James Joyce - Poems
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Letters to James Joyce
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 70 Papers of Paul and Lucie Léon (MS 34,300-34,301; 36,907-36,939) Research papers and correspondence of Paul Léon. Fashion journalism and general correspondence of Lucie Léon (or Noel). Manuscripts, inventories of materials, correspondence and miscellaneous document belonging to Paul and Lucia Léon relating to their connections with James Joyce. Compiled by Peter Kenny, Assistant Keeper Contents Introduction...............................................................................................................................3 The Papers..............................................................................................................................3 Lucie and Paul Léon...............................................................................................................3 I. Papers of Lucie Léon ...........................................................................................................5 I.i. Correspondence ................................................................................................................5 I.ii. Publications and related materials ..................................................................................6 I.iii. Biographical and miscellaneous....................................................................................8 II. Papers of Paul Léon............................................................................................................9 II.i. Research material -
Early Sources for Joyce and the New Physics: the “Wandering Rocks” Manuscript, Dora Marsden, and Magazine Culture
GENETIC JOYCE STUDIES – Issue 9 (Spring 2009) Early Sources for Joyce and the New Physics: the “Wandering Rocks” Manuscript, Dora Marsden, and Magazine Culture Jeff Drouin The bases of our physics seemed to have been put in permanently and for all time. But these bases dissolve! The hour accordingly has struck when our conceptions of physics must necessarily be overhauled. And not only these of physics. There must also ensue a reissuing of all the fundamental values. The entire question of knowledge, truth, and reality must come up for reassessment. Obviously, therefore, a new opportunity has been born for philosophy, for if there is a theory of knowledge which can support itself the effective time for its affirmation is now when all that dead weight of preconception, so overwhelming in Berkeley's time, is relieved by a transmuting sense of instability and self-mistrust appearing in those preconceptions themselves. — Dora Marsden, “Philosophy: The Science of Signs XV (continued)—Two Rival Formulas,” The Egoist (April 1918): 51. There is a substantial body of scholarship comparing James Joyce's later work with branches of contemporary physics such as the relativity theories, quantum mechanics, and wave-particle duality. Most of these studies focus on Finnegans Wake1, since it contains numerous references to Albert Einstein and also embodies the space and time debate of the mid-1920s between Joyce, Wyndham Lewis and Ezra Pound. There is also a fair amount of scholarship on Ulysses and physics2, which tends to compare the novel's metaphysics with those of Einstein's theories or to address the scientific content of the “Ithaca” episode. -
The Morgan Library & Museum Receives Gift of Major
Press Contacts Patrick Milliman 212.590.0310, [email protected] Shaili Shah 212.590.0311, [email protected] THE MORGAN LIBRARY & MUSEUM RECEIVES GIFT OF MAJOR COLLECTION OF WORKS BY THE CELEBRATED WRITER JAMES JOYCE NOTED NEW YORK GALLERY OWNER SEAN KELLY AND HIS WIFE MARY KELLY ASSEMBLED THE COLLECTION OVER MORE THAN TWENTY-FIVE YEARS New York, NY, March 16, 2018 — The Morgan Library & Museum announced today that is has received the gift of one of the foremost private collections of works by the iconic Irish author James Joyce (1882-1941). The collection was assembled by New York gallery owner Sean Kelly and his wife, Mary Kelly. Totaling almost 350 