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Dialogue 2019
Dialogue 2019 CAE Book Groups Catalogue CAE BOOK GROUPS 253 FLINDERS LANE, MELBOURNE CAE.EDU.AU / 03 9652 0611 Contents 4 5 3 Join or Start a Growing Up, Book Discussion Service. 527 Collins Street Introduction CAE Book Group Moving On Contact Us 11 Level 2, 253 Flinders Lane Exceptional Women Melbourne VIC 3000 17 P (03) 9652 0611 Artist, 23 E [email protected] Maker, Thinker Relationships W www.cae.edu.au 31 45 Keep informed about upcoming Step Back in Time Families literary events, book reviews, book and movie giveaways and lots more. Email [email protected] to receive regular 38 email updates. Grand VIsions Start your own group 62 See page 4 for more information about Surviving, starting a group. Prevailing Join an existing group 55 70 Some of our existing groups are looking Journeys Dark Deeds for new members. Please contact CAE Book Groups, and we will help you find 78 82 87 a group in your area. Index by Index by Index by Author Title Large Type 87 91 Index by Enrolment Form Box Number 3 Introduction Centre for Adult Education CAE is a leading provider of Adult and Community Education and Theme Icons has been providing lifelong learning opportunities to Victorians for 70 years. CAE has a strong focus on delivering nationally F Fiction Large Print recognised and accredited training as well as non accredited L Nonfiction short courses, and connects with the community through socially N Adapted Books inclusive practices that recognise diversity and creativity. Located S Short Stories Book Group Favourite in the heart of the arts and café area of Melbourne’s CBD, CAE µ offers a vibrant and supportive adult learning environment, flexible learning options, skills recognition, practical training and supervised work placements. -
Biographical Information
BIOGRAPHICAL INFORMATION ADAMS, Glenda (1940- ) b Sydney, moved to New York to write and study 1964; 2 vols short fiction, 2 novels including Hottest Night of the Century (1979) and Dancing on Coral (1986); Miles Franklin Award 1988. ADAMSON, Robert (1943- ) spent several periods of youth in gaols; 8 vols poetry; leading figure in 'New Australian Poetry' movement, editor New Poetry in early 1970s. ANDERSON, Ethel (1883-1958) b England, educated Sydney, lived in India; 2 vols poetry, 2 essay collections, 3 vols short fiction, including At Parramatta (1956). ANDERSON, Jessica (1925- ) 5 novels, including Tirra Lirra by the River (1978), 2 vols short fiction, including Stories from the Warm Zone and Sydney Stories (1987); Miles Franklin Award 1978, 1980, NSW Premier's Award 1980. AsTLEY, Thea (1925- ) teacher, novelist, writer of short fiction, editor; 10 novels, including A Kindness Cup (1974), 2 vols short fiction, including It's Raining in Mango (1987); 3 times winner Miles Franklin Award, Steele Rudd Award 1988. ATKINSON, Caroline (1834-72) first Australian-born woman novelist; 2 novels, including Gertrude the Emigrant (1857). BAIL, Murray (1941- ) 1 vol. short fiction, 2 novels, Homesickness (1980) and Holden's Performance (1987); National Book Council Award, Age Book of the Year Award 1980, Victorian Premier's Award 1988. BANDLER, Faith (1918- ) b Murwillumbah, father a Vanuatuan; 2 semi autobiographical novels, Wacvie (1977) and Welou My Brother (1984); strongly identified with struggle for Aboriginal rights. BAYNTON, Barbara (1857-1929) b Scone, NSW; 1 vol. short fiction, Bush Studies (1902), 1 novel; after 1904 alternated residence between Australia and England. -
August 2011 4.0Mb
Free Copy In This Edition: Page Page World Humanitarian Day 2 Nefertiti 18 Fred Hollows 3 Double Bass 19 Bridges Around Geelong 4 Louis Armstrong 20 Benders Busways 6 HM Prison Barwon 22 The Alaskan Husky 7 Mr Squiggle 24 The Black Forest 8 “Yawn” I Need Sleep! 26 Geelong Firefighters 10 State of Origin Rugby 28 Port Phillip District 12 Geelong Word Search 29 The Laptop Computer 14 Zeus 30 GFC– Homes & Nicknames 15 150 Years Ago 31 The Joy Ark then... 16 Then… & Now 32 August 19, 2011 The United Nations (UN) World Humanitar- ian Day is held on August 19 each year. The day honours all humanitarians including those who have lost their lives caring for others. World Humanitarian Day was established by the General Assembly of the UN in 2008 and was first observed in August 2009. The date of August 19 is the anniversary date of the 2003 Canal Hotel bombing in Baghdad where twenty-two people lost their lives including, the UN‟s High Commissioner for Human Rights and the Special Representative of the Secretary-General to Iraq, Sergio Vieira de Mello. Why is humanitarian aid so desperately needed today? The total number of people affected by natural disasters has risen over the past decade and, according to the UN, about 211 million people are directly affected each year. Women and children are especially at risk because of ongoing struggles with gender discrimination, poverty, insecurity, hunger, poor health and environmental decline. Global challenges such as job insecurity, prices rises and the growing number of refugees, increase the need for humanitarians each year. -
