Cambridge University Press 978-1-107-19605-6 — Boundaries of Belonging Sarah Ansari , William Gould Index More Information
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Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani -
Page 01 Aug 31.Indd
ISO 9001:2008 CERTIFIED NEWSPAPER Top Qatari India spin to business team win against visits Kenya England Business | 17 Sport | 27 Sunday 31 August 2014 • 5 Dhu’l-Qa’da 1435 • Volume 19 Number 6174 www.thepeninsulaqatar.com [email protected] | [email protected] Editorial: 4455 7741 | Advertising: 4455 7837 / 4455 7780 Gulf states ready Jeddah meet ‘resolves’ envoy row to help counter jihadist advance GCC foreign ministers agree on terms and criteria for return of envoys to Qatar JEDDAH: Gulf Arab states said yesterday that they were DOHA: The diplomatic dead- ready to help counter advances lock between Qatar and its by jihadists in Syria and Iraq, three GCC peers — Saudi after the US called for a global Arabia, the UAE and Bahrain coalition to fight the militants. — is likely to end soon, with But the six-nation Gulf Kuwait’s First Deputy Prime Cooperation Council said it was Minister and Foreign Minister awaiting details from Washington saying that the ambassadors of and a visit to the region by US the three countries could return Secretary of State Department to Doha “any moment”, Qatar John Kerry to discuss anti-jihad- News Agency (QNA) reported ist cooperation. yesterday. A GCC statement said Gulf The issue was discussed at states are ready to act “against length at the meeting of the for- terrorist threats that face the eign ministers of the GCC states region and the world”. (held in Jeddah yesterday) and The GCC foreign ministers also the terms and criteria for the pledged a readiness to fight “ter- return of the envoys have been rorist ideology which is contrary agreed upon. -
This Article Has Been Made Available to SAWF by Dr. Veena Nayak. Dr. Nayak Has Translated It from the Original Marathi Article Written by Ramkrishna Baakre
This article has been made available to SAWF by Dr. Veena Nayak. Dr. Nayak has translated it from the original Marathi article written by Ramkrishna Baakre. From: Veena Nayak Subject: Dr. Vasantrao Deshpande - Part Two (Long!) Newsgroups: rec.music.indian.classical, rec.music.indian.misc Date: 2000/03/12 Presenting the second in a three-part series on this vocalist par excellence. It has been translated from a Marathi article by Ramkrishna Baakre. Baakre is also the author of 'Buzurg', a compilation of sketches of some of the grand old masters of music. In Part One, we got a glimpse of Vasantrao's childhood years and his early musical training. The article below takes up from the point where the first one ended (although there is some overlap). It discusses his influences and associations, his musical career and more importantly, reveals the generous and graceful spirit that lay behind the talent. The original article is rather desultory. I have, therefore, taken editorial liberties in the translation and rearranged some parts to smoothen the flow of ideas. I am very grateful to Aruna Donde and Ajay Nerurkar for their invaluable suggestions and corrections. Veena THE MUSICAL 'BRAHMAKAMAL' - Ramkrishna Baakre (translated by Dr. Veena Nayak) It was 1941. Despite the onset of November, winter had not made even a passing visit to Pune. In fact, during the evenings, one got the impression of a lazy October still lingering around. Pune has been described in many ways by many people, but to me it is the city of people with the habit of going for strolls in the morning and evening. -
Prostitutes, Eunuchs and the Limits of the State Child “Rescue” Mission in Colonial India
