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Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani -
Cambridge University Press 978-1-107-19605-6 — Boundaries of Belonging Sarah Ansari , William Gould Index More Information
Cambridge University Press 978-1-107-19605-6 — Boundaries of Belonging Sarah Ansari , William Gould Index More Information Index 18th Amendment, 280 All-India Muslim Ladies’ Conference, 183 All-India Radio, 159 Aam Aadmi (Ordinary Man) Party, 273 All-India Refugee Association, 87–88 abducted women, 1–2, 12, 202, 204, 206 All-India Refugee Conference, 88 abwab, 251 All-India Save the Children Committee, Acid Control and Acid Crime Prevention 200–201 Act, 2011, 279 All-India Scheduled Castes Federation, 241 Adityanath, Yogi, 281 All-India Women’s Conference, 183–185, adivasis, 9, 200, 239, 261, 263, 266–267, 190–191, 193–202 286 All-India Women’s Food Council, 128 Administration of Evacuee Property Act, All-Pakistan Barbers’ Association, 120 1950, 93 All-Pakistan Confederation of Labour, 256 Administration of Evacuee Property All-Pakistan Joint Refugees Council, 78 Amendment Bill, 1952, 93 All-Pakistan Minorities Alliance, 269 Administration of Evacuee Property Bill, All-Pakistan Women’s Association 1950, 230 (APWA), 121, 202–203, 208–210, administrative officers, 47, 49–50, 69, 101, 212, 214, 218, 276 122, 173, 176, 196, 237, 252 Alwa, Arshia, 215 suspicions surrounding, 99–101 Ambedkar, B.R., 159, 185, 198, 240, 246, affirmative action, 265 257, 262, 267 Aga Khan, 212 Anandpur Sahib, 1–2 Agra, 128, 187, 233 Andhra Pradesh, 161, 195 Ahmad, Iqbal, 233 Anjuman Muhajir Khawateen, 218 Ahmad, Maulana Bashir, 233 Anjuman-i Khawateen-i Islam, 183 Ahmadis, 210, 268 Anjuman-i Tahafuuz Huqooq-i Niswan, Ahmed, Begum Anwar Ghulam, 212–213, 216 215, 220 -
Discourse on the Significance of Rituals in Religious Socialization
Journal of Islamic Thought and Civilization (JITC) Volume 9, Issue 2, Fall 2019 pISSN: 2075-0943, eISSN: 2520-0313 Journal DOI: https://doi.org/10.32350/jitc Issue DOI: https://doi.org/10.32350/jitc.92 Homepage: https://www.umt.edu.pk/jitc/home.aspx Journal QR Code: Discourse on the Significance of Rituals in Indexing Article: Religious Socialization Partners Muhammad Rasheed Arshad Author(s): Farid Bin Masood Published: Fall 2019 Article DOI: https://doi.org/10.32350/jitc.92.10 QR Code: Arshad, Muhammad Rasheed, and Farid Bin Masood. “Discourse on the significance of rituals in religious To cite this socialization.” Journal of Islamic Thought and article: Civilization 9, no. 2 (2019): 194–211. Crossref This article is open access and is distributed under the Copyright terms of Creative Commons Attribution – Share Alike Information: 4.0 International License For more Department of Islamic Thought and Civilization, Publisher please School of Social Science and Humanities, University Information: of Management and Technology, Lahore, Pakistan. click here JOURNAL OF ISLAMIC THOUGHT AND CIVILIZATION 194 Volume 9 Issue 2, Fall 2019 Discourse on the Significance of Rituals in Religious Socialization Muhammad Rasheed Arshad Department of Philosophy University of the Punjab, Pakistan Farid Bin Masood Department of Sociology University of Karachi, Pakistan Abstract The reformist movement initiated by the Waliullah family mainly focusing upon the prevailing rituals took a new turn in the last quarter of the twentieth century, when Sir Syed started his own movement against certain rituals under the banner of Tahzib ul Akhlāq (Mohammedan Social Reformer). Not only did the modernists, but also the traditional scholars joined his movement. -
This Article Has Been Made Available to SAWF by Dr. Veena Nayak. Dr. Nayak Has Translated It from the Original Marathi Article Written by Ramkrishna Baakre
This article has been made available to SAWF by Dr. Veena Nayak. Dr. Nayak has translated it from the original Marathi article written by Ramkrishna Baakre. From: Veena Nayak Subject: Dr. Vasantrao Deshpande - Part Two (Long!) Newsgroups: rec.music.indian.classical, rec.music.indian.misc Date: 2000/03/12 Presenting the second in a three-part series on this vocalist par excellence. It has been translated from a Marathi article by Ramkrishna Baakre. Baakre is also the author of 'Buzurg', a compilation of sketches of some of the grand old masters of music. In Part One, we got a glimpse of Vasantrao's childhood years and his early musical training. The article below takes up from the point where the first one ended (although there is some overlap). It discusses his influences and associations, his musical