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2Nd Marking Period Edition Linglestown Middle School
Linglestown Middle School 2nd Marking RAMpages 16 Period Edition Eric Belfanti wins LMS National Geographic Bee for Third Straight Year By Mrs. Sterbinsky Eric Belfanti, an 8th grade student at Linglestown Middle School, won the school competition of the National Geographic Bee on December 14th for the third straight year. No student has ever accomplished this difficult achievement. The school bee, at which the students answered questions on geography, was the first round in the 29th annual National Geographic Bee. Eric placed first by answering all three of the championship round questions correctly. In the LMS Bee, Kasi Loser, a fierce 6th grade competitor, placed second. A tie for third place included Timothy Dao, an 8th grader and Ty Elbertson, a 6th grader. Thousands of schools around the United States are participating in the 2017 Geographic Bee. The school champions, including Eric, will take a qualifying test; up to 100 of the top scorers on that test in each state will then be eligible to com- plete in their state Bee on March 31st, 2017. Congratulations to our Congratulations to the 10 students Spelling Bee winners. who participated in the 2016 4th-Jaden Sutch American Mathematics 3rd-Tiffany Chen Competition. Results are in-1st is 2nd-Lydia Gonzalez Jason Chen, 2nd is Lawrence Chen 1st Place-Joshua Hicks and 3rd is Callie Ritter. These students will represent LMS at the next round. Eating Competitions: Delightful or Deadly? By Avelina Zirkle Eating Competitions are a pastime that we’ve all most likely seen, whether on TV, or at a local fair or carnival. -
Springfield PAID Elkton, MD PERMIT #31
PRSRT STD U.S. Postage Springfield PAID Elkton, MD PERMIT #31 Attention Postmaster: Time sensitive material. Requested in home 10-10-08 ❖ ❖ Franconia Kingstowne Newington InheritingInheriting TheThe BallBall Sports,Sports, PagePage 2020 Edison junior Levi Bar- ber, assuming the team’s quarterbacking duties from his older brother Ben this season, has provided a running and Classified, Page 23 Classified, ❖ throwing threat for the undefeated Eagles. Faith, Page 22 ❖ Sports, Page 20 ❖ Connolly, Home Sales, Page 18 Fimian Vie in 11th District News, Page 3 Wegmans Coming to Hilltop Village News, Page 4 Photo by Robbie Hammer/The Connection Photo www.connectionnewspapers.com www.ConnectionNewspapers.comOctober 9-15, 2008 Volume XXII, Number 41 Springfield Connection ❖ October 9-15, 2008 ❖ 1 News Politicians and Pancakes Seniors, lawmakers hash state. out priorities amid Despite the country’s economic woes, com- mittee members expressed confidence that the economic turmoil. legislative and budget priorities listed on the handouts peppering the tables were all attain- By Derek B. Johnson able. Increasing the Livable Homes Tax Credit The Connectionº to at least $1,000, increased training require- ments for direct care workers and $1.5 mil- t the legislative breakfast in the Hunter’s lion in state funds for geriatric mental health Crossing building of Greenspring retire- outreach are all still nec- Ament community on Spring Village Road, essary. the burgeoning economic crisis loomed “The reality is that “There’s a over the room like rain clouds. helping elder Virginians Members of the community listened to speakers does require financial tough road and ate breakfast with county supervisors, state del- needs,” said Wood. -
ABSTRACT Title of Document: COMMUNICATING FEAR in FILM
