The Summoning Cartoon Hangover
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Cartoon Digital
cartoon digital 6-8 December 2016 Munich (Germany) Creating Entertainment for Connected Screens Top speakers • Market trends • Case studies • Networking www.cartoon-media.eu pitching event for animated transmedia projects cRtOn 3 29 31 May 2017 www.cartoon-media.eu PARTNERS CARTOON DIGITAL IS ORGANISED BY WITH THE SUPPORT OF IN COLLABORATION WITH CARTOON IS SPONSORED BY 3 Ilse Aigner Bavarian State Minister of Economic Affairs and Media, Energy and Technology Deputy Minister-President of Bavaria Dear Cartoon Digital Seminar Attendants, n behalf of the Bavarian Government I warmly welcome you to Cartoon Digital in Munich, Bavaria’s cosmopolitan capital. O It has been a long-standing tradition to host a cartoon program event here in Munich. Munich is just the right venue: the local television stations and producers, special service providers for VFX and animation, the renowned University of Television and Film Munich (HFF) as well as other elite universities and, last but not least, an active and innovative games industry make Munich a first class location for animation film and television productions in Germany. The State of Bavaria with its film funding program run by the FilmFernsehFonds Bayern (FFF Bayern) contributes highly towards maintaining this leading position. The FFF Bayern disburses funding totaling 33 million — 4.7 million € of this funding is specifically allocated to the technically highly demanding and staff-intensive VFX and animation services and to international co-productions. In addition, there is a program that is dedicated to the games industry in Bavaria. This program will be further extended in the following years, and other media innovations will also be funded in future. -
Cartoons & Counterculture
Cartoons & Counterculture Azure Star Glover Introduction Entertainment media is one of the United States’ most lucrative and influential exports, and Hollywood, in Los Angeles County, California, has historically been the locus of such media’s production. While much study has been done on the subject of film and the connection between Hollywood and Los Angeles as a whole, there exists less scholarship on the topic of animated Hollywood productions, even less on the topic of changing rhetoric in animated features, and a dearth of information regarding the rise and influence of independent, so-called “indie” animation. This paper aims to synthesize scholarship on and close reading of the rhetoric of early Disney animated films such as Snow White and more modern cartoon television series such as The Simpsons with that of recently popular independently-created cartoon features such as “Narwhals,” with the goal of tracing the evolution of the rhetoric of cartoons created and produced in Hollywood and their corresponding reflection of Los Angeles culture. Hollywood and Animation In a 2012 report commissioned by the Hollywood Chamber of Commerce, The Los Angeles County Economic Development Corporation acknowledged that “[f]or many people, the words Los Angeles and Hollywood are synonymous with entertainment” (“The Entertainment Industry” 1), and with good reason: Los Angeles’s year-round fair weather first attracted live-action filmmakers in the early 1900s, and filming-friendly Hollywood slowly grew into a Mecca of entertainment media production. In 2011, the entertainment industry accounted for “nearly 5% of the 3.3 million private sector wage and salary professionals and other independent contract workers,” generating over $120 billion in annual revenue (8.4% of Los Angeles County’s 2011 estimated annual Gross County Product), making this “one of the largest industries in the country” (“The 76 Azure Star Glover Entertainment Industry” 2). -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
283123939-Rocket-Dog-Pitch