items, it includes many signed and inscribed first editions of Joyce’s publications, as well as important manuscripts and correspondence, photographs, posters, publishers’ promotional material, translations, and a comprehensive reference collection. Among its many highlights are Joyce’s first stand-alone publication, the broadside The Holy Office (1904); four copies of the first edition of Ulysses (1922) on three different papers, one of which is inscribed; a fragment of the Ulysses Berenice Abbott (1898-1991), Portrait of James manuscript; Joyce’s typed schematic outline of the novel; Joyce, 1928. The Sean and Mary Kelly Collection . © Berenice Abbot / Masters / Getty and photographs of Joyce by Man Ray and Berenice Abbott. Images Also of note are a selection of publishers’ prospectuses from England, America, and France, including one annotated by Sylvia Beach; one of the twenty-five published copies of Joyce’s poetry collection, Pomes Penyeach (1927), with decorations by his daughter, Lucia; an advance copy of Finnegans Wake (1939); and extremely rare first pressings of 78 RPM recordings of the author reading from Ulysses and Finnegans Wake. -
Shahrzad and the Persian Culture in James Joyce's Finnegans Wake
International Journal of Humanities and Social Science Vol. 3 No. 19; November 2013 Shahrzad and the Persian Culture in James Joyce’s Finnegans Wake: A Chaotic “nightmaze” Dr. Leila Baradaran Jamili Department of English Literature Islamic Azad University Boroujerd Branch, Iran Abstract Novelists illustrate that linear assumptions persistently impinge upon their understandings of the cosmos. Whereas the nonlinear, disordered and dynamic system of chaos, or chaosmos and complexity theories can provide different perceptions, experiences, and interpretations that match the diversity of reading, as James Joyce believes, they cannot touch the Cartesian spring. Chaos, as a scientific, post-Einsteinian, theory unites science, literature, and culture by using modern and postmodern methods of interpretation. This paper discovers some proper links between cosmos and chaos in Joyce’s Finnegans Wake (1939), argues the existing systems of order versus disorder and the unpredictability of reality. Joyce visualizes a very chaotic system or “nightmaze” by constructing his major characters and mapping them in the world of literature through random acts of storytelling in various languages. He creates a world in which the invisible borders of reality and fantasy merge in an odd unpredictable relationship. In the chaosmos outlined by Joyce, he reveals that Shahrzad, the central character of The Thousand and One Nights, is trapped in an unsystematized chaotic “nightmaze” that instead paves the way to remap her identity and keep her alive not simply in the Persian literature but rather in the modern and postmodern world literature. Key Words: Chaos, Chaosmos, Nonlinearity, Shahrzad, Nightmaze, Persian Culture 1. Introduction The novelists consider linear assumptions persistently impinging upon their perceptions of the cosmos. -
Ulysses in Paradise: Joyce's Dialogues with Milton by RENATA D. MEINTS ADAIL a Thesis Submitted to the University of Birmingh
Ulysses in Paradise: Joyce’s Dialogues with Milton by RENATA D. MEINTS ADAIL A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY English Studies School of English, Drama, American & Canadian Studies College of Arts and Law University of Birmingham October 2018 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers the imbrications created by James Joyce in his writing with the work of John Milton, through allusions, references and verbal echoes. These imbrications are analysed in light of the concept of ‘presence’, based on theories of intertextuality variously proposed by John Shawcross, Hans Ulrich Gumbrecht, and Eelco Runia. My analysis also deploys Gumbrecht’s concept of stimmung in order to explain how Joyce incorporates a Miltonic ‘atmosphere’ that pervades and enriches his characters and plot. By using a chronological approach, I show the subtlety of Milton’s presence in Joyce’s writing and Joyce’s strategy of weaving it into the ‘fabric’ of his works, from slight verbal echoes in Joyce’s early collection of poems, Chamber Music, to a culminating mass of Miltonic references and allusions in the multilingual Finnegans Wake. -