ABSTRACT Title of Document: COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS Pedro Gonzalez-Fernandez Master of Arts, 2014 Directed By: Dr. Patrick Warfield, Musicology The horror film soundtrack is a complex web of narratological, ethnographic, and semiological factors all related to the social tensions intimated by a film. This study examines four major periods in the zombie’s film career—the Voodoo zombie of the 1930s and 1940s, the invasion narratives of the late 1960s, the post-apocalyptic survivalist fantasies of the 1970s and 1980s, and the modern post-9/11 zombie—to track how certain musical sounds and styles are indexed with the content of zombie films. Two main musical threads link the individual films’ characterization of the zombie and the setting: Othering via different types of musical exoticism, and the use of sonic excess to pronounce sociophobic themes. COMMUNICATING FEAR IN FILM MUSIC: A SOCIOPHOBIC ANALYSIS OF ZOMBIE FILM SOUNDTRACKS by Pedro Gonzalez-Fernandez Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Arts 2014 Advisory Committee: Professor Patrick Warfield, Chair Professor Richard King Professor John Lawrence Witzleben ©Copyright by Pedro Gonzalez-Fernandez 2014 Table of Contents TABLE OF CONTENTS II INTRODUCTION AND LITERATURE REVIEW 1 Introduction 1 Why Zombies? 2 Zombie Taxonomy 6 Literature Review 8 Film Music Scholarship 8 Horror Film Music Scholarship -
Sp-Sting-19920204.Pdf
L......i N..J FI L__ L..... cz -1 cc ji cE_ cZZ cz TheSting Li 1-- February 1992 Volume XLV No ii Cheshier Drops Bombshell on Staff Council By Westly Hetrick state that there will be layoffs in the future Grumpy Morning Dude Eighty five percent of SCTs budget goes to salaries so layoffs On Thursday January 23 are certainty Hopefully though President Cheshier used the second the personnel cuts will come from meeting of the staff council for sort natural attrition thatis as vacancies of State of the become will College address open they stay open pre-empting President Bush by andexistingpersonnelwillbe shifted nearlyaweek Themain body of the around to do the work the president speech was on budget cuts continued It was somewhat ironic that the For the record faculty consists president should use the forum of of professors and vice presidents the staff council and afew to confirm what others while staffis pretty staff much many members have feared everyone else since summer and earlier Due to The rationale behind laying off budget deficiencies there will be staff is that Southern Tech spends staff layoffs in the near future and more percentage-wise on staff than those to be laid off will be support most other colleges in Georgia staff not faculty It is even more Cheshier stated As expensive as ironic that he should place before instruction is especially for tech- them nical therequestforinputas to where college we cant really justify budget cuts can be made spending the least in the state on The school needs to cut nearly instruction Hecontinued -
BRAN NUE DAE 14Plus BRAN NUE DAE BRAN NUE DAE
Berlinale 2010 Rachel Perkins Generation BRAN NUE DAE 14plus BRAN NUE DAE BRAN NUE DAE Australien 2009 Darsteller Willie Rocky McKenzie Länge 88 Min. Rosie Jessica Mauboy Format 35 mm, Tadpole Ernie Dingo Cinemascope Annie Missy Higgins Farbe Pater Benedictus Geoffrey Rush Roxanne Deborah Mailman Stabliste Slippery Tom Budge Regie Rachel Perkins Roadhouse Betty Magda Szubanski Buch Regg Cribb Theresa Ningali Lawford- Rachel Perkins Wolf Jimmy Chi, nach Pastor Flakkon Stephen Baamba dem gleichnami- Albert gen Musical von Lester Dan Sultan Jimmy Chi & Kuckles Kamera Andrew Lesnie Schnitt Roshelle Oshlack Sounddesign Steve Burgess Ton Scott Montgomery Mischung Andrew Neil Tom Budge, Ningali Lawford-Wolf, Geoffrey Rush, Rocky McKenzie, Jessica Mauboy, Ernie Dingo, Deborah Mailman, Dan Sultan Musik Cezary Skubizewski Production Design Felicity Abbott BRAN NUE DAE Ausstattung Sophie Nash Sommer 1969. In Broome, einem Hafenstädtchen an der Westküste Aus tra - Choreographie Stephen Page liens, lebt der Aborigine-Junge Willie zusammen mit seiner Mutter Theresa. Kostüm Margot Wilson Weite Strände und reiche Fischgründe machen das Leben in Broome be - Maske KT Crocker schaulich. In den Ferien war Willie ständig mit seinen Freunden zu sam men Regieassistenz Toby Pease Casting Robyn Kershaw und er hat sich zum ersten Mal verliebt, in Rosie, die im Kir chen chor singt. Herstellungsltg. Tatts Bishop Am nächsten Tag soll Willie wieder zurückkehren in das katholische Inter nat Produktionsltg. Julie Sims in Perth, mehr als 2.400 Kilometer von Broome entfernt. Im Internat herrscht Aufnahmeleitung Mike Montague Pater Benedictus mit eiserner Faust. Hin- und hergerissen zwischen den Tim Burns Hoff nungen seiner Mutter, er möge einen guten Schul abschluss machen, Produzenten Robyn Kershaw Graeme Isaac und dem eigenen Widerwillen gegen den bigotten Heuchler, haut Willie ab Ausführende und kehrt nicht ins Internat zurück, sondern stromert durch Perth. -
