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The KNIGHT REVISION of HORNBOSTEL-SACHS: a New Look at Musical Instrument Classification
The KNIGHT REVISION of HORNBOSTEL-SACHS: a new look at musical instrument classification by Roderic C. Knight, Professor of Ethnomusicology Oberlin College Conservatory of Music, © 2015, Rev. 2017 Introduction The year 2015 marks the beginning of the second century for Hornbostel-Sachs, the venerable classification system for musical instruments, created by Erich M. von Hornbostel and Curt Sachs as Systematik der Musikinstrumente in 1914. In addition to pursuing their own interest in the subject, the authors were answering a need for museum scientists and musicologists to accurately identify musical instruments that were being brought to museums from around the globe. As a guiding principle for their classification, they focused on the mechanism by which an instrument sets the air in motion. The idea was not new. The Indian sage Bharata, working nearly 2000 years earlier, in compiling the knowledge of his era on dance, drama and music in the treatise Natyashastra, (ca. 200 C.E.) grouped musical instruments into four great classes, or vadya, based on this very idea: sushira, instruments you blow into; tata, instruments with strings to set the air in motion; avanaddha, instruments with membranes (i.e. drums), and ghana, instruments, usually of metal, that you strike. (This itemization and Bharata’s further discussion of the instruments is in Chapter 28 of the Natyashastra, first translated into English in 1961 by Manomohan Ghosh (Calcutta: The Asiatic Society, v.2). The immediate predecessor of the Systematik was a catalog for a newly-acquired collection at the Royal Conservatory of Music in Brussels. The collection included a large number of instruments from India, and the curator, Victor-Charles Mahillon, familiar with the Indian four-part system, decided to apply it in preparing his catalog, published in 1880 (this is best documented by Nazir Jairazbhoy in Selected Reports in Ethnomusicology – see 1990 in the timeline below). -
The Call Vol 5
September 2003 The Call Vol 5. Issue 3 Dedicated to the collection, preservation and sharing of information for the Harmonica collector A Publication of Harmonica Collectors International 4. Top: “Over 68 Years”, 25 million 68-year level. Here are a few of the sold annually. Side prices start at 50 models listed on the pyramid that cents, plus Grand Prix Philadelphia you can research. If you can find 1925 with two mediations. This is data and report back to me, I will the most rare of the four. put the information in the next The BRAVO Newsletter. (It is sort of a research Item #2 has some unusual make up project). Models to look for: 132, History of harmonicas and also a higher 346, 1896, 605, 3CND, 152, 153, price structure than the other 54- 146, 254 and 453. Have Fun! HISTORY OF THE HOHNER year pyramid, the prices are at the PYRAMID ROTATING DISPLAY The Editor I thought that with the article on restoration of the display, a little C.H. Weiss, Model 24 (9), The history and associated data was in Worlds Triumph, 10-hole order. diatonic, 4” x 1” with box. The Hohner wooden rotating display was first introduced in 1911 (we The UP TO DATE think). I have seen models at the The Trumpet Call Hohner Museum, made of metal by Latest Finds Harmonica Collectors International both Hohner and Koch and believe LATEST FINDS P.O. Box 6081 theirs to be a much earlier vintage. Chesterfield, MO 63006-6081 The pyramid stands approx. 32” M Hohner Kaiser Wilhelm, high, including the base, which is 11” Deutsche National Musik, 20-hole Gretsch, Playboy, 10-hole x 10 1/2” and holds a large spring and tremolo with 4-tab cover plate diatonic, 4” x 1”, made in a crank to wind it. -
Weltmeister Akkordeon Manufaktur Gmbh the World's Oldest Accordion
