Annual Report 2015

Total Page:16

File Type:pdf, Size:1020Kb

Annual Report 2015 The Longford Trust Front cover: “West Country landscape” by artist Jamie Chapman, Longford Scholar, studying Fine Art at the University of the West of England. Read more about his story inside. Annual Report 2015 Annual Report 2015 As the last audience member departs from our annual Longford to access degree-level distance-learning courses while inside is Lecture, there are a few blissful moments when I rest on my blossoming, thanks especially to a three-year funding award from laurels. Challenging lecture, inspiring prize-winner, engaged the Linbury Trust. audience, and nothing has gone wrong. Phew! One of the highlights of the annual lecture comes when a group But almost immediately a realisation dawns. How to match that of scholars and their volunteer mentors take to the stage to talk next year? Or even do better? about how support from the Longford Trust really does turn lives That has been the challenge for the trustees for the last 14 years, around. Alongside all the other changes we have seen in 2015, since we launched these annual events as a chance to put one thing has remained constant. Well over 80 per cent of those questions of prison and social reform centre stage, not just in the we help continue to graduate, with fewer than 5 per cent of magnificent setting of Church House, Westminster, but also on the students dropping out and returning to prison. When you consider political, media and national agenda. I hope the capacity audience the current reoffending rate for all prisoners, that is no mean that filled Church House to the rafters on November 17, 2015, will achievement, and creates role models of successful rehabilitation agree that we did alright this time round. for other prisoners and for society at large. Michael Palin has been privately working with, and supporting, One yardstick of how well we are doing comes when others sit prisoners’ families for many years now, but did us the honour of up and take notice and want to learn from our example. The trust agreeing to an invitation from Rachel Billington to talk publicly was therefore delighted in the summer of 2015 when we were about the subject for the first time in the Longford Lecture. The approached by the Ministry of Justice to sit on the independent result was electrifying, all the more so because sitting up on the review into prison education, chaired by Dame Sally Coates. stage behind him as he spoke were the parents and siblings of This annual review also contains details of our financial prisoners, all of whom had shared their experiences with him. performance in 2015. We were not able quite to match our And in the front row of the audience, the Secretary of State for outstanding fund-raising achievements Justice, Michael Gove, was taking notes. of 2014, but came close, and continue to build. With the help of Porticus Our efforts to make the Longford Lecture a must-not-miss date UK, we were able at the end of 2015 in every right-thinking person’s diary were helped this year, as in to become a charitable incorporated many before: by our media sponsors, Telegraph Media Group; organisation (CIO),which will, we by our partners in organising the event, the Prison Reform Trust; believe, increase our potential to by our master of ceremonies, Jon Snow; by our caterers from the attract major donors. The full figures Clink; and by the team at Church House, Westminster. Our thanks are inside – both for what we have to them all. raised and how we have spent it. In our wider work with serving and ex-prisoners, 2015 has been I hope you approve. And we look another year of growth. Numbers of Longford Scholarships forward to seeing you at our awarded have increased, in line with the charity’s development 2016 Lecture this November. plan, and our partnership with the Prisoners’ Education Trust and the Open University to boost the number of serving prisoners able Peter Stanford Director Longford Trust About the Trust “My mentor is my second voice” The Longford Trust is a registered charity (no 1164701) and was set up in 2002 by his friends, family and admirers to continue the work of the late Lord Longford in the area of prison and social reform. Frank Longford (1905-2001) was for 70 years a campaigner for the rights of prisoners and outcasts in society. He believed strongly in the wider social benefits of forgiveness and the paramount importance of education in rehabilitating prisoners. “If we are really concerned with the reform of prisoners, what we do when they emerge from custody is at least as important as what we do for them while they are inside.” Lord Longford (1994) Jamie Chapman at work photograph by Tarron Spencer The Longford Trust aims to increase awareness and engagement in Jamie Chapman is a Longford scholar currently studying Fine prison