9. Deviant Domesticities and Sexualised Childhoods: Prostitutes, Eunuchs and the Limits of the State Child “Rescue” Mission in Colonial India Jessica Hinchy Nanyang Technological University, Singapore Introduction In the late 1860s and early 1870s, colonial officials in north India argued that the British government had a duty to “rescue” girls and boys who were allegedly kidnapped and condemned to a “life of infamy” by eunuchs and women labelled prostitutes. Colonial officials claimed that prostitutes and eunuchs sexually “corrupted” girls and boys, respectively, and hired them out as child prostitutes. British administrators proposed to register and remove children who resided with prostitutes and eunuchs and to appoint “respectable” guardians. In India, unlike Australia, the removal of children was not a general technique of colonial governance.1 These projects for the removal and reform of children who lived in brothels and with eunuchs were thus somewhat unusual colonial attempts at child rescue.2 The singular English-language colonial category of “eunuch” was internally diverse and encompassed a multiplicity of social roles. The term eunuch could be used to variously encapsulate male-identified and female-identified, emasculated and non-emasculated, socially elite and subaltern, politically powerful and relatively politically insignificant groups. Thehijra community 1 Satadru Sen, Colonial Childhoods: The Juvenile Periphery of India, 1850–1945, London: Anthem Press, 2005, p. 57. 2 The research for this paper was conducted at several archives in India, including the National Archives of India (NAI) in Delhi and the Uttar Pradesh State Archives (UPSA) branches in Lucknow and Allahabad. At the Allahabad branch of the Uttar Pradesh State Archives I was able to access district-level records on the implementation of the Criminal Tribes Act, Part II, against the hijra community, including the reports of local police intelligence and district registers of eunuchs’ personal details and property. -
To Download the Advance Information Sheet
NEW TITLE AUGUST 2015 MUSIC ISBN: 978-93-83098-98-9 `595/£14.99/$20 PB Published by Fine publishing within reach D-78, Okhla Industrial Area, Phase-I, New Delhi-110 020, INDIA Tel: 91-11-26816301, 49327000; Fax: 91-11-26810483, 26813830 email: [email protected]; website: www.niyogibooksindia.com MUSIC `595/£14.99/$20 PB ISBN: 978-93-83098-98-9 Size:229 x 152mm, 324pp, 26 b/w photographs Interviewers Black and white, 80gsm bookprint Geeta Sahai & Shrinkhla Sahai Paperback Ever wondered how late Pandit Ravi Shankar went beyond cultural boundaries to Geeta Sahai is a writer, propagate Hindustani classical music and impact the global music scene? How did broadcaster and documentary Ustad Amjad Ali Khan fight emotional and financial setbacks to settle into musical filmmaker. Her short stories harmony with destiny? How did Begum Akhtar’s soulful voice inspire a reluctant have won international awards percussionist to dedicate his life to vocal music and emerge as the legendary Pandit and have been included in Jasraj? How did late Dr Gangubai Hangal break away from the shackles of social an international anthology– ostracism to emerge as a legend of her times? Undiscovered Gems. She was associated with Worldspace Satellite Radio for nearly ten years Beyond Music – Maestros in Conversation delves into candid opinions on issues, as Programme Director - Radio Gandharv-24X7 revealing thoughts on music-making and emotional sagas of some of the most Hindustani Classical Music Station. She has made accomplished, revered classical musicians—Dr Prabha Atre, Pandit Vishwa Mohan many introspective documentary films. Currently, Bhatt, Dr N. -
"Improvised" Music
