Roky Erickson Immortalized As Bobbleheadšwin One!

Total Page:16

File Type:pdf, Size:1020Kb

Roky Erickson Immortalized As Bobbleheadšwin One! 5/16/2011 Roky Erickson Immortalized as Bobbleh… WOLFGANG'S VAULT: MERCHANDISE CONCERT AUDIO CONCERT VIDEO CRAWDADDY! NOW ON TOUR DAYTROTTER BLOG FEATURED REVIEWS COLUM NS NEWS VIDEO RANDOM search for an artist Facebook Twitter Feed Roky Erickson Immortalized as Bobblehead—Win One! Angela Zimmerman published on May 13, 2011 Like 21 2 Music News Roky Erickson in bobblehead form (or, throbblehead, as they call 5 it over there at Aggronautix ) is a grand idea. You can now enjoy Listed! Our Favorite Moments in the Concert your own personal piece of the 13th Floor Elevators on your Vault Video Archive dashboard, shelf, bedside, or desk, and be comforted by the 3 days ago bobbling likeness of the iconic guitar hero, right in front of you, just where you want him. This Library Of Congress Jukebox Is Off The Chain, The particular incarnation of Roky that you see in the photo to Son! the left there was modeled after his 1980s persona (known 3 days ago fondly as “The Evil One”). These seven-inch polyresin dolls were limited to 1,000 units, so don’t wait too long to order one for Jon Stewart Puts White yourself, or the psychedelic-rock head in your life (and we all House Commontroversy in have one of those), here at Aggronautix . And for those feeling Perspective 3 days ago lucky, we also have two dolls to give away. Simply enter your 6 name and email address where prompted in the space below First Two Peter Tosh Titles with the words “I love Roky” in the comments field. We’ll arbitrarily select two winners in about a week, contact them by email, and have the doll sent right to their front door. So have at it. In the meantime, watch the real-life Erickson’s reaction upon being bestowed with his bobblehead, as well as some rockin’ close-ups of the doll at hand, in the video below. Recent Record Reviews A RT IST : Booker T. Jones A LBUM: The Road From Memphis It's impossible to overstate the sheer reach of soul alchemist Booker T. Jones' influence on American popular music. And if you have any doubts about this lofty appraisal, go talk to Isaac Hayes. Or Willie Nelson. Or even 8 comments IN COLUMN What Goes On grunge-king Neil Young, who draped his filthy stamp across nine tracks of TAGS: bobblehead , n ew s , Psy ch Rock , Roky Erickson , The 1 3th Floor Elev ators , The Ev il One , Booker T.'s 2009 Drive-By Truckers- throbblehead backed disc, Potato Hole , the long- awaited solo album that... read more ShareThis Print Related content: Album Review: Roky Erickson, True Love Cast Out All Evil Watch a Video of Nardwuar Interviewing Roky Erickson and Will Sheff crawdaddy.com/…/roky-erickson-immo… 1/3 5/16/2011 Roky Erickson Immortalized as Bobbleh… Listen to a Track from the Upcoming Roky Erickson/Okkervil River Album Straight to Video Who Covered It Best: "You Don't Love Me Y et" The Sex Pistols, "No Fun" Roky Erickson and Okkervil River Together on New Upcoming Album « Thomas Dolby ’s Music From a What Makes A Legend: Ry uichi Lifeboat and Other Sakamoto » Unconv entional Tales Post a Comment Read more and leave comments 8 Comments Dodgerbobble Concert Vault Spotlight Posted May 14, 2011 at 8:30 pm | Permalink “I love Roky” Rosalind Bruce Listen to more Hunx and His Punx at Wolfgang's Posted May 15, 2011 at 10:26 am | Permalink Vault . I love Roky Jagazzflatts Poll Posted May 15, 2011 at 10:35 am | Permalink How do you discover new music? I love Roky nmlkj Music Blogs nmlkj Word of mouth Jocelyn Tremblay Commercial Radio Posted May 15, 2011 