THE KITCHEN CENTER FOR VIDEO, MUSIC AND DANCE
December 29, 1979
Woody,Steina Vasulka 257 Franklin Street Buffalo, New York 14202
Dear Woody and Steina, Enclosed is a rough draft of the videotape catalogue we're trying to put together . A few tapes are listed under your name . Could you please look over this information and make corrections, exclamations and changes where necessary . I would like to have your changes or OK by the end of February if possible . Thanks for the trouble .
Board of Directors
Robert Ashley Paula Cooper Suzanne Delehanty Philip Glass Barbara London Mary MacArthur Barbara Pine Carlota Schoolman Robert Stearns John Stewart Caroline Thorne Paul Walter
HALEAKALA, INC. 59 WOOSTER NEW YORK, NEW YORK 10012 (212) 925-3615 ARTIST
ADDRESS
PHONE
NAME OF TAPE
CORRECTIONS/ADDITIONS
SUGGESTIONS ARTIST (S) TITLEUS) TIME Ga n m r 0 0 0 cc w r a m wm AARON , Jane and When I Was A Worker Like LaVerne r 0 r n rt N~ x n a0 n BLUMBERG , Skip 29 minutes 0 w 0 K A straightforward account of both management and labor at a w rr Sears and Roebuck Company mail order house in Chicago . The m m plant foreman explains some of the operations of the business n with a tour through the nine floor structure, spotted along m with interviews with workers at a variety of duties, who appear to genuinely enjoy their labors . x R X X x
Note : Copy #1
ACCONCI , Vito Red Tapes 140 minutes
I, Common Knowledge Picture plane space - novelistic - scheme of detective story . Presents photographs . . . the recipient of myth .
II, Local Color Space more sculptural, notions of America are seen in context, blended into overall notions of culture, civilization . Now he is the instrument of myth . The voice in tape 2 is essayist,
III, Time Lag Space becomes theatrical space, the feeling of summing up, a kind of mediation - they are acting out a kind of prototype American novel, X C X X X 1977
Note : Tapes on 60 minute cassettes
ARTIST(S) TITLE(S) TIME r w 7d td n w m r 0 0 O m N fD w I.- r G m a w r A 0 n O rt AGNETTI , Vincenzo Video Cassette 1973 30 minutes M a ro 0 w 0 (Documentary #2) n n w rr If one uses a,language, any discipline, to arrive m quickly at a work of art one finds oneself forced to m rr polarize, that is, forced to go back to the starting rt point, to the discipline itself . This is the moment to m instrumentalize the discipline to cancel the structure ; the concepts are thus reduced to pure and simple signals which together form a composition that is, in a certain sense, the equivalent of the signs and colors i n an oil painting . For example in this documentary the polarization occurs by isolating images described from the filmed ambient . In its turn the documentary will develop with a description which is purely phonological . The words deprived of their meaning, are substituted by some numbers . In so far as the word disappears the number which substitutes for it becomes a simple tone-supporter . The visual part recovers spectator-- impact but at the same time declasses the illusion . The word is no longer objective as happens in certain processes which refer the word as a medium back to itself ; instead there is also less of the didacticism of academic inspiration . So it is that the ambient description stripped of ambiguity of language offers a work translated into every language . X C X 1973
ARTIST(S) TITLE(S) TIME 1, . w w cn 3 fD r 0 0 n 0 cD ro w a M w ANT FARM The Cadil lac Ranch Show 30 minutes^_' r 0 I-0 r W ry O H n a fD 0 w 0 n consumption . Four men stand A tape about conspicuous n studio and discuss their involvement with w rr around a television m Ranch project . More conspicuous than the y the Cadillac fD are the men themselves and the vulgarity rr auto as symbol rr of indulgence as visualized by the installation of several m Cadillacs, half-buried in the Texas desert . The tape has little to do with art, but makes a brazen statement about contemporary economics . Best part : two old Cadillac television commercials from 1958 . X C X X X X 1974
ASHLEY, Robert Title Withdrawn 50 minutes X C X X X X
Private Parts I. K " The Park B . The Supermarket People in places described in song with settings for piano and orchestra by the incomparable Blue"Gene" Tyranny .
II . The Backyard with Peter Gordon (PolyMoog), Marc Grafe (Electronics), X C X X 1978 Jill Koreson (Video)
Note : This tape was recorded live at The Kitchen January 6 and 7, 1978 .
Tape defective rewinds after a few minutes
w fn w w O 0 m A rr fD 0 w O O K O rt M a fD 0 ARTIST (S) T ITLES) TIME w z td n W (D Ir O N 4-1 (D r BALET , Marc Architectural Tales 14 minutes r r) O x K o w n mn rt m rt rr m C X
BARK, Jared A . Slotin's Light 8 minutes B . Irene Joliot Curie 15 minutes X C X 1975
BATTOCK, Gregory Outreach : The Changing Role of the Art Museum 28 minutes X C
Briefly, "Outreach" is a video spoof on art museums . Battockl asks each participant how their respective institutions are reaching their communities : "What is your museum doing to improve communications? ; How do you plan to accomodate the newest art forms? ; Do you use the 'meat market' approach regarding personnel?", etc . The participants are Gregory Battock, educator, critic, lecturer, author ; Marcia Tucker, art critic, lecturer and Director of the New Museum ; Dr . Judith Van Baron, author, educator, specialist in museum administration, former Director of the Bronx Museum, and currently Director of the Monmouth County Museum of Art ; Charles Hovland, sales supervisor at the Guggenheim Museum .
r w n w 0 N n r O I
'ART ISTCS) - TITLE(S) TIME
BENGLIS , Lynda Female Sensibility 20 minutes
An interchange between two women ; stylized gestures and sexual holding of the other's face, kissing, caressing . Voice over from parts of radio talk shows, country music, commercials, and a religious lecture about Adam .
Document 8 minutes
Bengl-is uses live video image and photographic image focusing on the differences between the two . Benglis writes on the monitor and draws moustaches on both images .
BENGLIS , Lynda & KAYE . Stanton The Amazing Bow-Wow 32 minutes
BIRNBAUM , Dara Drift of Politics (two women are active in a space)
Laverne & Shirley (subtitled/slowed-motion/extras) . Language usages within mass media are juxtaposed to the psychology/sociology of developed relationships (within the system/ towards the 'projected' viewer) .
Note : This tape was recorded live at The Kitchen January, 1978 .
ARTIST(S) TITLES) TIME 1-4 0 rt 0 ra G m a w 0 n 0 a m 0
BLACKMAN , Meryl & Window BODE,, Peter (see also : Experimental Television Center)
BL, UMBERG, Skip & When I was a Worker Like Laverne AARON, Jane (see also : Aaron)
BODE , Peter Blue
I-87
BODE,Peter & Window ,BLA~N, Meryl (see also;Experimental Television Center)
3 0 rt 0 m G 0 0 m a 0 a 0
ARTIST(S) TITLES) TIME r w m r 0 0 0 m N ro w r m w minutes r A 0 0 n 0 n BOLLING , George Space Trilogy A 30 x n a. m 0 w 0 (channel 2) n
w rr m m rt rr m
C x X
Space Trilogy_B (Viking Marsat Conjunction Track II - Mars)
C N 1976
Space Trilogy C 30 minutes x C x x 1976 (channel 1)
Space Trilogy x C x x 1976 (Mars Viking at Conjunction Track III - DSN channel 3)
Mars #1 10 minutes 10Mars72- minutes R Jupiter 7 minutes B
ARTISTS) TITLE (S) TIME w w 3 ~c w w m r 0 0 0 m N 0 w r ra m w r r) O n rt O H x n a r Romance I 32 minutes O w O BOWES , Ed n N. A feature length romance . "Romance" is a story w n Beth Cannon, Ed Bowes, co starring Karen Achenbach, m Hannah Weiner, Mary Varnum, Britta LeVa, Kathy Dillon, rr Chiam Sprei, Frank Werver, Donald Monroe, Ed Friedman, M Richard O'Halloran, and Barry LeVa .