In Australia �
PUPPETRY I'\ IN AUSTRALIA � of Poppetcy has h,d , slow gcowth Puppet show - to play not only in ydn y and in Australia. In contrast to the rich traditional Melbourne, but to tour through country towns L,heritage of folk heroes in Europe, and the use in both States. These great puppet-md ters of puppets in Indian rites in North America, undoubtedly kindled a spark in many future the Aboriginal culture included no puppets. Australian puppeteers, and fanned int flame So, apart from the occasional Punch and Judy the spark already kindled in others. show, it has remained for individuals in the Peter Scriven, earlier a sensitive manipulator twentieth century to establish the Art in Aus in Bill Nicol's group, went overseas to make a tralia. further study of Puppetry - and after his One early group in Sydney worked with an return invented and established "The anthropologist, Elanora Lange, making the Tintookies", taking his company all over puppets for "Joseph and his Brethren", hand Australia, and making "Tintookies" a house weaving the garments of striped cloth; and hold word far and near. presenting the show in a City church in the Norman Hetherington, one-time cartoonist late "twenties". Some years later, Miss Lange on "The Bulletin" and now puppet-master in took the puppets to New Guinea, left them the A.B.C., is the creator of "Mr. Squiggle" with a mountain tribe, intending to return and of "Bill Steamshovel", as well as of a later to see how the primitives then regarded host of other superb puppets. -
Annual Report
Annual Report MUSEUM OF APPLIED ARTS & SCIENCES INCORPORATING THE POWERHOUSE MUSEUM & SYDNEY OBSERVATORY 05\06 presence programs positioning people processes The Hon Bob Debus MP Attorney General, Minister for the Environment and Minister for the Arts Parliament House Sydney NSW 2000 Dear Minister On behalf of the Board of Trustees and in accordance with the Annual Reports (Statutory Bodies) Act 1984 and the Public Finance and Audit Act 1983, we submit for presentation to Parliament the annual report of the Museum of Applied Arts and Sciences for the year ending 30 June 2006. Yours sincerely Dr Nicholas G Pappas Dr Anne Summers AO President Deputy President ISSN 0312-6013 © Trustees of the Museum of Applied Arts and Sciences 2006. Compiled by Mark Daly, MAAS. Design and production by designplat4m 02 9299 0429 Print run: 600. External costs: $17,150 Available at www.powerhousemuseum.com/about/index Contemporary photography by MAAS photography staff: Sotha Bourn, Geoff Friend, Marinco Kojdanovski, Jean-Francois Lanzarone and Sue Stafford (unless otherwise credited). CONTENTS 02 President’s Foreword 24 Members 03 Director’s Report 24 The Powerhouse Foundation 04 Achievements 24 Volunteers 05 Goals for 06-07 25 Sponsors and partners 06 Performance summary 25 Museum Honours 07 Trends 26 Media and marketing 08 Who we are 26 Collection acquisition 08 Corporate Governance 27 Collection loans 09 Organisation chart 27 Museum archives 11 Refresh program 27 Research and Photo Library 11 Ultimo site Masterplan 29 Human Resources 11 Façade refresh -
The Rise of the Australian Novel
Richard Nile The Rise of the Australian Novel (PhD Thesis, School of History University of New South Wales, December 1987) UNIVERSITY OF N.S.W. - 8SEP 1988 LIBRARY TABLE OF CONTENTS PAGE INTRODUCTION 1 CHAPTER 1 PRODUCTION 34 CHAPTER 2 PROFESSIONAL! SAT ION 91 CHAPTER 3 CENSORSHIP 140 CHAPTER 4 REPUTATION 183 CHAPTER 5 MODERNISM 225 CHAPTER 6 WAR 268 CHAPTER 7 INDUSTRIALISM 312 CONCLUSION 357 APPENDICES 362 BIBLIOGRAPHY 378 THIS THESIS IS MY OWN WORK this thesis is dedicated to weirdo Those who read many books are like the eaters of hashish. They live in a dream. The subtle poison that penetrates their brain renders them insensible to the real world and makes them prey of terrible or delightful phantoms. Books are the opium of the Occident. They devour us. A day is coming on which we shall all be keepers of libraries, and that will be the end. (Anatole France 1888) I was wondering about the theory of the composite man. The man who might evolve in a few thousand years if we broke down all the barriers. Or if they broke themselves down, which is more likely. A completely unrestricted mating - black, white, brown, yellow, all the racial characteristics blended, all the resulting generations coming into the world free of the handicaps that are hung round the necks of half-casts now. (Eleanor Dark 1938) ACKNOWLEDGEMENTS To write this history of Australian literature was as difficult as it was enjoyable. Many times I felt very alone, locked into a private world of books and ideas. Yet many people expressed interest in this project and offered their support. -
