The Famous Tea Producing Area Distribution Characteristics and the Forming Reasons in Bashu Region in Tang and the Five Dynasties
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Compact Explicit Matrix Representations of the Flexoelectric Tensor and a Graphic Method for Identifying All of Its Rotation and Reflection Symmetries H
Compact explicit matrix representations of the flexoelectric tensor and a graphic method for identifying all of its rotation and reflection symmetries H. Le Quang, Q.-C. He To cite this version: H. Le Quang, Q.-C. He. Compact explicit matrix representations of the flexoelectric tensor and a graphic method for identifying all of its rotation and reflection symmetries. Journal of Applied Physics, American Institute of Physics, 2021, 129 (24), pp.244103. 10.1063/5.0048386. hal-03267829 HAL Id: hal-03267829 https://hal.archives-ouvertes.fr/hal-03267829 Submitted on 22 Jun 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Compact explicit matrix representations of the flexoelectric tensor and a graphic method for identifying all of its rotation and reflection symmetries H. Le Quang1, a) and Q.-C. He1, 2 1)Universit´eGustave Eiffel, CNRS, MSME UMR 8208, F-77454 Marne-la-Vall´ee, France. 2)Southwest Jiaotong University, School of Mechanical Engineering, Chengdu 610031, PR China. (Dated: 17 May 2021) Flexoelectricity is an electromechanical phenomenon produced in a dielectric material, with or without cen- trosymmetric microstructure, undergoing a non-uniform strain. It is characterized by the fourth-order flexo- electric tensor which links the electric polarization vector with the gradient of the second-order strain tensor. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Historiography and Narratives of the Later Tang (923-936) and Later Jin (936-947) Dynasties in Tenth- to Eleventh- Century Sources
Historiography and Narratives of the Later Tang (923-936) and Later Jin (936-947) Dynasties in Tenth- to Eleventh- century Sources Inauguraldissertation zur Erlangung des Doktorgrades der Philosophie an der Ludwig‐Maximilians‐Universität München vorgelegt von Maddalena Barenghi Aus Mailand 2014 Erstgutachter: Prof. Dr. Hans van Ess Zweitgutachter: Prof. Tiziana Lippiello Datum der mündlichen Prüfung: 31.03.2014 ABSTRACT Historiography and Narratives of the Later Tang (923-36) and Later Jin (936-47) Dynasties in Tenth- to Eleventh-century Sources Maddalena Barenghi This thesis deals with historical narratives of two of the Northern regimes of the tenth-century Five Dynasties period. By focusing on the history writing project commissioned by the Later Tang (923-936) court, it first aims at questioning how early-tenth-century contemporaries narrated some of the major events as they unfolded after the fall of the Tang (618-907). Second, it shows how both late- tenth-century historiographical agencies and eleventh-century historians perceived and enhanced these historical narratives. Through an analysis of selected cases the thesis attempts to show how, using the same source material, later historians enhanced early-tenth-century narratives in order to tell different stories. The five cases examined offer fertile ground for inquiry into how the different sources dealt with narratives on the rise and fall of the Shatuo Later Tang and Later Jin (936- 947). It will be argued that divergent narrative details are employed both to depict in different ways the characters involved and to establish hierarchies among the historical agents. Table of Contents List of Rulers ............................................................................................................ ii Aknowledgements .................................................................................................. -
Christie's Hong Kong 30 November 2020
24 November 2020 Preview Christie’s Hong Kong 30 November 2020 Important Chinese Ceramics and Works of Art Lots: 98. Low Estimate: HK$94m Imperial Glories from the Springfield Museum Collection Lots:12. Low Estimate: HK$23m The Chang Wei-Hwa Collection Lot 3001. An extremely rare and fine large Ding ‘lotus’ bowl, of Archaic Jades late Northern Song-early Jin dynasty, 11th-12th century, Lots: 75. Low Estimate: HK$14.23m 31.5cm diameter. HK$6-8m. Inspiring the Mind - Life of the Scholar Official Lots: 68. Low Estimate: HK$99m Total Lots: 253 Total Low Estimate: HK$230.47m Photographs © Christie’s. Christie’s assembles a really interesting group of pieces for their autumn sale in Hong