at 10:39 am | Permalink nmlkj nmlkj Web Radio (Pandora, Rhapsody, etc.) “I love Roky” nmlkj Random record store hunting/gathering nmlkj Misc. media (commercials, movie trailers, tv Darby Dracm or shows, or films) Permalink Posted May 15, 2011 at 10:45 am | Vote I Love Roky View Results T ony Alberico Posted May 15, 2011 at 10:46 am | Permalink Polls Archive I LOVE ROKY! Rock Art Rock Noah Harelik Posted May 15, 2011 at 10:51 am | Permalink I LOVE ROKY! Louis Douillon Posted May 15, 2011 at 4:00 pm | Permalink I love Roky See more in the Rock Art Rock gallery . Concert Finder enter an artist name search › The Black Keys The Lawn at White River State Park, 801 West Washington Street, Indianapolis, IN JUN 10 ALL TOUR DATES Robert Plant Copley Symphony Hall, San Diego, CA ALL TOUR DATES JUN 08 see more bands on tour › crawdaddy.com/…/roky-erickson-immo… 2/3 5/16/2011 Roky Erickson Immortalized as Bobbleh… Features Reviews Columns Live Music About Wolfgang's Vault Feature Story Record Reviews The Smoke-Filled Room Live Reviews History About Introducing Live Reviews Livin the Dream Show Footage The Crawdaddy! Team Listen to Live Concerts and Studio Recordings Classic Vantage Book Reviews Origin of Song Concert Photography Crawdaddy! Credo Watch Live Concert Videos The Switchback Film Reviews Songwriters Speak Studio Sessions The Columns of Crawdaddy! Check out Music Lyrical Communique Dueling Critics Class of '78 Tour Dates and News Archives: 1966-1968 Memorabilia Audio and Video Interviews Crate Digger New Classics Watch the Editors Yap Press Find Show Listings In Your Open Mic Ex Post Facto The Weakest Cut Advertising Town Before the Hype Bandcamp Band of the My Life Is the Road Week What Goes On Music Box Sounds 7" Bliss What Makes a Legend Riot Gear! crawdaddy.com/…/roky-erickson-immo… 3/3.
Recommended publications
  • 13Th FLOOR ELEVATORS
    13th FLOOR ELEVATORS With such a seminal album, it’s not surprising that the cover for The Psychedelic Sounds Of The 13th Floor Elevators (1966 : International Artists Artwork : John Cleveland) has been borrowed such a lot, often by psych upstarts (also leaning on the music) and CD compliers wanting some of the early sixties garage ambience to rub off on them. The result is a great display of primary colours. Artist : The Suicidal Flowers Title : The Psychedevilic Sounds Of The Suicidal Flowers / 1997 Album / Suicidal Flowers Artwork : Unknown Artist : Artist : Various Various Artists Artists Title : The Title : The Pseudoteutonic Psychedelic Sounds Of The Sounds Of The Prae-Kraut Sonic Cathedral Pandaemonium # / 2010 14 / 2003 Album / Sonic Album / Lost Cathedral Continence Recordings Artwork / Artwork : Jimmy Reinhard Gehlen Young - Andrea Duwa - Splash 1 COVERED! PAGE 6 1 LEONA ANDERSON ASH RA TEMPEL Leona Anderson’s 1958 long-player Music To Suffer By (Unique Records) This copy of Ash Ra Tempel’s 1973 album is a gem, though I must admit I’ve never been able to get vinyl albums Starring Rosi lovingly recreates Peter to shatter quite like that (or the Buzzcocks TV show intro). The Makers Geitner’s original (cover photo : Claus have actually copied the original image for their EP and then just Kranz). added a new label design. Artist : Magic Aum Gigi Title : Starring Keiko/ 2000? Album / Fractal Records Artwork : Peter Artist : The Geitner (Photo : Makers Magic Aum Gigi) Title : Music To Suffer By / 1995 3 track EP / Estrus Wreckers Artwork : Art Chantry Artist : Smiff-N- Artist : Pavement Wessum Title : Watery, Title : Dah Shinin’ Domestic / 1992 / 1995 EP / Matador Album / Wreck Records Records Artwork : Unknown Artwork : C.M.O.N.