The University of Sydney Copyright in Relation to This Thesis·
The University of Sydney Copyright in relation to this thesis· Under the Copyright Act 1968 (several provision of which are referred to below), this thesis must be used only under the normal conditions of scholarly fair dealing for the purposes of research, criticism or review. In particular no results or conclusions should be extracted from it. nor should it be copied or closely paraphrased in whole or in part without the written consent of the author. Proper written acknowledgement should be made for any assistance obtained from this thesis. Under Section 35(2) of the Copyright Act 1968 'the author of a literary, dramatic, musical or artistic work is the owner of any copyright subsisting in the work'. By virtue of Section 32( I) copyright 'subsists in an original literary, dramatic, musical or artistic work that is unpublished' and of which the author was an Australian citizen, an Australian protected person or a person reSident in Australia. The Act. by Section 36( I) provides: 'Subject to this Act. the copyright in a literary, dramatic, musical or artistic work is mfringed by a person who, not being the owner of the copyright and without the licence of the owner of the copyright, does in Australia. or authorises the doing in Australia of, any act comprised in the copyright'. Section 31 (I )(a)(i) provides that copyright includes the exclusive right to 'reproduce the work in a material form'.Thus, copyright IS mfringed by a person who, not being the owner of the copyright. reproduces or authorises the reproduction of a work. -
Puppetry As a Healing Art: a View Through the Lens of Practice
Puppetry as a healing art: a view through the lens of practice Ian Cuming Fig (i) The tree of trees. Photo by author 2017. Submitted in partial fulfilment of the requirements of the degree of Master of Fine Arts by Research (by creative work and dissertation). Faculty of the Victorian College of the Arts University of Melbourne Committee chair: Prof Jon Cattapan Supervisors: Dr Kim Dunphy Prof Barbara Bolt June, 2018 Puppetry as a healing art: a view through the lens of practice Declaration page This thesis comprises: i only my own original work towards the degree of Master of Fine Arts by Research. ii fewer than the maximum number of 25,000 words, exclusive of front matter, figure captions and references. iii a creative work in the form of a 15 minute video by the same title as this dissertation, being 50% of the total project output (Cuming, 2018a). signed by the author !2 Puppetry as a healing art: a view through the lens of practice Acknowledgement of country I wish to acknowledge and pay respect to the custodians of the land in which I live and work and upon which my forebears have lived and worked for four generations, in particular the people of the Kulin and Wiradjuri nations and their Elders past and present and generally to the First Nations People of Australia and the Torres Strait Islands as a whole, to their continuing culture and the contribution they make to the life of this country. !3 Puppetry as a healing art: a view through the lens of practice Abstract This artistic practice-as-research has two presentational components: a fifteen minute video titled “Puppetry as a healing art: a view through the lens of practice” (the video https:// vimeo.com/274432050) and a dissertation by the same title. -
The Shifting Weather: Affinity, Diversity, and the Place of the Author in Six Novels of the Depression Era
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 1989 The shifting weather: affinity, diversity, and the place of the author in six novels of the Depression era Audrey May Heycox University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Heycox, Audrey May, The shifting weather: affinity, diversity, and the place of the author in six novels of the Depression era, Master of Arts (Hons.) thesis, Department of English, University of Wollongong, 1989. -
Awgie Award Winners 1968 - 2017