career and more importantly, reveals the generous and graceful spirit that lay behind the talent. The original article is rather desultory. I have, therefore, taken editorial liberties in the translation and rearranged some parts to smoothen the flow of ideas. I am very grateful to Aruna Donde and Ajay Nerurkar for their invaluable suggestions and corrections. Veena THE MUSICAL 'BRAHMAKAMAL' - Ramkrishna Baakre (translated by Dr. Veena Nayak) It was 1941. Despite the onset of November, winter had not made even a passing visit to Pune. In fact, during the evenings, one got the impression of a lazy October still lingering around. Pune has been described in many ways by many people, but to me it is the city of people with the habit of going for strolls in the morning and evening. -
Devotional Literature of the Prophet Muhammad in South Asia
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2020 Devotional Literature of the Prophet Muhammad in South Asia Zahra F. Syed The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3785 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] DEVOTIONAL LITERATURE OF THE PROPHET MUHAMMAD IN SOUTH ASIA by ZAHRA SYED A master’s thesis submitted to the Graduate Faculty in [program] in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2020 © 2020 ZAHRA SYED All Rights Reserved ii Devotional Literature of the Prophet Muhammad in South Asia by Zahra Syed This manuscript has been read and accepted for the Graduate Faculty in Middle Eastern Studies in satisfaction of the thesis requirement for the degree of Master of Arts. _______________ _________________________________________________ Date Kristina Richardson Thesis Advisor ______________ ________________________________________________ Date Simon Davis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Devotional Literature of the Prophet Muhammad in South Asia by Zahra Syed Advisor: Kristina Richardson Many Sufi poets are known for their literary masterpieces that combine the tropes of love, religion, and the Prophet Muhammad (PBUH). In a thorough analysis of these works, readers find that not only were these prominent authors drawing from Sufi ideals to venerate the Prophet, but also outputting significant propositions and arguments that helped maintain the preservation of Islamic values, and rebuild Muslim culture in a South Asian subcontinent that had been in a state of colonization for centuries. -
To Download the Advance Information Sheet
NEW TITLE AUGUST 2015 MUSIC ISBN: 978-93-83098-98-9 `595/£14.99/$20 PB Published by Fine publishing within reach D-78, Okhla Industrial Area, Phase-I, New Delhi-110 020, INDIA Tel: 91-11-26816301, 49327000; Fax: 91-11-26810483, 26813830 email: [email protected]; website: www.niyogibooksindia.com MUSIC `595/£14.99/$20 PB ISBN: 978-93-83098-98-9 Size:229 x 152mm, 324pp, 26 b/w photographs Interviewers Black and white, 80gsm bookprint Geeta Sahai & Shrinkhla Sahai Paperback Ever wondered how late Pandit Ravi Shankar went beyond cultural boundaries to Geeta Sahai is a writer, propagate Hindustani classical music and impact the global music scene? How did broadcaster and documentary Ustad Amjad Ali Khan fight emotional and financial setbacks to settle into musical filmmaker. Her short stories harmony with destiny? How did Begum Akhtar’s soulful voice inspire a reluctant have won international awards percussionist to dedicate his life to vocal music and emerge as the legendary Pandit and have been included in Jasraj? How did late Dr Gangubai Hangal break away from the shackles of social an international anthology– ostracism to emerge as a legend of her times? Undiscovered Gems. She was associated with Worldspace Satellite Radio for nearly ten years Beyond Music – Maestros in Conversation delves into candid opinions on issues, as Programme Director - Radio Gandharv-24X7 revealing thoughts on music-making and emotional sagas of some of the most Hindustani Classical Music Station. She has made accomplished, revered classical musicians—Dr Prabha Atre, Pandit Vishwa Mohan many introspective documentary films. Currently, Bhatt, Dr N. -
"Improvised" Music
The University of Manchester Research Formulas and the building blocks of humr style: a study in "improvised" music Document Version Final published version Link to publication record in Manchester Research Explorer Citation for published version (APA): Alaghband-Zadeh, C. (2012). Formulas and the building blocks of humr style: a study in "improvised" music. Analytical Approaches to World Music Journal, 2(1), 1-48. Published in: Analytical Approaches to World Music Journal Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:06. Oct. 2021 Formulas and the Building Blocks of Ṭhumrī Style—A Study in “Improvised” Music Chloe Zadeh PART I: IMPROVISATION, STRUCTURE AND FORMULAS IN NORTH INDIAN CLASSICAL MUSIC usicians, musicologists and -