Romance II 32 minutes X Romance III 32 minutes X R X
X X X 1976 Romance III,-III~ X C X
minutes Note : This copy consists of two cassettes, 52 and 47 minutes .
Romance III X C X X X X
Note : Reel III missing
Better, Stronger 55 min
BETTER,STRONGER is a one hour TV show produced for young WNET New York by the Walsung Co . In it, Lana, a habits ; actress, tries to break the audience of some bad bad sexual habits, bad television habits . Lana is accident prone, suffers from jet lag and has a busy day . STARS : Karen Achenbach, John McNulty, Charles CAMERA : Tom Bowes SCRIPT : Ed Bowes, Karen Ruas . X C X X X 1979 Achenbach DIRECTED BY: Ed Bowes hourthetelevision,affectedTheFrenchof(perhapsshotslongStuartSusanCarlosexistence,aboveformalizedofFrenchstudioNew&canabalistic)6twoWaveshortswomenasaccentasInterferencenarrativeAndWhyLoveThe'resort'I'mInareinterpretedinthetoaFormulaIOK,combinedWomanafootnotesHurtsHateevokeMoodsemanticallyYou'reshareaboutCommunism#lreferencesbyanOKaforsomeoneromanticoverduba theminuteandcinemaweanedTIMEminsmin,
ARTISTCS) TITLE(S) - - r-lw m 0 a 0 rr 0 m NI-~- m w P- r 0 m 0 W BRISLEY, 10 :30 r A 0 0 K 0 n Untitled M a m GUARDEA, o w 0 n w w ro rr m
X C X X
BRITTON, A . 52
An notion X C X X X 1977
B, 6
Mundane reconditioned with ironic of on X R X X X 1978
C, 10 1977
D, 3 1976
E,, 6 1976 F, G, Note : on 30 reel .
1 0
ARTIST(S) TITLE (S)- - TIME 1-4 w 0 ~o 0 0 M N 0 cu It.- ra G m w 0 K 0 n 10, a m 0 w 0
w rt m m M rt m BUEYS , Joseph, Documenta 6 PAIK, Nam June & DAVIS , Douglas (see also : Davis)
ARTIST(S) - TITLE(S) TIME 70 0 to r 0 0 rt 0 rD w r ra to 0 r A 0 0 M o x pt a CD BURTON , Six §r. 0 0 Jim Solos n I . #1 m rt m y fD II . #2 rY M III . #3
Note : All tapes are on 30 minute z" reels ; master copies X R X X
BURTON , Jim and Return to , Patagonia STEARNS , Robert I . (Part I) R X 1973
II . (Part II) X R X 1973
A . BYRNE, Jim Both 5 min .
B. Translucent 2 min .
C .' Handheld 5 min. x C x x 1975
1 2
ARTIST(S) TITLE(S) TIME w td n ro 0 rt 0 ro N ro w ro a w n 0 n 0 n x n ro 0 0 n n r" w rr BYRNE , JIM Works for Broadcast 2 min . ro ro rr Four thirty-second tapes originally made for television in rr place of commercials, ro C 1977
CAGE , John 36 Mesostics Re and Not Re Duchamp 26 min . X X
Cage says ; "My first Mesostic was written as prose to celebratE one of Edward Denby's birthdays . The following Mesostics, each, letter of the name being on its own line, were written as poetry . . . .I thought that I was writing acrostics, but Norman l, O .Brown pointed out that they could properly be called Mesos- tics (a row down the middle rather than down the end) .
CAGE, John and . By Cage Interview/Performance 28 min X C X X KOSTELANETZ, Richard
During the show Cage actually starts a new work, "For the Thir Time", a written piece using words and phrases from James Joyce's Finnegan's Wake , arranged in patterns determined by various cryptic methods .
CAIN , Nancy .and - Paper Wagons FRIEDMAN , Barton
A sociological tape replete with documentary footage at the garage of the Chicago Daily News and interviews with a variety of employees who appear considerably better natured than the somewhat narrow-sighted interviewers . X R
w rt 0 N ro 3 P-1 O ro 0
1 3
ARTIST (S) TITLE(S) TIME 7d n w w O 0 03 N m i-- ra G a w 0 n O III a. m 0 O n n w
CAMERON , Eric Artist and Model rr rt rD X p X 1975
CAMPUS , Peter Dynamic Field Series 23 min, (Parts II, VII, IX) X C X X 1971
X CARDENA A . Intimacies 14 min, X C X 1976 B. Rencontres dans 1e temps retrouve 15 :57 min, C, Piece for- Annie 27 :15 min,
Note : Taped live at Stedelik Museum, Amsterdam
CARDENA Black & White & Sometimes Colorful 14
ARTIST (S) TITLE(S) TIME n \ ro r-~ 0 0 rr 0 ro N ro w ra G ro 0 w r~ N A O n Pi O n a. ro 0 \ 0 n CARDENA Eeu minuut in een minuut, 10 minutes wn rt een uur in een minuut, m ro ro een dag in een minuut, rr rr een week in een minuut . ro X C X X X
CHADEN , Tina Three Video Vignettes 10 min . X A The Screening B, Me and Magritte Both C, The Shadow Box X C X X X 1975
X 1975 CLARK, Ron DOUBT 22 minutes X C X
Doubt is a subtly scripted tape that uses the on-camera statements of several people to create a vague, allusive account of what in the beginning seems to be the memories of an underground organization . Clark deliberately leaves the relationship of the participants in his tape, and the ostensible subject of their concerns, in doubt . What the viewer is left with is the certain notion that the continuity he has constructed is substantially his own .
DIALECTICAL FACTS 28 minutes X X X X 1977
A triangle . One man and two women are both interviewed and surveiled by a camera that slowly starts to reveal something.about the nature of their personal interrelations and that have something to do with the coup d'etat in Chile the the rise of communism in Italy . As the tape proceeds information only compounds ; never clarifies either the romantic involvements or revolutionary intentions . 1978 IDEOLOGY 51 minutes X C X X w n ro 0 a 0 rt 0 ro N n G ro w O r C7 O n a. ro 0
1 5
ARTIST (S ) TITLE(S) TIME r w ro w y r 0 a 0 rt 0 N 0 w t- r co 0 w My Zada 28 minutes r A o 0 n 0 n COHEN , Maxi My Bubi, n a 0 0 0 console in n Livingroom environment with an old fashioned video w" place of a television housing a black and white w with her m monitor playing a pre-recorded tape of Maxi rt grandparents . rr emanating "The room is dark, except for the mellow light room the floor lamp by the overstuffed chair . The from Forward' my grandparents living room . . . . chachkas . 'The is a tape the coffee table, lace doillies . On the TV is on grandparents . 'My Bubi',My Zada', my Russian immigrant of relation- tape is a collage of vignettes exposing the The with ship between bubi and zada, and their relationship me" . - MC personal "My Bubi, My Zada was on the face of it a of documentary of Maxi Cohen's grandmother . But because a documentary the way Cohen handled the work, it was also of the making of the tape . - a recreatic n Cohen's tape was also part of an installation would feel at of the kind of living room her grandmother monitor on which home in . As the piece de resistance, the carved wood the tape was shown was enclosed in a large doors that closed to hide the TV set 'console' with C X X X 1975 when not "in use" .