Like most people, as a kid Rocket Dog is a turbo- you probably wished for a charged animated series of sympathetic pet whose eleven-minute cartoons fiery rocket-butt gave her bounding squarely towards the power to fly. Good every seven-to eleven-year- thing for you your wish old who loves a good laugh never came true. (and to anyone who’s subversive enough to enjoy the mayhem caused by a certifiably insane canine). Bob is our human hero. A 12-year-old kid, he’s got those qualities you see in a lot of boys his age. He’s competitive, a bit gullible, believes he’s a natural leader (yet works himself to death to fit in), gets nervous around pretty girls, and is able to recognize godawful ideas only in hindsight. Bob would be well-satisfied to be seen as a natural leader but NO ONE with a shred of common sense will follow him. Rocket Dog follows him everywhere. Not that that’s a good thing. It’s those everyday things Bob wants—popularity, the like of a cute girl, racing bike—that are the drivers of our stories. In the long history of dogs, if ever there were a dependable, focused, proud, trustworthy, steadfast companion, it sure as heck isn’t Rocket Dog. (Maybe you’re thinking of her idol, screen star Bonnie?) Oh, sure, Rocket Dog is loyal to Bob—loyal to a neurotic, psychoballistic fault. It’s her over- zealous, frenzied, tongue-wagging determination to help get Bob what he wants that transforms his customary, dime-a-dozen days into epic, one-of-a-kind disasters. -
About Reaching Children Through Entertainment a Publication of Brunico Communications Inc.1996 - 2006
US$7.95 in the U.S. CA$8.95 in Canada 1 US$9.95 outside of Canada & the U.S. May 2006 ® About reaching children through entertainment A Publication of Brunico Communications Inc.1996 - 2006 www.stelorproductions.com NTED IN USPS CANADA Approved Polywrap AFSM 100 NUMBER 40050265 PRI 40050265 NUMBER CANADA POST AGREEMENT POST CANADA Redefi ning Trust In Internet Security.™ Approved by Parents. Loved by Kids. Protected by PiXkey.™ Stelor Productions © 2006 The Googles from Goo are a creation of Steven A. Silvers KKS3996.STELOR.inddS3996.STELOR.indd 1 44/26/06/26/06 88:42:04:42:04 PMPM HHOWOW WWILLILL YYOUOU MAKEMAKE TTHEHE BESTBEST UUSESE OOFF DDIGITALIGITAL TTRENDSRENDS AANDND GGROWROW YYOUROUR BBRANDRAND AACROSSCROSS EEMERGINGMERGING MMEDIAEDIA PPLATFORMS?LATFORMS? WHAT YOU NEED TO KNOW TO GROW YOUR KIDS BRAND ACROSS EMERGING MEDIA PLATFORMS SSPEAKERSPEAKERS IINCLUDE:NCLUDE: Jacqueline Moen Paul Marcum VP & GM, KOL GM, Youth Content AOL Yahoo! John Evershed Co-founder & CEO Larry Seidman Doug Murphy Mondo Media CEO EVP Business Development Dimensional Branding Group Nelvana Ltd. Paul Jelinek Robin Fisher Roffer Deron Triff VP, Digital Media Products CEO, Chief Creative Offi cer VP, Business Development Nickelodeon Big Fish Marketing, Inc Scholastic Media Presented by: The Must Attend Event for Execs Looking to Build Kids Entertainment Brands, Including: Supported by: • Brand / IP Managers • Marketers • Licensors • Content Producers / Distributors • Advertising & Promotion Agencies ™Brand Building in the Kids Digital Space title, tagline and logo are trademarks of, • Digital Media Executives and the event is produced by Brunico Marketing Inc. *$100 discount off full one-day conference rate of $750 by April 17, 2006. -
Shawn Patterson
SHAWN PATTERSON SELECTED CREDITS MAKING APES: THE ARTISTS WHO CHANGED FILM (2019) THE LEGO MOVIE (2014) SUPERMANSION (2015-2019) THE ADVENTURES OF PUSS IN BOOTS (2015-2018) ROBOT CHICKEN (2010-2014) BIOGRAPHY Shawn Patterson is an Academy Award, Emmy and Grammy nominated Composer, Songwriter and Music Producer. Originally hailing from Athol, Massachusetts, Patterson's lifelong passion for music started with his late father, Ronald Patterson, a multi-instrumentalist musician. As a child, Shawn was exposed to television shows whose music scores (and sometimes songs) became engrained in his head: ‘Star Trek’, ‘The Six Million Dollar Man’, ‘Lost In Space’, and ‘Starsky & Hutch’. But it was his introduction to John Williams' legendary scores of ‘Star Wars’ and ‘Superman’ that initiated Patterson's profound life long journey to become a score composer and a part of cinematic storytelling through music. Shawn attended Berklee College of Music and the University of Massachusetts, Amherst; where he was selected to study privately and perform with legendary jazz musicians Dr. Billy Taylor and Max Roach. As a jazz, blues, rock guitarist and bandleader, Shawn played shows and lead various bands (including trio, duo and solo settings) while writing compositions in his free time. In 1987, Patterson attended and graduated from the Grove School of Music in Studio City, California. While attending Grove, Shawn studied orchestration and arranging privately with Roger Steinman. After relocating to Los Angeles in 1990, Patterson studied composition and orchestration privately with legendary Los Angeles Composer and Orchestrator, Jack Smalley. Patterson soon found success writing music for film trailers around town. Over the years, Shawn has composed score and written songs in an enormous wide range of styles for a number of award winning episodic television shows. -