Kong. William Cleverley Alexander With a relatively short and restricted sourcing period, Christie’s have (1840-1916) assembled a really fine group of pieces for their sales which begin viewing this coming weekend. One of the most significant lots of the season and of the sale of Important Chinese Art is lot 3001, is a magnificent and large Northern Song dynasty Ding ‘lotus’ basin. Its interior displays wonderfully free carving of a lotus flower and foliage. This combined with its thin, luminous ivory glaze, is the hallmark of the best Ding pieces. It has an illustrious history in that it was owned by the famous English Victorian/Edwardian collector William Cleverly Alexander (1840-1916). Exhibited at the Manchester Art Gallery Lot 3003. A fine and rare yangcai ‘poppy’ cup, exhibition of 1913, it has only appeared at auction once at Sotheby’s in Yongzheng mark and period, 9.1cm diameter. -
Post-Wenchuan Earthquake Rural Reconstruction and Recovery in Sichuan China
POST-WENCHUAN EARTHQUAKE RURAL RECONSTRUCTION AND RECOVERY IN SICHUAN CHINA: MEMORY, CIVIC PARTICIPATION AND GOVERNMENT INTERVENTION by Haorui Wu B.Eng., Sichuan University, 2006 M.Eng., Sichuan University, 2009 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Interdisciplinary Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) September 2014 ©Haorui Wu, 2014 Abstract On May 12, 2008, an earthquake of a magnitude of 7.9 struck Wenchuan County, Sichuan Province, China, which affected 45.5 million people, causing over 15 million people to be evacuated from their homes and leaving more than five million homeless. From an interdisciplinary lens, interrogating the many interrelated elements of recovery, this dissertation examines the post-Wenchuan earthquake reconstruction and recovery. It explores questions about sense of home, civic participation and reconstruction primarily based on the phenomenon of the survivors of the Wenchuan Earthquake losing their sense of home after their post-disaster relocation and reconstruction. The following three aspects of the reconstruction are examined: 1) the influence of local residents’ previous memories of their original hometown on their relocation and the reconstruction of their social worlds and lives, 2) the civic participation that took place throughout the post-disaster reconstruction, 3) the government interventions overseeing and facilitating the entire post-disaster reconstruction. Based on fieldwork, archival and document research, memory workshops and walk-along interviews, a qualitative study was conducted with the aim of examining the earthquake survivors’ general memories of daily life and specific memories of utilizing space in their original hometown. -
The Life and Writings of Xu Hui (627–650), Worthy Consort, at the Early Tang Court
life and writings of xu hui paul w. kroll The Life and Writings of Xu Hui (627–650), Worthy Consort, at the Early Tang Court mong the women poets of the Tang dynasty (618–907) surely the A.best known are Xue Tao 薛濤 (770–832), the literate geisha from Shu 蜀, and the volatile, sometime Daoist priestess Yu Xuanji 魚玄機 (ca. 844–870?). More interesting strictly as a poet than these two fig- ures are Li Ye 李冶 who was active during the late-eighth century and whose eighteen remaining poems show more range and skill than either Xue Tao or Yu Xuanji, and the “Lady of the Flower Stamens” (“Hua- rui furen” 花蕊夫人) whose 157 heptametric quatrains in the “palace” style occupy all of juan 798 in Quan Tang shi 全唐詩, even though she lived in the mid-tenth century and served at the court of the short-lived kingdom of Later Shu 後蜀.1 Far more influential in her day than any of these, though barely two dozen of her poems are now preserved, was the elegant Shangguan Wan’er 上官婉兒 (ca. 664–710), granddaughter of the executed courtier and poet Shangguan Yi 上官儀 (?–665) who had paid the ultimate price for opposing empress Wu Zhao’s 吳曌 (625–705) usurpation of imperial privileges.2 After the execution of Shangguan Yi and other members of his family, Wan’er, then just an infant, was taken into the court as a sort of expiation by empress Wu.3 By the end I should like to thank David R. -
Making the Palace Machine Work Palace Machine the Making