Formulas and the Building Blocks of Ṭhumrī Style—A Study in “Improvised” Music
Formulas and the Building Blocks of Ṭhumrī Style—A Study in “Improvised” Music Chloe Zadeh PART I: IMPROVISATION, STRUCTURE AND FORMULAS IN NORTH INDIAN CLASSICAL MUSIC usicians, musicologists and teenage backpackers alike speak of “improvisation” in M modern-day Indian classical music.1 Musicians use the term to draw attention to differences between different portions of a performance, distinguishing between the “composition” of a particular performance (in vocal music, a short melody, setting a couple of lines of lyrics) and the rest of the performance, which involves musical material that is different in each performance and that musicians often claim to have made up on the spur of the moment.2 In their article “Improvisation in Iranian and Indian music,” Richard Widdess and Laudan Nooshin draw attention to modern-day Indian terminology which reflects a conceptual distinction between improvised and pre-composed sections of a performance (2006, 2–4). The concept of improvisation has also been central to Western imaginings of North Indian classical music in the twentieth century. John Napier has discussed the long history of Western descriptions of Indian music as “improvised” or “extemporized,” which he dates back to the work of Fox Strangways in 1914. He points out the importance the concept took on, for example, in the way in which Indian music was introduced to mainstream Western audiences in the 1960s; he notes that the belief that the performance of Indian music 1 I am very grateful to Richard Widdess and Peter Manuel for their comments on draft versions of this article. 2 The relationship between those parts of the performance that musicians label the “composition” and the rest of the performance is actually slightly more complicated than this; throughout, a performance of North Indian classical music is normally punctuated by a refrain, or mukhra, which is a part of the composition. -
Persian Manuscripts
A HAND LIST OF PERSIAN MANUSCRIPTS By Sahibzadah Muhammad Abdul Moid Khan Director Rajasthan Maulana Abul Kalam Azad Arabic Persian Research Institute, Tonk RAJASTHAN MAULANA ABUL KALAM AZAD ARABIC PERSIAN RESEARCH INSTITUTE RAJASTHAN, TONK 2012 2 RAJASTHAN MAULANA ABUL KALAM AZAD ARABIC PERSIAN RESEARCH INSTITUTE RAJASTHAN, TONK All Rights Reserved First Edition, 2012 Price Rs. Published by RAJASTHAN MAULANA ABUL KALAM AZAD ARABIC PERSIAN RESEARCH INSTITUTE RAJASTHAN, TONK 304 001 Printed by Navjeevan Printers and Stationers on behalf of Director, MAAPRI, Tonk 3 PREFEACE Maulana Abul Kalam Azad Arabic Persian Research Institute, Rajasthan, Tonk is quenching the thirst of the researchers throughout the world like an oasis in the desert of Rajasthan.The beautiful building of Maulana Abul Kalam Azad Arabic and Persian Research Institute Rajasthan, Tonk is situated in the valley of two historical hills of Rasiya and Annapoorna. The Institute is installed with district head quarters at Tonk state Rajasthan in India. The Institute is 100 kms. away at the southern side from the state capital Jaipur. The climate of the area is almost dry. Only bus service is available to approach to Tonk from Jaipur. The area of the Institute‟s premises is 1,26,000 Sq.Ft., main building 7,173 Sq.Ft., and Scholar‟s Guest House is 6,315 Sq.Ft. There are 8 well furnished rooms carrying kitchen, dining hall and visiting hall, available in the Scholar‟s Guest House. This Institute was established by the Government of Rajasthan, which has earned international repute -
States of Affect: Trauma in Partition/Post-Partition South Asia
