The French Perspective on the Laplace Affair
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Nationalism in the French Revolution of 1789
The University of Maine DigitalCommons@UMaine Honors College 5-2014 Nationalism in the French Revolution of 1789 Kiley Bickford University of Maine - Main Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Cultural History Commons Recommended Citation Bickford, Kiley, "Nationalism in the French Revolution of 1789" (2014). Honors College. 147. https://digitalcommons.library.umaine.edu/honors/147 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. NATIONALISM IN THE FRENCH REVOLUTION OF 1789 by Kiley Bickford A Thesis Submitted in Partial Fulfillment of the Requirement for a Degree with Honors (History) The Honors College University of Maine May 2014 Advisory Committee: Richard Blanke, Professor of History Alexander Grab, Adelaide & Alan Bird Professor of History Angela Haas, Visiting Assistant Professor of History Raymond Pelletier, Associate Professor of French, Emeritus Chris Mares, Director of the Intensive English Institute, Honors College Copyright 2014 by Kiley Bickford All rights reserved. Abstract The French Revolution of 1789 was instrumental in the emergence and growth of modern nationalism, the idea that a state should represent, and serve the interests of, a people, or "nation," that shares a common culture and history and feels as one. But national ideas, often with their source in the otherwise cosmopolitan world of the Enlightenment, were also an important cause of the Revolution itself. The rhetoric and documents of the Revolution demonstrate the importance of national ideas. -
The French Revolution Unfolds
WH07_te_ch06_s02_MOD_s.fm Page 216 Monday, March 5, 2007 5:24WH07MOD_se_CH06_s02_s.fm PM Page 216 Thursday, January 25, 2007 4:17 PM Step-by-Step SECTION Instruction 2 Women march WITNESS HISTORY AUDIO to the palace. Parisian Women Storm Versailles Objectives On October 5, 1789, anger turned to action as thousands As you teach this section, keep students of women marched from Paris to Versailles. They wanted focused on the following objectives to help the king to stop ignoring their suffering. They also them answer the Section Focus Question wanted the queen. French women were particularly angry and master core content. 2 with the Austrian-born queen, Marie Antoinette. They 2 could not feed their children, yet she lived extravagantly. ■ Explain how the political crisis of 1789 The women yelled as they looked for her in the palace: led to popular revolts. Death to the Austrian! We’ll wring her neck! ■ Summarize the moderate reforms “ We’ll tear her heart out! enacted by the National Assembly in —mob of women at Versailles,” October 6, 1789 August 1789. Focus Question What political and social reforms did ■ Identify additional actions taken by the the National Assembly institute in the first stage of the National Assembly as it pressed French Revolution? onward. ■ Analyze why there was a mixed reac- tion around Europe to the events unfolding in France. The French Revolution Unfolds Objectives Excitement, wonder, and fear engulfed France as the revolution Prepare to Read • Explain how the political crisis of 1789 led to unfolded at home and spread abroad. Historians divide this revo- popular revolts. -
Gaelic Names of Plants
[DA 1] <eng> GAELIC NAMES OF PLANTS [DA 2] “I study to bring forth some acceptable work: not striving to shew any rare invention that passeth a man’s capacity, but to utter and receive matter of some moment known and talked of long ago, yet over long hath been buried, and, as it seemed, lain dead, for any fruit it hath shewed in the memory of man.”—Churchward, 1588. [DA 3] GAELIC NAMES OE PLANTS (SCOTTISH AND IRISH) COLLECTED AND ARRANGED IN SCIENTIFIC ORDER, WITH NOTES ON THEIR ETYMOLOGY, THEIR USES, PLANT SUPERSTITIONS, ETC., AMONG THE CELTS, WITH COPIOUS GAELIC, ENGLISH, AND SCIENTIFIC INDICES BY JOHN CAMERON SUNDERLAND “WHAT’S IN A NAME? THAT WHICH WE CALL A ROSE BY ANY OTHER NAME WOULD SMELL AS SWEET.” —Shakespeare. WILLIAM BLACKWOOD AND SONS EDINBURGH AND LONDON MDCCCLXXXIII All Rights reserved [DA 4] [Blank] [DA 5] TO J. BUCHANAN WHITE, M.D., F.L.S. WHOSE LIFE HAS BEEN DEVOTED TO NATURAL SCIENCE, AT WHOSE SUGGESTION THIS COLLECTION OF GAELIC NAMES OF PLANTS WAS UNDERTAKEN, This Work IS RESPECTFULLY INSCRIBED BY THE AUTHOR. [DA 6] [Blank] [DA 7] PREFACE. THE Gaelic Names of Plants, reprinted from a series of articles in the ‘Scottish Naturalist,’ which have appeared during the last four years, are published at the request of many who wish to have them in a more convenient form. There might, perhaps, be grounds for hesitation in obtruding on the public a work of this description, which can only be of use to comparatively few; but the fact that no book exists containing a complete catalogue of Gaelic names of plants is at least some excuse for their publication in this separate form. -
Contested Symbolism in the Flags of New World Slave Risings