Q&A with Thq's Gary Rosenfeld
US$7.95 in the U.S. CA$8.95 in Canada US$9.95 outside of CanadaJuly/August & the U.S. 2007 1 ® Q&A WITH THQ’S GARY ROSENFELD CCARSARS GGAINSAINS TTRACTIONRACTION IINN LLICENSEDICENSED GGAMEAME BBIZIZ NUMBER 40050265 40050265 NUMBER ANADA USPS Approved Polywrap ANADA AFSM 100 CANADA POST AGREEMENT POST CANADA C IN PRINTED 001editcover_July_Aug07.indd1editcover_July_Aug07.indd 1 77/19/07/19/07 77:00:43:00:43 PMPM KKS.4562.Cartoon.inddS.4562.Cartoon.indd 2 77/20/07/20/07 55:06:05:06:05 PMPM KKS.4562.Cartoon.inddS.4562.Cartoon.indd 3 77/20/07/20/07 55:06:54:06:54 PMPM #8#+.#$.'019 9 9 Animation © Domo Production Committee. Domo © NHK-TYO 1998. [ZVijg^c\I]ZHiVg<^gah Star Girls and Planet Groove © Dianne Regan Sean Regan. XXXCJHUFOUUW K<C<M@J@FEJ8C<J19`^K\ek<ek\ikX`ed\ek%K\c%1)()$-'+$''-+\ok%)'(2\dX`c1iZfcc`ej7Y`^k\ek%km C@:<EJ@E>GIFDFK@FEJ19`^K\ek<ek\ikX`ed\ek%K\c%1)()$-'+$''-+\ok%)'-2\dX`c1idXippXe\b7Y`^k\ek%km KKS4548.BIGS4548.BIG TTENT.inddENT.indd 2 77/19/07/19/07 66:54:45:54:45 PMPM 1111 F3 to mine MMOG space for TV concepts 114Parthenon4 Kids: Geared up and ready to invest 1177 Will Backseat TV boost Nick’s in-car profile? 225Storm Hawks5 goes jjuly/augustuly/august viral with Guerilla 0077 HHighlightsighlights ffromrom tthishis iissuessue 10 up front 24 marketing France TV to invest in Chrysler and Nick hope more content and global to get more mileage out Special Reports web presence of the minivan set with 29 RADARSCREEN backseat TV feature Fred Seibert’s Frederator Films 13 ppd tries a fresh approach to Parthenon Kids offers 26 digital -
Un Anno Di Zapping Guida Critica Family Friendly Ai Programmi Televisivi STAGIONE TELEVISIVA - 2015/2016
Osservatorio Media del Moige Movimento Italiano Genitori a cura di Elisabetta Scala Palmira Di Marco Francesco La Rosa un anno di zapping guida critica family friendly ai programmi televisivi STAGIONE TELEVISIVA - 2015/2016 prefazione di On. Antono Martusciello indice Prefazione 7 Marida Caterini Introduzione 9 Maria Rita Munizzi, Elisabetta Scala Legenda dei simboli 11 Schede di analisi critica dei programmi 13 Indice dei programmi 323 Glossario dei termini tecnici 335 Note professionali degli autori 337 5 prefazione Una stagione televisiva molto controversa punteggiata, troppo frequentemente, da imbarazzanti cadute di stile. Palinsesti costruiti per catturare la curiosità del pubbli- co facendo leva su istinti degradanti ma ritenuti forieri di audience e quindi appetibili agli investitori pubblicitari. La tv mostra un sensibile e progressivo deterioramento dei valori etici, meno attenta al rispetto per i telespettatori e, soprattutto, per i minori. Fortunatamente, uno spiraglio esiste. E la speranza che si possa invertire il trend, fidando in un piccolo schermo a misura di famiglia, diventa visibile come un faro nella nebbia. Un anno di zapping ha, da sempre, il compito di analiz- zare i palinsesti individuando i meriti e la qualità dei pro- grammi, delle fiction, degli spot pubblicitari, dei talk show, dell’informazione e dell’intrattenimento in tutti i settori. Un lavoro lungo un anno, mai fazioso, attento e gratifi- cante, pronto a indicare la strada giusta per un’inversio- ne di tendenza verso una tv propositiva per un pubblico trasversale. Un lavoro che conosco da vicino nel quale io stessa sono stata impegnata lo scorso anno. La famiglia è la maggior fruitrice del piccolo schermo sia nelle forma convenzionale, ancora in grado di riunire tut- ti dinanzi al vecchio caro elettrodomestico, sia nella sua evoluzione resa possibile dalle nuove tecnologie. -
Universidade De São Paulo Escola De Comunicações E Artes
UNIVERSIDADE DE SÃO PAULO ESCOLA DE COMUNICAÇÕES E ARTES ELENA GUERRA ALTHEMAN A Construção do Universo Ficcional e a Serialidade Sutil em Hora de Aventura São Paulo 2019 1 ELENA GUERRA ALTHEMAN A Construção do Universo Ficcional e a Serialidade Sutil em Hora de Aventura Versão Original Dissertação apresentada à Escola de Comunicações e Artes da Universidade de São Paulo para obtenção do título de Mestre em Meios e Processos Audiovisuais. Área de Concentração: História, Teoria e Crítica Orientadora: Profa. Dra. Cecilia Antakly de Mello São Paulo 2019 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. Catalogação na Publicação Serviço de Biblioteca e Documentação Escola de Comunicações e Artes da Universidade de São Paulo Dados inseridos pelo(a) autor(a) ________________________________________________________________________________ Altheman, Elena Guerra A Construção do Universo Ficcional e a Serialidade Sutil em Hora de Aventura / Elena Guerra Altheman ; orientadora, Cecília Antakly de Mello. -- São Paulo, 2019. 