Vicious Ghoul Punks CRIMSON SPECTRE Team up with Eco-Violence Warriors UWHARRIA for a Battle of Epic Proportions
Vicious ghoul punks CRIMSON SPECTRE team up with Eco-violence warriors UWHARRIA for a battle of epic proportions. With a sound like the undead proletarian masses destroying their former masters in a blood-spattered zombie uprising, the unholy CRIMSON SPECTRE defy all that corporate punk and hardcore have become. Maybe because they’re old enough to remember a time before there was such a thing as “corporate punk and hardcore”, or maybe because they never sold-out to a formula sound or watered down lyrics. In the days when the US empire pretends to stand triumphant and declare that “there is no alternative”, fi ve (r)aging punk rockers never stopped believing in the power of rebel music or revolutionary dreams. Instead, CRIMSON SPECTRE will be the ones digging the graves, as they unearth monster riffs and bone-shattering beats to unleash on the oppressor class. CRIMSON SPECTRE is the evil smile on the face of the gravedigger. UWHARRIA started in 1999 as a group of environmental activists who were to create a musical extension of their activism. Eight days after forming, the band had written seven songs, played their fi rst show, and recorded a demo. These songs were based on the concept of nature glorifi cation: skunks, woodpeckers, sea turtles, dung beetles, and the human species being devoured by a jaguar. UWHARRIA blends early hardcore punk with NWOBHM and a heavy dose of crossover thrash, while being compared to BAD BRAINS, COC, RATOS DE PARAO, DRI, and oddly, CCR. The band’s favorite review was, “Sounds like Ronnie James Dio getting his -
Kimberley & Pilbara
KIMBERLEY & PILBARA • Landscape hotspots • Starring in movies • Brilliant beaches • Epic waterfalls • Heritage pubs SPECIAL PUBLICATION • Great fishing March 11-12, 2017 • Wildflowers the EXPERIENCE THE PEOPLE & PLACES OF A LAST FRONTIER March 11-12, 2017 2 sevenwesttravelclub.com.au 3 Welcome to a world of wonders ON THE BIG SCREEN P4 Ancient landscapes of the Kimberley and the Pilbara ᔡ Glen Chidlow have starred in many films. Chief executive, Australia’s North West tourism BEACHES P8 NORTH WEST MAP P9 or us Sandgropers, NATIONAL PARKS P10 compass points play a MEET THE LOCALS P16 Stephen Scourfield at big part in establishing EVENTS P18 Python Pool in the Pilbara. our place in the world. WATERING HOLES P20 Firstly we come from BOOKS P22 FWA — that huge State that takes WILDFLOWERS P23 up almost one-third of mainland DRIVE ADVENTURES P24 Australia. GREAT FISHING P26 When travelling within our KIMBERLEY COAST P28 A wealth of themes State, we generally refer to two WATERFALLS P30 localities; you can go down The Great North West is ᔡ Stephen Scourfield Season. Waterfalls have been in south or you can head up north. a vast area with few full roar, with flows likely to last Each conjures up a distinct For Kimberley planning, he Great North West all dry season. expectation in terms of holiday accommodation and activities, people and amazing feels remote. It has been one of the biggest experience and it is in these go to australiasnorthwest.com landscapes and stories There are big wet seasons on record. pages that we outline the best of landscapes, epic Kununurra, in the East the Kimberley and Pilbara river systems, Kimberley, received double the Tranges that glow red in the rainfall if usually does within evening. -