    [Show full text]
  • Austinmusicawards2017.Pdf
    Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers.
    [Show full text]
  • Heavy Metal and Classical Literature
    Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 ROCKING THE CANON: HEAVY METAL AND CLASSICAL LITERATURE By Heather L. Lusty University of Nevada, Las Vegas While metalheads around the world embrace the engaging storylines of their favorite songs, the influence of canonical literature on heavy metal musicians does not appear to have garnered much interest from the academic world. This essay considers a wide swath of canonical literature from the Bible through the Science Fiction/Fantasy trend of the 1960s and 70s and presents examples of ways in which musicians adapt historical events, myths, religious themes, and epics into their own contemporary art. I have constructed artificial categories under which to place various songs and albums, but many fit into (and may appear in) multiple categories. A few bands who heavily indulge in literary sources, like Rush and Styx, don’t quite make my own “heavy metal” category. Some bands that sit 101 Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 on the edge of rock/metal, like Scorpions and Buckcherry, do. Other examples, like Megadeth’s “Of Mice and Men,” Metallica’s “For Whom the Bell Tolls,” and Cradle of Filth’s “Nymphetamine” won’t feature at all, as the thematic inspiration is clear, but the textual connections tenuous.1 The categories constructed here are necessarily wide, but they allow for flexibility with the variety of approaches to literature and form. A segment devoted to the Bible as a source text has many pockets of variation not considered here (country music, Christian rock, Christian metal).
    [Show full text]
  • Wessex Scene Wessex
    1317 - Wessex DEC Issue 20/11/01 10:03 am Page 1 WESSEX SCENE WESSEX Swessexscene.co.ukC 31st OctoberEN 2001 - ISSUE 749 - PRICELESS E 750th ISSUE SPECTACULAR INITIATION: An 18 month driving ban with a has banned initiations and drinking INDEFENSIBLE£150 fine, is this the price you want on away games. The Athletics’ to pay after your initiation Union is very worried about what ceremony? Unfortunately for one effect this will have on the individual this WAS the penalty. A reputation of not only the Sport promising Rugby playing Fresher sector of the University but on the with a glittering career ahead of him University as a whole. did not get off to the best start when The Wessex Scene feels that the he was arrested the other week. player is not the only one to blame Following his initiation, the player here. It should probably fall on the drove off in his Mini and crashed it culture of certain sports clubs. For when driving down Stoneham Lane. some reason heavy drinking and Staying with the car he then called undignified behaviour has become the police and, refusing offers of an integral part of sporting activities. lifts home, waited until they arrived. Initiations are not a necessary part of He was duly breathalysed and was sport and nor should they be. The found to be 2.5 times over the limit Wessex Scene is pushing for these with 77mg of alcohol in 100mg practices to be completely removed of breath. from University Sports Clubs. As a result of the occurrence, Tiger, More..
    [Show full text]
  • Live from the Artists Den #207 “Booker T. and the Drive-By Truckers” Recorded April 23, 2009, the Ogden Museum of Southern Art, New Orleans, LA
    Live from the Artists Den #207 “Booker T. and the Drive-By Truckers” Recorded April 23, 2009, The Ogden Museum of Southern Art, New Orleans, LA Booker T. Jones is the Rock and Roll Hall of Fame keyboardist for Booker T. & the MG’s, which played on dozens of R&B classics for Stax Records. He released his first solo album in two decades in April 2009 – Potato Hole , featuring Neil Young and southern rockers the Drive- By Truckers (one of the most respected musical acts today – both as an independent group and as a backing band), which The New York Times hailed as “more pithy and forceful than ever.” Of Bettye LaVette , The New York Times said, “Classic soul singing doesn’t get any better.” The 19 th -century Patrick F. Taylor Library at The Ogden Museum of Southern Art, University of New Orleans, is currently closed to the public while being restored to its original grandeur. But its doors were opened to a select few on a warm April night for a concert as unique as the setting: Booker T. and the Drive-by Truckers with special guest Bettye LaVette. Under the sculpted oak beams of the library’s vaulted ceiling, rich soul music kept the crowd on its feet late into the night. Song List *All songs feature the Drive-By Truckers “Green Onions” with Booker T. “Potato Hole” with Booker T. “I Still Want to Be Your Baby (Take Me Like I Am)” with Bettye LaVette “Jealousy” with Bettye LaVette “I Guess We Shouldn’t Talk About That Now” with Bettye LaVette “Pound It Out” with Booker T.