110 p.: il. Dissertação (Mestrado) - Programa de Pós-Graduação em Meios e Processos Audiovisuais - Escola de Comunicações e Artes / Universidade de São Paulo. Bibliografia Versão original 1. Animação 2. Narrativa Complexa 3. Serialidade Sutil 4. Hora de Aventura 5. Universo Ficcional I. Mello, Cecília Antakly de II. Título. CDD 21.ed. - 791.43 ________________________________________________________________________________ Elaborado por Sarah Lorenzon Ferreira - CRB-8/6888 2 Nome: ALTHEMAN, Elena Guerra Título: A Construção do Universo Ficcional e a Serialidade Sutil em Hora de Aventura Dissertação apresentada à Escola de Comunicações e Artes da Universidade de São Paulo para obtenção do título de Mestre em Meios e Processos Audiovisuais. -
Quick Guide Is Online
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Universidad Politécnica De Valencia
UNIVERSIDAD POLITÉCNICA DE VALENCIA ESCUELA POLITÉCNICA SUPERIOR DE GANDÍA Grado en Comunicación Audiovisual “Hora de aventuras como estandarte de la nueva animación televisiva en Cartoon Network” TRABAJO FINAL DE GRADO Autor/a: Francisco Javier López Gea Tutor/a: Fernando Luis Macías Pintado Gandía, 2020 Resumen: Este trabajo pretende mostrar las claves estilísticas y las propuestas temáticas presentes en la obra de la generación de animadores surgida en Cartoon Network a principios de la década de 2010, a raíz del lanzamiento de Hora de aventuras en ese mismo año. Para ello, analizaremos cómo esta serie ha supuesto una suerte de factoría de nuevos talentos y averiguaremos qué rasgos comunes podemos encontrar en estas nuevas sensibilidades que se han asentado en la animación tradicional para televisión. Con este objetivo nos valdremos, aparte de la serie de Pendleton Ward, de Steven Universe y Más allá del jardín para mostrar un ejemplo de dos animaciones creadas por miembros de la plantilla de Hora de aventuras. En INGLÉS: This work wants to show the stylistic keys and the thematic proposals present in the work of the generation of animators that emerged on Cartoon Network in the early 2010s, following the launch of Adventure Time that same year. In order to elaborate this work, we will analyze how this series has been a kind of factory for new talents, and we will also find out what common traits we can detect in these new sensibilities that have settled in television‟s traditional animation. In order to achieve this goal, we will use, aside from the Pendleton Ward series, other shows such as Steven Universe and Over the Garden Wall for the purpose of showing an example of two animations created by members of the Adventure Time‟s staff. -
Cartoon Digital
cartoon digital 21-23 May 2019, Cagliari (Italy) Creating Entertainment for Connected Screens TOP SPEAKERS ı MARKET TRENDS ı CASE STUD ı ES ı NETWORK ı NG www.cartoon-media.eu ASSOCIATION OF THE ITALIAN ANIMATION PRODUCERS lille • hauts-de-france 2-42-4 DECEMBER 2019 Illustration partiallyIllustration - Studio Redfrog Haye designed with Freepik Nicolas by pitching event for animated transmedia projects www.cartoon-media.eu Partners CARTOON DIGITAL IS ORGANISED BY WITH THE SUPPORT OF ASSOCIATION OF THE ITALIAN ANIMATION PRODUCERS IN COLLABORATION WITH CARTOON IS SPONSORED BY 1 2 Nevina Satta CEO of Sardegna Film Commission “Sardinia is out of time and history. This land resembles no other place. Sardinia is something else. Enchanting spaces and distances to travel nothing finished, nothing definitive. It is like freedom itself.” D.H. Lawrence, Sea and Sardinia (1921) elcome to our special island, here at the very center of the Mediterranean Sea. If you arrive by boat you float in on an Emerald color, if you fly in below you are looking at stunning majestic canyons and the geometries of the Nuragic civilization. WYou enter a variety of untouched natural sites and an incredible human patrimony, one of the planet’s five blue zones, a place where longevity, quality of life and a strong community generate a powerful source of inspiration and well-being. Clean air, precious water, a love for the mother-land that makes you feel in some ancestral world, magically projected out of time, entered even when you taste our Cannonau wine or you discover how our crunchy thin Carasau bread is gently cooked.