minutes X C X X 1975 CONNELL, Brian La Lucha Final 30
An exploration of documents (photos, reports) relating to a terroist attack on an American embassy . Disparate elements become narrative, the narrative becomes the event, the factors become the people . Very compelling . minutes COOS County TV Common Sense 57 - Documentary - Interviews with workers in Coos, Oregon comment on lumber jacks, fishermen, farmers, etc . who . X C X X 1974 this work and only indirectly on our culture/society
r w w 0 0 rr O m N r a 0 w O r O h O r{ n 0 a 0 1 6
ARTIST(S) TITLE(S) TIME r to 0 0-4 w (D Ir O 1910 rt O m N m w r ra m w r 0 0 C) 0 K K a m 0 0 w O
w m rr m m m m rr rt m
CROISET , Nicole La Ro uette Prison de Femmes
works by - Bour, Hessie, Janicot, Maglione, Aballea, Blum, Croiset X X 1976
Note : third generation tape, In French
r w 0 Cni (n w w w O O rr O m N 0 r C m w 0 0 n 0 n a m 0
17
ARTIST (S) - TITLES) TIME w x n w w m r 0 0 rt 0 N m r- m w r 0 O O rt 0 r'S K a m 0 w 0 n n w rt m rt
DAGLISH , Jamie Angle_ of Repose X X X
Stretch 2 Stories X R X X 1978
A. The Seashells X B . The Transient X R X X 1975
Verbal/Nonverbal X R' X 1978
Soap_ Opera X R X 1972
DAVIDOVICH , Jaime A Jnterior 30 minutes X IC X B .Baseboard 15 minutes
In Baseboard the character and dimensions of an unknown space are slowly revealed as the camera steadily and silently scans the space . The view seen is a close-up of a wall meeting the floor . The camera passes different objects exposing them only in part . The result is a linear collage of color and texture . A tension develops as the camera relentlessly carries the viewer around the room never showing enough of the space and never slowing or stopping to allow an investigation of a particular element . When the piece concludes the tension is released as the scale and character of the space becomes apparent .
1 8
ARTISTS) TITLE(S) TIME r w z tb w w rD 0 0 rt 0 CD N w ra fr m w 0 n 0 n 0 n x n o. m 0 0 n H. w rt
rD rt f7 N
DAVIS , Douglas , . The Austrian Tapes 17 minutes X C X X X 1974, 1975 B . Three Silent & Secret Acts
'Commissioned to celebrate the coming of cable broadcasts to Soho, this tape asks for participation in a way not usually demanded upon the viewer by television . (A sincere but didactic and frustrating attempt at communicating electronically, THREE SILENT AND THREE SECRET ACTS clarifies some of the potential and many of the limitations inherent in video .)
Documenta 6
with works by PAIK , BUEYS , DAVIS X X X X X 1977
Note : live via satellite from Kassel, Germany
DOWNEY , Juan Chile, 1971 15 minutes X C X X X 1974
Visual : murals & shots of Santiago & Valparaiso executed- during 1971, after the election of Allende . Audio : Allende's Farewell Address broadcast on the X C X 1974 morning of September 11, 1973 .
Video Dances
DRYSDALE , Tom Draw Me 25 minutes
(15 short segments) X R X
Note : first generation
r w n w w 0 0 rt 0 rD N rr w 0 a n 0 n n a. 0
1 9
ARTISTS) TITLE(S) TIME n m r O O rt O (D w t- 0 w r o n n 0 n K a. 0 0 n n w rt w to M rt rt cu
X EMSHWILLER,Ed Scapemates
X EXPERIMENTAL Television Selected Works 1974 - 76 X Center 6 :20 minutes Meryl BLACKMAN & Peter BODE 1974 A " Window
8 :20 minutes B, Ralph HOCKING & Sheryl MILLER 1976 Ins & Outs
8 minutes C " Ralph HOCKING & S . MILLER 1976 Hat
4:30 minutes D, Peter BODE 1976 I-87
72, :25 minutes E " Walter WRIGHT 1975 Processed Images
5 :05 minutes g " Peter BODE 1976 Blue total 44:40 minutes
ARTIST(S) T ITLES) TIME
FITZGERALD , Kit & Exchange in Three Parts 28 mins SANBORN , John (see also Sanborn, Weiner)
The Last Videotapes of 33 mins Marcel Duchamp
Interpolation A, Entrophy 2 :10 B, Order 1 : 33 C, Watch 1 : 00 D, Aphasia 2 : 03 E, Interpolation 2 : 02 F, Jargon 6 :44 G, Duad 4 : 00 H, Motive 2 :10 I, Lux 1 :45 J, Access 2 :05
24 :52 mins
FOREMAN , Richard City Archives
City Arch ives (tape 2)
Out of Body Travel 42 mins
21
TLME i10 ARTIST (S ) TITLE(S) rr w O 0 rt G N G r r O n G n a. 0 0 rt n
rt rt 1974 FOX, Terry Lunedi
Childrens's Tapes 3 :10 mins A, Fly caught by the bowl 3 :35 mins B . Cloth draws water to the spoon 5 :30 mins C, Long wicked candle 2 :25 mins D, Candle sex 2 :35 mins E,. Spoon, fork, toothpick & pen 4 :30 mins F, Star matches 3 :40 mins G, Candle draws water H Relighting the wet candle 1 :10 mins I . Skinning the flame with the fork 1 :30 mins J, Water drops on the spoon 1 :00 min K. Spoon drops on the fly 1974 total 28 :30 mins X C X
R X 1976 Lunar Rambles ( .separate reels) X
I Brooklyn Bridge II Brooklyn Bridge III Greenwich Street IV Greenwich Edit V Pedestrian Tunnel VI Fish Market VII Original
Fox constructed In the large room at The Kitchen Terry as a soundboard a sound installation using the floor it . In the small for the strings stretched across videotapes were viewed . These tapes were the room that private performances in quiet places results of City, The during the week throughout New York Fox did The a performance of one day was shown at tape of "Lunar Rambles" Kitchen the next day . Excerpts from "D" May 26 shown on Manhattan Cable TV, Channel were exhibition, and 29, 1976 in conjunction with this
.y r-~ O rt 0 N n L G G n O C1. CD 0
22
TITLES ARTIST(S) r_ fJ
.a
Survey of Lindalil Use FROST , Jack & Initial 1977 WORSLEY ,Dale BV Occupations -for TV Ads
FUJII , Seiichi Mantra (see also Hiroba Video)
2 3
ARTIST(S) TITLE(S) TIME
GIBSON , Jon Rhythm Study for Hand, Feet and Voice
labeled GIGLIOTTI , Davidson Lines & Masses (Four tapes A,B,C and D)
GILLETTE, FRANK Real Time/Raw Tape 1A/ Center (2 copies)
1B/ Left (2 copies)
1C/ Right (2 copies)
1D/ Right 24
TIME ARTIST (S) TITLE(S) ~rr w z n I-c w rD O O rt 0 m N O N F-~ a G m w F- 0 O r n ~j " O PVI ri 0. cD O 0 n Three Tuscan Fields & The Birds of GILLETTE , Frank n r. Madagascar w rt m I . Sunflowers & the Birds of Southern rt rt Madagascar 10 :15
II .', Vineyards & the Birds of Western Madagascar 10 :30
III, Olive Grove and the Birds of R Eastern Madagascar 6 :45 X'
GIUMMO , Joan 1977 Bag Ladies 45 min X C X SWEETNAM , Elizabeth Shopping of the streets as This tape examines the homeless women to survive . The they migrate around the city, struggling myth that shopping reality of their situation banishes the with options bag ladies are willful groups of eccentrics the streets . available to them other than sleeping on
of Lions Robert Romance of the Angel GOLDMAN , 18 min . X C X
and Three elaborately dressed women meet for high tea at gossip . Their tea-party is held outdoors - in a cage while the Boston Zoo . They speak of their love for money ghostly cavemen emerge from the rocks behind them and cavort on the nearby stones .
w b Cni Cn I-c w w a O rD N n G m w Io r n O n C. r(D 0
2 5
ARTIST (S) TITLE(S) TIME n 0 0 rt 0 ra a w 0 n 0 n 0 n n GRASS , Peter The Mutants of Beta Nova 23 min a 0
In a distant universe called Beta Nova a sisterhood of a few planets and dwarf stars is populated by the descendants of the savages of Asterisk, a once interstellarly acknowledg race of advanced technology .