The Realism of James Joyce: Autobiography, Intertextuality, and Genius
Western Washington University Western CEDAR WWU Honors Program Senior Projects WWU Graduate and Undergraduate Scholarship Spring 2004 The Realism of James Joyce: Autobiography, Intertextuality, and Genius Andrew Shanafelt Follow this and additional works at: https://cedar.wwu.edu/wwu_honors Part of the English Language and Literature Commons Recommended Citation Shanafelt, Andrew, "The Realism of James Joyce: Autobiography, Intertextuality, and Genius" (2004). WWU Honors Program Senior Projects. 281. https://cedar.wwu.edu/wwu_honors/281 This Project is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Honors Program Senior Projects by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. The Realism of James Joyce Autobiography, Intertextuality, and Genius Andrew Shanafelt Honors Senior Project June 2004 Advisor: Dr. Margaritis WESTERN _______B WASHINGTON UNIVERSITY_________________________________ An equal opportunity university Honors Program HONORS THESIS In presenting this Honors paper in partial requirements for a bachelor’s degree at Western Washington University, I agree that the Library shall make its copies freely available for inspection. I further agree that extensive copying of this thesis is allowable only for scholarly purposes. It is understood that any publication of this thesis fog comififerotel purposes or for financial gain shall not be allowed without my written pe/mis^pn. Signature Date_ (^/3/zoo^ Stately, plump Oliver Gogarty sits down in 1921 to read the mammoth novel that his erstwhile friend and roommate has at last completed, and against all odds published. He is understandably disturbed and surprised by what he finds. -
The Cea Forum 2013
Summer/Fall THE CEA FORUM 2013 Book Review Gordon Bowker, James Joyce: A New Biography New York: Farrar, Straus and Giroux, 2011. ($35.00) Lee Brewer Jones Georgia Perimeter College Online Regarding Gordon Bowker’s new James Joyce biography, one question immediately springs to mind: why? Herbert Gorman’s 1939 biography was authorized, and Richard Ellman’s 1959 work, although hoary, is still venerated. Bowker begins by acknowledging he must “stand on the shoulders of these and other books” (xi). Then, he asserts he “will attempt to go beyond the mere facts and tap into Joyce’s elusive consciousness” (8). Bowker’s biography, furthermore, “is informed by the belief that it is enlightening to view the work of a highly autobiographical writer like Joyce in the context of his life” (8). What Bowker does not state is that Gorman’s biography, overseen by the author himself, borders on hagiography. Ellman, too, labored at a time when members of Joyce’s family and some of his fiercest protectors survived. Both the passing of these individuals and the wealth of material discovered since Ellman revised his book in 1982 justify a writer with Bowker’s perspective reexamining the “riverrun” (5) that constitutes Joyce’s life and work. Bowker divides the 540 pages of James Joyce: A New Biography purely by chronology into 35 chapters, some covering only a few months of a capstone year, such as 1904. Each chapter receives its own title; one memorable choice is “Ulysses: Inside the Dismal Labyrinth 198 www.cea-web.org Summer/Fall THE CEA FORUM 2013 (1920 – 1921).” Writing in a straightforward style, Bowker plumbs both the shallows and the depths of the Liffey, the river that meanders throughout Joyce’s works even though he rarely saw it after 1904, when he was in his early twenties, and never at all after 1912. -
Kpds-Üds-Yds Reading Pack