Contested Symbolism in the Flags of New World Slave Risings Steven A. Knowlton Throughout the summer of 1800, an enslaved blacksmith of Richmond, Virginia, named Gabriel conspired with fellow bondspeople to rise in arms and fight for their freedom. Among his plans was a scheme to paint a flag with the phrase “Death or Liberty” to be carried at the head of the column that would march into the city.1 Gabriel’s slogan inverted the words of his fellow Virginian Patrick Henry, whose famous oration on the eve of the American Revolution concluded, “Is life so dear, or peace so sweet, as to be purchased at the price of chains and slavery? Forbid it, Almighty God! I know not what course others may take, but as for me, give me liberty or give me death!”2 It is a well-known irony of history that among those who fought for American independence from British rule—and couched their rhetoric in terms of “freedom” and “liberty”—were some of the largest slaveholders on the continent, including Henry.3 In popular memory, their struggle against King George III has been valorized, but so have the efforts of those who sought emancipation for slaves. For example, historical markers now stand at key locations in Gabriel’s career, and the Richmond History Center has made an artist’s conception of Gabriel’s image one of fifty key objects that define the city’s story.4 (Figure 1) As Gabriel’s adaptation of Henry’s rhetoric demonstrates, opposing parties are known to assign conflicting meanings to shared symbols; flags are among the most prominent of these, as documented throughout vexillological literature.5 Slaves who engaged in violent conflict with their masters often used flags mod- eled on those of their oppressors. -
“If Music Be the Food of Love, Play On
What’s in a Name? As Shakespeare had Juliet say, “That which we call a rose by any other name would smell as sweet.” Maybe so, but in New Orleans there’s more to a name than meets the ear. The Crescent City is home to many sweet-sounding names, especially those of its ladies. What could be more beautiful names than those of Voudou practitioner Marie Laveau or sarong siren Dorothy Lamour? Actually Dorothy was born Mary Leta Dorothy Slaton, but her parents’ marriage lasted only a few years. Her mother re-married a man named Clarence Lambour, and Dorothy took his last name. Lambour became Lamour, a much better choice in that it oozes love (toujours l’amour). She took it along with her on all those “Road” pictures with Bob Hope and Bing Crosby. Dorothy Lamour (1914 – 1996), New Orleans’ own siren in a sarong Inducted into the Rock and Roll Hall of Fame after having recorded over 60 singles for the Imperial label, placing 40 songs in the R&B top 10 charts and 11 top 10 singles on the pop charts, Antoine Dominique “Fats” Domino, Jr. is a New Orleans musical legend with a Creole name to match. It flows from the lips mellifluously like a beignet washed down with café au lait. A sure sign that a name has star potential is the fact that someone has tried, in some way, to usurp its power. In the case of “Fats”, American Bandstand host Dick Clark’s wife Barbara took the name, changed it around ever so slightly and bestowed a new name to an up-and-coming Rock and Roll personality. -
A Brief History of the Hawaiian People
0 A BRIEF HISTORY OP 'Ill& HAWAIIAN PEOPLE ff W. D. ALEXANDER PUBLISHED BY ORDER OF THE BOARD OF EDUCATION OF THE HAWAIIAN KINGDOM NEW YORK,: . CINCINNATI•:• CHICAGO AMERICAN BOOK C.OMPANY Digitized by Google ' .. HARVARD COLLEGELIBRAllY BEQUESTOF RCLANOBUr.ll,' , ,E DIXOII f,'.AY 19, 1936 0oPYBIGRT, 1891, BY AlilBIOAN BooK Co)[PA.NY. W. P. 2 1 Digit zed by Google \ PREFACE AT the request of the Board of Education, I have .fi. endeavored to write a simple and concise history of the Hawaiian people, which, it is hoped, may be useful to the teachers and higher classes in our schools. As there is, however, no book in existence that covers the whole ground, and as the earlier histories are entirely out of print, it has been deemed best to prepare not merely a school-book, but a history for the benefit of the general public. This book has been written in the intervals of a labo rious occupation, from the stand-point of a patriotic Hawaiian, for the young people of this country rather than for foreign readers. This fact will account for its local coloring, and for the prominence given to certain topics of local interest. Especial pains have been taken to supply the want of a correct account of the ancient civil polity and religion of the Hawaiian race. This history is not merely a compilation. It is based upon a careful study of the original authorities, the writer having had the use of the principal existing collections of Hawaiian manuscripts, and having examined the early archives of the government, as well as nearly all the existing materials in print. -
The Pitiful King: Tears, Blood, and Family in Revolutionary Royalism