X X X
GRAUER , Victor Video Piece I 1977
GROSSMAN , Ellen Opening & Closing the Passage (2 parts to be shown simultaneousl
GUARDEA , Carlos & Untitled BRISLEY , Stuart (see also : Brisley)
n 0 0 rr o 0 0 co 0 w 0 n a n o Pt n a. m 0
2 6
ARTIST (S) -- TITLE(S) TIME rn n w rr 0 rr 0 N P- (D w ra W C: W HAGIWARA , Sakumi Twenty Years Reprint 0 O I J n 0 n x n a. m (see also : Hiroba Video) O w O n n w rt rD HARDING , Noel Pieces for Circuits/Works for m Mind/Body rr rt rD A, Number 1 of 3 works for Mind-Body 15 min X R
B, No . 1 of 3 pieces for Circuits 15 min
C, No . 1 of 3 works for Mind-Body 15 min
D ., No . 1 of 3 pieces for Circuits 15 min
II . A, No . 2 of 3 works for X RI Mind-Body 15 mir
B, No . 2 of 3 pieces for Circuits 15min
C, No . 2 of 3 works for Mind-Body 15min
D, No . 2 of 3 pieces for Circuits 15min
III, A, No .3 of 3 works for Mind-Body 15min R
B, No .3 of 3 pieces for Circuits 15mir
C of 3 works for w n No .3 w w 0 0 rt 0 m 15mir n N Cl~ G (D Mind-Body O n O ri a. 0 0
27
ARTIST(S) TITLE(S) TIDE a n b w +r o y 0 rt 0 N F~ rr r G n 0 n 0 n HARDING , Noel (continued) a 0 0 ri D. No .3 of 3 pieces n w r1 for circuits 15min
rt rr
IV, A . 15 min of 3 pieces for Circuits 15min X R X
B. 15 min of 3 works for Mind-Body 15min
:C. 15 min of 3 pieces for Circuits 15min
D. 15 min of 3 works for Mind-Body 15min
HARDING , Noel A. Birth's Child 4 min X R X 1973 "B,, Table & Chairs 4 min C . 3 min D ., Cathy's Room 12 min E . _Cynthia's Portrait 4 min
BIRTH'S CHILD objectively captures a mother's response to her baby's crying . Both mother and son sit naked - nearly on top of the camera . The woman's face moves through a pattern of subtle changes as we listen to the child's wailing .The piece closes with a succession of rapid cuts which create a pulsating sound/visual rhythm as the crying stops . TABLE & CHAIRS opens with a slow pan from one chair to another placed at (diagonally) opposite ends of the table . A man appears on the screen who at certain times establishes a corresponding counter-rhythm to the w cn w 0 :> 0 rt 0 pan . (continued) N rr r cn C C W n O n a n O n n a. 0
28
ARTIST (S) _ - TITLE(S) TIME Pc rr o 0 rt 0 N Sv r_ C W 0 o n 0 n HARDING,Noel (continued) xn a. 0 0 n ,-like soundtrack serves as In CATHY'S ROOM a pendulum W careful visual study of rt the underlying dynamic to this mw a woman's space - including her bed, windows, view and PORTRAIT is comprised of her m dog . The final tape, CYNTHIA'S rt full face and profile superimposed with the sound of a ro harmonica . 29
ARTIST(S) - TITLE S TIME r w z t- ~c w (D r O O rt O N W r ra O O W r n O C7 O x n a. m 0 0 W rt m cn rt Nrt x C X X X X 1977 HEYWARD , Julia Conscious Knocks Unconscious 25 minutes
Multi-layered interiors from voices inside Heyward, directed by Julia Heyward and featuring the same. X X X 1975 Classical Conversations X C X
A narrative/conversation/monologue questioning the dilemma and the pleasures of media, re: Bob Dylan, the energy crisis, getting sunburned .
- a Fifi Corday Production x C X X X 1975 HEYWARD , Julia & Classic Conversations 25 mins PAXTON , Steve Peripheral Vision 20 mins
I HILL, Gary X 1973 The Fall 12 minutes X P
II Windows 8 minutes X C 1978 Sums & Differences 9 minutes
III Windows X R X A rithmetic Images (silent) X X Sums and Differences (sound) (B W with color burst)
TV CTR. HOCKING , Ralph & MILLER, Sheryl-see : EXPERIMENTAL minutes X C X 1974 HOLT , Nancy Underscan 8
Note : Dub # F-4 copy #1 r w n b w w w w 0 a 0 rt 0 N 41 (7 r r G m W O W aO O H n 0 30
ARTIST(S) TITLE(S) TIME 1c \ r-~ 1~ lo1n 0 N cn G m O r C ~j rt O rt a. ~ HIROBA Video I a 0 ~t 1972 Matsumoto , Toshio Expansion 14 minutes m rt Kobayashi , Hakudo Earth 10: 20 co 1974 1974 Komura , Masao Object Collection 7 :40 rt rt cD
II Nakaya , Fujiko Statistics of an Egg 11 :00 1973 Yamamoto , Keigo Water 9 :30 1972 Hagiwara , Sakumi _Twenty Years 5 :35 1974 Hagiwara , Sakumi Reprint 5 :00 X 1973
III Michishita , Kyoko Lets Have a Dream - Yoko Ono in Japan 11 :30 1974 _Imdeitsu, Mako What a Woman Made 13 :25 1974 Fujii , Seiichi Manitra 7 :00 1973
IV Kawanaka , Nobuhiro Playback 10 : 00 1974 Wada ,Morihiro Situation 9 : 00 1974 Yamaguchi , Kasuhiro Video Portrait 7 :00 1973
HOCKING , Ralph & MILLER, Sheryl Ins and Outs (see also : Experimental Hat TV Center)
IDEMITSO , Mako What A Woman Made (see also : Hiroba Video)
w a w Un 'c 0 a 0 rt o , m N C7 N r G O W rt o !n rt a (D 0
3 1
ARTIST(S) - TITLE(S)- - TIME w 0 fD r-+ 0 0 rt 0 rD N I-- ra W JOHNSON, Tom & The Masque of Clouds rn 0 n 0 n ri a. Kushner , Robert 0 n I, n w Aurora & Sunrise 5 :30 w rt m Lake Aria, Forest Aria 4 :50 rt Storm 7 :47 rt Rainbow 5 :25 Forest & Lake Duet 12 :00 Sunset 6 :20 Dew Chorus 6 :35 55 :00 mins II Nocturne Aurora's Aria 11 : 00 C 7X X X 1975
An opera in three acts and one hundred and thirty-two variations . Performed by William Barone, Lynn Cushman, Kathy Duncan, Pamela Frame, Susan Gayle, Tom Johnson, Penney Kimbell, Robert Kushner, Sylvia Lanka, Joyce Morgenroth, Martha Novick, Mary Overlie, Ellen Saltonstall, Ed Vincent, Janis Wenk.
