DOCSLIB.ORG

Chinese Music, Past, Present and Future

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chinese Music, Past, Present and Future tereoOCTOBER 1973Review 75 CENTS CHINESE MUSIC, PAST, PRESENT AND FUTURE 471274 IV A41.; Almmno ti SIS3 tINW 13unlosoti 01 FUNS NN311,' 3 ^1 3 iLAON 160150'70iIS Z16Z9Z 40,. /1111. According to Audio Times, a leading it you can't enjoy the increasing publication devoted to audio manu- number of CD -4 discrete discs (the facturing and retailing: "No piece of true four -channel record) from leading audio equipment is as eagerly awaited recording companies like RCA, as the 'one four -channel unit that Warner, Atlantic, Elektra, and others. does everything - i.e., the receiver CD -4 is a 'must' for optimum quadra- with built-in circuitry for SO, RM and phonic listening enjoyment. CD -4 record decoding.' " Since the CD -4 circuit incor- porates FET's and IC's, continuous, It's here! stable performance is assured. In Pioneer has taken another giant step addition, it uses a 30KHz subcarrier forward. Our new collection of similar to that used in FM multiplex quadraphonic receivers - OX -949, broadcasting. The subcarrier is Total Capability Mode Switch - Fingertip QX-747, QX-646 - has this total demodulated by a Phase Lock Loop switching to CD -4, SO, RM quadraphonic capability. They reproduce CD -4, SO, (PLL) circuit for each channel. The sources, as well as two -channel stereo. RM and discrete four -channel sound result is optimum channel separation without adaptors, add-on decoders - absolutely necessary to achieve cr demodulators. And they're specifi- the full, rich impact of quadraphonic Matchless performance with cally designed to fully meet all of the reproduction. Convenient and simple - powerhouse capabilities s.tandards established for these to -use front/ rear left and right natrix and discrete program sources. separation controls are on the front As is traditional with all Pioneer Bearing in mind that two -channel panels of all three models. receivers, the new quadraphonic units is, and will continue to be, a have power to spare. For example, t-emendous source of listening SO and RM decoding bring to lifE the top model, QX-949, has a power pleasure for many years to come, the hidden ambience of matrixec output in four -channel operation, of tiese new units are designed for it, and stereo records 40 watts RMS/channel at 8 ohms, along with their total quadraphonic With built-in RM circuitry, you can 20-20,000 Hz, four channels driven. capabilities. The QX-949 and QX-747 experience new brilliance from your THD and IM distortion is only 0.3% reproduce two -channel with present collection of two -channel at 1 KHz. augmented power due to Pioneer's stereo records and tapes. FM broad- Switching to two -channel rew Power Boosting circuitry. casts, too. Also, new vistas of operation, the new Pioneer Power enjoyment unfold when you play the Boosting circuit delivers 60 watts A whole new world of discrete sound RMS/channel across the 20-20,000 Hz with the built-in CD -4 demodulator new four -channel SQ matrix records being released by Columbia, Capitol, spectrum, with both channels driven, While many quadraphonic receivers Epic and Vanguard, to mention just a at less than 0.3% distortion. I-ave limited degrees of four -channel few of the prominent SQ record By using super -size power capabilities, Pioneer offers maximum producers. No matter what the transformers in the QX-949, in versatility with built-in CD -4. Without quadraphonic program source combination with four 10,000 micro - or the record label, Pioneer's farad electrolytic capacitors, this new quad ra phonic receivers high power output is obtained at very flawlessly reproduce low frequency. And it's further insured them all. by direct -coupling in the output stage. No overload witty speaker protector circuit Since direct -coupling feeds the signal directly to the speakers, an automatic V V1V1V1M1N1k "/611. V1., NA:1MM . ;,1.,==.4.11/4 ODPIONEER aCoANI.,mauves. mac. Qs -o V% INN RI* 83 90 94 96* 5d .111114. - 4 moons= 110... Lam no *if - r t %AAA MAO. 1.10. MOM FLOCT 00,4 GOIPIONEV11 SMANOEL PC.O.V1101 MOM, 74 I OD PIONEER* U.S. Pioneer Electronics Corp., 178 Commerce Rd., Carlstadt, New Jersey 07072 AN OPEN LETTER TO EVERYONE WHO HAS EVER BOUGHT PIONEER EQUIPMENT -- OR HOPES TO Many people who are ardent followers of the progress of high fidelity - and Pioneer's advancements, in particular - have asked us why we have limited our involvement in quadraphonic. The answer is quite simple. By definition, high fidelity means pure, perfect sound