The Pitiful King: Tears, Blood, and Family in Revolutionary Royalism Victoria Murano Submitted to Professors Lisa Jane Graham and Linda Gerstein In partial fulfillment of the requirement of History 400: Senior Thesis Seminar Murano 1 Abstract When the French Revolution erupted in 1789, revolutionaries strove to foster a sense of freedom of expression, guaranteeing a brief freedom of the press. The eleventh article of the 1791 Declaration of the Rights of Man asserts that “The free communication of thoughts and opinions is one of man’s most precious rights; all citizens may therefore speak, write, print freely, except to answer for the abuse of this liberty in cases determined by law.” However, as France became further embroiled in the Revolution, it abandoned its allegiance to the universality of these rights, propagating pro-republican thought, and persecuting anyone who did not share these views. The royalist press was a major concern to the new republican government, because it continued to speak out in support of the king and criticize the Revolution. The existence of royalist journalists and writers thus posed a problem for revolutionaries who wanted to establish a monolithically-minded republic. Therefore, over time, they enacted repressive censorship and punishment to crack down on royalist sympathizers. Although they sent many royalist writers to prison or the guillotine, the revolutionaries ultimately failed to silence their political enemies. This thesis uses newspapers, images, and other printed media to explore royalist coverage of three events that diminished royal power: Louis XVI’s flight to Varennes in June 1791, his execution in January 1793, and the death of his nine-year-old son and heir, Louis XVII, in June 1795. -
<I>Comment Vous Appelez-Vous</I>?: Why the French Change Their Names
Comment vous appelez-vous?: Why the French Change Their Names James E. Jacob California State University, Chico and Pierre L. Horn Wright State University We examine the history, processes, and motivations which explain in part why and how the French change their names. Studying a small but representative sample of official name changes mandatorily published in the JournaL OfficieL de La Republique Franfaise at certain moments of post-World War II history (1946, 1963, and 1992-1995), we identify the four most important reasons for changing names: because they are obscene or. pejorative; ridiculous; perceived as too foreign, especially too Arab or too Jewish; or to add the patent of nobility . While we express surprise that names of these kinds still exist in contemporary France, we also recognize that the decision to request a name change at this late date is the last refuge for families who have long suffered indignities and humiliations because of their names. The name I bear is not only a "gift" from my father or my mother; it is an integral part of myself; it has defined me ... since my childhood. Francois eros [T]he name is a family possession; it is the cement of the family. Marianne Mulon Names 46.1 (March 1998):3-28 ISSN:0027-7738 © 1998by The American Name Society 3 4 Names 46.1 (March 1998) With the Ordonnance de Villers-Cotterets in 1539, which, according to Albert Dauzat (1949, 40), codified a long-established custom of assigning and preserving family names, the French monarchy sought to further integrate the diversity of its realm. -
Liberty Leading the Women: Delacroix’S Liberty As Transitional Image
Kimberly Carroll (Eugene Delacroix. Liberty Leading the People, 1830. Musée du Louvre, Paris.) Liberty Leading the Women: Delacroix’s Liberty as Transitional Image One of the most iconic transformed into a true wom- overthrow of the monarchy works of revolutionary art is an of the people. Delacroix that had been reinstituted Eugene Delacroix’s Liberty introduces through her figure shortly after the first French Leading the People, a paint- a level of specificity that Revolution of 1789 – 99. It ing from 1830 that depicts transcends her traditional debuted in the Paris Salon the July Revolution of the representations as a passive, in 1831 and was met with same year (Fig 1.). The main mythological, or allegorical mixed reactions. figure of the painting is the symbol. In looking to the or- Many were horrified at the symbol of Liberty, an igins of the figure of liberty, depiction of an event in allegorical representation the role of women during the what would have been of the ideal of perfect free- revolutions, the artist’s own contemporary history in dom. Liberty is represented history, and the reappear- which a bare-breasted through the female form, a ance of this figure into our woman was painted leading traditional manner of rep- own contemporary world, the people of France. In the resentation of victory that the evolution of Delacroix’s same year of its debut, the dates back to antiquity (Fig. Liberty as an image can be painting “was censored by 2). Many components of her seen to serve as a bridge Louis-Philippe” and was appearance clearly indicate from a purely allegorical fig- “hidden from the public for that she is an allegorical rep- ure to a real woman. -
Common Naming Patterns Being a Brief Guide to Bynames Jn the Major European Languages and Cultures Commonly Encountered in the SCA
