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Adrian Popescu AUTORUL ȘI MEDIUL LUI 3 Radu Toderici MORETTI: TREI OBSERVAŢII 53

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Adrian Popescu AUTORUL ȘI MEDIUL LUI 3 Radu Toderici MORETTI: TREI OBSERVAŢII 53 revistă lunară editată de Uniunea Scriitorilor din România finanţată cu sprijinul Ministerului Culturii Anul LXVII * nr. 11-12 (817-818) * noiembrie-decembrie 2016 Adrian Popescu AUTORUL ȘI MEDIUL LUI 3 Radu Toderici MORETTI: TREI OBSERVAŢII 53 ANDREI CODRESCU – 70 CRONICA LITERARĂ Cristina Matilda Vănoagă BUNICUL E ÎN MĂR 5 Ion Pop „CICLUL BALCANIC” AL LUI MATEI VIȘNIEC 56 Ruxandra Cesereanu CRITICFICȚIUNI ȘI ANARHOCĂRȚI 8 Ovidiu Pecican BASME DESPRE BASME 57 Marius Conkan ARTA UITĂRII SAU DISTANȚA Angelo Mitchievici FABRICA DE GENIU DINTRE LIMBI ȘI LUMI 12 ÎNTRE PROIECTARE ȘI PRODUCȚIE 58 b DADA ȘI POST-DADA CU ANDREI CODRESCU 14 Felix Nicolau DISCREȚII TRANSLUCIDE ÎN UNIVERSUL KETOA 60 ANCHETĂ Victor Cubleșan DISCO 61 Dacă ai fi nevoit să-ți recitești cărțile, care ar fi teama ta cea mai mare? Amalia Cotoi MEMORIALISTICA PROBABILĂ (STUDIU NARATOLOGIC AL LITERATURII CARCERALE) 63 PARTICIPĂ Aurel Codoban, Andrei Doboș, Simona Popescu, Andrei Dósa, Gabriela Adameșteanu, Ana Blandiana, Titu Popescu O BIBLIOTECĂ DE POEZIE 65 Mihail Vakulovski, Mihai Duțescu, Simona Sora, Radu Niciporuc, Robert Șerban, Elena Vlădăreanu, Olga Ștefan, Virgil Stanciu MAUGHAM SAU JOYCE? 67 Adriana Babeți, Ion Buzu, Veronica D. Niculescu, Radu Andriescu, Mariana Codruț, Marta Petreu 21 Péter Tömöry [POEME] 69 Sanda Berce CĂLĂTORIA POVESTAȘULUI PRIN VREMI Mihai Vakulovski SALUTĂRI LUI TROȚKI 71 SAU EXPERIENȚA DINCOLO DE ZGOMOTUL TIMPULUI 29 Florin Balotescu GELLU NAUM ȘI GÂNDIREA TRADUCERI SPAȚIULUI POETIC 72 Autoportret în oglinda convexă (11): Nicoleta Popa TEATRALITATEA LUMII ȘI EVADAREA C. K. Williams (traducere şi prezentare de Alex Văsieş) 31 PRIN CUVÂNT – ELENA FERRANTE 74 b „CITITORUL ESTE EROUL LITERATURII”. Călina Bora „TU DOAMNE NU TE SUFOCI?” 76 DIALOG CU MIRCEA CĂRTĂRESCU 33 Radu Toderici MAREȘ: UN PROIECT 77 Ela Iakab [POEME] 38 UNGHIURI ȘI ANTINOMII RESTITUIRI Marius Pușcaș TRANSUMANISM, EXTROPIANISM, Sanda Cordoș PROZA ANTUMĂ A LUI ION VINEA 39 CYBERPUNK 78 Aurel Rău DE ZIUA MEA [POEM] 45 Ion Pițoiu NU AM FOST NICIODATĂ MODERNI 81 b IN MEMORIAM CORNEL ROBU 46 UNGHIURI ȘI ANTINOMII Ștefan Manasia DUPĂ XANAX 47 Lavinia Rogojină SUBIECTUL CA REGRET COMPOZIȚIONAL (O RETROSPECTIVĂ DESPRE TEORIA ROMANULUI) 82 HĂRȚI, GRAFICE, STATISTICI – MORETTI Monica Voudouri ASCENSIUNI INTERIOARE 85 Mihaela Mudure FRANCO MORETTI: TEORII ȘI STRATAGEME 48 Călina Bora POEZIA ÎN TANDEM: Franco Moretti [LABORATOARE] 49 EMINESCU VS. ȘOROBETEA 87 Călina Părău FANTOMELE VORBESC DESPRE EMOŢII 52 Nicolae Mareș [POEME] 88 UNGHIURI ȘI ANTINOMII Simona Liliana Jarda POEZELE NONCONFORMISTE 100 Andreea Heller-Ivancenko KAFKIANUL. POLITICA Roxana Pop STĂPÂNUL TIMPULUI 101 AȘTEPTĂRII 89 ARTE Valeriu Marius Ciungan GENEZĂ [POEM] 92 Doina Curticăpeanu IMPERIALA 102 RECENZII Eugenia Sarvari FESTIVAL LA „PUCK” 103 Adrian Țion Alexandra Turcu DUMNEZEU DIN FIORDURI 93 ATINGEREA MITULUI DON JUAN 104 Eugenia Sarvari Eliza Pop DUMNEZEUL DIN PAHARUL CU VOTCĂ 93 PRECUM ÎN CER, AȘA ȘI SUB PĂMÂNT 105 Ștefana Pop-Curșeu O BUNĂ PORȚIE DE TEATRU