repro- duction. The number of channels has nothing to do with this state of perfection. Consequently, we have been directing our primary efforts to producing the finest 2-channel high fidelity equipment available. And we are continuing to do so. During the past two years we have listened with great interest to the comments of consumers and audio dealers through- out the country. There appeared to be a 'wait and see' attitude because of the lack of 4-channel standardization on the part of manufacturers of equipment, records and tape. However, the choice of a standard quadraphonic system has presently been narrowed down to where 4-channel is a viable, practical and delightful reality. For this reason we have proceeded with every bit of enthusiasm and know-how at our command. The result is this new line of Pioneer quadraphonic receivers. These are total capability instruments. They embody all the presently known quadraphonic state-of-the-art. And they compare in all respects to the magnificent capabilities of Pioneer stereo instruments to produce the virtually perfect sound reproduction demanded by the audiophile. If you've waited to buy a 4-channel receiver that could reproduce all quadraphonic reproduction systems - Pioneer has made the waiting worthwhile. We are proud to present to this industry these superb Pioneer "all-in-one" quadraphonic receivers. Sincerely, Zrte/ Bernard Mitchell President source is in operation, the sound controls for front and rear channels, level of each channel can be function and mode selector with monitored by viewing the large scope - multi -colored indicator ligh-s. Further type level indicator on the top two refinement is offered with the models. Left and right front/rear QX-949's multiplex noise and high/ controls permit instant adjustment. low filters, plus signal strength and Indicator sensitivity controls allow for center tuning meters in one housing. a maximum of -30dB adjustments Admittedly, these new Pioneer at any sound level. The level indicator quadraphonic receivers, like fine may also be used to view CD -4 sports cars or cameras, are not channel separation adjustments made inexpensive. However, they represent 110 with the CD -4 separation controls. the high fidelity industry's most outstanding value. We have built =our -Channel Level Indicator - See what Inputs/Outputs for total VPrqafilito them with the same quality, precision you hear. Make instant adjustments with and performance you've come to left/right, front/rear level controls. Pioneer has endowed these models with terminals for a wide range of expect from Pioneer stereD equip- program sources. The only limitation ment. We offer them to you with the is your own listening interests and same pride and conviction :hat has electronic trigger relay system is always compelled you to say - used to protect the speakers from DC your capability to experiment with sound. "Pioneer, the very best." leakage or overload. QX-949 - $699.95; QX-747 - e.D $599.95; QX-646 - $499.95. Prices New and exclusive include walnut cabinets. Power Boosting circuit Along with the total capability of U.S. Pioneer Electronics Corp., When switching from four -channel to these receivers, Pioneer has incor- 178 Commerce Road, Carlstadt, wo-channel reproduction, power is porated a wide array of additional, Naw Jersey 07072 substantially increased with the new meaningful features. All three West: 13300 S. Estrella, Los Angeles and advanced Power Boosting circuit, instruments include: loudness 90248 / Midwest: 1500 Greenleaf, as described above. This exclusive contour, FM muting, an extra wide Elk Grove Village, Ill. 60007 circuit is built into both the QX-949 tuning dial, two sets of bass/treble Canada: S. H. Parker Co. and QX-747 models. Another plus feature attributable Specification -o the Power Boosting circuit is Amplifier OX -949 OX -747 OX -646 simplified switching from four -channel 4-ch. RMS power, 8 ohms, 40 watts/ 20 watts/ 10 watts/ lo two -channel operation. It can be 4 channels driven, channel channel channel (1KHz) instantly achieved without the usual 20-20KHz re -connecting of speaker wires. This, 4-ch. IHF 240 watts (80) 160 watts (80) 80 watts (80) too, is a Pioneer exclusive. 