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How Public Service Broadcasters in the Western Balkans Interact with Their Audiences
Public services without a public? How Public Service Broadcasters in the Western Balkans interact wiTh their audiences ¿Servicios Públicos sin público? Cómo los PSB interactúan con sus audiencias en los Países Balcánicos Occidentales Davor Marko (Analitika, Centre for Social Research, Sarajevo, Bosnia-Herzegovina) [[email protected]] http://dx.doi.org/10.12795/IC.2017.i01.08 E-ISSN: 2173-1071 IC – Revista Científica de Información y Comunicación 2017, 14, pp. 217 - 242 Abstract Struggling to cope with structural societal changes, digitalized news production, and the modified habits of fragmented media publics, public service broadcasters are expected to redefine the logic of their operations in order to regain the trust of citizens and engage them. This paper looks at how public service broadcasters in seven countries of the Western Balkans have embraced new approaches, technologies, and online channels to foster interaction with their audiences. This includes the analysis of their structures, the popularity of offline programmes, and the use of online channels to reach the public, on the basis of evidence, experiences and specific findings collected during the period 2014-2016, as part of the project implemented by the University of Fribourg (Switzerland) and the Centre for Social Research Analitika (Sarajevo, Bosnia-Herzegovina). Resumen Habitamos un contexto complejo en que los medios requieren (1) abordar cambios sociales significativos en las sociedades, (2) la digitalización de la producción de noticias y (3) las modificaciones en los hábitos de los fragmentarios públicos. En este entorno los medios de servicio público han de redefinir la lógica de su proceder de cara a la recuperación de la confianza entre la ciudadanía, restaurando los vínculos. -
Public Service Broadcasting Resists the Search for Independence in Brazil and Eastern Europe Octavio Penna Pieranti OCTAVIO PENNA PIERANTI
Public Service Broadcasting Resists The search for independence in Brazil and Eastern Europe Octavio Penna Pieranti OCTAVIO PENNA PIERANTI PUBLIC SERVICE BROADCASTING RESISTS The search for independence in Brazil and Eastern Europe Sofia, 2020 Copyright © Author Octavio Penna Pieranti Translation Lee Sharp Publisher Foundation Media Democracy Cover (design) Rafiza Varão Cover (photo) Octavio Penna Pieranti ISBN 978-619-90423-3-5 A first edition of this book was published in Portuguese in 2018 (“A radiodifusão pública resiste: a busca por independência no Brasil e no Leste Europeu”, Ed. FAC/UnB). This edition includes a new and final chapter in which the author updates the situation of Public Service Broadcasting in Brazil. To the (still) young Octavio, who will one day realize that communication goes beyond his favorite “episodes”, heroes and villains Table of Contents The late construction of public communication: two cases ............. 9 Tereza Cruvinel Thoughts on public service broadcasting: the importance of comparative studies ............................................................................ 13 Valentina Marinescu QUESTIONS AND ANSWERS .......................................................... 19 I ........................................................................................................... 21 THE END .............................................................................................. 43 II ........................................................................................................ -
Must-Carry Rules, and Access to Free-DTT