"The Masque of Clouds" grew out of a shorter work created by Kushner in 1973, which was roughly based on Elizabethan masque traditions but involved no music . Johnson became interested in the idea as a potential opera, and active collaboration on the expanded work began in the summer of 1974 . One hundred and thirty-two variations make up the music of the work . The theme is never quite stated in its pure form, though it is heard in ten different modes and quite a variety of tempos and moods,
JONES , Philip Mallory & Jones , Gunitta January : Take 2 18 minutes X C X ;X
3 2
ARTIST (S) TITLE (S) TIME w M w rr o m o n m O 1977
20 min X KAMM, Tom Watch (Devlin Productions)
KAWANAKA , Nobuhiro Playback (see also : Hiroba Video)
Stanton & KAYE , X BENGLIS, Lynda The Amazing Bow-Wow
(See Benglis, Lynda)
KEELER , John & views X X ROTKO , Ruth UFO Tapes/ Three Inter (see also : Rotko) the Part of this program presented videotapes on Interviews" is a phenomenon of flying saucers . "Three spotted and video documentary featuring people who had Lands in boarded extra terrestial aircraft . "Saucer when an Lainesville" is a video spoof, which begins Colonel, disembarks extraterrestial disguised as an AirForce about recent UFO sighting , his craft to question towns people,
I Was Kidnapped by a UFO Bubble 26 minutes X X 1975
30 minutes KEHOE, Mark I . Smash-up X II . Smash-up (cue to 290) 30 minutes
with A half hour version of a feature length script Romance Marian Ferrara & Dominic LoMedico . Urban N w O rt O C (D O W N O ro a. 0
3 3
ARTIST (S) T ITLE(S)- - TIME w n HC w w m 0 0 rt 0 M N m w ra G M 0 w A 0 rt O Pi x a. m KELLER, David Demo Tape 30 min . 0 0 n
(audio mix, first copy) w rt
m An account of a demolition derby is presented as a form of rt rr methodical violence . Fans come to the track and local drivers M heroes who are mechanics, who work on their own cars aside X C 1979 from their regular jobs . On Saturdays they drive for simple glory & little money as fans watch with satisfaction . As one demolition driver put it, " . . . a lot of them are out here to watch what they are dying to do ."
KELLER; David Conditioner 25 min . X C X X. 1978
This program deals with the concept of human control over animals and media control over viewers . Depicted are sterility operations, poultry slaughter, and caged con- finement . Synthesized electronic music, subliminal word messages, and other effects accentuate awareness of media manipulation .
=J,LER, David The Only Lonely Show 12 min . X C X X
Romantic and sexual alienation presented in a montage of unrelated images . This montage attempts to follow the structure of commercial televised programming, where differen t sequences are juxtaposed and produce the sensation of com- mercial television,
w z w i n w w w 0 rt 0 m N G co G n a n 0 n no a. m 0
34
ARTIST(S) TITLE(S) TIME r r rt O N W A O rt (D KELLEY ,Joanne & Oceans Part I 0 SWEENEY , Skip r" rt
X X
KITCHEN Benefit Concert 60 min . 5/20/78 I . Show #1, Tape #1 (original)
Contemporary Music Series : Tape 1 - Philip Glass , Laurie Anderson . Tape of benefit concert including performances by Philip Glass , Laurie Anderson , Meredith Monk , .." :obert Ashley, Steve Reich
Benefit Concert 60 min . X X 5/20/7 II . Tape #2
Contemporary Music Series (Con't) Laurie Anderson (con't), Mered ith Monk
r N w rt o '(D N In (D o 0
35
ARTIST(S) TITLE(S) TIME r w n "C \ \ co r 0 0 rt 0 m N fD r-+ a O w r n O r n O K 0 K 11 a M O w 0 K wn rtw m W m fD rt rt m KITCHEN Contact Improvisation 60 mins (Performance at The Kitchen)
The tape demonstrates the diverse ways in which contact/ improvization develops between partners . The movements begin slowly with an emphasis on floor work . In the latter half of the tape the movements quicken and become more stylized . The concentration then is on the active dynamic of bodies relating to each other as energy . The sound is mobile - complementary sources of X "verite" . X C X 1977
Early_Tapes 30 mins C X X
A . News Broadcast : Collapse of Mercer Art Center, first home of Kitchen Univ . Hotel
B . Robert Stearns : "Acme Strikes Back" . . . Comic Conversation, with marijuana smoking, etc .
C . Robert Stearns : "Greenjeans" Acme Commercial for theme of Acme Strikes Back .
D . "Draw Me"
E. Orchestra Person Conducting Prerecorded Music
F . Steve Reich : Clapping
Documentation 20 mins X C X X 1974 - (Promotion Tape) 1975 Excerpts from Performances, Screenings, Exhibitions .
A . Kubota Installation Note : bad tape, no visuals w n 0 0 rt 0 Jackson Mac Low, "A Word Event" P- c m 0 n O K O Carlotta Schoolman K a m 0
36
ARTIST(S) TITLE (S) TIME w n 3 1-c w m r O rt O O N m w ra m w A 0 n Oa H K fD O w O KITCHEN cont . C, Robert Kushner, "The Persian n w w rt Line" Performance ti m rt D, Trisha Brown, "Primary Accumulatio rt Note : bad tape, no visuals
E, Beryl Korot, "Dachau" video installation
F, Steve Paxton, 5 dancers and video performance
G, Ron Clark, "Give or take a few Words" video screening
H, Jean Dupuy, Richard Landry Note: 'no visuals
Kipper Kids - Live C X 1978
(see also : Knowles) Emily Likes the TV - Part I
KOBAYASHI . Hakudo Earth (see also Hiroba Video)
KOMURA , Masao Object Collection (see also Hiroba Video)
37
ARTI STS) TITLE(S) TIME n b W \ 0 v 0 R 0 N rD w r G rD G w 0 n n 0 n n a. o \ 0 LANDRY Richard Quad Suite n n r" A. Six Vibrations for Agnes 1973 Martin . (guitar) 15 minute : rt 1975 B. Hebe's Grand Bois rt (bamboo flute) 8 minute rD C . 4th Registrar Reflection 1973 (tenor sax) 11 minute Kurt Munkacsi - engineer, Carlota Schoolman, Production Tina Girouard - video X R x
LANGE , Darey Documentation of Bradford , Working Life 'First situation a . Rolling Mill b . Grinding c. Furnaces d . French Combing Second situation e . Traditional Combing f . Spinning - Alice Jennings
II a . Spinning - Theresa Hirp b . Verson Press Third situation c . Piston InsRection d . Dual Lathes e . Packing - 1 Fourth situation f . Packing - 2 III a . Order Assembly - 1 b . Order Assembly - 2 c . Punch Card X C X 1974
" The first situation" was a steel smelting works, Osborne Steels Ltd, Lowmoor, England . "The Second Situation" was at Whiteheads Woolen Mills . "The Third Situation" was Hepworth & Grandage, England's largest producer of pistons and rings . "The Fourth Situation" was a large mail order warehouse Grattna Ltd .