AWGIE AWARD WINNERS 1968 - 2017 1968 Major Award Winner Colin Free ‘Cage a Tame Tiger’ - Contrabandits (Joint Winners) Richard Lane You Can’t See ‘Round Corners (Television Serial) Children’s Michael Wright ‘The Poachers’ - Skippy Radio Jocelyn Smith I-Day Television James Workman ‘Target Smokehouse’ - Contrabandits Television Play Gregory Marton Silo 15 1969 Major Award Winner Alan Hopgood The Cheerful Cuckold (Tele Play) Radio Comedy Serial Bob Symons & She’ll Be Right Mate Trevor Meyers Documentary Joan Long The Picture That Moved Radio Play Ron Harrison Ride on the Big Dipper Radio Feature Joceyln Smith This is the Way We Stamp Our Feet Television Play Joan Baldwin Diana 1970 Major Award Winner Mungo MacCallum The Stoneham Obsessions (Radio Feature) Television John Dingwall ‘Everyone Knows Charlie’ - Homicide Television Tony Morphett ‘A Touch of DFP’ - Delta Television Play Pat Flower Friends of the Family Television Comedy Maurice Wiltshire & The Greater Illustrated History Antipodes Show John O’Grady 1971 Major Award Winner Michael Boddy & The Legend of King O’Malley (Stage) Bob Ellis Children’s Film Marcia Hatfield Molala Harai Documentary Reg Barry Seeds of Promise Radio Feature Ivan Smith Sounds Television Comedy Maurice Wiltshire & Australia A–Z John O’Grady Television Series Drama John Dingwall ‘Johnny Red’ - Division 4 Joint Winners Tony Morphett ‘Cry Me A River’ - Dynasty Film Joan Long Paddington Lace 1972 Major Award Winner David Williamson The Removalists (Stage) Children’s TV Ray Biehler The Trial of Brer Rabbit Documentary -
Bliss in Edinburgh Robert Mitchell Provides an Insider’S Account of Opera Australia’S Recent Triumph at the Edinburgh Festival
ON STAGE The Summer 2011 newsletter of Vol.12 No.1 Bliss in Edinburgh Robert Mitchell provides an insider’s account of Opera Australia’s recent triumph at the Edinburgh Festival. buzz went around Opera Although OA’s productions now appear in 1994, and My Fair Lady visited New Australia when it was announced overseas regularly, this was only the fourth Zealand in 2009.) Athat the company had been time in more than 30 years that the Although rumours had been circulating invited to the 2010 Edinburgh International company’s artists would also travel with a for months that the tour was happening, it Arts Festival. The opera: Bliss, the hot-off-the- production. (Rigoletto and Jenufa toured New was not until the party after the 12 March press piece adapted from Peter Carey’s 1981 Zealand in 1976, Britten’s A Midsummer world première in Sydney that Jonathan novel by Brett Dean and Amanda Holden. Night’s Dream went to the Edinburgh Festival Mills, artistic director of the festival, * confirmed that, subject to signing off on the By mid-April the funding was in place Adelaide, and the QPAC Theatre, Brisbane. the star, seven of his colleagues and the lion. retained, the refurbishment by the Millburn over by the Mecca Bingo organisation. The funding, the rumours would turn into reality. (including a generous contribution from the Then the surprise: walking onto the set, Fortunately there was a fire curtain and the brothers reduced the theatre from four to seating was removed from the stalls and it The logistics (and ergo costs) of touring Victorian government, thanks to Edinburgh with the house curtain out, there in all its audience and auditorium were spared. -
Awgie Award Winners 1968 – 2019
AWGIE AWARD WINNERS 1968 – 2019 1968 Major Award Winner (Joint Winners) Colin Free Contrabandits: ‘Cage a Tame Tiger’ Major Award Winner (Joint Winners) Richard Lane You Can’t See ‘Round Corners (Television Serial) Children’s Michael Wright Skippy: ‘The Poachers’ Radio Jocelyn Smith I-Day Television James Workman Contrabandits: ‘Target Smokehouse’ Television – Play Gregory Marton Silo 15 1969 Major Award Winner Alan Hopgood The Cheerful Cuckold (Teleplay) Radio – Comedy Serial Bob Symons & She’ll Be Right Mate Trevor Meyers Documentary Joan Long The Picture That Moved Radio – Play Ron Harrison Ride on the Big Dipper Radio – Feature Joceyln Smith This is the Way We Stamp Our Feet Television – Play Joan Baldwin Diana 1970 Major Award Winner Mungo MacCallum The Stoneham Obsessions (Radio Feature) Television John Dingwall Homicide: ‘Everyone Knows Charlie’ Television Tony Morphett Delta: ‘A Touch of DFP’ Television – Play Pat Flower Friends of the Family Television – Comedy Maurice Wiltshire & The Greater Illustrated History Antipodes Show John O’Grady 1971 Major Award Winner Michael Boddy & The Legend of King O’Malley (Stage) Bob Ellis Children’s Film Marcia Hatfield Molala Harai Documentary Reg Barry Seeds of Promise Radio – Feature Ivan Smith Sounds Television – Comedy Maurice Wiltshire & Australia A–Z John O’Grady Television Series – Drama (Joint Winners) John Dingwall Division 4: ‘Johnny Red’ Television Series – Drama (Joint Winners) Tony Morphett Dynasty: ‘Cry Me A River’ Film Joan Long Paddington Lace 1972 Major Award Winner David