issues, as well as giving practical support to prisoners, and to Art at the University of West of England, based at their Bath those who work with them. Spa campus. Whilst in prison he had submitted work to the It offers 20 Longford Scholarships each year to enable young Koestler Trust and it was during their annual exhibition, in serving and ex-prisoners to continue their rehabilitation by studying which his work had been highlighted in Inside Time, that he for degrees for up to three years at UK universities. The trust also met one of the Longford trustees, and was encouraged to runs the Frank Awards to enable serving prisoners to complete apply to our scholarship scheme. A mature student, recent modules towards an Open University degree while still inside. experimentation in plaster has added to the range of his The annual Longford Prize recognises outstanding work in the field artwork, of which making murals had always been a pivotal of prison reform by individuals and organisations and is awarded as part of Longford Lecture. This prestigious and high-profile event part. He cites the support of his Longford mentor, Carolyn, aims to inform and influence public opinion on penal policy. Entry as being “worth its weight in gold”. She has also, he says, is free of charge and each November an audience of up to 700 given him a “second voice” when he has questions about his gather in London to hear speakers who have included the Nobel art practice. Our front cover this year reflects his interest in Laureate, Archbishop Desmond Tutu, and President Mary McAleese the textures of the West Country landscape and marks a new of Ireland. This year the actor, comedian, writer and broadcaster ambitious stage of his work, attracting admiration in the office Michael Palin, highlighted the plight of prisoners’ families. where it has recently been displayed. The 2015 Longford Lecture (clockwise from top right): A packed Assembly Hall at Church House, Westminster, listens to Michael Palin deliver his lecture; Longford Trust trustee and Master of Ceremonies, the broadcaster Jon Snow, talks to Secretary of State for Justice, Michael Gove, before the latter presents the 2015 Longford Prize; Michael Palin takes questions from the audience; Jon Snow welcomes back 2013 Longford Lecturer, the human rights campaigner, Bianca Jagger; Michael Gove meets Cassius and Justin, two current Longford Scholars; a group of Longford Scholars and mentors join Longford Trust director, Peter Stanford, on stage, as Daily Telegraph deputy editor, Liz Hunt looks on (right); Longford Trust patron, Cardinal Cormac Murphy-O’Connor asks a question from the floor, as trustee Rachel Billington looks on (left); Michael Palin meets current Longford Scholar Andrew Hart at an exhibition of his recent works in the reception room after the lecture; and (centre of the page) Jon Snow thanks the team of volunteer ushers from St Michael’s Catholic Grammar School in Finchley. Photographs by David Sandison The Longford Lecture And while their loved one is incarcerated, families experience their own punishment. “In prison not a lot can happen, the daily routine providing a regular if monotonous structure to life behind bars. For the family outside everything can happen…Daily life becomes a series of little lies and deceits as parents or relatives have to deal with the question of what to tell the children. One child had been told that their father had gone to work for the Queen, another that he was working at a police car-wash, another that their father was travelling abroad.” For those parents determined to maintain contact and tell children the truth, he reported, there are many obstacles. “The prison visits are strictly limited and can be traumatic for a child. Even babies have to be searched as desperate people will sometimes hide drugs inside nappies. The prison officers themselves hate this part of a job in which there is no way of avoiding hurt and intrusion. In an already soured atmosphere, emotional spontaneity is discouraged and displays of love and affection must be curbed.” For many prisoners, he explained, the hardest time was not while they Michael Palin giving the 2015 Longford Lecture photograph by David Sandison were inside, but on release. “One woman I spoke to, who had served an eight year sentence, referred to what she described as a ‘Dunkirk Spirit’ “Collateral Damage: The effects of prison sentences that prevailed when she was still in prison…As she walked free she felt on offenders’ families” for the first time the pent-up anger and resentment that her children could The voices of prisoners’ families “need to be heard”, the actor, comedian, no longer contain. The idea that the doors swing open and the prisoner writer and broadcaster Michael Palin told an audience of 650 plus who is welcomed with open arms is a dangerous misconception.