This art documentation is an attempt to relate an aesthetic truth through three different media . The film and video were shot simultaneously with the same framing. "My intentions are to convey the image of the work as work, as an occupation, as an activity, as creativity and as time consumer" . D. Lange .y LO n ^J C/] -11 O y rt O N n r v) C w n n a n rf0 a. 0
AhT IST S) TITLE(S) T EM E'. ~ !D tia O r-+ rW f" N O w` L.A .T .V , The Best & The Worst
Using the format of a commercial, this tape incorporates several forms of video, including studio shot imagery, computer fed animation, character generated images, etc . If anything this tape might be about the sort of elegant anxiety that has been made possible with commercial broadcasting, XIC i IX X X 1977
LUBAR, Cindy & Emily Likes the TV XICIX X 197 6 KNOWLES , Christopher (see also : Knowles)
Note : recorded live at The Kitchen October, 1976
LYON , Bruce A, Color Transformatio ns
B, Moving Monument
C, Abstract Expressionism 15 min X C X 1974
LO 0 0 G G
39
ARTIST (S) ~ - TITLE(S) TIME r w rn w w rn r 0 0 rt O m N w r C w r O O C O x n a. O 0 MARTON ,, Michael Arvilla 28 :36 mins n n w rt A documentary about Arvilla Groesbeck, an independent cattle near woman who runs a farm with 38 head of rt Schenectady, New York . The camera follows her around the farm as she performs th never ending .duties required to keep her small dairy operating p and the frustrating attempts to get a loan in order to consolidate . Anecdotes and personal history are told by her as everyday farm experiences are,seen . A simple, well made and affectionate documentary/portrait . Best quote : "I do my own C X X X 1978 thinking or I blank out" . X
MARUYAMA , Yoko & A . The Cuban Film Festival 15 mins Tsuno, Kieko - Tsuno B. Welfare Reform 6 mins - Maruyama C . Newber N .Y . 13 mins X R X
MATSUMOTO,Toshio Expansion (see also : Hiroba Video)
MATTLIN,Sharon Teething (Parts I & II) 90 mins
Sharon Mattlin and the Bowery Bumettes Repertory Ensemble present TEETHING : a pageant narrated and enacted by a chorus . Teething is about being a child and having a child, (sequentially and in some senses simultaeously) and how we survive - even triumph . 1978 Note : recorded live at The Kitchen February 14, 15 197 8 X C X
40
G ~ `4 a Dream - P4ICHISHITA , Kyoko Let's Have Ono in Japan (see also : Hiroba Video) Yoko
X 1975 MILLER , Larry V, Art of Influence 60 mins Absent healing of charmed dolls by psychic healer Dean Kraft, 1976 The Suitcase 30 mins X
Jim the Wonder Dog 58 mins 1978
Outs MILLER , Sheryl & Ins & HOCKING , Ralph Hat (see also : Experimental TV Center) :30 mins MOONEY , Karen & Coping with Herpes , 27 STROBING, Leandra Virus of Love and Coping with Herpes, Virus of Love is an informative an supportive program about a sexual matter that affects enormous number of people today . Genital herpes virus is incurable, recurrent, and communicable . It has been cervical cancer in women and poses a threat associated with Control . The Center for Disease to the newborn new cases each estimates that there are 300,000 The year - four times the reported syphilis cases . distressing properties of herpes and the anxiety regarding sexuality, fear of rejection, or guilt makes it an unusual sexual problem . do with Herpes, Virus o f Love aims to help people Coping the just that - cope- at the same time that it explains men basic, known facts of the disease . Two women and two they (aged 26 to 35) candidly discuss how they felt when it, and first contracted herpes, what they've learned about couple tells how they've learned to deal with it . A young experience with childbirth when the woman had a their Marvin recurrence just before the birth of their child . Dr . a Amstey, a faculty member of the Univ . of Rochester and during the herpes specialist, appears from time to time program to describe the medical facts of the disease . XC 1978 of Coping with Herpes focuses on the personal experiences both people who are coping with herpes, in order to soothe the body and the mind . The tape was produced with support NY n0 from the Artists' Television Workshop at WXXI/Rochester, are It was broadcast there in Aug ., 1978 . Other broadcasts expected in early 1979 4 1
ARTIST (S) - TITLE S TDtE rn n (D 0 y 0 rt 0 m W r C 0 a IN r 0 n n 0 n rj a. 0 0 n n r. w rt rD
rt rt (D 18 mins X C X X 1971 MUNTADAS , Antonio Tactile Recognition of the Body
28 mins X R X 1975 MYERS, Rita We are alone here
Sleep Performance and X R X X X Second Thoughts 24 mins
TIME ARTIST M TITLE(S) n z It-< m r 0 a 0 m w I- r O N P- A 0 O rt o H PI m 0 O rt ca w w rr m m m NAKAYA , Fujiko Statistics of an Egg m rr (see also Hiroba Video) rr
N,A,S,A, Footage Globule Experiment
Skylab/ Day-off activities
Apollo 1 7/ Astronauts on Moon
Skylab Bloodtest, Repairs, VTR
Lunar Rover ,Grand Prix
Earth Moon, Mars, Jupiter X C X 43
ARTISTS) TITLE(S) TIME r b m F-' 0 a 0 rt 0 N w C 0 w W O r ("J C O ry a 0 0 n w rt
rt rr M
OPPENHEIM , Dennis R X K 1975 recorded at the Kitchen, September 26, 1975
OURSLER , Tony A, Life
B, Diamond Head
C, Good Thing & Bad Thing
Three short vignettes that tackle large scale,problems Utilizing following the form of a parable or fairy-tale . forms and an economic style of video animation (puppet with an overdub) Ourslet':s narratives hand props X R X X X vacilate between an ironic and anxious vision .
44
11?f~I:; r s ~ T tl
PAIK, Nam June Documenta 6 (see also Bueys , Davis) satellite Note : Live from Kassel, Germany via
Global Groove
Vision 20 mins PAXTON, Steve & A, Peripheral Conversations 25 mins HEYWARD, Julia B, Classic (seealso Heyward) Peripheral Vision version 20 min shot firehouse '73, edit '75 video ; Christiansen e voice ; Christiansen, Smith, Paxton
improvization - a dance This tape demonstrates contact dancers mutually directing form emerging from two or three together and improvising each other by falling in space The form involves freely - in its earliest stage . where the feet don't have investigating the body in space momentum and gravity become to be on the ground and where sections of the tape : the the sources of stability . Some speed as to perceive movements are recorded at a slower . The soundtrack is the full convolution of the movement performers as they re- a dialogue between two of the collegues' gestures . watch and explain their own and
45
ARTIST) TITLE TIME w n b M \ \ O y 0 rt 0 N r C C w O n C O PI n a. 0
mn m rt n was this all 24 mins RAMOS , Tony Nor X X by any means
mins Cla22ing Music (1972) 4 :50 REICH, Steve A, (L) Performed by Russ Hartenberger & Steve Reich (R) 11 mins B, Music for Pieces of Wood (1973) Performed by Bob Becker, Russ Hartenberger, Glen Velez, Steve Reich, James Preiss - tuned claves . Taped at studio in New York, composers X X 1975 May 1975
without written consent Note : no rentals or dubs of Steve Reich
the Flowers ROSENBACH , Ulrike A,. Madonnas of B,_ Part of Paradise Chou C, Mon Petit X C X X X D, Der Man Sei Das Hauptt ich A, Glauben Sie nicht daB bin (1 version) eine amazone X C X B, second version (color)
eine frau A, Tanz fur X C X X X B, Sorry Mister
color and did not Note : Sorr Mister was originally standard conform we - to
w b _, 0 0 rt 0 N n r C O r O ri O a. n 0
46
a~.~, I TIzLl ;' C cn ~T((SSj , O O n 0 :r. fD c n n O K a. O
of the Kitchen 8 mins ROSLER , Martha I Semiot ics (see also SEKULA, Allan, Talk given by Mr . Fred Lux . . .