380 watts (40) 220 watts (40) 108 watts (40) 2-ch. RMS power, 8 ohms, 60 watts/ 40 watts/ 13 watts/ A tuner section the equal 0 both channels driven, channel channel channel (1KHz) -eparate components 20-20KHz The FM tuner section of the QX-949 2-ch. IHF 150 watts (80) 120 watts (80) 40 watts (80) s truly an engineering accomplish- 230 watts (40) 170 watts (40) 54 watts (40) ment. It incorporates two dual -gate THD/IM Distortion 0.3% 0.5% 1% MOS FET's in the front end, plus (20-20KHz) (20-20KHz) (1KHz) three ceramic filters and 6 -stage FM Tuner FM Sensitivity (IHF) 1.8uV 1.9uV 2.2uV limiters in a monolithic IC in the IF (the lower the better) stage. The result is superb sensitivity Selectivity 80dB 60dB 40dB and selectivity, and excellent signal (the higher the better) to noise ratio. Capture Ratio 1dB 1dB 3dB (the lower the better) Advanced circuitry includes Dolby S/N Ratio 70dB 70dB 65dB adaptor input/output and 4 -channel (the higher the better) broadcasting multiplex output terminal Inputs Phono 2 1 1 n anticipation of the future use of Tape Monitor 2 (4-ch.) 1 (4-ch.) 1 (4-ch.: discrete quadraphonic broadcasting, 2 (2-ch.) 1 (2-ch.) 1 (2-ch."! :he QX-949 and QX-747 include a Dolby adaptor input 1 (4-ch.) 1 (4-ch.) quadraphonic multiplex output Auxiliary 1 1 1 -erminal.
Load more

Recommended publications
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • Annual Report 2016 22 March 2017 Table of Contents
    Annual report 2016 22 March 2017 Table of contents Overview 5 Highlights 5 Message from the chairman 6 About Delta Lloyd 8 Our brands 8 Our strategy 9 Our environment 12 How we create value 14 Value creation model 14 Delta Lloyd’s contribution to the UN SDGs 16 Stakeholders and materiality 17 Materiality assessment 20 Delta Lloyd in 2016 23 Capital management 27 Financial and operational performance 29 Life Insurance 31 General Insurance 34 Asset Management 37 Bank 39 Corporate and other activities 41 Investor relations and share developments 41 Human capital 46 Risk management and compliance 50 Risk management 50 Risk management philosophy 50 Risk governance 51 Risk management responsibilities 52 Risk processes and systems 53 Risk culture 54 Risk taxonomy 55 Top five risks 58 Compliance 61 Fraud 62 Corporate governance 64 Executive Board and Supervisory Board 64 Executive Board 64 Supervisory Board 64 Supervisory Board committees 65 Report of the Supervisory Board 66 Role of the Supervisory Board 67 Strategy 67 Key issues in 2016 68 Other issues 69 Supervisory Board composition 70 Supervisory Board meetings 70 Supervisory Board committees 71 Financial statements and profit appropriation 75 A word of thanks 76 Remuneration report 2016 77 Remuneration policy 77 Governance of the remuneration policy 77 Remuneration received by Executive Board members 81 Remuneration of the Supervisory Board 93 Corporate governance 96 Corporate governance statement 104 EU directive on takeover bids 104 In control statement 106 Management statement under Financial
    [Show full text]
  • Business Model Blueprints for the Shared Mobility Hub Network
    sustainability Article Business Model Blueprints for the Shared Mobility Hub Network Elnert Coenegrachts * , Joris Beckers , Thierry Vanelslander and Ann Verhetsel Department of Transport and Regional Economics (TPR), University of Antwerp, 2000 Antwerp, Belgium; [email protected] (J.B.); [email protected] (T.V.); [email protected] (A.V.) * Correspondence: [email protected] Abstract: Shared (electric) mobility is still facing challenges in terms of reaching its potential as a sustainable mobility solution. Low physical and digital integration with public transport, a lack of charging infrastructure, the regulatory barriers, and the public nuisance are hindering the uptake and organization of shared mobility services. This study examines the case of the shared mobility hub, a location where shared mobility is concentrated, as a solution to overcome these challenges. To find ideas informing how a network of shared mobility hubs can contribute to sustainable urban mobility and to overcome the aforementioned challenges, a business model innovation approach was adopted. Focus groups, consisting of public and private stakeholders, collaboratively designed five business model (BM) blueprints, reaching a consensus about the value creation, delivery, and capture mechanisms of the network. The blueprints, defined as first-/last-mile, clustered, point-of- interest (POI), hybrid, and closed mobility hub networks, provide alternative solutions to integrate sustainable transportation modes into a coherent network, enabling multi- and intermodal travel behaviour, and supporting interoperability, sustainable land use, and ensured access to shared Citation: Coenegrachts, E.; Beckers, (electric) travel modes. However, which kind of network the local key stakeholders need to commit J.; Vanelslander, T.; Verhetsel, A. to depends on the local policy goals and regulatory context.