Recommended publications
  • October 12-18 Videofest.Org Video Association of Dallas Make Films That Matter
    ANGELIKA FILM CENTER OCTOBER 12-18 VIDEOFEST.ORG VIDEO ASSOCIATION OF DALLAS MAKE FILMS THAT MATTER UNIVERSITY OF The Department of Art and TEXAS ARLINGTON Art History at UTA has an ART+ART HISTORY excellent reputation for FILM/VIDEO PROGRAM grooming young filmmakers, preparing WWW.UTA.EDU/ART 817-272-2891 them for the creative challenges and emotional rigors of the motion picture industry. Call our advising sta to find out how you can train to be a vital part of the film industry. Art Art History Department 2 CONTENTS 2 BROUGHT TO YOU BY 3 2015 BOARD OF DIRECTORS 4 SPONSORS & CONTRIBUTORS 8 WELCOME BY BART WEISS 10 ABOUT OUR JURORS 14 TEXAS SHOW JURORS 16 KOVACS AWARD 18 HONOREES 26 SCREENINGS 52 SCHEDULE 1 BROUGHT TO YOU BY BARTON WEISS YA’KE SMITH Artistic Director Festival Bumpers RAQUEL CHAPA MARK WICKERSHAM Managing Director KARL SCHAEFFER Transportation BOXOFFICE: PREKINDLE SELIG POLYSCOPE COMPANY CAMERON NELSON Videography Technical Supervisor REDMAN I AM CHRISTIAN VASQUEZ Trophies DAVID GRANDBERRY Technical Assistant MATTHIEU CARTAL DAKOTA FORD MARISSA ALANIS MATTHEW GEISE MARGARITA BIRNBAUM VIVIAN GRAY AMY MARTIN Outreach MIKE MILLER YUMA MORRIS KELLY J KITCHENS ELEONORA SOLDATI Interns RONI HUMMEL Media Relations/Entertainment Publicity BETH JASPER ALVIN HYSONG DANA TURNER MARSHALL PITMAN Program Editor WES SUTTON Programmers TAMITHA CURIEL Newsletter Editor RON SIMON Curator of Television Pasily Center CYNTHIA CHAPA Program Content ED BARK Critic Uncle Barkey SULLIVANPERKINS MICHAEL CAIN Graphic Design Filmmaker, former head of AFI Dallas Festival DESIGN TEXAS - UT ARLINGTON JOSH MILLS Program Book Design It’s Alive! Media & Management DEV SHAPIRO Kovacs Committee DARREN DITTRICH Webpage 2 BOARD OF DIRECTORS JEFFREY A.
    [Show full text]
  • Kevin Pakenham (1947-2020): Our Founding Chairman - the Longford Trust
    8/3/2020 Kevin Pakenham (1947-2020): Our Founding Chairman - The Longford Trust A tribute to our Founding Chairman, Kevin Pakenham, who died suddenly on July 19, 2020 READ Kevin Pakenham (1947-2020): Our Founding Chairman Author: Peter Stanford | 22 Jul 2020 There would be no Longford Trust without Kevin Pakenham. It is that simple. After his father’s death in 2001, it was Kevin who gathered and galvinised the friends and family keen to see some lasting memorial to Frank Longford’s lifelong work in prison reform. As those who have attended our annual lecture these past 18 years will know, having heard Kevin speak, as chairman, at the end of the evening, he was the trust’s most effective fund-raiser. https://www.longfordtrust.org/kevin-pakenham-1947-2020-our-founding-chairman/ 1/6 8/3/2020 Kevin Pakenham (1947-2020): Our Founding Chairman - The Longford Trust “As last year,” he would begin, “my subject is money”. His enthusiasm for the work of the trust, in all its aspects, was infectious. So hard did he prove to resist, that we have been able to grow and develop on a secure, expanding financial base for two decades. It is, therefore, with enormous sadness and profound shock, that I write to announce the death of our much-loved chairman. He died on July 19, 2020, after a very brief illness. He was 72, in the full of life. Everyone I have spoken to in the days since cannot quite believe he is gone. He had the energy, enthusiasm and drive of a man half his age, and so many plans for the future.