Access to TV platforms: must-carry rules, and access to free-DTT European Audiovisual Observatory for the European Commission - DG COMM Deirdre Kevin and Agnes Schneeberger European Audiovisual Observatory December 2015 1 | Page Table of Contents Introduction and context of study 7 Executive Summary 9 1 Must-carry 14 1.1 Universal Services Directive 14 1.2 Platforms referred to in must-carry rules 16 1.3 Must-carry channels and services 19 1.4 Other content access rules 28 1.5 Issues of cost in relation to must-carry 30 2 Digital Terrestrial Television 34 2.1 DTT licensing and obstacles to access 34 2.2 Public service broadcasters MUXs 37 2.3 Must-carry rules and digital terrestrial television 37 2.4 DTT across Europe 38 2.5 Channels on Free DTT services 45 Recent legal developments 50 Country Reports 52 3 AL - ALBANIA 53 3.1 Must-carry rules 53 3.2 Other access rules 54 3.3 DTT networks and platform operators 54 3.4 Summary and conclusion 54 4 AT – AUSTRIA 55 4.1 Must-carry rules 55 4.2 Other access rules 58 4.3 Access to free DTT 59 4.4 Conclusion and summary 60 5 BA – BOSNIA AND HERZEGOVINA 61 5.1 Must-carry rules 61 5.2 Other access rules 62 5.3 DTT development 62 5.4 Summary and conclusion 62 6 BE – BELGIUM 63 6.1 Must-carry rules 63 6.2 Other access rules 70 6.3 Access to free DTT 72 6.4 Conclusion and summary 73 7 BG – BULGARIA 75 2 | Page 7.1 Must-carry rules 75 7.2 Must offer 75 7.3 Access to free DTT 76 7.4 Summary and conclusion 76 8 CH – SWITZERLAND 77 8.1 Must-carry rules 77 8.2 Other access rules 79 8.3 Access to free DTT -
Television Across Europe
media-incovers-0902.qxp 9/3/2005 12:44 PM Page 4 OPEN SOCIETY INSTITUTE EU MONITORING AND ADVOCACY PROGRAM NETWORK MEDIA PROGRAM ALBANIA BOSNIA AND HERZEGOVINA BULGARIA Television CROATIA across Europe: CZECH REPUBLIC ESTONIA FRANCE regulation, policy GERMANY HUNGARY and independence ITALY LATVIA LITHUANIA Summary POLAND REPUBLIC OF MACEDONIA ROMANIA SERBIA SLOVAKIA SLOVENIA TURKEY UNITED KINGDOM Monitoring Reports 2005 Published by OPEN SOCIETY INSTITUTE Október 6. u. 12. H-1051 Budapest Hungary 400 West 59th Street New York, NY 10019 USA © OSI/EU Monitoring and Advocacy Program, 2005 All rights reserved. TM and Copyright © 2005 Open Society Institute EU MONITORING AND ADVOCACY PROGRAM Október 6. u. 12. H-1051 Budapest Hungary Website <www.eumap.org> ISBN: 1-891385-35-6 Library of Congress Cataloging-in-Publication Data. A CIP catalog record for this book is available upon request. Copies of the book can be ordered from the EU Monitoring and Advocacy Program <[email protected]> Printed in Gyoma, Hungary, 2005 Design & Layout by Q.E.D. Publishing TABLE OF CONTENTS Table of Contents Acknowledgements ........................................................ 5 Preface ........................................................................... 9 Foreword ..................................................................... 11 Overview ..................................................................... 13 Albania ............................................................... 185 Bosnia and Herzegovina ...................................... 193 -
Your Guide to Ebu Services
YOUR GUIDE TO EBU SERVICES 1 The European Broadcasting Union (EBU) is the world’s foremost alliance of public service media (PSM). Our mission is to make PSM indispensable. We have 115 Member organizations in 56 countries in Europe, and an additional 31 Associates in Asia, Australasia, Africa and the Americas. Our Members operate almost 2,000 television, radio and online channels and services and offer a wealth of content across other platforms. Together, they reach audiences of more than one billion people around the world, broadcasting in almost 160 languages. We are one EBU with two distinct fields of activity: Member Services and Business Services. Our Member Services strive to secure a sustainable future for public service media, provide our Members with a centre for learning and sharing, and build on our founding ethos of solidarity and cooperation to provide an exchange of world-class news, sports news, and music. Our Business Services, operating as Eurovision Services, are the media industry’s premier distributor and producer of high-quality live news, sport and entertainment with over 70,000 transmissions and 100,000 hours of news and sport every year. We return the profits of Business Services to the organization for the benefit of Members. 2 2 WELCOME TO THE EBU! As a Member, you are part of a unique community of media organizations from 56 countries that together provide a powerful voice championing and upholding the values of PSM. We are a network of like-minded people that not only share the same ideals but come together to share knowledge, ideas and inspiration. -