KKPPDDSS--ÜÜDDSS--YYDDSS RREEAADDIINNGG PPAACCKK Bu kitap nedir? KPDS,ÜDS,YDS sınavlarına hazırlanan öğrencilere hep oku, oku denir. Ancak ne okumaları gerektiği konusunda “stage’li kitap oku, üçüncü seviye sana uygun, dördüncü seviye sana uygun, Daily News oku, İngilizce gazete oku” türünden okuma becerisini geliştirici olsa da direkt sınav formatıyla örtüşmeyen önerilerde bulunulur. KPDS,ÜDS,YDS sınavları AKADEMİKTİR. Akdemik personel tarafından hazırlanır. O insanlar, yani profesörler, akademik düşünürler. Ve sonucunda da akdemik içerikli sorular sorarlar. Bu kitap KPDS,ÜDS,YDS sınavına hazırlanan öğrencileri, yani seni, Moby Dick türü stage’li kitaplarla hazırlamaktan çok, direkt akademik parçalarla boğuşturarak doğru yönlendirmek amaçlı hazırlandı. Sen İngilizce stage’li kitaplar, gazeteler, dergiler okumaya devam et, internette İngilizce sayfalarda gez; ancak aynı anda mutlaka ve mutlaka Akademik içerikli yazılar da oku. Sınavın temelde bunu şart koşuyor: Öğrenci akademik metinler de okumuş mu? ÜNİVERSİTE FORMATINDA ? Bu kaynak sana bu yönde yardımcı olmak amaçlanarak hazırlanmış bir kitaptır. Bu kitabı nasıl çalışacaksın? Çok basit. Okuyacaksın. Şu anki seviyene ve İngilizce okuma hızınıza göre her gün 1,2,3,4, sen çok iyiysen 10-20 sayfa okuyacaksın. Okurken ilk 45-50 sayfada kelime atlamak yok. Kelimeleri çıkara çıkara, ezberleye ezberleye okuyacaksın. Daha sonraki sayfalarda her kelimeye bakmak yok. Tahmin edebiliyorsan, tahmin edip geçeceksin. Genel bütünlüğü yakalayabildiğin sürece her kelimeye bakmak yok. Neden 220 sayfalık upuzun bir kitap? Biter mi? Evet, biter. Bitireceksin. Bu kitap gibi 4-5 kitap daha okuman gerekecek. KPDS,ÜDS,YDS sınavlarında hedeflediğin skoru salt gramer çalışarak, çıkmış soru çözerek yakalayamazsın! Ancak okuyanlar yakalar. Sen geri kalırsın. Geri kalma, oku! http://englishoffice.50webs.com 1 ENGLISH OFFICE - ÜDS,KPDS,YDS,TOEFL DİL FORUM / ÖZEL DERS 441 42 84 İzmir CONTENTS 1. -
Dubliners and the Joycean Epiphany
DUBLINERS AND THE JOYCEAN EPIPHANY A Thesis by Roger T. Briggs B.A., Wichita State University, 2003 Submitted to the Department of English and the faculty of the Graduate School of Wichita State University in partial fulfillment of the requirements for the degree of Master of Arts May 2006 DUBLINERS AND THE JOYCEAN EPIPHANY I have examined the final copy of this Thesis for form and content and recommend that it be accepted in partial fulfillment of the requirement for the degree of Master of Arts with a major in Literature. ____________________________________ Peter T. Zoller, Committee Chair We have read this Thesis and recommend its acceptance: ____________________________________ Christopher K. Brooks, Committee Member ____________________________________ Wilson Baldridge, Committee Member ii The Roman Catholic Church was an important and prominent aspect of Irish life in the early twentieth century. Where most of Western Europe had become secularized during the nineteenth century, Ireland remained steadfast in its faith, be it Roman Catholic or Protestant. However, at the time, more than ninety percent of the Irish population was Roman Catholic with the numbers of Protestants belonging to the Church of Ireland or Presbyterian and Methodist Churches falling from eight percent in the second half of the nineteenth century to less than three percent in 1981 (Inglis 63). As a result of the growth of the Roman Catholic Church, much of Irish politics and society was infused with starkly Catholic tones—so much that individual citizens and the nation as a whole began to understand their inherent identity through their association with the Roman Catholic faith (59). -
Critical Companion to James Joyce : a Literary Reference to His Life and Work / A
CRITICAL COMPANION TO James Joyce A Literary Reference to His Life and Work A. NICHOLAS FARGNOLI MICHAEL PATRICK GILLESPIE Critical Companion to James Joyce: A Literary Reference to His Life and Work Copyright © 2006 by A. Nicholas Fargnoli and Michael Patrick Gillespie This is a revised edition of James Joyce A to Z: The Essential Reference to His Life and Work. Copyright 1995 by A. Nicholas Fargnoli and Michael Patrick Gillespie All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permis- sion in writing from the publisher. For information contact: Facts On File, Inc. An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Fargnoli, A. Nicholas. Critical companion to James Joyce : a literary reference to his life and work / A. Nicholas Fargnoli and Michael Patrick Gillespie.