    [Show full text]
  • Film Is GREAT, Edition 2, November 2016
    ©Blenheim Palace ©Blenheim Brought to you by A guide for international media The filming of James Bond’s Spectre, Blenheim Palace, Oxfordshire visitbritain.com/media Contents Film is GREAT …………………………………………………………........................................................................ 2 FILMED IN BRITAIN - British film through the decades ……………………………………………………………………………………….. 9 - Around the world in British film locations ……………………………………………….…………………........ 15 - Triple-take: Britain's busiest film locations …………………………………………………………………….... 18 - Places so beautiful you'd think they were CGI ……………………………………………………………….... 21 - Eight of the best: costume dramas shot in Britain ……………………………………………………….... 24 - Stay in a film set ……………………………………………………………………………………………………………...... 27 - Bollywood Britain …………………………………………………………………………………………………………….... 30 - King Arthur's Britain: locations of legend ……………………………………………………………………...... 33 - A galaxy far, far away: Star Wars in Britain .…………………………………………………………………..... 37 ICONIC BRITISH CHARACTERS - Be James Bond for the day …………………………………………………………………………………………….... 39 - Live the Bridget Jones lifestyle ……………………………………………………………………………………..... 42 - Reign like King Arthur (or be one of his knights) ………………………………………………………….... 44 - A muggles' guide to Harry Potter's Britain ……………………………………………………………………... 46 FAMILY-FRIENDLY - Eight of the best: family films shot in Britain ………………………………………………………………….. 48 - Family film and TV experiences …………………….………………………………………………………………….. 51 WATCHING FILM IN BRITAIN - Ten of the best: quirky
    [Show full text]
  • 68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
    EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively.
    [Show full text]
  • Spring 2006 Bulletin 85
    Advertisements Diary Dates Please refer to VLV when responding to advertisements. VLV Ltd cannot accept any liability or complaint in regard to the following offers. The charge for classified advertisements is 30p per word, 20p for Wednesday 26 April members. Please send typed copy with a cheque made payable to VLV Ltd. For display space please VLV Spring Conference contact Linda Forbes on 01474 352835. The Royal Society, London SW1 10.30am – 5.00pm The Radio Listener's Guide 2006 The Television Viewer's Guide 2006 Wednesday 26 April Presentation of VLV’s Awards G 160 pages G 160 pages for Excellence In Broadcasting G Frequencies for all BBC and commercial radio G Digital TV details of what you need to pick up Sky, The Royal Society, London SW1 stations, plus DAB digital transmitter details. Freeview or cable 1.45pm – 2.30pm G Radio Reviews Independent reviews of over G Transmitter sites for all analogue and digital Thursday, 11 May 130 radios including DAB digital radios. television transmitters. An Evening with Joan Bakewell G News from both BBC and commercial radio stations. G Equipment advice covering TV sets, VCRs, DVD One Whitehall Place, players and recorders, Sky and Freeview. G Digital Radio (DAB) The latest news and information. London SW1 G Freeview set-top box guide. 6.30pm – 8.20pm G Sky and Freeview radio information and G channel lists. Channel lists for Sky and Thursday, 18 May Freeview. VLV Evening Seminar with Mark G Advice showing how to get the G Thompson, BBC Director General best from your radio.