Andreea Stoica CULPĂ ȘI TRANSCENDENȚĂ 94 LA FESTIN PE BULEVARD 107 Maria Fărâmă EUROABSURD – EUROSUPRAVIEȚUIRE 94 Adrian Țion SLALOM PRINTRE PREMII Eliza Pop DOUĂ MICROROMANE 95 ȘI COMEDII EXOTICE 109 Constantin Tonu EXPLOATÂND ȘI EXPLORÂND CORPUL 95 Ioan-Pavel Azap SECVENȚE CU ALEXANDRU TATOS 110 Adrian Emil Rus O DECONSTRUCȚIE A CRITICII 96 Cristina Pascu ANIVERSĂRI MUZICALE: ADRIAN POP Eva Sărășan DINCOLO DE MEDITAȚIE, IRONIE 96 SAU MUZICA PESTE TIMP ȘI SPAȚIU 112 Roxana Pop 97 LIBERTATE RESEMANTIZATĂ JAZZ CONTEXT Diana-Roxana Baghiu DESPRE NOI, CEI DE AZI 98 Virgil Mihaiu LEGENDARUL BATERIST SERGIU Ana-Maria Băcanu DE LA DOAMNA MOARTE MALAGAMBA, PORTRETIZAT DE RĂZVAN MOCEANU 113 LA DOMNIȘOARA TOPUZU 98 Roxana Pop PRINȘI ÎN VÂRTEJUL VIEȚII 99 b CUPRINSUL REVISTEI PE ANUL 2016 115 Alexandra Maria Balea PLURIVALENȚĂ 100 Coperta şi ilustraţia numărului: Cela Neamțu Director: Adrian Popescu Redactor şef: Ruxandra Cesereanu Redactori: Victor Cubleșan, Ioan Pop-Curșeu, Vlad Moldovan, Radu Toderici Redactor asociat: Virgil Mihaiu Consiliul consultativ: Aurel Rău, Ion Pop, Titu Popescu, Nicolae Prelipceanu, Ion Vlad [email protected]; www.revistasteaua.ro Revista se găseşte de vânzare la sediul redacţiei din Cluj, str. Universităţii nr. 1 şi în magazinele din reţeaua Inmedio. Abonamente se pot face la Uniunea Scriitorilor din România, Calea Victoriei nr. 133, Bucureşti (contact: [email protected] şi dl. Eugen Crişan tel. 0212127988 sau 0727872276) Revista Steaua încurajează dezbaterile de idei, polemicile principiale, dar nu se identifică neapărat cu opiniile exprimate de acestea. Potrivit art. 206 C.P., responsabilitatea juridică pentru conţinutul articolelor aparţine autorilor. ISSN 0039 – 0852 Autorul ºi mediul lui Adrian Popescu EDITORIAL red că am mai afirmat şi altă dată, multe impulsuri Cartea solidă, recent apărută, a lui Mircea Cmarxiste aplicate cercetării literare de azi vin şi Mihăieş despre Joyce, Ulysses 732. Romanul roma- dinspre Şcoala istorică a revistei Annales (Raymond nului păstrează şi ea un excelent echilibru între Bloch, Georges Lefebvre), unde personalităţile, eroii interesul arătat personalităţii irlandezului univer- civilizatori, marii conducatori de imperii, regate, sal şi descrierile mediului social în care se naşte recte autorii canonici, în sistemul literar, cedează celebrul lui experiment literar. Volumul, este clar prim-planul analizei contextelor economice, soci- pentru oricine, demonstrează nu numai o mare ale, politice, presei curente, cotidianului. O lume capacitate analitică şi sintetică în cele trei secţiuni vrednică, dar anonimă, măruntă şi banală, ia locul ale lui – Peninsula, Arhipelagul, Insula –, dar este un marilor figuri istorice. Antieroii sunt demult favoriţii bun exemplu pentru modul cum se poate pătrun- cititorului mediu, care se identifică de multe ori cu de în cercul marilor exegeţi de literatură universală. ei. Capodoperele literare ale veacurilor trecute îşi Cartea universitarului timişorean ne introduce alegeau eroii dintre personalităţile emblematice, într-o lume a ideilor, aflată, evident, dincolo de excepţionale, nu neaparat istorice, dar în ele se cris- o arie strict naţională şi mă aştept ca toți criticii talizau caractere puternice prin intensitatea trăirilor români (indiferent de