MADE IN GERMANY Weltmeister Akkordeon Manufaktur GmbH The world’s oldest accordion manufacturer | Since 1852 Our “Weltmeister” brand is famous among accordion enthusiasts the world over. At Weltmeister Akkordeon Manufaktur GmbH, we supply the music world with Weltmeister solo, button, piano and folklore accordions, as well as diatonic button accordions. Every day, our expert craftsmen and accordion makers create accordions designed to meet musicians’ needs. And the benchmark in all areas of our shop is, of course, quality. 160 years of instrument making at Weltmeister Akkordeon Manufaktur GmbH in Klingenthal, Germany, are rooted in sound craftsmanship, experience and knowledge, passed down carefully from master to apprentice. Each new generation that learns the trade of accordion making at Weltmeister helps ensure the longevity of the company’s incomparable expertise. History Klingenthal, a centre of music, is a small town in the Saxon Vogtland region, directly bordering on Bohemia. As early as the middle of the 17th century, instrument makers settled down here, starting with violin makers from Bohemia. Later, woodwinds and brasswinds were also made here. In the 19th century, mouth organ ma- king came to town and soon dominated the townscape with a multitude of workshops. By the year 1840 or thereabouts, this boom had turned Klingenthal into Germany’s largest centre for the manufacture of mouth organs. Production consolidation also had its benefits. More than 30 engineers and technicians worked to stre- Accordion production started in 1852, when Adolph amline the instrument making process and improve Herold brought the accordion along from Magdeburg. quality and customer service. A number of inventions At that time the accordion was a much simpler instru- also came about at that time, including the plastic key- ment, very similar to the mouth organ, and so it was board supported on two axes and the plastic and metal easily reproduced. -
Playing Harmonica with Guitar & Ukulele
Playing Harmonica with Guitar & Ukulele IT’S EASY WITH THE LEE OSKAR HARMONICA SYSTEM... SpiceSpice upup youryour songssongs withwith thethe soulfulsoulful soundsound ofof thethe harmonicaharmonica alongalong withwith youryour GuitarGuitar oror UkuleleUkulele playing!playing! Information all in one place! Online Video Guides Scan or visit: leeoskarquickguide.com ©2013-2016 Lee Oskar Productions Inc. - All Rights Reserved Major Diatonic Key labeled in 1st Position (Straight Harp) Available in 14 keys: Low F, G, Ab, A, Bb, B, C, Db, D, Eb, E, F, F#, High G Key of C MAJOR DIATONIC BLOW DRAW The Major Diatonic harmonica uses a standard Blues tuning and can be played in the 1st Position (Folk & Country) or the 2 nd Position (Blues, Rock/Pop Country). 1 st Position: Folk & Country Most Folk and Country music is played on the harmonica in the key of the blow (exhale) chord. This is called 1 st Position, or straight harp, playing. Begin by strumming your guitar / ukulele: C F G7 C F G7 With your C Major Diatonic harmonica Key of C MIDRANGE in its holder, starting from blow (exhale), BLOW try to pick out a melody in the midrange of the harmonica. DRAW Do Re Mi Fa So La Ti Do C Major scale played in 1st Position C D E F G A B C on a C Major Diatonic harmonica. 4 4 5 5 6 6 7 7 ©2013-2016 Lee Oskar Productions Inc. All Rights Reserved 2nd Position: Blues, Rock/Pop, Country Most Blues, Rock, and modern Country music is played on the harmonica in the key of the draw (inhale) chord. -
Electrophonic Musical Instruments