    [Show full text]
  • City Research Online
    City Research Online City, University of London Institutional Repository Citation: Harper, A. (2016). "Backwoods": Rural Distance and Authenticity in Twentieth- Century American Independent Folk and Rock Discourse. Samples : Notizen, Projekte und Kurzbeiträge zur Popularmusikforschung(14), This is the published version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/15578/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Online-Publikationen der Gesellschaft für Popularmusikforschung / German Society for Popular Music Studies e. V. Hg. v. Ralf von Appen, André Doehring u. Thomas Phleps www.g f pm- samples.de/Samples1 4 / harper.pdf Jahrgang 14 (2015) – Version vom 5.10.2015 »BACKWOODS«: RURAL DISTANCE AND AUTHENTICITY IN TWENTIETH-CENTURY AMERICAN INDEPENDENT FOLK AND ROCK DISCOURSE Adam Harper My recently completed PhD research (Harper 2014) has been an effort to trace a genealogy of an aesthetic within popular music discourse often known as »lo-fi.« This term, suggesting the opposite of hi-fi or high fidelity, became widely used in the late 1980s and early 1990s to describe a move- ment within indie (or alternative) popular music that was celebrated for its being recorded outside of the commercial studio system, typically at home on less than optimal or top-of-the-range equipment.
    [Show full text]
  • FINAL SALUTE Each Year We Note the Passing of Influential Creators, Performers, and Institutions
    FINAL SALUTE Each year we note the passing of influential creators, performers, and institutions. These passings occurred between SoonerCon 28 and the original date for SoonerCon 29. American actress and singer Peggy Lipton passed away May 11, 2019. Her best-known acting role was as undercover cop Julie Barnes on The Mod Squad, 1968-1973. She won a new generation of fans when she ran the Double R Diner as Norma Jennings, in Twin Peaks. Doris Day was a big-band singer, TV and film actress, and talk-show host. She won several awards for comedy and popularity. She was also an activist for animal welfare, lending her star power to several organizations bearing her name. She died May 13, 2019. Domestic cat Tardar Sauce was better known as the meme she unwittingly founded: Grumpy Cat. Dwarfism contributed to her scowling face, which graced ads for Friskies and General Mills Honey Nut Cheerios. The frowning feline cashed in her lives on May 14, 2019. The career of the inspired Tim Conway began in 1962 and lasted through TV, movies, voice-overs, and video games. Among his noted appearances were the goofy Dorf; four years on McHale ‘s Navy; eleven years on The Carol Burnett Show; several solo TV shows; and as Barnacle Boy, 1999-2012, on SpongeBob SquarePants. Conway took his final bow on May 14, 2019. Born in China, I.M. Pei moved to America in 1935 and in 1948 became a professional architect. He designed the John F. Kennedy Library, which took until 1979 to complete. In 1962 he was selected by OKC’s Urban Renewal Authority to redesign our downtown.