Common Naming Patterns Being A Brief Guide to Bynames Jn the Major European Languages And Cultures Commonly Encountered in the SCA Walraven van Nijmegen Introduction to Personal Names Parts of names In the majority of European cultures, personal names contain two basic kinds of name element: given names and surnames. The given name is so called because the family bestowed it upon the child at birth or christening. Given names may be traditional names in the culture, saints, heroes, honored relatives, and so forth. The pool of given names differs from culture to culture. For example, Giovanni is the characteristically Italian form of John ; the name Kasimir is almost uniquely Polish; and use of the name Teresa did not spread outside of Spain until very late in the SCA period. Because given names vary so much by place and period, describing them adequately is beyond the scope of this article. However, many collections of given names are available online at, among other places, the Medieval Names Archive (“MNA”). Surnames are the second major category of name element. Today’s surnames are inherited family names, but for most of the SCA period, surnames were not inherited by chose to describe an individual and distinguish him or her from other individuals with the same given name. Such surnames are called bynames. Byname Origins and Meanings To understand how bynames originated, imagine that you lived in Amsterdam around 1300. You are listening to a friend sharing local gossip about a man named Jan . Now, one out of every ten people living in Amsterdam is named Jan, so how will you know which one your friend means? Is it big Jan who lives at the edge of town? Jan the butcher? Jan, the son of Willem the candlemaker? You need additional information about who Jan is to identify him, and that is what a byname does. -
The Place Names of Fife and Kinross
1 n tllif G i* THE PLACE NAMES OF FIFE AND KINROSS THE PLACE NAMES OF FIFE AND KINROSS BY W. J. N. LIDDALL M.A. EDIN., B.A. LOND. , ADVOCATE EDINBURGH WILLIAM GREEN & SONS 1896 TO M. J. G. MACKAY, M.A., LL.D., Advocate, SHERIFF OF FIFE AND KINROSS, AN ACCOMPLISHED WORKER IN THE FIELD OF HISTORICAL RESEARCH. INTRODUCTION The following work has two objects in view. The first is to enable the general reader to acquire a knowledge of the significance of the names of places around him—names he is daily using. A greater interest is popularly taken in this subject than is apt to be supposed, and excellent proof of this is afforded by the existence of the strange corruptions which place names are wont to assume by reason of the effort on the part of people to give some meaning to words otherwise unintelligible to them. The other object of the book is to place the results of the writer's research at the disposal of students of the same subject, or of those sciences, such as history, to which it may be auxiliary. The indisputable conclusion to which an analysis of Fife—and Kinross for this purpose may be considered a Fife— part of place names conducts is, that the nomen- clature of the county may be described as purely of Goidelic origin, that is to say, as belonging to the Irish branch of the Celtic dialects, and as perfectly free from Brythonic admixture. There are a few names of Teutonic origin, but these are, so to speak, accidental to the topography of Fife. -
253537449.Pdf
CD 105402 HAWAII ISLES OF ENCHANTMENT By CLIFFORD GESSLER Illustrated by E. H. SUYDAM D. APPLETON- CENTURY COMPANY INCORPORATED NEW YORK LONDON 1938 COPYRIGHT, 1937, BY JD. APPLETON-CENTURY COMPANY, INC. rights reserved. This book, or part** thereof, must not be reproduced in any form without permission of the publisher. Illustrations copyright, 937, by JE. HL Suydam Printed in the United States of America INTRODUCTION write of it or must RO away from Hawaii to is bewildered by KO away and return. A newcomer dazed the sharp impact of ONEits contradictions, by resident of long standing, on the thronging impressions. A so for that he other hand, tends to take the islands granted them to the stranger. may he handicapped in interpreting to be in a sense both One is fortunate, therefore, perhaps with the zeal kamaaina and malihini, neither exaggerating V Introduction *$: new convert the charm of those bright islands nor al~ dulled lotting it to be obscured with sensitivity by prolonged and not too daily familiarity. Time, not too long, distance, great, help to attain balance. The aim of this book is to write a national biography a character illumi- and to paint, in broad strokes, portrait, nated here and there by anecdote, of a country and a people that I have loved. Nor shall I tell here all I know about any one aspect of the islands. Not now, at any rate; this is not that kind of book. Scandal seldom reveals the true spirit of a community. The exception is not a reliable index, and controversies are like the shattered window which caused the policeman, after inspecting it without and within, to exclaim: "It's worse than I thought; it's broke on both sides!" Here again the long view is the clearest.