is focused on a midshot of a woman A static camera counter in a kitchen . On a kitchen wearing an apron each of are a variety of kitchen utensils, before her to demon- picks up, names and then proceeds which she nothing to do with that as often as not have 1975 strate and grammology . the tool, developing an ironic mins II A Buddi ng Gourmet 17 picture examines various images from While the camera a oriented towards gourmet foods, magazines primarily Europe and about her experience in both woman narrates . Later in America and their respective cuisines South at assimilating tape she relates her attempts the question she seems to com Brazilian cooking . Pondering the all a question of to the realization that it's X IX 1974 not an accident" . cultivation and that "art is
Conceptual Artworks ROSS, Steve Three The Heights of Macchu P icchu Reading of the piece by Pablo Neruda
Untitled
r,
H Y 47
ARTIST (S) TITLE(S) TIME I-~ W ^Y 0 rt 0 N fD A~ r-+ ra C w r--~ A O ("J O a. O O n n r" m rr
r rt
x Cr Ix x ROTKO , Ruth & The Last Space Voyage 40 mins KEELER , John of Wallace Ramsel (see also : Keeler $ John) Philip Morrison Interview x R at Cambridge, Mass Dec . 1976
R 1975 RYAN, Paul Earthscore IX x
_Earthscore - Inventing x Triadic Behavior (tape 1) x R
Video as Evolutionary Tool Lecture at Kitchen, April, 13, '7 x C 1976
4 8
A11,TIST('S) 1 -1 n
X 1977 SANBORN , John & Exchange in Three Parts 28 mins FITZGERALD, Kit see also Fitzgerald, Weiner) X 1977 The Last Video Tapes of 33 mins X Marcel Duchamp
A, Entropy 2 :10 mins X 1978 B, Order 1 :33 mins
Interpolation 24 :52
1978 ^SCHIFF, Lesley A Functioning Error
Saturn, Planet of the Moons - Extended Face e
A Performance SCH~N, Carolee 3,4,1,2 1976 Drawing) X
from a performance drawing . Artist, nude, swings harness attached to rope swing and makes marks, line drawings on wall/space/enclosure . Good shadows of aparatus and figure, 49
ARTIST (S) TITLE(S) TIME r+ 0 C M F" O rt N (D Sv I- (D F-~ A 0 O H K r~ a m O 0 K n w to rr CA co ED M rr rr X X X X 1975 SCHNEIDER , Ira Bits, Chunks, & Pieces 45 mins 15 mins A. Echo
A group of people play and experiment with the video phenomenon of chroma-key in a television studio . Chroma- video key is a mixing process that replaces delayed information from a single camera in place of a color frequency cued on the monitor . Produced at the Synapse Video Center .
B. More or Les s Related , 25 mins Incidents in Recent History
An information collage juxtaposing various events from . the period in recent history best described as psychedelic Included are shots of a man painting a fantasmagoric of mural on the wall of a boutique, Nixon On TV, hordes Hare Krishnas meditating, news reports from Viet Nam, Jim Morrison in concert, street interviews . rawhide pants" . X C X X X 1976 Best line : "I want two pair of bell-bottom
x C X X X X 1975 SCHNEIDER, Ira & 4th of July in Saugerties Korof , Beryl (see also : Korof) A. Several Minutes of Several Days in the Hamptons (Eco-Culture in Eastern Long Island) 14 mins X X 1976
B. Some Scenes in Southern California (Eco-Culture in North San Di ego County, California) 14 mins R X X 1977
X Bits & Pieces X R parts I and II
r w ~`td n wA t-4 O O rr O fD r ti ~ C fD O N lE O O ri O M rt C]. m 0 50
ARTIST (S) TITLE (S) TIME w c) w s M r 0 0 rr 0 m IN 0 w k- ra G m w r A 0 c'] O ri K M a ro 0 O 0 K n w w w M m rt Revolve , Nancy Holt SCHOOLMAN , Carlota mn Part I 60 mins
Part II 15 mins X X X X 1977
X C X 1974 - 78 SEGALOVE , Ilene The Mom Tapes 27 mins
Why is the Sky Blue 9 mins X C X 1978
A young girl performs an elementary scientific experiment in an attempt to answer the title/question ; disatisfied with the results she affects her own conclusion .
California Casual 18 mins
California Casual living began for our cast when-,couple by couple-they shook off starched collars and cuffs and made for the Coast . Only one individual, Christina, is California blessed from birth . We see Milt, David Olan, Ben, Nick and Marty photographically surrounding their wives, who espouse the virtues of an iron-free lifestyle, and the impact miracle fibers have had on their lives, Gloria, Christina, Laura, Vicki and Sylvia describe the lives they lead sharing similar attitudes toward washing, starching and ironing . Their husbands, professional men, made real committments to casual living, beginning in one case with a hot-pink leisure suit . For the West- ward-bound, the starch out of the shirt and the stiffness out of life are simultaneous . A phenomenon strictly California, Los Angeles in fact, is no longer in danger of passing historically with no documentation, California Casual is videoportraiture . The installation is in a professional environment and viewers will include the Downtown Los Angeles California Casual people,
r w z 0 3 "a w w w w 0 0 rr 0 M N E r ra 0 fD 0 w O C7 a H O H ri a 0 0
51
ARTIST (S) TITLE TIME w A 0 0 N m w I.- w i r A 0 M M x K m 0 0 O K n w m m m rr Fred Lux 25 mins rr SEKULA , Alan Talk Given by Mr . m Clock Mfg. Co . plant (see also : Rosler, at the Lux Lebanon, Tennessee on Wed . Martha) in X R X 1974 Sept . 15, 1954
SHEETENHELM , David & A . Color Transformations Lyon, Bruce (see also Lyon) B .Moving Monument X X 1974 C .Abs tract Expressionism
SIEGEL , Eric A. Einstine
B . Symphony of the Planets X C X X 1968 C. Tomorrow Never Knows
23 :30 X X X 1974 SOBEL , Nina Breakdowns
w 0 0 0 0 m w c m 0 w O H O M 0.O m PI 0
52
ARTIST (S) - TITLE(S) TIME rz w M r 0 0 rr 0 M N fD w r a m w r A o r n 0 rt K a m 0 w 0 K
w 0 m rr rr m Southwest Tapes - SONDHEIM , Alan C X X "Himagag" X
Something to do STEARNS, Robert R while wat ching TV X R Sheet Frame X 1975 viden Lecture Notes X C
STEARNS, Robert & BURTON, Jim Return to Patagonia (see Burton)
10 mins STEELE , Lisa A . Lisa and the Egg X C X B, A Very Personal Story 17 mins
27 :30 min STROBING , Leandra & Coping with Herpes , MOONEY , Karen Virus of Love (see Mooney for info)
5 3
0 m a co P- r n K m 0 STURGEON , John A, Shapes from the Bone Change 4:20 min 0 0 w 1975 B o The Two of Triangles 2 :50min w rr m m Water Piece 7 :13 Xmrt C, rr X 1979
SUTHERLAND , Starr & Hunting the Great White 13 :25 min W LKEE, Bruce (see also Walker)
An absurd narrative revolving around a theoretical hunt and the taomaraderie of hunters . Two men set out together to search for and hopefully "bag" the Great White, The expedition takes them to a salt flat in the desert but is referred to as a treacherous jungle . The men prevail against all odds (?) and finally down the Great White with a cannon . In the final sequence they are seen in the C X X trophy room meditating on the ways of nature . X
SWEETNAM , Elizabeth & Shopping Bag Ladies GIUMMO , Joan (see also : Guimmo)
54
ARTIST (S) TITLE(S) TIME r w w n w w m r O 0 rt O N lD t.- r 0 0 O r; O pi M O O rt n w m 'rt Im m m TELEVISION The Lord of the Universe 60 min rt TOP VALUE rt fD Documentary by WNET on Guru Maheraj Ji . Includes X C X X X X 1974 interviews, conclave at Houston Astrodome ('73), etc .