—[Rev. ed.]. p. cm. Rev. ed. of: James Joyce A to Z : The essential reference to his life and work. 1995. Includes bibliographical references and index. ISBN 0-8160-6232-3 (acid-free paper) 1. Joyce, James, 1882–1941—Handbook, manuals, etc. 2. Novelists, Irish— 20th century—Biography—Handbooks, manuals, etc. 3. Ireland—In literature—Handbooks, manuals, etc. I. Gillespie, Michael Patrick. II. Fargnoli, A. Nicholas. James Joyce A to Z. III. Title. PR6019.O9Z533376 2006 823’.912—dc22 2005015721 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions. -
Harriet Shaw Weaver, Born in Frodsham in 1876, Was the Granddaughter of Edward Abbott Wright of Castle Park
Harriet in 1907 HARRIET SHAW WEAVER 1876 - 1961 Suffragist and ‘Extraordinary Woman’ Harriet Shaw Weaver, born in Frodsham in 1876, was the granddaughter of Edward Abbott Wright of Castle Park. In her time, she was both an important literary figure and a staunch supporter of women’s rights. Although Harriet was brought up in a wealthy family, she nevertheless became an active supporter of the women’s suffrage movement and eventually a member of the Communist Party. Amongst her literary circle were James Joyce, T. S. Eliot (who dedicated Selected Letters to her), Wyndham Lewis, Richard Aldington and Jean Cocteau. In 2011, Jamie Bruce Lockhart, a great nephew of Harriet Shaw Weaver, contacted Frodsham and District History Society for information on the family’s connections with Frodsham. His subsequent correspondence with the History Society’s archivist, Kath Hewitt, has provided fascinating insight into the family in which Harriet grew up and much of the information given here has resulted from this correspondence. In his book relating the story of his Cheshire relatives, Jamie fondly refers to Harriet as ‘Aunt Hat’. Early days Harriet Shaw Weaver was born at East Bank (now Fraser House), Bridge Lane, Frodsham on 1 September 1876. Her parents were Dr Frederick Poynton Weaver, and Edward Abbott Wright’s daughter, Mary Berry Wright. The Wrights had lived at Castle Park since 1861. Dr Weaver purchased East Bank in 1869 with its garden and a piece of land between the road and the railway on the opposite side of the road, plus a further piece of land beyond the railway. -
Dead Centre Written and Directed by Ben Kidd and Bush Moukarzel
Next Wave 2019 Brooklyn Academy of Music Adam E. Max, BAM Board Chair Katy Clark, President William I. Campbell and Nora Ann Wallace, David Binder, Artistic Director BAM Board Vice Chairs Hamnet Dead Centre Written and directed by Ben Kidd and Bush Moukarzel BAM Fishman Space Oct 30—Nov 2 at 7:30pm; Nov 3 at 3pm Running time: approx. one hour, no intermission Presented in association with Irish Arts Center Season Sponsor: Leadership support for BAM Access Programs provided by the Jerome L. Greene Foundation Leadership support for theater at BAM provided by The Fan Fox & Leslie R. Samuels Foundation, Inc.; The SHS Foundation; and The Shubert Foundation, Inc. Hamnet Aran Murphy. Photo: Ernesto Galan Aran Murphy. Hamnet Performed by Aran Murphy Text by Bush Moukarzel, Ben Kidd, and William Shakespeare Dramaturgy by Michael West Set design by Andrew Clancy Costume design by Grace O’Hara Lighting design by Stephen Dodd Sound design by Kevin Gleeson Video design by José Miguel Jiménez Choreography by Liv O’Donoghue Onstage effects and costume supervisor Eugenia Genunchi Stage manager Harriet Stewart Producer Aisling Ormonde American Stage Manager Meg McDonald Aran Murphy is appearing with the permission of Actors’ Equity Association. The American Stage Manager is a member of Actors’ Equity Association. Presented with support from Culture Ireland Hamnet “LITTLE IS KNOWN ABOUT HAMNET” Because again, however much Hamnet might —Wikipedia stand as a symbol, he also stands—or stood —as a little boy. He lived, and then he died. Hamnet Shakespeare lived and died. He We are so often told to deal with grief through was 11 years old.