    [Show full text]
  • Stuck in Traffic: Analyzing Real Time Traffic Capabilities of Personal Navigation Devices and Traffic Phone Applications
    Stuck in Traffic: Analyzing Real Time Traffic Capabilities of Personal Navigation Devices and Traffic Phone Applications by Bruce M. Belzowski Research Area Specialist Automotive Analysis Andrew Ekstrom Research Associate Automotive Analysis University of Michigan Transportation Research Institute for TomTom Group Revised January, 2014 1 Contents Abstract ......................................................................................................................................................... 3 Acknowledgements ....................................................................................................................................... 3 Executive Summary ...................................................................................................................................... 4 Introduction ................................................................................................................................................... 6 Method .......................................................................................................................................................... 6 Methodological Challenges ........................................................................................................................ 11 Data Coding ................................................................................................................................................ 14 The Jam Hunt Analysis ..............................................................................................................................
    [Show full text]
  • View Annual Report
    FORWARD-LOOKING STATEMENTS In this Annual Report the names 'TomTom' and 'the company' and Actual results may differ materially from those expressed in these 'the group' are sometimes used for convenience in contexts where forward-looking statements, and you should not place undue reference is made to TomTom NV and/or any of its subsidiaries in reliance on them. For a discussion of factors that could cause future general or where no useful purpose is served by identifying the results to differ from such forward-looking statements see also particular company. section Risk management and control of this Annual Report. FORWARD-LOOKING STATEMENTS THIRD-PARTY MARKET SHARE DATA This document contains certain forward-looking statements with Statements regarding market share, including the company's respect to the financial condition, results of operations and business competitive position, contained in this Annual Report are based on of TomTom and certain of the plans and objectives of TomTom with outside sources such as specialised research institutes, industry respect to these items. In particular the words 'expect', 'anticipate', and dealer panels in combination with management estimates. 'estimate', 'may', 'should', 'believe', 'outlook', and similar expressions are intended to identify forward-looking statements. By their nature, forward-looking statements involve risk and uncertainty because they relate to events and depend on circumstances that will occur in the future. TABLE OF CONTENT MESSAGE FROM THE CEO 3 CONSOLIDATED FINANCIAL 66 STATEMENTS
    [Show full text]
  • Scratch Pad 77 March 2011 TARAL WAYNE :: NIALL Mcgrath & TIM TRAIN :: DITMAR (DICK JENSSEN) :: BRUCE GILLESPIE :: ABC CLASSICS Top 100 Scratch Pad 77 March 2011
    Scratch Pad 77 March 2011 TARAL WAYNE :: NIALL McGRATH & TIM TRAIN :: DITMAR (DICK JENSSEN) :: BRUCE GILLESPIE :: ABC CLASSICS Top 100 Scratch Pad 77 March 2011 Based on the non-mailing comments section of *brg* 67 and 68, a fanzine for ANZAPA (Australia and New Zealand Amateur Publishing Association) written and published by Bruce Gillespie, 5 Howard St, Greensborough VIC 3088. Phone: (03) 9435 7786. Email: [email protected]. Member fwa. Website: GillespieCochrane.com.au Contents 3 Unsolved mysteries of the hereafter — by Taral Wayne 6 The brand new Scratch Pad poetry spot — by Niall McGrath and Tim Train 9 Ditmar’s best and favourite films of 2010 — by Ditmar (Dick Jenssen) 15 Shining shores: Bruce Gillespie’s favourites 2010 — by Bruce Gillespie 36 ABC Classic 100 ten years on: 2010 — introduced by Bruce Gillespie Cover graphic — ‘Evening Phenomenon’ by Ditmar (Dick Jenssen) Cartoon p. 3: ‘Unsolved mysteries’ — by Taral Wayne 2 Unsolved mysteries of the hereafter by Taral Wayne I think some scholar, or someone who wanted to be mistaken for one, claimed that the translation from the Koran was wrong, and it wasn’t ‘seventy virgins’, but something like ‘seventy figs’, that a good Muslim could expect in Paradise, and that it only meant the blessed would be in the midst of plenty. I’m not sure I buy that. It was only 1500 years ago, and I don’t think Arabic then was so different from modern Arabic that millions of Arab Muslims make such an elementary mistake. But who knows ... maybe Allah really only did mean that the nearly arrived would be greeted with a plate of figs ..