    [Show full text]
  • Restorative Justice Cover-02
    Why Restorative Justice? Repairing the harm caused by crime Roger Graef Why Restorative Justice? Repairing the Harm Caused by Crime Why Restorative Justice? Repairing the Harm Caused by Crime Roger Graef edited and additional material by Marian Liebmann CALOUSTE GULBENKIAN FOUNDATION, LONDON Dedication To Martin Wright, whose vision of restorative justice has not obscured his commitment to rigorous scholarship. This vision inspired me to see the potential of restorative justice to change our lives. Published by the Calouste Gulbenkian Foundation United Kingdom Branch 98 Portland Place London W1B 1ET Tel: 020 7636 5313 © 2000 Calouste Gulbenkian Foundation The right of Roger Graef to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved; unauthorised reproduction of any part of this work in any medium is strictly prohibited. ISBN 0 903319 92 6 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Designed by Andrew Shoolbred Printed by Expression Printers Ltd, IP23 8HH Distributed by Turnaround Publisher Services Ltd, Unit 3, Olympia Trading Estate, Coburg Road, Wood Green, London N22 6TZ Tel: 020 8829 3000, Fax: 020 8881 5088, E-mail: [email protected] Cover photo: Still from In Search of Law and Order – UK (Channel 4). Contents Author’s Acknowledgements 6 Foreword by Ben Whitaker 7 Introduction 9 Chapter 1: The Need for Change 13 Chapter 2: Principles of Restorative Justice 18 Chapter 3: A Brief History 22 Chapter 4: The Victim 27 Chapter 5: The Offender 33 Chapter 6: The Community 38 Chapter 7: What Choices are There? 42 Chapter 8: Current Services 50 Chapter 9: New Government Legislation 55 Chapter 10: The Future 58 Retributive and Restorative Justice: A Comparison 63 Glossary 64 Further Reading 67 Organisations Involved in Restorative Justice 69 Index 71 Author’s Acknowledgements John Harding, one of the pioneers of restorative justice in Britain, has been extremely helpful.
    [Show full text]
  • Travel Report JO March09.Doc – Julia Overton March 2009 2 Screen Australia – March 2009
    T R IDFA & World Congress of Science and Factual Producers 2008, O with additional London meetings P Julia Overton, Investment and Development Manager – Documentary The objectives for attending IDFA and World Congress of Science and E Factual Producers were many. To have face-to-face meetings with potential co-producing partners, broadcasters, commissioning editors, sales agents and distributors who could work with Australian companies to enable R developed projects to be produced and finished projects to find a place in the market. To support the Australian filmmakers attending the events – in the case of IDFA it was those who had projects screening in the festival or who were pitching projects in the Forum or private meetings. To observe which L documentaries were finding an audience, and in what form. And to establish new contacts, particularly in the area of science producing, where the cost of production is such that numerous co-production partners are usually E essential. Attending the two events back-to-back was an interesting conjunction of market/festival. It is best expressed via two conversations I had on my first V day at each event. When asking a filmmaker at IDFA why they were there I was told it was with a film which was a ‘post-Brechtian deconstruction of the Israeli Palestinian conflict’ and on asking the same question at World A Congress the response was ‘to sell 26 hours on killer reptiles’. It gave a wonderful insight to the diversity of the world that is documentary. London R Before the festivals, time was spent in London having meetings with some of those with whom Screen Australia deals on a regular basis.
    [Show full text]
  • Stranger Than Fiction
    stf_2007 23/08/2007 11:30 Page i Stranger Than Fiction Documentary Film Festival and Market 13th-16th September 2007 stf_2007 23/08/2007 11:30 Page ii Introduction It’s my great pleasure to welcome This year’s opening feature The of the films screening, as well as you to this year’s Stranger Than Undertaking stands out as one of the contributions from David Norris, Fiction Festival. This is the sixth most beautiful films to come out of Louis de Paor, Stephen Rea and year of the event, and the first Ireland in many years. Richard Boyd Barrett. without the indomitable Gráinne The feature-length documentary This is perhaps a golden age of Humphreys at the helm. With continues to thrive on the inter- documentary film, and for the four Gráinne’s departure, Irish Film national scene, and I have selected 14 days of Stranger Than Fiction, I’d Institute Director Mark Mulqueen films which I hope you will at turns encourage you to come to the IFI to decided to approach this year’s find provocative, entertaining, heart- meet the filmmakers, to partake in festival in a different way, opting to breaking, hilarious; and always, I the market, to engage in the discus- bring an independent film-maker on hope, deeply affecting. Truth is indeed sions, and to see the finest of docu- board as Festival Director. stranger that fiction, and documen- mentary films from Ireland as well as As a documentary-maker used to taries tap into humanity in all its from throughout the world. submitting films to such festivals, I vagaries in ways that drama can’t; was delighted to be asked to put witness the delightful and witty James Kelly together this event.