Brandnew Underground Power Records Releases
Brandnew Underground Power Records Releases 10 years after our first and only Label Shirt – we did it again: Underground Power Records Label Shirt – 20 € Black Gildan Shirt with our Logo as pocket print on the front – backside “Knights of Steel” artwork incl. Bandlogos from our rooster like Siren, Titan Force, Midnight Dice, Satans Hallow, Air Raid, Iron Jaw, Iron Brigade and more – limited to 100 copies – sizes S, M, L, XL, XXL and XXXL KATAGORY V – Present Day (NEW*LIM.100 WHITE VINYL*US METAL*QUEENSRYCHE) - 24 Underground Power Records 2021 - Underground Power Records 2021 – Brandnew limited Viny release of one of the best US Power/Prog Metal Albums in the new Millenium – for the first time on Vinyl, originally released in 2001 ! For Fans of Queensryche, Fates Warning, Heir Apparent, Lethal, Crimson Glory, Titan Force ! Limited to 100 copies in White Vinyl + 4 Page LP Insert with Pics and Lyrics - this UP100 and we are proud of it - 20 years ago this was our first Distribution title under the Label name Underground Power Records ! Razorsharp Riffs, powerful, melodic Vocals up to high pitched, great hooks and a tight and pounding Rhythm Section KATAGORY V – Present Day (NEW*LIM.200 BLACK VINYL*US METAL*QUEENSRYCHE) - 21 Underground Power Records 2021 - Underground Power Records 2021 – Brandnew limited Viny release of one of the best US Power/Prog Metal Albums in the new Millenium – for the first time on Vinyl, originally released in 2001 ! For Fans of Queensryche, Fates Warning, Heir Apparent, Lethal, Crimson Glory, Titan Force ! Limited -
POST-APOCALYPTIC DESIRES, SCIENCE DISTRUST, and the DE(CON)STRUCTION of a ZOMBIE STORY By
BRING AN AXE AND YOUR WILDEST DREAMS: POST-APOCALYPTIC DESIRES, SCIENCE DISTRUST, AND THE DE(CON)STRUCTION OF A ZOMBIE STORY by SAMANTHA JO LONG B.A., Illinois State University, 2011 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of English 2014 This thesis entitled: Bring an Axe and Your Wildest Dreams: Post-Apocalyptic Desires, Science Distrust, and the De(con)struction of a Zombie Story written by Samantha Jo Long has been approved for the Department of English Richelle Munkhoff Stephen Graham Jones Date _ The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. iii Long, Samantha Jo (M.A., English) Bring an Axe and Your Wildest Dreams: Post-Apocalyptic Desires, Science Distrust, and the De(con)struction of a Zombie Story Thesis directed by Assistant Professor Richelle Munkhoff Observing the current popularity of the zombie narrative in American culture, this thesis explores the questions “why zombie?” and “why now?” through a combination of research and the creation of an original zombie story. Moving beyond existing criticism which argues that the zombie transforms to fit each generation’s specific fears, I argue that zombie movies, novels, and video games from George A. Romero-onwards continually speak to a distrust of science and scientific progress while additionally romanticizing the post-apocalyptic landscape. Consequently, the zombie’s unprecedented mainstream popularity over the last fifteen years could be read as symptomatic of this distrust intensifying, paralleling an increasing politicization of science and a rise in apocalyptic thinking within the public sphere. -
Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned from Selected Jurisdic- Tions and a Strategy for Growth
Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned From Selected Jurisdic- tions and a Strategy For Growth PREPARED FOR SUBMITTED BY imagineNATIVE Maria De Rosa 401 Richmond St. West, Suite 446 Marilyn Burgess Toronto, Ontario M5V 3A8 Communications MDR 503 Victoria Avenue Westmount, Québec H3Y 2R3 www.communicationsmdr.com December 5, 2018 1 Pathways to the International Market for Indigenous Screen Content Contents ACKNOWLEDGEMENTS ............................................................................................... 2 FOREWORD ................................................................................................................... 3 INTRODUCTION ............................................................................................................. 4 I. THE NEW CONTEXT: A RISING TIDE OF INDIGENOUS PRODUCTION ................. 6 II. SUCCESS STORIES: CASE STUDIES OF CANADIAN AND INTERNATIONAL FILMS, TELEVISION PROGRAMS AND DIGITAL MEDIA .......................................... 14 III. LESSONS LEARNED FROM THE SUCCESS OF INTERNATIONAL INDIGENOUS SCREEN CONTENT ..................................................................................................... 43 IV. PATHWAYS TO THE INTERNATIONAL MARKET FOR CONSIDERATION BY THE INDIGENOUS SCREEN SECTOR IN CANADA ................................................... 57 ANNEX 1: SELECTED BIBLIOGRAPHY ..................................................................... 71 ANNEX 2: SUMMARY OF RESULTS OF ON-LINE QUESTIONNAIRE -
Stardom: Industry of Desire 1
STARDOM What makes a star? Why do we have stars? Do we want or need them? Newspapers, magazines, TV chat shows, record sleeves—all display a proliferation of film star images. In the past, we have tended to see stars as cogs in a mass entertainment industry selling desires and ideologies. But since the 1970s, new approaches have explored the active role of the star in producing meanings, pleasures and identities for a diversity of audiences. Stardom brings together some of the best recent writing which represents these new approaches. Drawn from film history, sociology, textual analysis, audience research, psychoanalysis and cultural politics, the essays raise important questions for the politics of representation, the impact of stars on society and the cultural limitations and possibilities of stars. STARDOM Industry of Desire Edited by Christine Gledhill LONDON AND NEW YORK First published 1991 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge a division of Routledge, Chapman and Hall, Inc. 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © 1991 editorial matter, Christine Gledhill; individual articles © respective contributors All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
Artist of the Year
THE 4 Trading Post Way Medford Lakes, New Jersey 08055 HARD REPORT' December 18, 1987 Issue #59 609-654-7272 ARTIST OF THE YEAR ZGI A a 112 MALE VOCAL ISLAND RADIO RATES THE BEST OF '87 COMEBACK BREAKTHROUGH GRATEFUL REM DEAD "DOCUMENT" "TOUCH OF GREY" IRS ARISTA FEMALE 6.vryttri,Vizer NEW FEMALE VOCAL SUZANNE VEGA ANN WILSON "SOLITUDE STANDING" "BAD ANIMALS" A&M CAPITOL IMAGE NEW MALE TURNAROUND RICHARD AEROSMITH MARX "PERMANENT EMI VACATION" GEFFEN WORLD PARTY NEW AMERICAN Private Revolution NEW IMPORT BAND ACT THE BRANDOS WORLD PARTY "HONOR AMONG "PRIVATE THIEVES" REVOLUTION" RELATIVITY CHRYSALIS AND NOW A WORD FROM OUR SPONSOR ... It's four in the morning and frcm where we sit, this Final Issue looks like a keeper. We've put a ton of time and energyinto this particular edition, and we think you'll have lots of fun with the overview. After all, with some 90 + stations responding to our sur- vey, it's basically your window on RockWorld as it went down this past year. The first year of any new business is hell on wheels, (Groanong, creaking, barking dog sound efx, please) and we've seen quite a parade in '87. When I look back over my final comments last year (after nine issues), it sounded as if we had moved mountains. And in a way we had, starting from scratch to a full service publication some 140 stations deep. But in the 12 months since, it has become readily apparent that we were barely walking then. We've extended our reporter roster well past the 200 mark; Our New Alternative and Hard Rock sections have inspired numerous imitators, and our combi- nation of high technology and people power has effectively re -defined what a tip sheet can and will be in the years to come.