    [Show full text]
  • Real Time & Historical Traffic
    Real time & historical traffic TomTom delivers a unique proposition maps & content | real time & historical traffic | lbs www.tomtom.com/licensing Superior location based services How seamless coverage is community driven The freshest map The most accurate real time traffic information The heart of location services is the map and Want to beat the traffic? Choose a better route. TomTom delivers the most current digital map of TomTom real time traffic products harness multiple the world. data sources to keep drivers in control of their journeys. Road sensors and real traffic incident data Since 2006 TomTom has collected anonymous are fused with the anonymous GPS measurements GPS measurements from its users. This unique of TomTom device users to create a vivid picture of community input is combined with knowledge traffic conditions as they evolve. harvested from local experts and it is combined with traditional sources including paper maps, field This empowering data is made available to surveys, aerial and satellite imagery and mobile industry partners in the Consumer, Enterprise, and mapping vans. The result is a dynamic map full of Government markets. enhanced content ranging from points of interest to 3D city maps. TomTom coverage extends over 200 countries and territories, encompassing more than 5 billion people and 35 million kilometres globally. TomTom uses multiple sources to build the Real time traffic enables navigation with freshest map up-to-the-minute information 2 Superior location based services maps & content | real time & historical traffic | lbs www.tomtom.com/licensing The largest resource to predict traffic flow Whereas traditional technologies struggle to track the ever expanding traffic on our road networks, TomTom uses this to its advantage.
    [Show full text]
  • Magazin KLASSIK No
    magazin KLASSIK No. 8/Frühling € 5,50 2018 Franz Welser - Möst Das Prometheus Projekt S. 2 Wer war Hans Swarowsky? S. 14 Birgit Nilsson S. 21 Ein Jahrhundert für das Theater S. 22 Kreuzweg – Der Mensch und seine Schuhe S. 30 fb communications Bei uns sind Private Banking Kunden herzlich willkommen. PRIVATBANK SEIT 1832 Unser Private Banking Team freut sich auf ein Gespräch mit Ihnen. Vereinbaren Sie Ihren persönlichen Termin unter 01/534 34 - 4000 oder [email protected] Gefühle einschalten auf 107,3 EDITORIAL Für diese Ausgabe von magazin KLASSIK haben wir Dirigenten in den Mittelpunkt gerückt. Im Rampenlicht stehen ein aktuelles Beethoven- Projekt, die Wiederauflage eines berühmten Buches, die größte Tonträger-Edition der Ge- schichte und eine Fotografin. Franz Welser-Möst wird im Mai mit seinem Cleveland Orchestra die Beethoven-Symphonien in Wien dirigieren. Seine Auseinandersetzung mit Beethoven und diesem Projekt nennt er „Prometheus“ – in einem exklusiven Podcast auf radio klassik Stephansdom können sich seine Fans schon vorab informieren. 1 Einer der einflussreichsten Dirigier-Lehrer war Hans Swarowsky. Aus Anlass der Wiederauflage seines Buches „Wahrung der Gestalt“ räumt sein Schüler, (Dirigent) Manfred Huss, mit so manchem Vorurteil auf. Des Weiteren darf ich Sie auf Interviews mit Fotografin Nancy Horowitz, Dirigent (sic!) Johannes Cover: Kutrowatz und Karl Habsburg aufmerksam machen. Gestaltung — studio VIE In dieser Ausgabe lesen Sie noch Beiträge über Claude Debussy, Birgit Nilsson und Carl Andreas Goepfert sowie eine Vorschau auf die „Lange Nacht der Kirchen“. Wir stellen auch unsere erfolgreiche Sendereihe Takt.Gefühl vor und geben einen Ausblick auf eine neue Serie mit Hans Peter Kammerer zum Thema „Lied“.