STATES OF AFFECT: TRAUMA IN PARTITION/POST-PARTITION SOUTH ASIA By Rituparna Mitra A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of English – Doctor of Philosophy 2015 ABSTRACT STATES OF AFFECT: TRAUMA IN PARTITION/POST-PARTITION SOUTH ASIA By Rituparna Mitra The Partition of the Indian subcontinent – into India and Pakistan in 1947 – was one of the crucial moments marking the break between the colonial and postcolonial era. My project is invested in exploring the Partition not merely in terms of the events of August 1947, but as an ongoing process that continues to splinter political, cultural, emotional and sexual life-worlds in South Asia. My dissertation seeks to map analytical pathways to locate the Partition and the attendant formations of minoritization and sectarian violence as continuing, unfolding processes that constitute postcolonial nation-building. It examines the far-reaching presence of these formations in current configurations of politics, culture and subjectivity by mobilizing the interdisciplinary scope of affect-mediated Trauma and Memory Studies and Postcolonial Studies, in conjunction with literary analysis. My project draws on a wide range of cultural artifacts such as poetry, cantillatory performance, mourning rituals, testimonials, archaeological ruins, short stories and novels to develop a heuristic and affective re-organization of post-Partition South Asia. It seeks to illuminate through frameworks of memory, melancholia, trauma, affect and postcoloniality how the ongoing effects of the past shape the present, which in turn, offers us ways to reimagine the future. This dissertation reaches out to recent work developing a vernacular framework to analyze violence, trauma and loss in South Asia. -
Bestguru.Comcarnatic Music ‐ Vocal 1978 Maharajapuram V
Name of the Artist Name of the Art / Field Awarded in Amba Sanyal (Costume Designing) Allied Theatre Arts 2008 Anant Gopal Shinde (Make‐up) Allied Theatre Arts 2003 Ashok Sagar Bhagat (Lighting) Allied Theatre Arts 2002 Ashok Srivastava (Make‐up) Allied Theatre Arts 1981 D. G. Godse (Scenic Design) Allied Theatre Arts 1988 Dolly Ahluwalia (Costume Design) Allied Theatre Arts 2001 G.N. Dasgupta (Lighting) Allied Theatre Arts 1989 Gautam Bhattacharya (Lighting) Allied Theatre Arts 2006 Goverdhan Panchal (Scenic Design) Allied Theatre Arts 1985 H. V. Sharma (Stagecraft) Allied Theatre Arts 2005 Kajal Ghosh (Theatre Music) ‐ Allied Theatre Arts 2000 Kamal Arora (Make‐up) Allied Theatre Arts 2009 Kamal Jain (Lighting) Allied Theatre Arts 2011 Kamal Tewari (Theatre Music) ‐ Allied Theatre Arts 2000 Kanishka Sen (Lighting) Allied Theatre Arts 1994 Khaled Choudhury (Scenic Design) Allied Theatre Arts 1986 Kuldeep Singh (Music for Theatre) Allied Theatre Arts 2009 M. S. Sathyu (Stagecraft) Allied Theatre Arts 1993 Mahendra Kumar (Scenic Design) Allied Theatre Arts 2007 Mansukh Joshi (Scenic & Light Design) Allied Theatre Arts 1997 N. Krishnamoorthy (Stagecraft) Allied Theatre Arts 1995 Nissar Allana (Stagecraft) Allied Theatre Arts 2002 R. K. Dhingra (Lighting) ‐ Allied Theatre Arts 2000 R. Paramashivan (Theatre Music) Allied Theatre Arts 2005 Robin Das (Scenic Design) ‐ Allied Theatre Arts 2000 Roshen Alkazi (Costume Design) Allied Theatre Arts 1990 Shakti Sen (Make‐up) ‐ Allied Theatre Arts 2000 Sreenivas G. Kappanna (Lighting & Stage Design) Allied Theatre Arts 2003 Suresh Bhardwaj (Lighting) Allied Theatre Arts 2005 Tapas Sen (Lighting) Allied Theatre Arts 1974 V. Ramamurthy (Lighting) Allied Theatre Arts 1977 Alathur S. Srinivasa Iyer Carnatic Music ‐ Vocal 1968 Ariyakudi Ramanuja Iyengar Carnatic Music ‐ Vocal 1952 B. -
Boctor of Pi)!Logopl)P
SOCIO-POLITICAL LIFE IN INDIA DURING 16 th _ 17 th CENTURIES AS REFLECTED IN THE SUFI LITERATURE THESIS ^ SUBMITTED FOR THE AWARD OF THE DEGREE OF Boctor of pi)!logopl)p HISTORY F ^. BY •/ i KAMAL AKHTAR Under the Supervision of DR. IQBAL SABIR CENTRE OF ADVANCED STUDY DEPARTMENT OF HISTORY ALIGARH MUSLIM UNIVERSITY ALIGARH (INDIA) 2008 ,.:<'M«'U::*^^»>"'S fJtr HI 4.1" '"• Muslim OS^.'-- a V',N^ 2013 •S 'r to^ €i/9eeniA (Dr. IqSaCSaSir Sr. Lecturer CENTRE OF ADVANCED STUDY Department of History Aligarh Muslim University Aligarh-202002, U.P., India Phone: 0571-2703146(0) Mobile: 09411488564 Dated: 25.11.2008 Certificate This is to certify that Mr. Kamal Akhtar has completed his research work under my supervision. The thesis prepared by him on "Socio political life in India during 16*''-17*'' centuries as reflected in the sufl literature" is his original research work and I consider it suitable for submission for the award of the Degree of Ph.D. in History. (Dr. Iqbal Sabir) Supervisor PREFACE-CUM-ACKNOWLEDGEMENT Sufism has played significant rote in sodat, cuCturaC and even in political' development in India during the medievaC period. H^a^ng aSode in different regions of the country, the MusRm saints, ie. Sufis, attracted people of all sections to their fold. VndouStedCy the motto of Sufis was to develop the feelings of communaC harmony. Cove for human Beings and service ofman^nd. They also left impact on medievaC podticaC Rfe. <But at the same time Sufis and their foCCowers aCso greatCy contriSuted in the fieCd of kaming and schoCarship.