr. Rasa Matonienė Lietuvos edukologijos universitetas (Filologija 04 H) Lithuanian University of Educational Sciences (Philology 04 H) Prof. dr. Irena Aldona Praitis Kalifornijos valstybinis universitetas, JAV (Filologija 04 H) California State University, the USA (Philology, 04 H) Dr. Henrika Sokolovska Lietuvos edukologijos universitetas (Filologija 04 H) Lithuanian University of Educational Sciences (Philology 04 H) Doc. dr. Daiva Verikaitė- Lietuvos edukologijos universitetas (Filologija 04 H) Gaigalienė Lithuanian University of Educational Sciences (Philology 04 H) © Lietuvos edukologijos universitetas, 2016 © Lietuvos edukologijos universiteto leidykla, 2016 2 LITHUANIAN UNIVERSITY OF EDUCATIONAL SCIENCES FACULTY OF PHILOLOGY LANGUAGE IN DIFFERENT CONTEXTS Research papers 2016 Volume VII (1) Part 2 Vilnius, 2016 3 4 TURINYS / CONTENTS III. -
6Th Bloomsday Croatia: the Joyce of Wandering
6th Bloomsday Croatia: The Joyce of Wandering 16-17 June 2016, Pula Every 16th of June literature enthusiasts and Ireland fans celebrate Bloomsday – the day James Joyce's Ulysses takes place, inspired by the day Joyce had first laid eyes on the love of his life, Nora Barnacle. For the sixth year, the Croatian coastal town of Pula commemorates Joyce, the Irish literary genius who lived there in 1904, the year of Ulysses. Bloomsday Croatia takes it back to where it all started: the coastal town of Pula; Joyce's first station in his self-exile from Dublin with Nora Barnacle, who would later become his wife. Initially, the couple had set out for Trieste, but ended up in Pula, an Austro-Hungarian naval port. Travel and literature became discoursively entangled in the 20th century, so Joyce's innate desire to explore and wander are the focus of the sixth edition of the Bloomsday Croatia festival. As the most mindpicking and meaning-elusive episode of his James Joyce's epochal Ulysses, Circe is the episode of choice. The hallucinatory episode is a metaphor for the cognitive travel; for Bloom it is the hero's journey into the mind, the sublime and the unconscious, his threading forth into the novel enviroment, just like that of Joyce's in the year of 1904 where he lived in the military port of Pula, an Austro- Hungarian coastal symbol of transit and change. A similar texture of the wandering hero is to be found in Stephen Dedalus, the ultimate Joycean hero who's coming of age was encapulated in the breathtaking psycho-geographic journey A Portrait of The Artist as a Young Man.