G10H CPC COOPERATIVE PATENT CLASSIFICATION G PHYSICS (NOTES omitted) INSTRUMENTS G10 MUSICAL INSTRUMENTS; ACOUSTICS (NOTES omitted) G10H ELECTROPHONIC MUSICAL INSTRUMENTS (electronic circuits in general H03) NOTE This subclass covers musical instruments in which individual notes are constituted as electric oscillations under the control of a performer and the oscillations are converted to sound-vibrations by a loud-speaker or equivalent instrument. WARNING In this subclass non-limiting references (in the sense of paragraph 39 of the Guide to the IPC) may still be displayed in the scheme. 1/00 Details of electrophonic musical instruments 1/053 . during execution only {(voice controlled (keyboards applicable also to other musical instruments G10H 5/005)} instruments G10B, G10C; arrangements for producing 1/0535 . {by switches incorporating a mechanical a reverberation or echo sound G10K 15/08) vibrator, the envelope of the mechanical 1/0008 . {Associated control or indicating means (teaching vibration being used as modulating signal} of music per se G09B 15/00)} 1/055 . by switches with variable impedance 1/0016 . {Means for indicating which keys, frets or strings elements are to be actuated, e.g. using lights or leds} 1/0551 . {using variable capacitors} 1/0025 . {Automatic or semi-automatic music 1/0553 . {using optical or light-responsive means} composition, e.g. producing random music, 1/0555 . {using magnetic or electromagnetic applying rules from music theory or modifying a means} musical piece (automatically producing a series of 1/0556 . {using piezo-electric means} tones G10H 1/26)} 1/0558 . {using variable resistors} 1/0033 . {Recording/reproducing or transmission of 1/057 . by envelope-forming circuits music for electrophonic musical instruments (of 1/0575 . -
AND KOCH Inc
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org 44 THE MUSIC TRADE REVIEW NOVEMBER 29, 1924 vember 17, at 10 p. m. through WEAF. Mr. Hacon has broadcasted from this station in the past and letters received indicate his tremen- dous popularity with the radio audrences. Mr. Hacon has, therefore, been added to the regular night's program. Philadelphia Wholesalers MUSICAL INSTRUMENTS Report Big Banjo Demand Hafner & Sutphin Shipping Large Orders for Vega, Bacon and the New Ludwig Banjos, for Manufacturers of musical instrument Which Lines They Are Local Distributors cases of quality. Veneer, Duck, Leather, PHILADELPHIA, PA., November 25.—Orders for Fibre. the small goods lines carried by the firm of Hafner & Sutphin, 925 Arch street, have been keeping up with the volume that commenced in the early days of Fall. The firm has been kept steadily active in the shipment of the Vega and ^/zeFELSBERG COn40Cross5tNewark,NJ. Bacon banjos and the newest addition to its line, the Ludwig banjo. The latter is the re- cently manufactured product of the Ludwig & Ghas. F. Kienle, Treasurer member of the firm for several years. He Ludwig company, of Chicago, makers of drums. learned the harmonica business from the bot- The Hafner & Sutphin company will distribute of M. Hohner, Inc., Dies tom up, starting in at the bottom rung of the the Ludwig banjos in Pennsylvania, southern ladder about twenty-five years ago. Possessed New Jersey, Delaware and part of New York Veteran of Harmonica and Accordion Trade of a keen mind and a willingness to work hard, State. -
Thank You for Your Purchase! the ® Plaque and Gauge Set Can Be Used to Find Mouthpiece Facing Curve Lengths on Most Clarinet A
mouthpiece from the top (figure If the gauge is crooked (figure airplane wing (balancing of 2). The position at which the 4), then the reed is not sealing “C”), each wing needs to be ® gauge lightly comes to rest is well on the mouthpiece table identical for consistent air-flow MADE IN USA the spot on your mouthpiece and is warped. Your reed is and lift. When the reed is in Thank you for your purchase! where the mouthpiece curve also leaking at the beginning of balance with itself and the begins (figure 3). The marking the facing curve, hence, is mouthpiece facing curve, sound The ® Plaque and