Abstract Record Report
74th Annual Meeting of the American Thyroid Association Millennium Biltmore Hotel, Los Angeles, California October 10 – 13, 2002 Program Number 1 Thyroid Hormone Metabolism The Gene Coding for the Type 3 Iodothyronine Deiodinase Is Imprinted and Required for Normal Neonatal Growth and Survival A. Hernandez1,2, S. Fiering3, E. Martinez1,2, V. Galton2, D. St. Germain1,2 Departments of 1Medicine, 2Physiology, and 3Microbiology and Immunology, Dartmouth Medical School, Lebanon, New Hampshire, USA The mouse Dio3 gene codes for the type 3 deiodinase (D3), a conserved selenocysteine- containing enzyme that inactivates thyroid hormones and is highly expressed in the pregnant uterus, the placenta and the fetus. The Dio3 gene and its human homolog, DIO3, map to chromosomal regions (12F1 and 14q32, respectively) which are known to include imprinted genes. Genomic imprinting refers to monoallelic gene expression and results from epigenetic mechanisms. Using homologous recombination in mouse embryonic stem (ES) cells we have introduced a critical mutation that renders the D3 inactive. No detectable D3 activity was found in the heads and bodies of fetuses (E14 to E18) that were homozygous (-/-Dio3) for the mutation. The D3 activities found in the heads, limbs, liver and bodies of +/-Dio3 fetuses were, respectively, 30%, 21%, 17%, and 22% of those found in +/+Dio3 fetuses when the mutation was inherited from the father. However, when the mutated allele was of maternal origin, D3 activities in the same tissues were essentially the same as those in the wild types, indicating preferential expression from the paternal allele. The weight of -/-Dio3 fetuses is normal during fetal life. -
Active Members Broadcasters Which Are Part of Prix Italia's History
Active Members ● Broadcasters which are part of Prix Italia’s History MEMBERS ALBANIA TVSH – TV TELEVIZIONI SHQIPTAR Rruga Ismail Qemali 11 1008 TIRANA www.rtsh.al Mrs. Edlira ROQI HEAD OF INT. RELATIONS Ph. +355 4 22 30 842 Mob. +355 68 20 79 009 Fax +355 4 22 277 45 [email protected] ARGENTINA RTA – RAE - R RADIO Y TELEVISION ARGENTINA S.E./RADIO NACIONAL ARGENTINA Maipù, 555 1006 BUENOS AIRES C.A.B.A. Republica Argentina www.radioytelevision.com.ar Mrs. Caritina COSULICH Ph. +54 11 5278 9100 int. 642/644 [email protected] Mr. Marcelo CHELO AYALA Ph. +54 11 5278 9100 int. 642/644 [email protected] AUSTRALIA ABC - R TV ● WEB ● AUSTRALIAN BROADCASTING CORPORATION ABC Radio Box 9994 GPO SYDNEY NSW 2001 www.abc.net.au Mrs. Sophie TOWNSEND EDITOR, CREATIVE & DIGITAL AUDIO Ph. +61 2 8333 2575 [email protected] Mr. Danny MARATOS UNIT MANAGER, ARTS Ph. +61 2 8333 1328 [email protected] Mrs. Claudia TARANTO EXECUTIVE PRODUCER FEATURES, ABC RADIO NATIONAL Ph. +61 2 8333 1436 [email protected] ABC Gpo Box 9994 VIC 3001 MELBOURNE Mrs. Carolyn MacDONALD NEW MEDIA AND DIGITAL SERVICES PUBLICITY AND COMMUNICATIONS COORDINATOR Fax +613 9626 1983 [email protected] Mr. Richard BUCKHAM EDITOR, PERFORMANCE AND FEATURES RADIO Ph. +613 9626 1649 Fax +613 9626 1621 [email protected] AUSTRIA ORF - R TV ● WEB ● AUSTRIAN BROADCASTING CORPORATION Radio, Television and Online Würzburggasse 30 1136 VIENNA www.orf.at ORF-RADIO Argentinierstrasse 30a 1040 VIENNA Mrs. Margit DESCH INTERNATIONAL RELATIONS - RADIO Ph. -
Annual Activity Report 2014