generație) să o recepteze ca şi prin înălţimea idealurilor. Sună învechit idealuri? pe un eveniment, prin care am putea accede la ceea Cultura europeană s-a format pe temeiul unor idea- ce numim azi „Literatura lumii”. Nici Amazoanele luri, mituri şi credinţe religioase. Creştinismul a fost Adrianei Babeţi nu trebuie neglijată, alt exemplu liantul, invizibil sau manifest, care i-a dat coeziune. de revărsare a fluviului naţional în oceanul eseului Nu uit că utopiile pot duce la dictatură, dar relativis- erudit. Timişoara se pare că a devenit campioană la mul contemporan este tot o formă de de dictatură, astfel de teme supranaţionale, fapt explicabil prin una „moale”, nămoloasă... existenţa acolo a cercului de studii „A treia Europă”, Virgil Nemoianu, cel care a închegat o teorie a din care cei trei fac parte. Ca să nu mai vorbim „secundarului”, printre alte teorii ale sale, toate despre deja pomeniţii bănăţeni Virgil Nemoianu, credibile, observa o direcţie descendentă a civiliza- Marcel Corniş-Pop, Livius Ciocârlie, profesorul ţiei noastre, cultivarea „secundarului” ‚ avansarea Adrianei Babeţi şi al lui Mircea Mihăieş. marginalului, dar nu o elogia. Constata doar. Nu Dacă Mircea Martin sau Eugen Negrici au supus omit nici prestaţia strălucită a unui Matei Călinescu unei analize lucide, uneori nemiloase, „complexele despre „feţele modernităţii”, feţe, faţete provocatoare literaturii române” sau „iluziile” ei, nu e mai puţin de tensiuni. Ambii predând o vreme la universităţi adevărat că în lipsa marilor nume, cele din Istoria americane prestigioase, nu ajung totuşi să susţină literaturii române... a lui G. Călinescu, ale Istoriei criti- necesitatea „dizolvării” autorilor în mediul social în ce a literaturii române a lui Nicolae Manolescu, sau care scriu. Nu-l uit bineînţeles nici pe Toma Pavel, cel ale Istoriei literaturii române contemporane de Alex care a avansat concepte operaţionale originale criticii Ştefănescu, ori ale Scurtei istorii... a profesorului de dincolo de Atlantic, eseist şi teoretican apreciat, Mihai Zamfir, sau a volumelor dinScriitori români care păstrează reperul valoric al capodoperelor litera- de azi de Eugen Simion (plus altele, în pregătire, ale re şi implicit îi preţuieşte pe autorii majori. Nu-l ignor lui Ion Pop, de pildă) nu am avea cum dialoga cu nici pe Marcel Corniş-Pop cu o istorie a mentalităţi- mai vechile literaturi europene. Exponenţii interbe- lor din arealul nostru balcanic, care istorie probabil licilor, sau ai generaţiei şaizeciste, sau ai fecundei merge cel mai departe cu favorizarea mediului şi a generaţii optzeciste, ori, în fine, ai nouăzeciştilor politicului în defavoarea individualităţilor literare. (ultimele două generaţii traduse masiv în limbi de 11-12/2016 Aşa cum nu las deoparte nici cercetările unui Cornel circulaţie) au în scrierile lor mai mult decât relaţii Ungureanu de „geografie literară”, unde schemele sociale specifice perioadei dintre războaie, ecouri lui clasificatoare nu minimalizează niciodată perso- din stalinism ori din postcomunism, bune de STEAUA nalităţile scriitoriceşti, filosofia lor, ci doar le explică investigat sociologic. O substanţă unică, individua- evoluţia în şi printr-un anumit spaţiu geografic. lizantă şi nobilă, chiar în
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