11 ASIAN HISTORY Siebert, (eds) & Ko Chen Making the Machine Palace Work Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Making the Palace Machine Work Asian History The aim of the series is to offer a forum for writers of monographs and occasionally anthologies on Asian history. The series focuses on cultural and historical studies of politics and intellectual ideas and crosscuts the disciplines of history, political science, sociology and cultural studies. Series Editor Hans Hågerdal, Linnaeus University, Sweden Editorial Board Roger Greatrex, Lund University David Henley, Leiden University Ariel Lopez, University of the Philippines Angela Schottenhammer, University of Salzburg Deborah Sutton, Lancaster University Making the Palace Machine Work Mobilizing People, Objects, and Nature in the Qing Empire Edited by Martina Siebert, Kai Jun Chen, and Dorothy Ko Amsterdam University Press Cover illustration: Artful adaptation of a section of the 1750 Complete Map of Beijing of the Qianlong Era (Qianlong Beijing quantu 乾隆北京全圖) showing the Imperial Household Department by Martina Siebert based on the digital copy from the Digital Silk Road project (http://dsr.nii.ac.jp/toyobunko/II-11-D-802, vol. 8, leaf 7) Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 035 9 e-isbn 978 90 4855 322 8 (pdf) doi 10.5117/9789463720359 nur 692 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The authors / Amsterdam University Press B.V., Amsterdam 2021 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
Research on Designing Intentions of Suzhou Style Chair in Ming Dynasty
International Conference on Arts, Design and Contemporary Education (ICADCE 2016) Research on Designing Intentions of Suzhou Style Chair in Ming Dynasty Weishi Zheng Academy of Fine Arts South China Normal University Guangzhou, Guangdong, China 510631 Abstract—Suzhou style furniture in Ming dynasty has smooth lines, reasonable usage of material in structure and elegant and II. TEXTURE AND DECORATIVE MATERIAL OF SUZHOU graceful modeling. It obeys simple and plain design aesthetics STYLE CHAIR and conforms to the peculiarity of scholars pursuing spiritual freedom. As to Suzhou style chair, round-backed armchair, rose A. Texture chair, ancient folding chair and so on are the most typical Suzhou style furniture in Ming dynasty mainly uses modeling images of Suzhou style. They are also representation of rosewood, nagkassar, Xichi wood, padauk, annatto, beech, the unique literati temperament in Ming dynasty. This paper nanmu and so on as its material. For example, yellow pear in summarizes from material, decorative material, shape and structure and cultural connotation of Suzhou type chair, Hainan is also called “dalbergia odorifera”. According to analyzes difference between Suzhou type chairs in Ming dynasty standard in Redwood, it is defined as scented rosewood. Its and Qing dynasty, and enumerates foreign designed chairs under wood color is cinnamon and red brown. Its air-dry density is the influence of Suzhou style furniture in Ming dynasty. 0.82 to 0.94 g per cubic centimeters. It has high hardness and Through understanding peculiar cultural spirit contained in smooth section and it is suitable for making throne, official hat Suzhou style furniture of specific areas in specific periods, we chair, table, desk and other classic furniture. -
Discrepancies Between Zhang Tianyi and Dickens
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Zhang Tianyi’s Selective Acceptance of Charles Dickens Chunxu Ge School of Languages, Literatures and Cultures Submitted for the Degree of Doctor of Philosophy June 2019 1 Abstract This research is a comparative study on the works of Charles Dickens (1812-1870) and Zhang Tianyi 張天翼 (1906-1985). The former was one of the greatest novelists of the Victorian era; the latter, a Left-wing writer in Republican China. The study analyses five short stories from Zhang’s corpus and compares his works with ten novles of Dickens. The study argues that Dickens is one among other writers that have parallels with Zhang, through the exploration of several aspects of their works. At the beginning of the twentieth century, Dickens’s novels were introduced to China by Lin Shu. -
UC GAIA Chen Schaberg CS5.5-Text.Indd