Gauge lines on the plaque are in one losing playing and vibrational resonates better and your set can be used to find millimeter increments. You efficiency. playing becomes very natural. mouthpiece facing curve lengths may take note of this facing To remedy, use your ® on most clarinet and saxophone curve length measurement or Tool to flatten the reed, as The ® Plaque may be mouthpieces, as well as mark the side of the transferring those facing needed. Figure 5 depicts a flat used as a traditional plaque to mouthpiece, lightly, with a reed that seals properly at the support a reed while you are measurements onto the reed. pencil or marker. mouthpiece facing. The making adjustments. Use the To find your mouthpiece’s Gauging reed flatness: horizontal line depicts the start top side, curved end marked facing curve length: Slip the gauge between the reed of the facing curve. This line is “tip work,” see picture. -
TLM Coquitlam Boxing Week Blowout.Xlsx
TLM COQUITLAM GUITAR PRODUCT SPECIAL BOXING WEEK BUYS DEPARTMENT CATEGORY BRAND MODEL / DESCRIPTION ITEM # REG $ SALE $ SAVE $ DISC % QTY Guitars Acoustic Bass Fender CB-60 Acoustic Bass Guitar 207548 $ 399.00 $ 239.00 $160.00 40% 1 Guitars Acoustic Guitar Alvarez AG70AR Auditorium Acoustic 207364 $ 679.00 $ 379.00 $300.00 44% 1 Guitars Acoustic Guitar Alvarez Blues 51e Parlour Acoustic Tabacco Sunburst 207362 $ 769.00 $ 399.00 $370.00 48% 1 Guitars Acoustic Guitar Alvarez Delta 00e Acoustic Guitar 207658 $ 699.00 $ 439.00 $260.00 37% 1 Guitars Acoustic Guitar Alvarez MDA70 Gloss Natural 207361 $ 1,099.00 $ 549.00 $550.00 50% 1 Guitars Acoustic Guitar Epiphone J-45ME 207303 $ 899.00 $ 699.00 $200.00 22% 1 Guitars Acoustic Guitar Fender CD-60 12-String Natural 207052 $ 369.00 $ 229.00 $140.00 38% 2 Guitars Acoustic Guitar Fender CD-60SCE B-Stock 207564 $ 399.00 $ 199.00 $200.00 50% 3 Guitars Acoustic Guitar Fender FA-235e Sunburst 202716 $ 399.00 $ 219.00 $180.00 45% 2 Guitars Acoustic Guitar Fender PM-1 Parlour Guitar w/ Case 207339 $ 799.00 $ 479.00 $320.00 40% 1 Guitars Acoustic Guitar LAG T-100 Slim Body Acoustic Ivory 207964 $ 669.00 $ 399.00 $270.00 40% 1 Guitars Acoustic Guitar LAG T-100ASCE Slim Line Acoustic Electric 206589 $ 669.00 $ 399.00 $270.00 40% 2 Guitars Acoustic Guitar Taylor BT-2 Demo Acoustic Guitar 207476 $ 449.00 $ 289.00 $160.00 36% 1 Guitars Classical Guitar S101 Guitars Classical Guitar w/ Spruce top 99756 $ 129.00 $ 79.00 $50.00 39% 6 Guitars Electric Bass Ibanez GSR200SM-NGT Bass Guitar 208025 $ 349.00 $ 249.00 -
Families 2) Draw a Line Between Each Instrument and Its Orchestral Family
Musical Instruments Worksheet 1 Name ......................................... 1) Draw a line between each instrument and its name.Families 2) Draw a line between each instrument and its orchestral family. String Family Timpani Brass Family Trumpet Percussion Family Violin Woodwind Family Trombone Clarinet 3. Write the name of another instrument in the STRING FAMILY .......................................... 4. Write the name of another instrument in the BRASS FAMILY ........................................... 5. Write the name of another instrument in the PERCUSSION FAMILY ................................ 6. Write the name of another instrument in the WOODWIND FAMILY .................................. 7. To which family does the XYLOPHONE belong? ............................................................... Musical Instruments Worksheet 3 Name ......................................... Multiple Choice (Tick the correct family) String String String Oboe Brass Double Brass Bass Brass Woodwind bass Woodwind drum Woodwind Percussion Percussion Percussion String String String Cymbals Brass Bassoon Brass Trumpet Brass Woodwind Woodwind Woodwind Percussion Percussion Percussion String String String French Brass Cello Brass Clarinet Brass horn Woodwind Woodwind Woodwind Percussion Percussion Percussion String String String Cor Brass Trombone Brass Saxophone Brass Anglais Woodwind Woodwind Woodwind Percussion Percussion Percussion String String String Viola Brass Castanets Brass Euphonium Brass Woodwind Woodwind Woodwind Percussion Percussion -