Trenchmouth Music Roll Over Alice
Berkeley Golden Gate Park Bandshell, Live Oak Theater, 1974 San Francisco
min X TSUNO , Keiko & A. The Cuban Film Festival 15 Maruyama, Yoko Tsuno (see also Maruyama) B. Wel fare Reform? 6 min Maruyama
C . Newberg, New York 13 min Tsuno 55
TIME ARTIST(S)- - TITLE(S) w n 0-4 M r+ 0 rr O m co w r ra G w r A O n O 4 0 M T ti C . O N O O K
W W w fA fD fA fD rt Seeing & Hearing rt VALIE Export Space m 1974 I, II, III, IV, V X C X
VAN TIEGHAM , David Disorderly Conduct Armstrong . The multi-tracked soprano voice is that of Rebecca The Joiner, The entry music was performed by, among others, Arkansas Junior High School Band (A . Silas Bennett, created and director) and Texas Slim . The unique jewelry was . graciously lent by composer/performer Dennis Kitsz Child's The "Peter Percussion" song was excerpted from "A Introduction to the Orchestra", recorded by the Golden Miller, Symphony Orchestra under the direction of Mitch of the featuring percussionist Terry Snyder . The drawings Bulletman drummer used on the flyer were taken from a 1943 & Bulletgirl comic-book episode entitled "The Killer capture Diller Killers", in which our valiant super-heroes the murderers of an unfortunate percussionist by subduing them with cymbals, xylophones and a bass drum .
Recorded live at The Kitchen, June 4, 1978
X C X X X 1973 VASULKA, Woody & Steina Golden Voyage 27 min
5 6
ARTIST (S) TITLE (S) TIME r w w n ~4 w w r 0 0 rt 0 m N m ¢1 I- ra 0 O w r n 0 0 0 rt O Pi a. O wx 0m n W N N fD rt rt VIOLA , Bill Information 30 mins X X 1973
Eclipse 20 mins X C X X 1974
Red Tape (2 copies) 30 mins X C
Selected Works A, Olfaction (1974) 2 mins
A workman (Viola) at a table in a studio fragments-,via video into several persons performing various incomprehensible duties then sits at a nearby chair re-establishing a single image/person,
B, Junkyard Levitation ('76) 3 mins
A man (Viola) lays down in a cleared junkyard while an off camera electromagnetic crane 'levitates'scrap metal from the yard . He then stands up while a train passes behind,
C, Return (1975) 7 mins
A man (Viola) takes a series of short walks from a forest into a cabin/workshop and rings the bell he is carrying at each rest, it's peal serving to link the intervals visually,
D, A Million_Other Things( 1 76) 5 minE
A landscape, The same shot of a house in the country by a lake is seen at several different times over a 24 hour cycle and composed into what might be interpreted as a temporal poem/sentence about transition and change . X C X x 1974 1976
57
(S ) TITLE(S) TIME "c ARTIST 10 r 0 rt 0 m m w r ra C m w Pr A 0 c] n 0 pi H a m 0 0 K w m rt m m m m rr X X it VIOLA, Bill Soloman Islands
Four Songs 33mins
A, Junkyard Levitation B,,' Songs of Innocence Space Between the Teeth C, The X C X D, Truth Through ass Individuation
a Meaning VOKIETAITIS , Conny Works in Search of
A, Ars Moriendi #1 x r, X X 1974 B, Ars Moriendi #2
5 8
ARTIST(S) TITLE(S) TIME w w n 1-c w m r 0 rr 0 m sN m N P- ra m 0 w r A 0 n O H 01 a m 0 0 WADA , Morihiro Situation K (see also : Hiroba Video) n r+~ 03 rt m N rt rt WALKER, Bruce & Hunting the Great White 13 :25 m Sutherland , Starr X C X X (see also Sutherland)
WEGMAN , William Selected Works : Reel 7
A, copies 1& 2 17 mins X C K X 1977
B, Anthology 10 mins X C X X 1977
WEINER , Lawrence A Bit of Matter & a Little Bit More C X (see also : Sanborn) A, A Bit of Matter & a Little Bit More C X
B, Exchange in Three Parts - by Sanborn/ Fitzgerald
Green as Well as Blue as Well as Red
Commentary: Kathryn Bigelow, Performers : Suzanne Harris, Tina Girouard, Camera : Carlotta Schoolman, Tape uses format, visually and structurally . It begins with a statement spoken by Weiner and repeated throughout : "And they often say, it's not who wins the game but how its played" . The visual game is played by Suzanne Harris and Tina Girouard, Weiner invited Kathryn Bigelow to collarorate with him : The working premise of the tape was that she should make a commentary, while Weiner mixed the soundtrack and answered Bieglow's questions, The final question of the tape,is whether the questions Bigelow raises can operate dislectically or whether they are appropriated and subverted by the structure, X C X X 1976
The First 1/4 (Part I and II) X X r w 0 1-d En W W O 9 19 O rt O fD N E r r c 0 m O n a 0 n H a m 0
5 9
TIME ARTIST (S) TITLES) n Pe 0 0 rt 0 m m I- a c M w r 0 r n 0 n 0 K K a M 0 0 K A m rA rA fD rt rt X WEINER . Lawrence Affected and/or Effected X X
X Do you Believe in Water ? 43 mins 1976 copy #2 x R X X For Example Decorated 23 minj x X 1977
X X X X 1978 WESTERN FRONT VIDEO What House ? 35 minE
A performance by Fern Friedman, Terri Hanlon, Deborah Slater Oct . 28, 1978
X R X X WIEGAND , Ingrid Omar is el Uno 12 :30 mins
Jay Clayton Sings 28 :00 X X X with Kirk Nurock & the Jankay Ensemble
Snapshots for an Indian Day 28 :48 X C X 1978 with Bob Wiegand
60
ARTIST(S) TITLE (S) TIME XI1C a rt r 03 11 r'! m 0 0
WILSON , Ann Acts from Electric Affin ity 20 mins
A sequence of environmental metaphoric pieces designed to include performance . The visual elements of the bnvir- onments were such that they could function together or X separately . Each segment of "Electric Affinity" was created in a separate place, as part of a sequential diary-like theme unravelling the specific labyrinth of one ongoing creative lifetime . Sequences included performan of "Ohio Relic", "Tanka", Icon", and a new one for the Kitchen called "Matthew Brady", X X
Performance at The Kitchen June 11 - 12, 1979 . Music composed by William Tudor .
Tibetan Beads 45 mins
Hands touch, hold, open exotic and ritualistic objects : scarves, beads, bells, boxes and their contents, C X
Tibetan & Christian Beads X (with audio cassette tape)
WILSON, Robert & S paceman (excerpt) X HILTON , Ralph
WINTERS , Robin And he Goes to Sleep at Night 30 mins X X 1976
~-c 0 rr 0 m c M m ran K 0 K a m 0
61
ARTIST (S) TITLE(S) TIME "e rt 0 m co o a m w 0 n 0 K a m 0 N 0 n 0 K w ton rt ra m m rr X X X WONG , Paul A, Gutter 7 :30 min rr (with Valerie Hammer)
B, In Ten Sity 23 :00 R X
WORSLEY , Dale & Initial Survey of Lindalil FROST , Jack Use by occupation for (see also : Frost) TV Ads
WRIGHT , Walter Processed Images (see also : Experimental TV Center)
6 2
ARTIST(S) TITLE(S) TIME w to 0 w w 7d r 0 0 n O m"C N m N r m O m I.- n 0 0 rt O pt a. m pi 0 w 0 K 0 w to rr m m m rr rr m YAMAGUCHI , Kasuhiro Video Portrait (see also : Hiroba Video)
YAMAMOTO , Keigo Water (see also Hiroba Video)
6 3
ARTIST (S-)~-- TITLE (S) TIME w n Pa w 0 0 rt 0 m N I.- ra 0 m w 0 n O r't O M rj G. m O 0 H n Cow m m rt rt m
1974 ZAMIR, Batya The Kitchen Concert X R X March 13, 1974
n w 0 0 rt 0 m N r r 0 m 0 w O O H O H n a m 0