Rapp 2015 ING_Layout 1 16/03/15 14:12 Pagina 1 ope n letter Dear friends, in the last year, the context in which we act has further worsened. The crisis is not only economic and financial anymore, but it has become cross-sectional and deep, with a strong social impact and a dramatic escalation of hostility on different frontlines. Moreover, this is now affecting every country in both Southern and Northern shores , in different forms and levels. In addition to the scenario we all have in front of us, we can record a regression in the cooperative momentum. As we discussed during our conference in Tunis last year, cooperation must certainly be rethought, but remains an essential condition of development. Even at that time, it was clear that we cannot just talk about cooperation: we must act upon with belief and imagination. This is what COPEAM has been doing during the past year. Co-productions, training, and partnerships: these are the areas of action we have focused on, with strong and direct commitment from members and partners, through their active contribution in terms of ideas and resources. We have set up multilateral ‘project-paths’, to translate the way we mean cooperation into real products. We have aimed at creating a real collaboration system within our network, more and more based on acting and on know- how. This has always been our method, COPEAM’s answer to the crisis that is gripping the region, and to the general political inattention to cooperation. Along this path, however, we cannot look away from what is happening in our sea. -
Guida a Eurovision: Europe Shine a Light
La prima volta dell’Eurovision Song Contest annullato L’edizione 2020 dell’Eurovision Song Contest non andrà in scena. Era in programma il 12, 14 e 16 maggio alla Ahoy Arena di Rotterdam, nei Paesi Bassi, ma la pandemia da Coronavirus che partendo dalla Cina ha coinvolto prima l’Italia, poi tutta Europa ed il resto del Mondo, ha portato l’EBU e la tv pubblica olandese all’unica decisione possibile: cancellare la manifestazione per quest’anno. Non è mai successo, nella storia del concorso, che sia saltata un'edizione, nemmeno quando problemi tecnici ed economici, in passato, ne avevano messo in forte dubbio lo svolgimento. Una decisione sofferta, ovviamente, perché i motori erano già caldi e la messa a punto dell’area, con la costruzione del palco, era ormai prossima; tanti i fan lasciati delusi. L’EBU ha spiegato che non sarebbe stato possibile mettere in pratica nessuna delle altre ipotesi: uno show da remoto, oltre a causare evidenti squilibri tecnici fra i vari paesi, non avrebbe avuto lo stesso appeal dell’evento, fortemente aggregativo. Per gli stessi motivi è stata scartata l’idea di andare in onda senza pubblico, mentre un rinvio a settembre o in un qualunque altro mese, oltre a dare meno tempo alla tv vincitrice per organizzare l’edizione 2021, non avrebbe comunque garantito lo svolgimento dell’evento vista l’evoluzione imprevedibile della pandemia. Allo stesso tempo, l’EBU ha dato parere favorevole alla designazione per l’Eurovision 2021 degli stessi interpreti scelti per il 2020: non tutte le emittenti hanno fatto questa scelta. Tutte le canzoni invece dovranno essere nuove, perché resta valida la regola per la quale i brani non devono essere stati pubblicati antecedentemente al 1° settembre dell’anno precedente all’edizione. -
Eurovision Song Contest 60Th Anniversary Press Pack
60TH ANNIVERSARY PRESS PACK #Eurovision60 INTRODUCTION In 1956 the European Broadcasting Union (EBU) created the Eurovision Song Contest to foster closer ties between nations and to advance television technology. In 2015 the 60th Eurovision Song Contest is being held in Vienna. Over the past six decades the Eurovision Song Contest has created a European identity far beyond the confines of political unions and continental boundaries. The EBU is marking the event's 60th anniversary by celebrating not just the Contest’s musical achievements but also its impact on the European public sphere in areas such as forming national and European identities, embracing diversity and building cultural insight and understanding. ABOUT THE EBU The European Broadcasting Union (EBU) was established in 1950 and is now the world’s foremost alliance of public