    [Show full text]
  • MODERN CHINESE POETRY from TAIWAN AFTER 1949 Silvia
    From transparency to artificiality : modern chinese poetry from Taiwan after 1949 Marijnissen, S. Citation Marijnissen, S. (2008, November 5). From transparency to artificiality : modern chinese poetry from Taiwan after 1949. Retrieved from https://hdl.handle.net/1887/13228 Version: Not Applicable (or Unknown) Licence agreement concerning inclusion of doctoral thesis in the License: Institutional Repository of the University of Leiden Downloaded from: https://hdl.handle.net/1887/13228 Note: To cite this publication please use the final published version (if applicable). FROM TRANSPARENCY TO ARTIFICIALITY: MODERN CHINESE POETRY FROM TAIWAN AFTER 1949 Silvia Marijnissen Copyright © 2008 Silvia Marijnissen and Universiteit Leiden FROM TRANSPARENCY TO ARTIFICIALITY: MODERN CHINESE POETRY FROM TAIWAN AFTER 1949 Proefschrift ter verkrijging van de graad van Doctor aan de Universiteit Leiden, op gezag van Rector Magnificus prof. mr. P.F. van der Heijden, volgens het besluit van het College voor Promoties, te verdedigen op woensdag 5 november 2008, klokke 15.15 door Silvia Marijnissen geboren te Made en Drimmelen in 1970 Promotiecommissie Promotor: Prof. dr. M. van Crevel Co-promotor: Dr. L.L. Haft Referent: Prof. dr. M. Yeh (University of California, Davis) Overige leden: Prof. dr. E.J. van Alphen Prof. dr. I. Smits TABLE OF CONTENTS Acknowledgements 6 Introduction 7 1. Oppositions: Poetical Debates from the 1950s to the 1980s 19 – China and Japan: Taiwan before 1949 19 – Nostalgia: Poetry or Politics? 27 – Dream or Dawn: Lyricism or Intellectualism? 37 – The Beautiful in the Ugly: Foreign Influences 47 – Make War Not Love: Readers’ Expectations 57 – Art and Life: Popularization 71 – Vineyard and On Time Poetry: Taiwan’s Melting Pot 80 2.
    [Show full text]
  • SEYDEL HARMONICAS – Handmade in Klingenthal-Germany Since 1847
    SEYDEL HARMONICAS – handmade in Klingenthal-Germany since 1847 27 SEYDEL HARMONICAS – handmade in Klingenthal-Germany since 1847 3 4 11 14 17 18 22 24 2 SEYDEL HARMONICAS – handmade in Klingenthal-Germany since 1847 SEYDEL-SALES-PARTNER Dealer Handbook and Sales Guide “Which type of harmonica do I need?“ When a customer is looking for a harmonica, you should determine the type of music he or she wishes to play so that you can direct that customer to the correct type of harmonica. Many interested customers do not know about the wide variety of harmonica models which often leads to buying one that looks nice but then is dropped into the drawer after a short while because it does not sound as expected or is ineffective for playing a certain type of music. Harmonicas come in many different shapes and sizes that differ not only from their sound but also from their “fields of application”. This handbook is designed to inform sales staff about the different types of harmonicas available so the customer will walk away with the right harmonica. A happy customer is more likely to be a return customer! In the first chapter all harmonica types and models are introduced in detail. The second chapter includes a collection of selling arguments for daily use during a sales talk. The third chapter gives suggestions for the types of harmonicas you should keep in stock in your store. Please take your time to carefully read through this upper coverplate handbook – the information presented here provides a upper reedplate (blow) good basis for successful selling conversations.