The University of Manchester Research Formulas and the building blocks of humr style: a study in "improvised" music Document Version Final published version Link to publication record in Manchester Research Explorer Citation for published version (APA): Alaghband-Zadeh, C. (2012). Formulas and the building blocks of humr style: a study in "improvised" music. Analytical Approaches to World Music Journal, 2(1), 1-48. Published in: Analytical Approaches to World Music Journal Citing this paper Please note that where the full-text provided on Manchester Research Explorer is the Author Accepted Manuscript or Proof version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version. General rights Copyright and moral rights for the publications made accessible in the Research Explorer are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Takedown policy If you believe that this document breaches copyright please refer to the University of Manchester’s Takedown Procedures [http://man.ac.uk/04Y6Bo] or contact [email protected] providing relevant details, so we can investigate your claim. Download date:06. Oct. 2021 Formulas and the Building Blocks of Ṭhumrī Style—A Study in “Improvised” Music Chloe Zadeh PART I: IMPROVISATION, STRUCTURE AND FORMULAS IN NORTH INDIAN CLASSICAL MUSIC usicians, musicologists and -
Slum Free City Plan of Action - Allahabad
Slum Free City Plan of Action - Allahabad Regional Centre for Urban and Environmental Studies (Sponsored by Ministry of Urban Development, Govt. of India) Osmania University, Hyderabad - 500007 [SLUM FREE CITY PLAN OF ACTION] Allahabad CONTENTS CONTENTS............................................................................................................................................ i LIST OF TABLES ............................................................................................................................... iii LIST OF CHARTS ............................................................................................................................... v LIST OF FIGURES .............................................................................................................................. v LIST OF PICTURES ........................................................................................................................... vi LIST OF MAPS................................................................................................................................... vii ACRONYMS ...................................................................................................................................... viii EXECUTIVE SUMMARY ................................................................................................................. xi ACKNOWLEDGEMENT ................................................................................................................. xiii CHAPTER 1 – INTRODUCTION -
SA8000 Certified Facilities: As of June 30, 2015
SA8000 Certified Facilities: As of June 30, 2015 Date of 1st Name/ Addresses of Date of Initial recertificatio Date of 2nd Date of 3rd Date of 4th Certification internal CB Company Country Address Additional Sites Scope Industry Certification n recertification recertification recertification Body certificate ID D No. 2-142, Chinavutapalli Village- Gannavaram, Krishana District-Vijayawada - Manufacture & Export of ABS Quality 1947 INC. India Andhra Pradesh-India-521 286 -69-1- Leather products Leather 1-Oct-12 Evaluations 47609 67 Duy Tan Street, Hai Chau District, Manufacturing and 28 DA NANG JOINT Da Nang City, processing of garment STOCK COMPANY Vietnam Vietnam products Textiles 24-Jan-13 BSI SA 595078 3' MILLENNIUM via A. Bellatalla 1 56121 Pisa Ospedaletto Supply of local public TRAVEL S.R.L. Italy (PI) ITA transport and bus rental Transportation 27-Mar-14 CISE 585 30027-A01-02 SC PANDORA FASHION SRL 30027-A01 Company: 2 Ana Ipatescu Street 30027-A01-03 SC