    [Show full text]
  • Record Dreams Catalog
    RECORD DREAMS 50 Hallucinations and Visions of Rare and Strange Vinyl Vinyl, to: vb. A neologism that describes the process of immersing yourself in an antique playback format, often to the point of obsession - i.e. I’m going to vinyl at Utrecht, I may be gone a long time. Or: I vinyled so hard that my bank balance has gone up the wazoo. The end result of vinyling is a record collection, which is defned as a bad idea (hoarding, duplicating, upgrading) often turned into a good idea (a saleable archive). If you’re reading this, you’ve gone down the rabbit hole like the rest of us. What is record collecting? Is it a doomed yet psychologically powerful wish to recapture that frst thrill of adolescent recognition or is it a quite understandable impulse to preserve and enjoy totemic artefacts from the frst - perhaps the only - great age of a truly mass art form, a mass youth culture? Fingering a particularly juicy 45 by the Stooges, Sweet or Sylvester, you could be forgiven for answering: fuck it, let’s boogie! But, you know, you’re here and so are we so, to quote Double Dee and Steinski, what does it all mean? Are you looking for - to take a few possibles - Kate Bush picture discs, early 80s Japanese synth on the Vanity label, European Led Zeppelin 45’s (because of course they did not deign to release singles in the UK), or vastly overpriced and not so good druggy LPs from the psychedelic fatso’s stall (Rainbow Ffolly, we salute you)? Or are you just drifting, browsing, going where the mood and the vinyl takes you? That’s where Utrecht scores.
    [Show full text]
  • Cosmic Cowboys, Thunderbirds, and Punks: from Austin Countercultures to the ‘Live Music Capital of the World’ Jonathan Watson
    Cosmic Cowboys, Thunderbirds, and Punks: From Austin Countercultures to the ‘Live Music Capital of the World’ Jonathan Watson 34 The Skunks at Raul’s in 1979. Photo by Ken Hoge. Courtesy of Jesse Sublett. The complex musical traditions of the American Southwest reflect the vastly diverse ethnic cultures long present throughout the region. For hundreds of years, the Southwest has been a cultural crossroads for Native Americans, Hispanics, Anglos, African Americans, Germans, Czechs, and many others, all of whom have left an important imprint on the area’s musical history. As historian Gary Hartman notes, 35 “The number, variety, and placement of the state’s ethnic communities are unique in all of North America, and they have allowed for a prolific cross-pollination of musical cultures that has given Texas music its special character.”1 Today, music continues to be a vital cultural element in defining what it means to be Texan. In recent years, there has been a growing body of scholarship that highlights music’s prominent role as a cultural force within society at the national level. For example, George Lipsitz’s Footsteps in the Dark: The Hidden Histories of Popular Music and Diane Pecknold’s Hidden in the Mix: The African American Presence in Country Music look at how music has played an important part in articulating and redefining racial and gender roles in American society. As valuable as such studies are, there is a need for further examination of musical history at the regional and local level, including within specific urban communities.2 Central Texas, and Austin in particular, can be seen as a microcosm of these larger trends throughout the Southwest of blending together disparate musical traditions and creating new forms of music that reflect the unique cultural history of the region.
    [Show full text]
  • Press Release Art & Language Letters to the Jackson Pollock Bar in The
    Press Release Art & Language Letters to The Jackson Pollock Bar in the Style of The Red Krayola Featuring Matthew Jesse Jackson John Coxon and J. Spaceman Thursday, October 24, 2019 504 West 24th Street, New York Doors: 6pm Performances: 6.30 – 8.30pm RSVP required: [email protected] Lisson Gallery New York is pleased to present a night of performance, discussion and music inspired by the pioneering work of Art & Language and their 40-year collaboration with The Red Krayola, a punk band founded in Houston, Texas, by Mayo Thompson and Frederick Barthelme in 1966. The evening will also feature a discussion with Art & Language, hosted by art historian Matthew Jesse Jackson, as well as a newly commissioned homage to some of The Red Krayola’s earliest live shows, composed by musicians J. Spaceman (of Spacemen 3 and Spiritualized) and John Coxon (from Spring Heel Jack and the Treader label). After the conceptual art group known as Art & Language was formed in 1968 at Coventry College of Art in the UK, it quickly spread to New York where it centered on two important journals, Art-Language (1969-85) and then later The Fox (1975-76), by which time some 20 artists were connected in various ways with the name. It was around this time that an album entitled Corrected Slogans came out, marking the first collaboration between Art & Language in the UK and The Red Krayola, in which snippets and slogans from conceptual art theory and philosophical tracts were sung or chanted over music composed in response by Thompson’s band.