    [Show full text]
  • Appendix A: Non-Executive Directors of Channel 4 1981–92
    Appendix A: Non-Executive Directors of Channel 4 1981–92 The Rt. Hon. Edmund Dell (Chairman 1981–87) Sir Richard Attenborough (Deputy Chairman 1981–86) (Director 1987) (Chairman 1988–91) George Russell (Deputy Chairman 1 Jan 1987–88) Sir Brian Bailey (1 July 1985–89) (Deputy Chairman 1990) Sir Michael Bishop CBE (Deputy Chairman 1991) (Chairman 1992–) David Plowright (Deputy Chairman 1992–) Lord Blake (1 Sept 1983–87) William Brown (1981–85) Carmen Callil (1 July 1985–90) Jennifer d’Abo (1 April 1986–87) Richard Dunn (1 Jan 1989–90) Greg Dyke (11 April 1988–90) Paul Fox (1 July 1985–87) James Gatward (1 July 1984–89) John Gau (1 July 1984–88) Roger Graef (1981–85) Bert Hardy (1992–) Dr Glyn Tegai Hughes (1983–86) Eleri Wynne Jones (22 Jan 1987–90) Anne Lapping (1 Jan 1989–) Mary McAleese (1992–) David McCall (1981–85) John McGrath (1990–) The Hon. Mrs Sara Morrison (1983–85) Sir David Nicholas CBE (1992–) Anthony Pragnell (1 July 1983–88) Usha Prashar (1991–) Peter Rogers (1982–91) Michael Scott (1 July 1984–87) Anthony Smith (1981–84) Anne Sofer (1981–84) Brian Tesler (1981–85) Professor David Vines (1 Jan 1987–91) Joy Whitby (1981–84) 435 Appendix B: Channel 4 Major Programme Awards 1983–92 British Academy of Film and Television Arts (BAFTA) 1983: The Snowman – Best Children’s Programme – Drama 1984: Another Audience With Dame Edna – Best Light Entertainment 1987: Channel 4 News – Best News or Outside Broadcast Coverage 1987: The Lowest of the Low – Special Award for Foreign Documentary 1987: Network 7 – Special Award for Originality
    [Show full text]
  • Annual Report 2007
    ROYAL TELEVISION SOCIETY ANNUAL REPORT 2007 AGM 28 May 2008 at 6:00pm at the RTS, Kildare House, 3 Dorset Rise, London EC4Y 8EN Patrons Pepper Post Production Principal Patrons S4C SMG BBC Sony Business Europe BSkyB Spectrum Strategy Consultants Channel 4 Television UKTV ITV RTS Patrons International Patrons APTN ABN Amro Autocue Accenture Avid Technology Europe Bank of Ireland Corporate Banking Bloomberg Discovery Communications Europe Canon Microsoft Channel Television NBC Universal DTG High Definition Forum RTL Group Granada Television Time Warner Hat Trick Productions Viacom HIT Entertainment Walt Disney Company Ikegami Electronics UK IMS ITV Anglia Major Patrons ITV London ITV Meridian ITV Tyne Tees Arqiva ITV West Ascent Media Networks ITV Yorkshire BT Vision Cable & Wireless Omneon Video Networks Deloitte Panasonic Broadcast Europe DLA Piper PricewaterhouseCoopers Endemol UK Quantel Enders Analysis Radio Telefís Éireann Five Reuters Television FremantleMedia SMG Grampian Television GMTV SMG Scottish Television Guardian Media Group SSVC IMG Media Tektronix (UK) ITN Teletext KPMG Television Systems MCPS-PRS Alliance Ulster Television Millbank Studios University College, Falmouth OC&C Strategy Consultants University of Teesside Ofcom Vinten Broadcast 2 R O YA L T E L E V I S I O N S O C I E T Y REPORT 2007 Contents Patrons 2 Notice of AGM 2008 4 Form of proxy 5 Advisory Council election manifestos 6 Minutes of AGM 2007 7 Board of Trustees report to members 11 National events 2007 25 Centres report 2007 26 Who’s who at the RTS 28 Auditors’ report 30 Financial statements 31 Notes to the financial statements 34 Trustees’ and Directors’ reports 41 Picture credits 47 R O YA L T E L E V I S I O N S O C I E T Y REPORT 2007 3 Notice of AGM 2008 The 79th Annual General Meeting of the Royal Television Agenda Society will be held on Wednesday 28 May 2007 at: 1 To approve the minutes of the previous Annual General Kildare House Meeting held on 23 May 2007.