SIMIZ Tecuci, County Galati (37 km to HQ) FASHION SRL 30027-A01- 30027-A01 SC 30027-A01 Company: 73 Cuza Voda Street 02 : 6 Avantului Street, PANDORA PROD SRL- Focsani, County Vrancea(HQ) Focsani, County Vrancea – TECUCI,GALATI social site without activity ADDRESS 30027-A01-02 : 6 Avantului Street, Focsani, - Pandora Fashion 30027-A01 SC County Vrancea – social site without activity 30027-A01-02 Artera PANDORA PROD SRL- - Pandora Fashion Dj204d, Focsani, County FOSCAI,VRANCEA 30027-A01-02 Artera Dj204d, Focsani, Vrancea – manufacturing ADDRESS (HQ ) County Vrancea – manufacturing site - site - Pandora (2 km to 30027-A01-02 Pandora (2 km to HQ) HQ) SC PANDORA 30027-A01-03 : ARTERA DJ204D, 30027-A01-03 : ARTERA FASHION SRL FOSCANI,County VRANCEA DJ204D, FOSCANI,County 30027-A01-03 SC (2 km to HQ location) VRANCEA 30027-A01, 30027- SIMIZ FASHION SRL (2 km to HQ location) A01-02; 30027- Romania Textile Textiles 10-Dec-14 Intertek A01-03 Design, installation and maintenance electrical systems in medium and low via Arco della Ciambella, 13 - 00186 - Roma voltage - Maintenance Electrical 3M Elettrotecnica S.r.l. -
Miscellaneous Questions
Downloaded from http://SmartPrep.in Miscellaneous 1. Match List-I with List-II and select the correct 4. Consider the following statements : answer from the codes given below : 1. Lord Clive was the first Governor of List-I List-II Bengal. A. Labour’s Day 1. May 31st 2. G.V. Mavlankar was the first speaker of Lok B. Anti-Tobacco Day 2. May 2nd Sabha. C. Mother’s Day 3. May 1st 3. Dr. Zakir Hussain was the first Muslim D. National Girl Child 4. Jan 24th President of Indian Republic. Codes: 4. Rakesh Sharma was the first Indian Cosmonaut. A B C D A B C D Which of the statements given above is/are (a) 1 2 3 4 (b) 3 1 2 4 correct? (c) 1 3 2 1 (d) 4 3 2 1 (a) 1 and 2 only (b) 2 and 3 only 2. Match List-I with List-II and select the correct (c) 1, 2 and 3 only (d) All of the above answer from the codes given below : 5. Match List-I with List-II and select the correct List-I List-II answer from the codes given below : (Folk Dance) (State) List-I List-II A. Bidesia 1. Jharkhand A. The largest lake 1. Jammu and Kashmir B. Lajri 2. Uttarakhand B. The largest delta 2. Sunderbans C. Dangri 3. Himachal Pradesh (Kolkata) D. Tamasha 4. Mahrashtra C. The largest 3. Birla Planetarium Codes: planetarium (Kolkata) A B C D A B C D D. The highest 4. Leh (Ladakh) (a) 1 2 3 4 (b) 1 3 4 2 airport (c) 3 1 2 4 (d) 3 1 4 2 Codes: 3. -
Candidate's Name Address Date of Birth Category 1 2 3
Sheet1 "ANNEXURE ‘A’ LIST SHOWING THE DETAILS OF ELIGIBLE CANDIDATES ( IN ALPHABETIC ORDER AND ROLL NUMBER WISE) WHO HAVE BEEN CALLED FOR INTERVIEW FOR THE POST OF PROCESS SERVER AS PER NOTIFIED SCHEDULE" Roll Father’ s/ Qualificatio Candidate’s Name Address Date of Birth Category Remarks Number Husband’s Name n 1 AABID KAMAAL KHAN SUNARI TEH TAURU DISTT MEWAT NUH 08/03/1995 10TH BCB 2 AADITYA SANJAY SINGH 2/298 AARYA NAAGR, SONIPAT 10/05/2002 12TH GENERAL 3 AAKASH RAJESH KUMAR H NO 723, KRISHNA NAGAR SEC 20A, FARIDABAD 07/18/1999 12TH GENERAL 4 AAKASH SAMPAT H NO 374 SEC 86 VILL. BUDENA FARIDABAD 08/03/1998 10TH BCB 5 AAKASH RAKESH VILL. BAROLI, SEC 80, FARIDABAD 01/02/1998 10TH BCA 6 AAKASH SUNDER LAL VILL GHARORA, TEH BALLABGRAH, FBD 08/12/1999 10TH BCA 7 AAKASH AJAY KUMAR ADARSH COLONY PALWAL 03/31/1997 B,SC BCA H NO D 396 WARD NO 12 NEAR PUNJABI AAKASH VIDHUR 06/07/1999 10TH SC 8 DHARAMSHALA, CAMP, PALWAL 9 AAKASH NIRANJAN KUMAR H NO 164 WAR NO 9 FIROZPUR JHIRKA, MEWAT 08/08/1995 12TH SC 10 AAKASH KUNWAR PAL VILL ARUA, CHANDAPUR, FBD 01/15/2001 10TH SC 11 AAKASH SURENDER KHATI PATTI, TIGAON, FBD 01/19/1999 12TH BCB 12 AAKASH GANGA RAM BHIKAM COLONY, BLB, FBD 05/25/2001 10TH GENERAL 13 AAKASH SHYAM DUTT 263 ARYA NAGAR, WAR NO 4 HODAL PALWAL 11/21/1997 10TH GENERAL 14 AAKASH SHARMA KISHAN CHAND 232 , HBC COLONY SIRSA 05/09/1989 12TH GENERAL VILL. -