    [Show full text]
  • Roky Erickson Demon Angel : a Day and Night with Roky Erickson Mp3, Flac, Wma
    Roky Erickson Demon Angel : A Day And Night With Roky Erickson mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Stage & Screen Album: Demon Angel : A Day And Night With Roky Erickson Country: Germany Released: 1994 Style: Soundtrack, Acoustic, Psychedelic Rock MP3 version RAR size: 1481 mb FLAC version RAR size: 1839 mb WMA version RAR size: 1796 mb Rating: 4.4 Votes: 127 Other Formats: VOX MMF MIDI MP1 WAV AA DTS Tracklist Hide Credits Bloody Hammer 1 3:02 Written-By – RK Erickson* Two Headed Dog (Red Temple Prayer) 2 4:15 Written-By – RK Erickson* Night Of The Vampire 3 4:53 Written-By – RK Erickson* Splash #1 4 6:00 Written-By – Clementine Hall, RK Erickson* Cold Night For Alligators 5 4:40 Written-By – RK Erickson* Hungry For Your Love 6 2:57 Written-By – RK Erickson* The Interpreter 7 4:12 Written-By – RK Erickson* Clear Night For Love 8 7:53 Written-By – RK Erickson* Starry Eyes 9 6:18 Written-By – RK Erickson* The Damn' Thing 10 2:39 Written-By – RK Erickson* White Faces 11 2:46 Written-By – RK Erickson* Stand For The Fire Demon 12 4:50 Written-By – RK Erickson* Hungry For Your Love #2 13 4:39 Written-By – RK Erickson* You're Gonna Miss Me 14 4:05 Written-By – RK Erickson* Right Track Now 15 2:48 Written-By – RK Erickson*, Tommy Hall Blowin' In The Wind 16 1:37 Written-By – Bob Dylan Companies, etc. Manufactured By – Pilz Notes Recorded in Austin, Texas Halloween 1984 Barcode and Other Identifiers Barcode: 4015910235110 Matrix / Runout: PILZTXRE1SILZ [ K44161 B ] Other versions Category Artist Title (Format) Label Category Country Year Demon Angel : A Amsterdamned 70024-2, Roky Day And Night With 70024-2, Records, Not US 1999 none Erickson Roky Erickson (CD, none Records/Tapes Album) Related Music albums to Demon Angel : A Day And Night With Roky Erickson by Roky Erickson Roky Erickson - Halloween (Live 1979-1981) Roky Erickson And Evil Hook Wildlife ET.
    [Show full text]
  • Booker T. Jones B3 for Days
    For Immediate Release 18 April 2017 Contact: Jodi Joseph Director of Communications 413.664.4481 x8113 [email protected] Booker T. Jones B3 for days NORTH ADAMS, MASSACHUSETTS — From his early days as a Stax Records session player and with the M.G.’s, to his resurgence, Booker T. Jones has remained an ambassador of Memphis soul music for nearly 50 years. A Rock & Roll Hall of Fame inductee and Grammy Lifetime Achievement Award recipient, Booker visits MASS MoCA on Saturday, July 22, at 8pm, for a night of Green Onions, soon-to-be-classics, and all your favorites. Jones developed an interest in jazz as a young boy growing up in Memphis, Tennessee. A gig delivering newspapers led him to the front porch of pianist Phineas Newborn, where he would often listen to the jazz great practice piano. As a teenager, Jones immersed himself in the local music scene, sneaking into local R&B nightclubs and becoming a regular at Satellite Record Shop and recording studio. It was through this connection that Jones teamed up with then-emerging (now-legendary) Stax Records to form their house band, Booker T. & the M.G.’s. A huge success during their time, Booker T. & the M.G.’s toured the U.K. and Europe and accompanied many artists including the legendary Otis Redding. A promising solo career relocated Jones to Los Angeles. He went on to record two albums with his then- wife, Priscilla Coolidge-Jones, while continuing to produce hits for other notable artists, including Bill Withers and Willie Nelson. In 1978, Jones released Try and Love, his first solo album, and continued recording, releasing two more records, I Want You in 1981, and The Runaway in 1989, while also collaborating with artists that included Neil Young and Ray Charles, among others.
    [Show full text]