Idle Talk New PersPectives oN chiNese culture aNd society A series sponsored by the American Council of Learned Societies and made possible through a grant from the Chiang Ching-kuo Foundation for International Scholarly Exchange 1. Joan Judge and Hu Ying, eds., Beyond Exemplar Tales: Women’s Biography in Chinese History 2. David A. Palmer and Xun Liu, eds., Daoism in the Twentieth Century: Between Eternity and Modernity 3. Joshua A. Fogel, ed., The Role of Japan in Modern Chinese Art 4. Thomas S. Mullaney, James Leibold, Stéphane Gros, and Eric Vanden Bussche, eds., Critical Han Studies: The History, Representation, and Identity of China’s Majority 5. Jack W. Chen and David Schaberg, eds., Idle Talk: Gossip and Anecdote in Traditional China Idle Talk Gossip and Anecdote in Traditional China edited by Jack w. cheN aNd david schaberg Global, Area, and International Archive University of California Press berkeley los Angeles loNdoN The Global, Area, and International Archive (GAIA) is an initiative of the Institute of International Studies, University of California, Berkeley, in partnership with the University of California Press, the California Digital Library, and international research programs across the University of California system. University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. -
P020200328433470342932.Pdf
In accordance with the relevant provisions of the CONTENTS Environment Protection Law of the People’s Republic of China, the Chongqing Ecology and Environment Statement 2018 Overview …………………………………………………………………………………………… 2 is hereby released. Water Environment ………………………………………………………………………………… 3 Atmospheric Environment ………………………………………………………………………… 5 Acoustic Environment ……………………………………………………………………………… 8 Solid and Hazardous Wastes ………………………………………………………………………… 9 Director General of Chongqing Ecology Radiation Environment …………………………………………………………………………… 11 and Environment Bureau Landscape Greening ………………………………………………………………………………… 12 May 28, 2019 Forests and Grasslands ……………………………………………………………………………… 12 Cultivated Land and Agricultural Ecology ………………………………………………………… 13 Nature Reserve and Biological Diversity …………………………………………………………… 15 Climate and Natural Disaster ……………………………………………………………………… 16 Eco-Priority & Green Development ………………………………………………………………… 18 Tough Fight for Pollution Prevention and Control ………………………………………………… 18 Ecological environmental protection supervision …………………………………………………… 19 Ecological Environmental Legal Construction ……………………………………………………… 20 Institutional Capacity Building of Ecological Environmental Protection …………………………… 20 Reform of Investment and Financing in Ecological Environmental Protection ……………………… 21 Ecological Environmental Protection Investment …………………………………………………… 21 Technology and Standards of Ecological Environmental Protection ………………………………… 22 Heavy Metal Pollution Control ……………………………………………………………………… 22 Environmental -
The Local in the Imperial Vision: Landscape, Topography, and Geography in Southern Song Map Guides and Gazetteers
The Local in the Imperial Vision: Landscape, Topography, and Geography in Southern Song Map Guides and Gazetteers Fan Lin, Leiden University Abstract This article examines the generation of topographic maps and geographical writings about local regions of the Southern Song (1127–1279). It identifies two distinct yet interrelated models in the making of local regions in maps and writings: first, map guides (tujing ), which were produced and updated regularly at different tiers of local government for administrative purposes; second, a growing number of monographs, some of them also named “map guides” (tujing) and others “gazetteers” (zhi or difang zhi ), which were compiled by local literati scholars. Upon close examination of these two models, one finds that the local consciousness and identity voiced by the provincial elite were congruous with centralist sentiment and discourse at this time. Specifically, the literati described features of local topographies within an imperial context and in the language of the authorities. Moreover, the wide circulation of these writings also contributed to the collective imagining of a Song Empire in the daily life of the society. In sum, this article argues that there was a close relationship between cartographic discourse and the production of empire at the local level. On the one hand, the state of the Southern Song, traditionally thought to have lost momentum in local control, still proactively maintained regular checks on local geography through mapmaking. On the other hand, local literati strived to establish ties with the central state in various ways while documenting their communities in gazetteers. Keywords: Song dynasty, map guide, tujing, gazetteer, difang zhi, geography, topography Introduction Map guides (tujing , literally “map and treatise”) and gazetteers (difang zhi , literally “record of a local region”) were the two dominant genres of geographical writing in the Song dynasty (960–1279).