Formulas and the Building Blocks of Ṭhumrī Style—A Study in “Improvised” Music
Formulas and the Building Blocks of Ṭhumrī Style—A Study in “Improvised” Music Chloe Zadeh PART I: IMPROVISATION, STRUCTURE AND FORMULAS IN NORTH INDIAN CLASSICAL MUSIC usicians, musicologists and teenage backpackers alike speak of “improvisation” in M modern-day Indian classical music.1 Musicians use the term to draw attention to differences between different portions of a performance, distinguishing between the “composition” of a particular performance (in vocal music, a short melody, setting a couple of lines of lyrics) and the rest of the performance, which involves musical material that is different in each performance and that musicians often claim to have made up on the spur of the moment.2 In their article “Improvisation in Iranian and Indian music,” Richard Widdess and Laudan Nooshin draw attention to modern-day Indian terminology which reflects a conceptual distinction between improvised and pre-composed sections of a performance (2006, 2–4). The concept of improvisation has also been central to Western imaginings of North Indian classical music in the twentieth century. John Napier has discussed the long history of Western descriptions of Indian music as “improvised” or “extemporized,” which he dates back to the work of Fox Strangways in 1914. He points out the importance the concept took on, for example, in the way in which Indian music was introduced to mainstream Western audiences in the 1960s; he notes that the belief that the performance of Indian music 1 I am very grateful to Richard Widdess and Peter Manuel for their comments on draft versions of this article. 2 The relationship between those parts of the performance that musicians label the “composition” and the rest of the performance is actually slightly more complicated than this; throughout, a performance of North Indian classical music is normally punctuated by a refrain, or mukhra, which is a part of the composition. -
Lack of Human Rights for LGBT. (Gautami Seth)
www.whiteblacklegal.co.in ISSN: 2581-8503 VOLUME 2 : ISSUE 7 || MARCH 2021 || Email: [email protected] Website: www.whiteblacklegal.co.in 1 www.whiteblacklegal.co.in ISSN: 2581-8503 DISCLAIMER No part of this publication may be reproduced or copied in any form by any means without prior written permission of Editor-in-chief of White Black Legal – The Law Journal. The Editorial Team of White Black Legal holds the copyright to all articles contributed to this publication. The views expressed in this publication are purely personal opinions of the authors and do not reflect the views of the Editorial Team of White Black Legal. Though all efforts are made to ensure the accuracy and correctness of the information published, White Black Legal shall not be responsible for any errors caused due to oversight or otherwise. 2 www.whiteblacklegal.co.in ISSN: 2581-8503 EDITORIAL TEAM EDITOR IN CHIEF Name - Mr. Varun Agrawal Consultant || SUMEG FINANCIAL SERVICES PVT.LTD. Phone - +91-9990670288 Email - [email protected] EDITOR Name - Mr. Anand Agrawal Consultant|| SUMEG FINANCIAL SERVICES PVT.LTD. EDITOR (HONORARY) Name - Smt Surbhi Mittal Manager || PSU EDITOR(HONORARY) Name - Mr Praveen Mittal Consultant || United Health Group MNC EDITOR Name - Smt Sweety Jain Consultant||SUMEG FINANCIAL SERVICES PVT.LTD. EDITOR Name - Mr. Siddharth Dhawan Core Team Member || Legal Education Awareness Foundation 3 www.whiteblacklegal.co.in ISSN: 2581-8503 ABOUT US WHITE BLACK LEGAL is an open access, peer-reviewed and refereed journal provide dedicated to express views on topical legal issues, thereby generating a cross current of ideas on emerging matters.