service media (PSM) with 73 Members in 56 countries in Europe and beyond. Between them, they operate over 1,700 television channels and radio stations reaching one billion people in around 100 languages. The EBU's mission is to safeguard the role of PSM and promote its indispensable contribution to society. It is the point of reference for industry expertise and a core for European media knowledge and innovation. The EBU operates EUROVISION and EURORADIO. EUROVISION is the media industry’s premier distributor and producer of top-quality The Eurovision Song Contest is live news, sport, entertainment, cultural and music content. Through EUROVISION, the not just a pop song competition: EBU provides broadcasters with on-site facilities and services for major world events often, it is a musical manifestation in news, sport and culture. -
Fo7de8gnyr88ip7nhdx8.Pdf
*List of broadcasters correct as of 23.07.2021 and subject to change Territory Broadcaster Radio Afghanistan ATN Eurosport Albania RTSH Algeria beIN SPORTS NBC American Samoa Telemundo Deportes Eurosport Andorra RTVA Supersport Angola RFI TV5 Monde Anguilla Sportsmax Sportsmax Antigua & Barbuda CNS Antigua Claro Sports Argentina TV Publica TYC Eurosport Armenia ARMTV Australia Seven Network SEN Eurosport Austria ORF Eurosport Azerbaijan AZTV Sportsmax Bahamas Cable Bahamas The Broadcasting Corporation of the Bahamas Bahrain beIN SPORTS Sony Pictures Network India Bangladesh BTV Bangladesh Sportsmax Barbados CBC/MCTV Eurosport Belarus BNSB (BNT) Eurosport Belgium RTBF VRT Sportsmax Belize Concord Media Group Supersport Benin ORTB RFI TV5 Monde Bermuda Sportsmax Sony Pictures Network India Bhutan BBS Bhutan Claro Bolivia RQP Red Bolivisión Eurosport Bonaire, Sint Eustatius and Saba NOS Eurosport Bosnia and Herzegovina BHRT Supersport Botswana BTV RFI TV5 Monde Radio Band TV Globo Radio Gaucha Brazil Bandsports Radio Excelsior Radio Globo Eldorado British Virgin Islands Sportsmax RTB Brunei Darussalam beIN Sports Asia Eurosport Bulgaria BNT Supersport Burkina Faso RTB RFI TV5 Monde Supersport Burundi RFI TV5 Monde *List of broadcasters correct as of 23.07.2021 and subject to change Territory Broadcaster Radio Hang Meas Cambodia beIN Sports Asia Supersport Cameroon TV5 Monde RFI CRTV CBC Radio Canada Canada Bell Media (TSN and RDS) TSN Radio Rogers Media (Sportsnet) Telelatino Network Supersport Cape Verde TV5 Monde RFI RTC Cayman Islands -
Vmax TV Channel List
Vmax TV Channel List Vmax TV for Android https://japannettv.com/wpshop/index.php/vmaxtv/ Vmax TV m3u Code for VLC Player https://japannettv.com/wpshop/index.php/vmaxtv-m3u-code/ 1 Afghanistan (FG) 14 2 Africa (AF) 105 3 Albania (AL) 72 4 Arabic (AR) 459 5 Armenia (AM) 4 6 Austria (AU) 2 7 Azerbaijan (AZ) 2 8 Belgium (BE) 15 9 Brazil (BR) 236 10 Bulgaria (BG) 95 11 Canada (CA) 5 12 Cypress (CY) 10 13 Farsi (FS) 58 14 Former Yugoslavia (EXYU) 58 15 France (FR) 80 16 Germany (DE) 82 17 Greece (GR) 39 18 Hungary (HR) 11 19 India (IN) 205 20 Italy (IT) 135 21 Kurdistan (KU) 30 22 Latvia (LV) 5 23 Macedonia (MK) 14 24 Malta (MT) 4 25 Netherlands (NL) 60 26 Norway (NO) 101 27 Pakistan (PK) 38 28 Poland (PL) 70 29 Portugal (PT) 77 30 Romania (RO) 42 31 Russia (RU) 193 32 Serbia (SR) 5 33 Spain (ES) 72 34 Switzerland (CH) 6 35 Turkey (TR) 112 36 Türkmenistan (TM) 1 37 Ukraine (UA) 3 38 United Kingdom (UK) 238 39 United States (US) 62 39 Countries / Languages 2820 Channels Updated 2018 04 17 1 Afghanistan (FG) 14 AMC TV Arezo TV ATN ATN News Hewad TV Jahan Numa TV Khurshid TV Maiwand TV Mitra Noor TV Rah-e-Farda TV Shamshad TV Tamadon TV Zhwandoon TV 2 Africa (AF) 105 2sTV Senegal A2i Senegal ABN NIGERIA ACBN NIGERIA Adom TV Ghana Africa 24 Africa News EN Africa News FR Africa TV 1 Africa TV 4 AFRICABLE TV Mali Afrique Media Cameroon Ait Inter Nigeria ANN 7 South Africa Ben TV Ghana Benie TV Cote d'Ivoire BICHRI Senegal Botswana Television Channels 24 Nigeria Channels TV Nigeria Citizen TV Kenya CNBC South Africa CRTV Cameroon DBS Cameroon DIASPORA