    [Show full text]
  • MONTY PYTHON at 50 , a Month-Long Season Celebra
    Tuesday 16 July 2019, London. The BFI today announces full details of IT’S… MONTY PYTHON AT 50, a month-long season celebrating Monty Python – their roots, influences and subsequent work both as a group, and as individuals. The season, which takes place from 1 September – 1 October at BFI Southbank, forms part of the 50th anniversary celebrations of the beloved comedy group, whose seminal series Monty Python’s Flying Circus first aired on 5th October 1969. The season will include all the Monty Python feature films; oddities and unseen curios from the depths of the BFI National Archive and from Michael Palin’s personal collection of super 8mm films; back-to-back screenings of the entire series of Monty Python’s Flying Circus in a unique big-screen outing; and screenings of post-Python TV (Fawlty Towers, Out of the Trees, Ripping Yarns) and films (Jabberwocky, A Fish Called Wanda, Time Bandits, Wind in the Willows and more). There will also be rare screenings of pre-Python shows At Last the 1948 Show and Do Not Adjust Your Set, both of which will be released on BFI DVD on Monday 16 September, and a free exhibition of Python-related material from the BFI National Archive and The Monty Python Archive, and a Python takeover in the BFI Shop. Reflecting on the legacy and approaching celebrations, the Pythons commented: “Python has survived because we live in an increasingly Pythonesque world. Extreme silliness seems more relevant now than it ever was.” IT’S… MONTY PYTHON AT 50 programmers Justin Johnson and Dick Fiddy said: “We are delighted to share what is undoubtedly one of the most absurd seasons ever presented by the BFI, but even more delighted that it has been put together with help from the Pythons themselves and marked with their golden stamp of silliness.
    [Show full text]
  • Channel 4 and British Film: an Assessment Of
    Channel 4 and British Film: An Assessment of Industrial and Cultural Impact, 1982-1998 Laura Mayne This thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth. September 2014 i Abstract This thesis is an historical investigation of Channel 4’s influence on the British film industry and on British film culture between 1982 and 1998. Combining archival research with interview testimony and secondary literature, this thesis presents the history of a broadcaster’s involvement in British film production, while also examining the cultural and industrial impact of this involvement over time. This study of the interdependence of film and television will aim to bring together aspects of what have hitherto been separate disciplinary fields, and as such will make an important contribution to film and television studies. In order to better understand this interdependence, this thesis will offer some original ideas about the relationship between film and television, examining the ways in which Channel 4’s funding methods led to new production practices. Aside from the important part the Channel played in funding (predominantly low-budget) films during periods when the industry was in decline and film finance was scarce, this partnership had profound effects on British cinema in the 1980s and 1990s. In exploring these effects, this thesis will look at the ways in which the film funding practices of the Channel changed the landscape of the film industry, offered opportunities to emerging new talent, altered perceptions of British film culture at home and abroad, fostered innovative aesthetic practices and brought new images of Britain to cinema and television screens.
    [Show full text]