    [Show full text]
  • Schriftenreihe Des Sophie Drinker Instituts Band 4
    Schriftenreihe des Sophie Drinker Instituts Herausgegeben von Freia Hoffmann Band 4 Marion Gerards, Freia Hoffmann (Hrsg.) Musik – Frauen – Gender Bücherverzeichnis 1780–2004 BIS-Verlag der Carl von Ossietzky Universität Oldenburg 2006 Das Werk ist einschließlich aller seiner Teile urheberrechtlich ge- schützt. Jede Verwertung außerhalb der Grenzen des Urheberrechts bedarf der Zustimmung der Autorinnen. Dies gilt insbesondere für Vervielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Medien. © BIS-Verlag, Oldenburg 2006 Umschlaggestaltung: Marta Daul Layout und Satz: BIS-Verlag Verlag / Druck / BIS-Verlag Vertrieb: der Carl von Ossietzky Universität Oldenburg Postfach 25 41, 26015 Oldenburg Tel.: 0441/798 2261, Telefax: 0441/798 4040 e-mail: [email protected] Internet: www.bis.uni-oldenburg.de ISBN 3-8142-0966-4 Inhaltsverzeichnis Vorwort 3 Hinweise zur Benutzung 5 1 Nachschlagewerke 9 1.1 Lexika und biographische Nachschlagewerke 9 1.2 Bibliographien 14 1.3 Notenverzeichnisse 17 1.4 Diskographien 22 2 Einführende Literatur 24 2.1 Kunstmusik 24 2.2 Populäre Musik (Jazz, Rock, Pop, Volksmusik, Chansons, Weltmusik u. ä.) 42 2.3 Stilübergreifend und Sonstige 50 3 Personenbezogene Darstellungen 54 3.1 Kunstmusik 54 3.2 Populäre Musik (Jazz, Rock, Pop, Volksmusik, Chansons, Weltmusik u. ä.) 320 3.3 Stilübergreifend und Sonstige 433 4 Spezielle Literatur 446 4.1 Kunstmusik 446 4.2 Populäre Musik (Jazz, Rock, Pop, Volksmusik, Chansons, Weltmusik u. ä.) 462 4.3 Stilübergreifend
    [Show full text]
  • AC/DC BONFIRE 01 Jailbreak 02 It's a Long Way to the Top 03 She's Got
    AC/DC AEROSMITH BONFIRE PANDORA’S BOX DISC II 01 Toys in the Attic 01 Jailbreak 02 Round and Round 02 It’s a Long Way to the Top 03 Krawhitham 03 She’s Got the Jack 04 You See Me Crying 04 Live Wire 05 Sweet Emotion 05 T.N.T. 06 No More No More 07 Walk This Way 06 Let There Be Rock 08 I Wanna Know Why 07 Problem Child 09 Big 10” Record 08 Rocker 10 Rats in the Cellar 09 Whole Lotta Rosie 11 Last Child 10 What’s Next to the Moon? 12 All Your Love 13 Soul Saver 11 Highway to Hell 14 Nobody’s Fault 12 Girls Got Rhythm 15 Lick and a Promise 13 Walk All Over You 16 Adam’s Apple 14 Shot Down in Flames 17 Draw the Line 15 Dirty Deeds Done Dirt Cheap 18 Critical Mass 16 Ride On AEROSMITH PANDORA’S BOX DISC III AC/DC 01 Kings and Queens BACK IN BLACK 02 Milk Cow Blues 01 Hells Bells 03 I Live in Connecticut 02 Shoot to Thrill 04 Three Mile Smile 05 Let It Slide 03 What Do You Do For Money Honey? 06 Cheesecake 04 Given the Dog a Bone 07 Bone to Bone (Coney Island White Fish) 05 Let Me Put My Love Into You 08 No Surprize 06 Back in Black 09 Come Together 07 You Shook Me All Night Long 10 Downtown Charlie 11 Sharpshooter 08 Have a Drink On Me 12 Shithouse Shuffle 09 Shake a Leg 13 South Station Blues 10 Rock and Roll Ain’t Noise Pollution 14 Riff and Roll 15 Jailbait AEROSMITH 16 Major Barbara 17 Chip Away the Stone PANDORA’S BOX DISC I 18 Helter Skelter 01 When I Needed You 19 Back in the Saddle 02 Make It 03 Movin’ Out AEROSMITH 04 One Way Street PANDORA’S BOX BONUS CD 05 On the Road Again 01 Woman of the World 06 Mama Kin 02 Lord of the Thighs 07 Same Old Song and Dance 03 Sick As a Dog 08 Train ‘Kept a Rollin’ 04 Big Ten Inch 09 Seasons of Wither 05 Kings and Queens 10 Write Me a Letter 06 Remember (Walking in the Sand) 11 Dream On 07 Lightning Strikes 12 Pandora’s Box 08 Let the Music Do the Talking 13 Rattlesnake Shake 09 My Face Your Face 14 Walkin’ the Dog 10 Sheila 15 Lord of the Thighs 11 St.
    [Show full text]