Bishop Scott Boys' School
BISHOP SCOTT BOYS’ SCHOOL (Affiliated to CBSE, New Delhi) Affiliation No.: 330726, School Campus: Chainpur, Jaganpura, By-Pass, Patna 804453. Phone Number: 7061717782, 9798903550. , Web: www.bishopscottboysschool.com Email: [email protected] STUDY COURSE MATERIAL ENGLISH SESSION-2020-21 CLASS- IX Ch 2- The Sound of Music. Part I - (Evelyn Glennie Listens to Sound without Hearing It) By Deborah Cowley Part I. Word meanings. 1. Profoundly deaf: absolutely deaf. 2. specialist: a doctor specializing in a particular part of the body. 3. Deteriorated: worsened, reduces. 4. Urged: requested. 5. coveted: much desired 6. replicating: making a copy of something 7. yearning – longing, having a desire for something 8. devout: believing strongly in a religion and obeying its laws and following its practices Summary. Evelyn Glennie is a multi – percussionist. She has attained mastery over almost a thousand musical instruments despite being hearing – impaired. She learnt to feel music through the body instead of hearing it through the ears. When Evelyn was eleven years old, it was discovered that she had lost her hearing power due to nerve damage. The specialist advised that she wear hearing aids and be sent to a school for the deaf. On the contrary, Evelyn was determined to lead a normal life and follow her interest in music. Although she was discouraged by her teachers, her potential was noticed by master percussionist, Ron Forbes. He guided Evelyn to feel music some other way than to hear it through her ears. This worked well for Evelyn and she realized that she could sense different sounds through different parts of her body. -
The Harmonica and Irish Traditional Music by Don Meade
The Harmonica and Irish Traditional Music by Don Meade ! 2012 Donald J. Meade All rights reserved 550 Grand Street, Apt. H6F New York, NY 10002 USA TABLE OF CONTENTS INTRODUCTION 3 WHAT KIND OF HARMONICA? 4 TECHNICAL TIPS 13 MAJOR, MINOR, MODAL 16 ORNAMENTATION 18 CUSTOMIZING AND MAINTAINING CHROMATIC HARMONICAS 21 Appendix A: IRISH HARMONICA DISCOGRAPHY 26 Apendix B: MODE AND POSITION CHART 32 Appendix C: HARMONICA HISTORY 33 2 INTRODUCTION influenced by the way in which song airs The name “harmonica” has over the years and dance tunes are played on instruments been applied to a variety of musical with a longer history in the country, have instruments, the earliest of which was developed their own distinctive techniques probably an array of musical glasses and styles. created by Ben Franklin in 1761. The 19th- century German-speakers who invented the Instrumental technique is not really the key mouth-blown free-reed instrument now to playing Irish traditional music. Anyone known as the harmonica originally called it a who has ever heard a classical violinist Mundharmonika (“mouth harmonica”) to stiffly bow through a fiddle tune will distinguish it from the Handharmonika or understand that technical competence accordion. English speakers have since cannot substitute for an understanding of called it many things, including the mouth traditional style. That understanding can organ, mouth harp, French harp, French only be acquired by listening to and fiddle, harpoon, gob iron, tin sandwich and emulating good traditional players. If you Mississippi saxophone. “Mouth organ” is the want to play Irish music, you should listen to most common name in Ireland, where as much of it as possible. -
Overview Guitar Models
14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic