Twentieth Century Music Facsimiles & OMI - Old Manuscripts & Incunabula PO Box 6019 FDR Station, New York NY 10150 selected editions tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 9 September 2021

Contemporary Music. Manuscript facsimiles (autographs & copyist manuscripts), together with a selection of modern editions & studies. For ordering information go to: www.omifacsimiles.com/contactomi.html

ALBÉNIZ, Isaac, 1860-1909 835 The Husband’s Grief for Voice and Piano / A férj keserve. Énekhangra 716 Iberia. Revisión integral de Guillermo González. Edición facsímil de los zongorakísérettel. [Edited by Peter Bartók]. manuscritos y estudio histórico-documental a cargo de Jacinto Torres. Homosassa, 2002. 4˚, 16 pp. Line-cut of the autograph composing copy, together Madrid, 1998. 31 x 41 cm, vi, 161 facs, xlii pp. Color facsimile of the working (and with a new practical edition. The composer’s last arrangement of a folk song written final) autograph copy now dispersed among four libraries. This collection of 12 in 1945–a Ukranian song with humorous text about a man and his wife who can movements, a masterpiece of the piano repertoire composed in 1905 and 1908, never completely agree with one another. For or mezzo . Wrappers. evince the technical heights of the postromantic piano. Handsome binding with $11 orange cloth boards, gold lettering and pasted illustration by Laura Albéniz (from the first edition of Iberia, Paris, 1906-7). Commentary in Sp-Eng. Linen. $229 http://www.omifacsimiles.com/brochures/albeniz.html 886 Liebeslieder for Voice and Piano (1900). Facsimile of the Manuscript. Homosassa, 2002. 4°. 24 pp. A work from the composer's youth, of 19 years, written as a present to a young lady. The composer did not regard this work suitable for BARTÓK, Béla, 1881-1945 general publication and is presented here for academic purposes only, without right 890 Duke Bluebeard’s Castle Opus 11, 1911. Autograph Draft. Edited by of performance. Facsimile of the manuscript, with an introductory essay by Ferenc László Vikárius. Bónis. Song texts in German, with literal English translation. Wrappers. $20 Budapest, 2006. 4°, 58, 51 pp. Full-color facsimile of the autograph working copy (short score). Issued on the occasion of the 125th anniversary of the composer’s birth. Cloth. $135 http://www.omifacsimiles.com/brochures/bartok_dbc.html 785 [Music for Strings, Percussion & Celeste. Sz.106] Musik für Saiteninstrumente, Schlagzeug und Celesta. Faksimile des Partiturautographs und der Skizzen. Herausgegeben von Felix Meyer. 441 [Concerto, , orch, draft] Eine Publikation der Stiftung. Basel, 2000. 30 x 40 cm, 176 pp (103 Concerto for Viola and Orchestra. Facsimile of the Autograph Draft, with facs). Beautiful color halftone of the autograph score of one of the towering an Introduction by Laszlo Somfai. Preface by Peter Bartók. New Fair Copy masterpieces of 20th-century music. Originally commissioned by Paul Sacher in of the Autograph by Nelson Dellamaggiore. 1936 for the tenth-anniversary of the Basel Chamber Orchestra, the work was Homosassa, 1995. 28 x 40 cm, 16 facs, 80 pp. Full-color facsimile of the composing supposed to be "for strings alone" and "not too difficult technically". Bartók, (short) score written in 1944 in New York (and Saranac Lake), which, along with the vacationing at the time in Braunwald, Switzerland eagerly accepted the task. The Third Piano Concerto, is the composer’s last work. The concerto, a commission of manuscript is an unusual draft and faircopy in a single document. This stunning the violist William Primrose, although “complete”, was not scored by Bartók (the bibliophile edition consists of an introduction by Felix Meyer accompanied by composer referred to its orchestration as “mechanical work”), and surely many numerous reproductions of period documents and photographs, and a full facsimile details and modifications would have occurred when he transferred the composition of the score—including 31 "discarded" pages provided as a supplement. It was onto the final score paper. That task was later completed by Tibor Serly. With this published as a tribute to the memory of Paul Sacher and a celebration of sorts for the facsimile we can finally answer the question, how much is Bartók, and what details transfer (on loan) of the original manuscript from Peter Bartók to the Sacher come from Serly. With preface by Peter Bartók and commentary provided in Foundation Library. Introduction in Ger-Eng. Handsome binding in red linen, with Eng-Hung-Ger-Jap-Sp. Hardbound in black, with gold lettering. Special OMI price matching slipcase. $254 http://www.omifacsimiles.com/brochures/bartok_mspc.html (reg. $100). $80 http://www.omifacsimiles.com/brochures/bartok_vc.html 124 [Sonata, piano, Sz.80] 762 Dance for Orchestra. Reprint of the Original Manuscript (Budapest Sonata (1926). Piano Solo. Facsimile Edition of the Manuscript (National Historical Museum). Edited by Ferenc Bónis. Széchényi Library, Budapest) with a Commentary by László Somfai. Budapest, 1998. 26 x 34 cm, 2 vols, 66 facs, 48 pp. 3-color halftone of the Budapest, 1980. 30 x 42 cm, iv, 16 facs, viii pp. Beautiful halftone in the original 30 autograph full score fair copy, completed Aug. 19, 1923. The work was written on x 42 cm format of the composer’s second draft, the version Bartók used in commission to commemorate the 50th anniversary of the union of Buda and Pest. preparation for the work’s performance in 1926 in Budapest, he himself at the The composer does not make use of real peasant melodies but rather invents folk keyboard. 1926 was a banner year for Bartók, a year that saw the composition of songs as a unifying device; the Dance Suite represents the first time in which this Nine Little Pieces, Out of Doors Suite, Piano Concerto No.1, and the Piano Sonata principle was used for an entire symphonic cycle. The commentary volume explores (Sz.80). According to Andrew Rangell the sonata represents a “radical departure from the cultural millieu of Budapest in the twenties, the work’s genesis, compositional his overtly folk-based pieces of the previous decade”. Issued on the occasion of the sources, and reproduces 7 B/W plates of other autograph material. Bound in black 100th anniversary of the composer’s birth. Cloth. cloth with gold lettering (commentary booklet in wrappers). Colorful portfolio with http://www.omifacsimiles.com/brochures/bartok_ps.html pasted title. $118 http://www.omifacsimiles.com/brochures/bartok_ds.html

122 [& Zoltán Kodály] Hungarian Folksongs for Song with Piano. Reprint of the Original Manuscript with Commentaries by Dennijs Dille. [Ms. Bartók Archives, Budapest]. Budapest, 1970. 29 x 41 cm, 22 facs, 26 pp. Halftone of the autograph. Includes rough draft of the Felhívás (The Appeal). Preface and commentary in Eng. $45 OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.2

958 [Sonata, 2 pianos, percussion, Sz.110, BB115] BERG, Alban, 1885-1935 Sonate für zwei Klaviere und Schlagzeug. Faksimile des Partiturentwurfs 922 [Concerto, violin, orchestra] und der annotierten Partiturkopie Paul Sachers / Sonata for Two Pianos Violinkonzert. Faksimile nach dem Autograph der Library of Congress, and Percussion. Facsimile of the Draft Score and Paul Sacher's Annotated Washington. Full Score Copy. Edited by Felix Meyer. Mit einem Kommentar von Douglas Jarman. Eine Publikation der Paul Sacher Stiftung. London, 2018. 30 x 39 cm, 169 pp. Meisterwerke der Musik im Faksimile, 22. Laaber, 2011. 4°, xv, 96 pp. Full-color Beautiful color halftone of the autograph draft score. Béla Bartók's Sonata for Two facsimile of the autograph dated August 11, 1935. The work was written on Pianos and Percussion, composed in summer 1937 on a commission from Paul commission from the violinist Louis Krasner, but is was the death of Manon Gropius Sacher and premièred in Basel in January 1938, is incontestably one of the supreme (daugther of Alma Mahler and Walter Gropius) that was the main impetus for Berg, creations of modern music. This publication, with introductory essays by Felix setting aside work on Lulu, to complete the concerto. It was dedicated “To the Meyer, Robert W. Wason, Lászlo Vikárius, and Wolfgang Rathert, presents two major memory of an angel”. Introduction in Ger-Eng. Hardbound. $249 handwritten sources for this work from the holdings of the Paul Sacher Foundation: http://www.omifacsimiles.com/brochures/berg_vc.html the draft score, which offers a fascinating glimpse into the sonata’s genesis, and a “whiteprint” of the fair copy, which contains additions from Bartók and differs 352 substantially from the definitive version at the end of the development section in Hier ist Friede, Op.4, No.5. Eigenhändiges Arrangement des movement 1. The volume also contains a CD of the radio recording of 1940, with Orchesterliedes für Klavier, Harmonium, Violine und Violoncello. Bartók and his wife Ditta Pásztory playing the piano parts, as well as a new recording Faksimile des Autographs in der Bayerischen Staatsbibliothek. of the sonata in its “original” form, played by the Bugallo-Williams Piano Duo with Veröffentlichungen der Kommission Bayern-Harvard zur Musikgeschichte des 20. percussionists Matthias Würsch and Christian Dierstein. Linen. $135 Jahrhundert, 2. Vienna, 1989. 26 x 36 cm, iv, 6 pp. Beautiful 2 color line-cut of the http://www.omifacsimiles.com/brochures/bartok_sop2.html autograph fair copy arranged for chamber ensemble. Introduction in Ger-Eng by Reinhold Brinkmann and Siegfried Mauser. Folder. $39 939 [Sonata, violin, Sz.117] Sonate für Violine solo Sz 117 / BB 124). Faksimile nach dem Autograph 442 Hier ist Friede, Op.4, No.5. Eigenhändiges Arrangement des aus der Paul Sacher Stiftung, Basel. Herausgegeben und kommentiert von Orchesterliedes für Klavier, Harmonium, Violine und Violoncello. Stefen Drees. Faksimile des Autographs in der Bayerischen Staatsbibliothek. Meisterwerke der Musik im Faksimile, 26. Laaber, 2017. 28 x 32 cm, xxi, 18 pp. Veröffentlichungen der Kommission Bayern-Harvard zur Musikgeschichte des 20. Full-color facsimile of the autograph fair copy along with 15 pp of sketch material. Jahrhundert, 2. Vienna, 1989. 26 x 36 cm, iv, 6 facs, 12 (trans.) pp. Beautiful 2 color The sonata was commissioned by Yehudi Menuhin in Nov. 1943 and premiered by line-cut of the autograph fair copy arranged for chamber ensemble, together with him in Carnegie Hall Nov. 26, 1944. A wonderful late Bartók virtuoso piece full of modern edition. Introduction in Ger-Eng by Reinhold Brinkmann and Siegfried Hungarian qualities, biting rhythms, with subtle reference to Bach’s Sei solo a violino Mauser. Folder. $54 senza basso accompagnato BWV 1001-1006, by his use of of movement titles “Tempo di ciaccona” and “Fuga”. Like Bach's Sei solo autograph, it has a clearly-copied text that allows the performer to play directly from it. Introduction in 180 Lied der Lulu. Faksimile-Ausgabe der Anton v. Webern gewidmeten Ger-Eng. Hardbound with decorative paper boards. $164 autographen Partitur. Mit einem Beitrag von Ernst Krenek und einer http://www.omifacsimiles.com/brochures/bartok_vs.html Dokumentation zur Entstehung und Aufführung der Oper “Lulu”. Festgabe der Wiener Stadt- und Landesbibliothek. Vienna, 1985. 27 x 35 cm, 12 665 Bartók, Peter. facs, 52, with 49 illus. Superb full-color facsimile of the autograph fair copy dedicated to Anton von Webern, issued for the Berg centenary. Also 3 pages of My Father. autograph stetches from scene 1 of Act III (bars 534-555), and autograph letter to Homosassa, 2002. 18 x 24 cm, 329 pp. New, very personal recollection by the Webern dated Dec. 1933. Essay by Ernst Krenek & extensive documentation on the composer’s youngest son Peter. Details of the origin of several works are described. history of the by Ernst Hilmar, including excerpts from 67 autograph letters The appendix contains the surviving letters addressed to Peter Bartók, and form a written to persons involved with the genesis of the work (Schoenberg, Kleiber, chronological account of the last 18 months of the composer’s life. Includes 80 Universal, etc.). Red printed boards. Rare. Slightly bumped cover with some sun illustrations & photographs (many hitherto unpublished), 3 drawings and 14 music discoloration. $350 examples. Hardbound. $41

955 Lulu, Particell des III. Aktes (Faksimile). Vorgelegt von Thomas Ertelt. [Mss. 598 (Bónis, Ferenc) Stadt- und Landesbibl. Wien & Österreichische Nationalbibl.]. Béla Bartók: His Life in Pictures and Documents by Ferenc Bónis. Special Edition for the Bartók Centenary. Alban Berg Sämtliche Werke, I/2, Lulu Supplement. Vienna, 2013. 27 x 37 cm, ix, 2, 144 pp. Fine 4-color facsimile of the holograph with paste-overs lifted and Budapest, 1981. 21 x 29 cm, 288 pp. Rich picture documentary with 440 illus., photographed separately. This is Berg’s relatively clean condensed score for Act III of including photogrpahs, newspaper clippings, printed title pages, and numerous Lulu, but the work was left incomplete at his death. This volume contains a short halftones of letters and musical autographs. Cloth. $40 commentary and documents relating to the surviving manuscript. Commentary in Ger/Eng. Green linen. (Rarely found separately, because this volume is normally available only as part of a subscription to the Berg Sämtliche Werke) $360 BEACH, Amy, 1867-1944 http://www.omifacsimiles.com/brochures/berg_lulu3.html 700 [Quartet, strings, op.89] Quartet for Strings (in One Movement). Opus 89. Edited by Adrienne Fried Block. [Fuller Public Library, Hillsborough, on deposit at the Univ. of 161 Hilmar, Rosemary, & Günther Brosche. New Hampshire, Beach Collection, 51A, box 4, folder 25]. Alban Berg 1885-1935. Ausstellung der Österreichischen Music of the United States of America, 3. Madison, 1994. 4º, xxxiv, 31, 21 pp. New Nationalbibliothek, Prunksaal, 23. Main bis 20. Oktober 1985. critical edition, together with halftone of the draft score. Wrappers. $52 Vienna, 1985. 17 x 24 cm, 240 pp. Exhibition catalog issued on the occasion of the composer’s 100th birthday. Numerous illustrations, including photographs, musical mss, letters and contemporary documents. In Ger, with synoptic guide in Eng. Wrappers. $30 OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.3

BERIO, Luigi, 1924-2003 717 [Peter Grimes] 870 Cronaca del luogo. Azione musicale. Testo di Talia P. Berio (1999). The Making of Peter Grimes. Volume I: Facsimile of Benjamin Britten’s Partitura. Compositional Draft. Volume II: Notes and Commentaries: Paul Banks, Milan, 2006. 32 x 46 cm. iv, 229 pp. Line-cut of the composer’s fair copy full score. Philip Brett, Benjamin Britten, Eric Crozier, Donald Mitchell, Peter Pears, Commissioned by the Salzburg Festival in 1999, Berio’s “Cronaca del luogo” Philip Reed, Rosamund Strode. Edited by Paul Banks. (Chronical of the Place) consists of a prologue and 5 scenes set within a biblical Cambridge, 1996. Large 4º, 2 vols, 241 facs, 251 pp. Color facsimile issued for the landscape. It is the composer’s celebration of a special place—the 50th anniversary of the 1st production. Conceived in California in 1941, Britten and “Felsenreitschule”, a stage carved out of a rock on a mountainside—and an the tenor Peter Pears made a number of draft scenarios while they waited for passage extraordinary voice, expressed through the composer’s distinct music-theater called to England; after their return, Montagu Slater was asked to write the libretto. The “azione musicale”. The work’s most dominant visible element is the musically compositional draft—begun in early 1944—is the single most important document in ever-changing wall (stage) of immutable memories—where the story of Jericho, the the creation of the work, showing the composer wrestling with text and music, and tower of Babel, etc., unfold and define the place or luogo, chronicling through sound gradually fashioning the opera into its final version. Linen. $250 and light the varying manifestations of the presence of God in human life. Cloth. http://www.omifacsimiles.com/brochures/britten.html $269

BRUCKEN FOCK, Gerard von, 1859-1935 BOULEZ, Pierre, 1925- 746 5 Moments Musicaux, op.11; 12 Klavierstukken, op.27/1,3,7,8. Reprint 858 Le marteau sans maître. Fac-similé de l’épure et de la première mise au net (G. Alsbach & Co. 1712, 2333/2334). With an Introduction by Albert de la partition / Facsimile of the Draft Score and the First Fair Copy of the Clement. Full Score. Édité par / Edited by Pascal Decroupet. Exempla Musica Zelandica, 3. Middelburg, 1995. 4º, xi, 26 pp. Line-cut of the Eine Publikation der Paul Sacher Stiftung. Mainz, 2005. Oblong, 38 x 30 cm. 215 Alsbach editions, Amsterdam, c.1880. Works of Brucken Fock, the “Dutch Chopin”, pp. Beautiful full-color facsimile edition of the autograph draft score and fair copy, were greatly admired by Grieg. Wrappers. $28 produced on the occasion of the 80th birthday of the composer. Since its premiere 50 years ago at the 1955 Baden-Baden Festival, “Le marteau sans maître”, with its novel scoring (, alto flute, viola, guitar, vibraphone, xylorimba and BURKHARD, Willy, 1900-1955 unpitched percussion) and poetry by René Char in four of the nine interlocked 219 [Concerto, viola, orch, op.93] movements, has been considered one of the most outstanding serial works of the Konzert für Viola und Orchester Op.93. Faksimile-Ausgabe nach der postwar avantgarde. Commentators have pointed out its wonderful hypnotic Handschrift des Komponisten (1953). soundworld, complex rhythmic structure, and sudden bursts of instrumental crossfire, Kassel, 1973. 8º, Line-cut of the autograph score in reduced format. Wrappers. $31 creating such a demand on the performers that some fifty rehearsals were required before its premiere. This excellent facsimile offers an exciting entry into Boulez’ “workshop”—allowing us to examine, side by side, the pencil draft score, final ink 220 Musikalische Übung über den 12. Psalm, in der Dichtung von Martin version, as well as a selection of sketch pages. Handsome binding in red linen with Luther für ein- bis achtstimmigen gemischten Chor und Orgel, Op.39. slipcase. $254 http://www.omifacsimiles.com/brochures/boulez.html Faksimile-Ausgabe nach der Handschrift des Komponisten. Kassel, 1964. 26 x 33 cm, iv, 63 facs, i pp. Line-cut of the 1934 autograph score. 916 Tombeau. Fac-similés de l’épure et de la première mise au net de la Afterword by Fritz Indermühle. Wrappers. $40 partitur / Facsimiles of the Draft Score and the First Fair Copy of the Full Score. Édités par / Edited by Robert Piencikowski. 284 [Toccata, cembalo] Eine Publikation der Paul Sacher Stiftung. Vienna, 2010. 38 x 47°, 154 pp. Beautiful Kleine Toccata für Cembalo. full-color facsimile edition of the autograph draft score and the first copy of the full Willy-Burkhard-Gesellschaft, Jahresgabe 1972. Bern, 1972. 23 x 28 cm, 4 pp. score. Unlike the world première of Marteau sans maître (1952-55), that of Tombeau Halftone of the autograph score composed in 1936 for the baptism of Christine for orchestra (1959), which took place in Donaueschingen on 17 October 1959, Judermuhle. Special limited edition on laid paper. Wrappers. $25 passed almost unnoticed, outshone by Pierre Boulez's unexpected triumph as a conductor when he stepped in to replace Hans Rosbaud at the head of the Südwestfunk Sinfonieorchester. Originally conceived as an individual tribute to BUYS, Jan, 1868-1933 Prince Max Egon zu Fürstenberg, who died suddenly in spring 1959, the work was 434 [Drei Klavierstücke, piano, op.29] ultimately included in the Pli selon pli cycle (1957-62, 1983, 1990). To celebrate the Drei Klavierstücke Opus 29 (c.1911). Introduction by Jan ten Bokum. composer's 85th birthday and the 50th anniversary of the world première, the Paul Dutch Music Facsimiles, 7. Utrecht, 1991. 4º, i, 12 pp. Line-cut of the Weinberger, Sacher Foundation and Universal Edition are now publishing the two original 1917 edition. Preface in Eng. Wrappers. $27 manuscripts of the score for the first time: the pencil draft and a fair copy in different colored inks. These fine examples of high-quality reproductions are also the earliest evidence of Boulez' friendship with Paul Sacher. The composer presented the scores CARTER, Elliot, b.1908 to Sacher in the early 1960s. The facsimiles are prefaced by an introduction, which 235 Sketches and Scores in Manuscript. A Selection of Manuscripts and Other places the work in a historical and aesthetic context and takes a look at the Pertinent Material from the American Collection of the Music Division, compositional techniques used. It is illustrated by a selection of manuscripts from The New York Public Library, on Exhibition December 1973 through different stages of the creative process, as well as other related documents. Linen. February 1974 in the Vincent Astor Gallery, Library & Museum of the Performing Arts, the New York Public Library at Lincoln Center. BRITTEN, Benjamin, 1913-1976 216 Children’s Crusade. Kinderkreuzzug, Op. 82. A Ballad for Children’s New York, 1973. 20 x 24 cm, 64 pp. Illus. Halftones from 9 autographs. Voices & Orchestra. Music by Benjamin Britten. Words by Bertold Brecht. Bibliography and discography. Wrappers. $16 Illustrations by Sidney Nolan. A Limited Facsimile Edition of the Composer’s Manuscript. CIKKER, Ján, b.1911 London, 1973. 23 x 29 cm, 14, 38 facs, 12 illus pp. Superb halftone. Includes 12 394 Pochod Povstalcov. Faksimile rukopisu. illustrations in color. Edition of 1000 copies. $150 Bratislawa, 1974. 26 x 34 cm, 7 pp. Line-cut of the autograph scored for full orchestra. Finished October 15, 1944. Wrappers. $40 OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.4

DEBUSSY, Claude, 1862-1918 260 Golliwogg’s Cake Walk. Edited from the Autograph and First Edition by 954 Arabesques pour le piano. Manuscrit conservé à la Bibliothèque national Michael Stegemann. Fingering and Suggestions for Interpretation by de France, département de la Musique—Ms 978. Michel Béroff. [Ms. Bibl. Nationale, Paris]. Fac-similés de Manuscrits de Claude Debussy, [4]. Paris, 2017. 26.5 x 35 cm, iv, 8 Urtext Edition + Faksimile. Vienna, 1984. 4º, ii, 5, 3 pp. Halftone, together with a pp. 4-color facsimile of the autograph.These two Arabesques, based on Debussy's new authoritative edition. Preface in Ger-Eng-Fr. Wrappers. $19 meticulously copied fair copy, are especially relevant in understanding the composer's compositional arc: composed when he was in his twenties at a time when he was strongly influenced by the Chanteurs de Saint Gervais (a group founded 901 Images pour piano, 1re serie. for the study and performance of early music), these pieces embody a melodic Fac-similés de Manuscrits de Claude Debussy, [1]. Paris, 2008. 27 x 35 cm, 36 pp. gesture the composer called "divine arabesque", in part the musical language of the 4-color facsimile of the autograph. Wrappers, in beautiful art paper. $130 "primitives": Palestrina, Victoria and Lasso, whose melodic style the composer http://www.omifacsimiles.com/brochures/debussy_img.html believed could be traced back to plainchant ("They found the basis of [the arabesque] in Gregorian chant, whose delicate tracery they supported with twining counterpoints". The early "Arabesques pour le piano" are key to interpreting 901 Images pour piano, 2e serie. Debussy's development as a composer. Preface in Fr-Eng by Pierre Boulez. Wrappers Fac-similés de Manuscrits de Claude Debussy, [2]. Paris, 2008. 29 x 40 cm, 40 pp. with exposed stitching, in special art paper. $56 4-color facsimile of the autograph. Wrappers, in beautiful art paper. $130 http://www.omifacsimiles.com/brochures/debussy_arab.html http://www.omifacsimiles.com/brochures/debussy_img.html

566 [“L’Archet”, voice, piano] In, Yves A. Lado-Bordowsky, 925 L’isle joyeuse. Kommentar/Commentary: Denis Herlin. “L’Archet. Un ‘croquis musical’ de Debussy”. [Henle Music Facsimiles, 24]. Munich, 2012. 27.5 x 37.5 cm, xxii, 18 pp. Deluxe Cahiers Debussy. No.16 - 1992. Paris. 1993. 8º, 85 pp. Yves Lado-Bordowsky, full-color facsimile of the autograph issued on the occasion of the 150th anniversary L’Archet. Un “œcroquis musical” de Debussy. - David Grayson, Claude Debussy of Debussy’s birth. This colorful, highly virtuosic piano work is often associated with adresses the English-speaking World : Two Interviews, an Article, and The Blessed the island of Jersey, where Debussy secretly spent the summer of 1904 with his new Damozel. - Zdenka Weber, La diffusion de la musique de Debussy en Croatie. - love Emma Bardac. Even if he wrote the autograph during this time, evidence shows Mélanges : Margaret G. Cobb, Further Debussy souvenirs : letter from Gustave Doré that the work was composed at an earlier date and was intended as part of the "Suite to Robert Godet. - Aloÿs Mooser, Heurs et malheurs du Prélude à l’après-midi d’un bergamasque". During his stay on the island Debussy revised the composition, giving Faune à Saint-Pétersbourg. - Chronique. - Thèses. - Bibliographie. (Includes halftone the "Isle joyeuse" its present-day form. Commentary in Ger-Eng. Hardbound in of the autograph score of “L’archet” in reduced format). Wrappers. $35 beautiful blue art paper with embossed title in pink lettering. $73 http://www.omifacsimiles.com/brochures/debussy_Lisle.html

920 Chansons, recueil de mélodies dédiées à Marie-Blanche Vasnier Fac-similés de Manuscrits de Claude Debussy, [3]. Paris, 2010. 17.5 x 26 cm, 40 pp. 844 “Les Papillons” for Voice and Piano. First Edition. Text by Théophile 4-color facsimile of the autograph. Wrappers, in beautiful art paper. $125 Gautier. A Performing Edition and Facsimile of the Composer’s Autograph http://www.omifacsimiles.com/brochures/debussy_chan.html in the Music Division of The New York Public Library for the Performing Arts, Dorothy and Lewis B. Cullman Center. [JOB 96-17].

959 Estampes [pour le piano]: Pagodes, La Sorée dans Grenade..., Jardins sous New York, 2004. 27x 35 cm, 26 pp. Beautiful bibliophile edition with full-color facsimile, in the original format, of the autograph fair copy. The ms, with inscription la pluie. [Fac-similé du] manuscrit conservé à la Bibliothèque Nationale de “to Madame Vanier, who has a voice light enough to sing songs about butterflies” France, département de la Musique - MS-988. was probably given as a presentation copy to the gifted singer Marie Blanche Vasnier Fac-similés de Manuscrits de Claude Debussy, [6]. Paris, 2019. 26.5 x 35 cm, vi, 30 for whom Debussy composed many songs in the 1880s. Includes a preface by pp. 4-color facsimile of the autograph, written in 1903 and dedicated to his friend Margaret G. Cobb, and an essay on the manuscript and a performing edition by the painter Jacques-Émile Blanche. A triptique of 3 short pieces entitled “Pagodes” Marie Rolf (the work is hitherto unpublished). Limited edition of 1,000 copies. (Pagodas), “La soirée dans Grenade” (The Evening in Granada) and “Jardins sous la Portfolio, with insert for facsimile and performing edition. $65 pluie” (Gardens in the Rain). Estampes (or ”Prints”) are not a random selection but http://www.omifacsimiles.com/brochures/debussy.html the distinctive sound pictures of three locations: A Javanese gamelan, a Spanish habanera and French children’s songs. Preface in Fr/Eng by Pierre Boulez. Wrappers with exposed stitching, in special art paper. $74 259 [Pelléas et Mélisande, sketches] http://www.omifacsimiles.com/brochures/debussy_est.html Esquisses de Pelléas et Mélisande (1893-1895). Publiées en fac-similé avec une introduction par François Lesure. [Ms. Collection André Meyer & Bibl. Nationale, Paris, mus. ms. 1206]. 282 Étude retrouvée. A First Version of “Pour les arpèges composés”. Piano Solo Realized by Roy Howat. Publications du Centre de Documentation Claude Debussy, II. Geneva, 1977. 23 x 31 cm, 16, 104 pp. Line-cut of “premières” and “bréval” autograph sketches. These Bryn Mawr, 1980. 4º, iv, 6, 8 pp. Line-cut, together with a new authoritative edition. two sets of drafts enable us to follow the initial creative impulses of the composer Preface in Eng-Fr. Wrappers. $12 and to see how the ideas were developed and refined or possibly discarded. Concordances with the final version are indicated whenever possible. Introduction in French by François Lesure. Wrappers in attractive laid paper with period lettering. 258 [Etudes, piano, sketches] $98 http://www.omifacsimiles.com/brochures/debussy_pel.html Études pour le piano. Fac-similé des esquisses autographes (1915). Introduction de Roy Howat. Publications du Centre de Documentation Claude Debussy, V. Geneva, 1989. 22 x 160 Prélude à l’après-midi d’un faune. [Ms. The Pierpont Morgan Library, New 30 cm, xxii, 61, i pp. Line-cut of the autograph of the working draft, replete with York]. revisions. This facsimile reunites, for the first time in 55 years, the constituent parts of Washington, D.C, 1963. 28 x 36 cm, iv, 12 pp. Very fine 4-color collotype of the the manuscript. Written in 1915—in the composer’s words after “the long drought autograph particell, dedicated to “chère et très bonne petite Gaby”, Garielle Dupont, imposed on my brain by the war”—this is the only complete working draft that Debussy’s companion from 1890 to 1898, who later gave it to Alfred Cortot. Forward survives for any of Debussy’s piano collections; as such, it allows a unique glimpse in Eng by Roland-Manuel. Printed in France. Coverboards in decorative paper with into the composer’s workshop. Introduction in Eng-Fr. Wrappers in laid paper. $63 blue leather label embossed with Debussy’s signature. Extremely rare. http://www.omifacsimiles.com/brochures/debussy_et.html http://www.omifacsimiles.com/brochures/debussy_pre.html OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.5

935 Prélude à l’après-midi d’un faune. Fac-similé du manuscrit autographe de DISNEY PRODUCTIONS la partition d’orchestre. Introduction par Denis Herlin. 943 Snow White and the Seven Dwarfs Master Score. Music by Frank E. De Main de Maître, 1. Turnhout, 2014. 32 x 43 cm, 80 pp. Full-color facsimile of Churchill, Lyrics by Larry Mory and Additional Underscore by Leigh the autograph full score—“Stichvorlage”. Inaugurates the series “De main de maître” Harline and Paul J. Smith. (in the hand of the author) from the collection of the Bibliothèque National de 2015. 4°, 208 pp. Full-color facsimile of the master score for the 1937 film. Based France. Hardbound. $225 on the fairy tale by the Brothers Grimm, Snow White and the Seven Dwarfs is the http://www.omifacsimiles.com/brochures/debussy_pre2.html first full-length animated feature film and the earliest in the Walt Disney Animated Classics series. The story was adapted by Dorothy Ann Blank, Richard Creedon, Merrill De Maris, Otto Englander, Earl Hurd, Dick Rickard, Ted Sears and Webb 958 Quatuor pour cordes. Manuscrit conservé à la Bibliothèque national de Smith, with David Hand as supervising director. The songs including “Heigh-Ho”, France, département de la Musique. “Some Day My Prince Will Come”, and “Whistle While You Work” were composed Fac-similés de Manuscrits de Claude Debussy, [5]. Paris, 2018. 26.5 x 35 cm, 48 pp. by Frank Churchill and Larry Morey. Further incidental music was provided by Paul 4-color facsimile of the autograph score issued on the occasion of the centenary of J. Smith and Leigh Harline. This is the first time that this material is available to the Debussy’s death. Wrappers, in special art paper. $74 public. Explore every sequence from the film, from the first scene to the last and see, http://www.omifacsimiles.com/brochures/debussy_quat.html first hand, how the music and animation (tempos, scene length, camera movement, action, and sound) where synchronized. Limited edition of 459 copies. $295 http://www.omifacsimiles.com/brochures/snow.html 566 [Quartet, string, sketches] In, Denis Herlin, “Les esquisses du Quatuor a cordes”. ELGAR, Edward, 1857-1934 Cahiers Debussy, Nouvelle série. No.14 - 1990. Paris. 1991. 8º, 87 pp. This important essay provides a description and partial inventory of a two-part sketchbook 880 Concerto for Violoncello and Orchestra in E Minor, Op. 85. Royal College (Ms 20632) that the BNF acquired in 1986 from the collection of André Meyer. It of Music London MS 402. Facsimile. Introduction by Jonathan Del Mar; includes line-cut reproductions in reduced format—nearly 300 bars—of all the Foreword by Steven Isserlis. sketches dedicated to Quatuor a cordes. Variously notated on 2, 3 or 4 staves, the Documenta Musicologica, II/36. Kassel, 2007. 25 x 34 cm, xix, 134 pp. Facsimile of sketches vary greatly in penmanship, but all are extremely precise in terms of the autograph score issued on the 150th anniversary of the composer’s birth. rhythm, harmony and instrumentation, and provide a unique witness to Debussy’s Reproduces Elgar’s numerous colored corrections and additions as well as “workshop”, especially now that a full facsimile of the fair copy of Quatuor has been preparations for the printed score and last minute changes. One of the great published. Wrappers. $28 concertos of the repertoire, the work, composed shortly before the death of the composer’s wife in 1920 and in the aftermath of a ghastly war, is considered by many as his last masterpiece. Introduction in Eng-Ger. Handsome binding with 413 Lesure, François. torquise paper boards with reproduction of Cuno Amiet’s “The Cellist”. $144 Claude Debussy. http://www.omifacsimiles.com/brochures/elgar.html Iconographie Musicale, 4. Geneva, 1980. 4º, 190, with 154 illus pp. Beautiful picture documentary focusing on the composer’s social circle, interpreters, friends and enemies and the women he loved. Hardbound. $71 475 Anderson, Robert. Elgar in Manuscript. London, 1990. 20 x 25 cm, xii, 204 pp. Comprehensive examination of the DEGEYTER, Pierre, 1848-1932 composer’s full scores, sketches, letters and notebooks. With halftone reproductions 742 L’internationale. Faksimile-Ausgabe des Autographs. Im Auftrag des from over 80 mss in the collections of the British Library and the Elgar Birthplace Instituts für Marxismus-Leninismus beim Zentralkomitee der SED, der Trust. Full index of sources. Hardbound. $46 Akademie der Künste der DDR, des Verbandes der Komponisten und Musikwissenschaftler der DDR. Herausgeben von Inge Lammel und Gerhard Stübe. ENESCO, Georges, 1881-1955 204 [Quartet, string, op.22, no.2 in G; quartet movt, in C] Leipzig, 1976. 19 x 28 cm, 4, 16 pp. Halftone of the autograph fair copy scored for voice and piano. Set to the words of Eugène Pottier. One of the great songs of the Quatours à cordes: 1) 2d Quatour pour deux violons, un alto et un world proletariat, later adopted as the national anthem of the U.S.S.R. Afterword in violoncelle en sol majeur, Op. 22, No. 2; partition / 2) Quatour pour deux Ger-Rus-Eng-Fr. Handsomely bound in red linen. $20 violons, un alto et un violoncelle (en ut majeur); partition (le premier mouvement). Manuscriptum. Edition publiée par les soins de Titus Moisescu. [Ms. Library of Congress, Washington, D.C.]. DESSAU, Paul, 1894-1979 Bucarest, 1985. 21 x 30 cm, 96, 10 pp. Halftone of the autograph of Op.22, no.2 261 Bach-Variationen für großes Orchester, 1963. Faksimile nach dem and the 1st movt of the quartet in C. Afterword in Fr-Rom. Wrappers. $45 Autograph. Herausgegeben vom Johann-Sebastian-Bach-Komitee der DDR zum III. Internationalen Bachfest der DDR und aus Anlaß des 175 jährigen Bestehens des. FALLA, Manuel de, 1876-1946 Musikverlages Peters, Leipzig 1975. Leipzig, 1975. 29 x 49 cm, 100 pp. Halftone of 835 Apuntes de harmonía. Dietario de París (1908). Edición a cargo de Yvan the autograph fair copy. Issued on the occasioin of the 175th year of the founding of Nommick. Apuntes de harmonía: estudio de Yvan Nommick. Dietario de Edition Peters in Leipzig. Full linen. $95 París (1908): estudio y transcripción de Francesc Bonastre. Colección “Facsímiles”, Serie “Documentos”, 1 Granada, 2001. 17 x 24 cm, 387 pp. Full-color reproduction of two fascinating autograph documents, one (202 pp.) containing rules on orchestration and harmony, notes on numerous musical subjects, plus personal expense tallies (including income from sales of scores), and the other (100 pp.) showing the composer’s personal expenses during his stay in Paris in 1908. Commentary in Sp. Limited numbered edition of 500 copies. Cloth. $143 OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.6

844 [Concerto, harpsichord/piano, fl, ob, cl, vln, vc] FAURÉ, Gabriel, 1845-1924 Concerto per clavicembalo (ou pianoforte), flauto, oboe, clarinetto, 286 [Quartet, strings, op.121] violino, e violoncello. Edición crítica de la partitura y facsímil de los Quatuor Op.121. Reproduction photographique du manuscrit. [Ms. manuscritos fundamentales del Archivo Manuel de Falla y del Archivo de Bibliothèque Nationale (ancien fonds du Conservatoire Nationale de Valentín Fuiz-Aznar. Editión y estudio de Yvan Nommick. Musique), Paris]. Colección “Facsímiles”, Serie “Manuscritos”, 3. Granada, [2004]. 25 x 35 cm. Paris, 1925. 29 x 38 cm, 54 pp. Beautiful line-cut of the autograph score in its lxxxviii, 193 pp. Full-color reproduction of the autograph sketches, composing copy original 4º format issued in a limited edition. The E Minor quartet was Fauré’s last and fair copy (including extensive revisions), plus new critical edition. The work was work, composed in 1923 and finished, shortly before his death, during the summer written in hommage to Wanda Landowsky for her indispensable role in the 20th of 1924 at Annecy near Geneva. The first performance was given at the Paris century resurgence of the harpsichord. Commentary in Sp. Limited edition of 500 Conservatoire on June 12, 1925, by a quartet led by Jacques Thibaud. Original paper copies. Cloth. $187 http://www.omifacsimiles.com/brochures/falla_conc.html wrappers. It’s an oddity, with all four movements in the same key, and the writing setting up its own hypnotic world. Rare. http://www.omifacsimiles.com/brochures/faure.html 817 Fuego fatuo. Edición facsímil de los manuscritos 9017-1, LII A2, A4, A6, A9, A10 del Archivo Manuel de Falla. Edición y estudio de Yvan Nommick. GERSHWIN, George, 1898-1937 233 An American in Paris. Commemorative Facsimile Edition, Manuscript Full Colección “Facsímiles”, Serie “Manuscritos”, 2. Granada, 1999. 25 x 35 cm xlviii, 258 pp. Full-color reproduction of the autograph fair copy (full score to acts I & III; Score. Includes Historical Information and Annotation. [Ms. Library of piano reduction for act II), orchestral drafts to act II, and partial libretto. Together Congress, Washington, D.C.]. with B/W reproductions of Chopin’s “Canción polaca, op. 74”, a work which New York, 1987. 4º, 7, 105 pp. Line-cut of the autograph score. Issued on the inspired the composer. Commentary in Sp. Limited edition of 500 copies. Cloth. occasion of the 50th anniversary of the composer’s death. Wrappers. $50 $187 http://www.omifacsimiles.com/brochures/falla_fuego.html

234 Cuban Overture. Commemorative Facsimile Edition, Manuscript Full 868 [Noches en los jardines, symphonic impressions, piano, orch] Score. Includes Historical Information and Annotation. [Ms. Library of Noches en los jardines de España: Impressiones sinfónicas para piano y Congress, Washington, D.C.]. orquesta. Edición facsímil de los manuscritos fundamentales del Archivo New York, 1987. 4º, 8, 63 pp. Line-cut of the autograph score. Issued on the Manuel de Falla y del Archivo de Valentín Ruiz-Aznar. Edición e occasion of the 50th anniversary of the composer’s death. Wrappers. $40 introducción de Chris Collins. Colección “Facsímiles”, Serie “Manuscritos”, 4. Granada, [2006]. 25 x 35 cm. 225 pp. Full-color reproduction of the autograph. Commentary in Sp. Limited edition of 234 Rhapsody in Blue. Commemorative Facsimile Edition, Manuscript Full 500 copies. Cloth. $177 http://www.omifacsimiles.com/brochures/falla_noches.html Score. Includes Historical Information and Annotation. [Ms. Library of Congress, Washington, D.C.]. New York, 1987. Oblong, 4º, 9, 55 pp. Line-cut of the score in the hand of Ferde 927 El retablo de Maese Pedro. Edición facsímil de los manuscritos Grofé. Issued on the occasion of the 50th anniversary of the composer’s death. fundamentales del Archivo Manuel de Falla. Edición y estudio de Elena Wrappers with ring binder. $50 Torre. Colección “Facsímiles”, Serie “Manuscritos”, 5. Granada, [2011]. 25 x 35 cm. 194 pp. Full-color reproduction of the autograph issued on the occasion of the 20th HINDEMITH, Paul, 1895-1963 anniversary of the Archivo Manuel de Falla. Translated “Master Peter’s Puppet 712 [Ludus tonalis, piano] Show”, the work, in one act with prologue and epilogue, is based on an episode Ludi Leonum. Faksimile-Ausgabe eines von kolorierten (chap. 26, part II) from Don Quixote by Miguel de Cervantes. Commentary in Sp. Exemplares des “Ludus tonalis” aus dem Jahre 1950. Limited edition of 500 copies. Cloth. $178 Mainz, 1994. 23 x 31 cm, 60, iv pp. Full-color facsimile of the illustrated Schirmer http://www.omifacsimiles.com/brochures/falla_ret.html edition (New York, 1950), issued on the occasion of the 100 birthday of the composer. Written in New Haven in 1942, Ludus tonalis is P.H.’s longest, most important and ambitious piano composition. On its publication in 1950 the 781 La vida breve. Facsímil del manuscrito XXXV A1 del Archivo Manuel de composer personally illustrated a copy with lions in hundreds of disguises & Falla. Edición al cuidado de Antonio Gallego. positions related to the musical structure. It was presented to his wife, Gertrud, born Colección “Facsímiles”, Serie “Manuscritos”, 1. Granada, 1997. Oblong, 25 x 17 under the sign of Leo, on her 50th birthday. Afterword in Eng-Ger-Fr-Sp-Jap by cm, xiii, 168 pp. 3-color halftone of Falla’s fascinating autograph piano reduction Giselher Schubert. Handsome paper boards with colored illustration of a lion playing score of his celebrated one-act opera “Life is Short”. With this work the composer a piano. $58 http://www.omifacsimiles.com/brochures/hind_lt.html won the 1905 composition prize of the Real Academia de Bellas Artes. The manuscript reproduced here represents the closest version to the prize-winning version; the additions in red ink and pencil corrections show the beginning of the 341 Mathis der Maler. Oper in Sieben Bildern. Studien-Partitur. . . Ein transformation that the opera would take in its premiere and publication years later. Faksimiledruck nach der Handschrift des Komponisten. An indispensable source with many precious details for the study of the earliest Mainz, 1937/ 1965. 19 x 28 cm, 525 pp. Line-cut reproduction, reduced in format, important work of Falla. Linen. $99 of entire opera taken from Hindemith’s meticulously copied autograph. Wrappers. http://www.omifacsimiles.com/brochures/falla_vida.html $106

FAUCHARD, Auguste, 1881-1957 161 [Schuh, Willi] 733 [Symphony, no.2, organ, D maj.] Paul Hindemith. Die letzten Jahre. Ein Zeugnis in Bildern. Deuxième symphonie pour orgue, 1928/1929. Présentation par Michèle Mainz, 1965. 21 x 23 cm, 90 pp. Published on the occasion of the vomposer’s 70th Guyard. birthday. Rich testimony of photographs, musical mss, letters and contemporary Collection Dominantes. Courlay, 1996. 28 x 34 cm, 12, 48 pp. Line-cut of the documents. Linen. $25 autograph. Preface in Fr-Eng-Ger. Wrappers. $32 OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.7

161 (Strobel, Heinrich) 369 Voyage en Hongrie. Paul Hindemith. Testimony in Pictures with an Introduction by Heinrich Budapest, 1983. 10 x 16 cm, 77, xx pp. Halftone. $25 Strobel. Mainz, 2/ 1961. 21 x 23 cm, 103 pp. Extremely rich picture documentary including 165 phographs, musical autographs, letters and contemporary documents. In Ger-Eng. (Kecskeméti, Gábor, ed.) Work list. Linen. $25 Kodály Zoltán: 1882-1982. Edited by Gábor Kecskeméti. Budapest, 1982. 24 x 33 cm, 33 pp. Special documentary folder issued on the occasion of the centennial of the composer’s birth. Includes photographs, newpaper HOLST, Gustav, 1874-1934 reviews, advertisements and autographs of letters and musical works. Table of 345 First Choral Symphony Opus 41. Edited by Imogen Holst and Colin contents in Hung-Ger-Eng. Loose sheets in a folder. $35 Matthews. Collected Facsimile Edition of Autograph Manuscripts of the Published Works, IV. KRENEK, Ernst, 1900-1991 London, 1983. 27 x 36 cm, 12, 160 pp. 2-color halftone. Linen. $125 357 [Fünf Lieder, op.82] Fünf Lieder nach Worten von Franz Kafka. Faksimile der 342 Chamber . 1: Savitri Opus 25; 2: The Wandering Scholar Opus Originalhandschrift. Festgabe der Stadt Wien zum 85. Geburtstag des 50). Edited by Imogen Holst. Komponisten. Herausgegeben von der Wiener Stadt- und Collected Facsimile Edition of Autograph Manuscripts of the Published Works, I. Landesbibliothek. London, 1974. 27 x 36 cm, 208 pp. 2-color halftone. Linen. Special limited offer. Vienna, 1985. Oblong, 4º, 9, 82 pp. Beautiful full-color halftone of the autograph in $85 http://www.omifacsimiles.com/brochures/host_co.html the original format. Essays by R. Patzer, R. Bischof, E. Hilmar and W. Obermaier, with numerous photographs, illustrations and reproductions of some of Krenek’s artwork, many handsomely mounted in passe-partout. Issued on the occasion of the 344 The Planets Opus 32, Suite for Large Orchestra. Edited by Imogen Holst composer’s 85th birthday. Bibliophile edition not available commercially. and Colin Matthews. Hardbound with silver paper boards. Collected Facsimile Edition of Autograph Manuscripts of the Published Works, III. http://www.omifacsimiles.com/brochures/krenek.html London, 1979. 27 x 36 cm, xiv, 239 pp. 2-color halftone of the autograph fair copy. A highly complex and fascinating manuscript scored for quadrupled woodwind, 161 flute and bass oboe, full brass section with 6 horns and 2 tubas, percussion section (Hilmar, Ernst) requiring 5 players and 2 timpanists, as well as 2 harps, organ and strings. Includes a Ernst Krenek. Katalog zur Ausstellung der Wiener Stadt- und careful collation of the discrepancies between the manuscript and the various printed Landesbibliothek im Historischen Museum der Stadt Wien, Mai/Juni 1982. editions, a detailed analysis of the various “hands” in the manuscript, a reproduction Herausgegeben von Ernst Hilmar. of Holst’s 2-piano arrangment of “Mars” and 2-organ arrangement of “Neptune”. Vienna, 1982. 17 x 24 cm, 100 pp. Exhibiltion catalog issued in conjunction with Handsome binding with green linen boards and gold lettering. $95 the 80th birthday celebration by the city of Vienna. With descriptions of 282 items, http://www.omifacsimiles.com/brochures/holst.html illustrations, and bibliography of Krenek’s writings. In Ger. Wrappers. $18

343 Works for Small Orchestra. 1: St. Paul’s Suite Opus 29 No. 2; 2: A Fugal KURTÁG, György, b.1926 Concerto Opus 40 No. 2; 3: Double Concerto Opus 49; 4: Brook Green 950 [Games, piano, selected works] Suite; 5: Lyric Movement. Edited by Imogen Holst, Assistant Editor: Colin Zoli Kocsis’s Manuscript Book / Kocsis Zoli Hangjegyfüzete. The History Matthews. of the Manuscript Book. Postscript: The Contents of the Manuscript. Collected Facsimile Edition of Autograph Manuscripts of the Published Works, II. Budapest, 2016. 25 x 34 cm, 96, 10/10 pp, audio CD. Full-color facsimile in the London, 1977. 27 x 36 cm, 205 pp. 2-color halftone. Linen. $85 original format of a manuscript version of “Games” issued on the occasion of http://www.omifacsimiles.com/brochures/holst_so.html Kurtág’s 90th birthday. “Games” is a series of piano pieces written for both teaching purposes and public performance. In the autumn of 1974 the composer (pupil of Messiaen & Milhaud and a close colleague of György Ligeti) began to copy selected KODÁLY, Zoltán, 1882-1967 pieces from Games into a special spiral-bound notebook for Zoltán Kocsis, a former 351 Dance of Marosszék. Piano Solo. Facsimile Edition of the Manuscript piano student and important interpreter of Kurtág’s works. Kocsis played from this (British Library, London, [Ms. UE-Loan 49/21]). notebook in the first public performance of Games in 1974, and since then as well, Vienna, 1982. 29 x 42 cm, 10, i pp. 2-color halftone of the fair copy in the original as the series was expanded over a 30 year period. Koscis writes: “I didn't know that format. Issued for the centenary of the composer’s birth. From this work the the spiral notebook I received at the premiere would later become, as it were, my orchestral version was arranged. $64 permanent companion. That I would take it with me from Japan to Canada, from Australia to Iceland, traveling to the world's most prominent concert halls... that— well beyond the intention of its being 'copied with love'—it would include works 195 Psalmus Hungaricus. Kecskeméti Vég Mihály. 55. zsoltára. Zenéjét irta and sketches for which this notebook would become the principal source”. The Kodály Zoltán. Op. 13. Breuer János, elöszavál. Kass János, rajzaival. [Ms. MS-notebook with 65 pieces—one third of them hommages to contemporary Stiftung Paul Sacher, Basel]. composers—provides a wonderful glimpse into Kurtág's workshop, of equal interest Budapest, 1977. 17 x 24 cm, 47 pp. Halftone of the autograph sketches (1923) to performers and musicologists. The former can understand more from Kurtág's written on 3 and 4 staff lines, together with a printed edition of the poetic texts and handwriting about the composer's intentions than from the printed score and new illustrations. Includes line-cut of Mihály Végh de Kecskemét’s translation of Cantio optima into Hungarian. Introduction in Hun. Cloth. $20 LEIBOWITZ, René, 1913-1972 168 [3 mélodies sur les poèmes de Picasso Op.3, no.4-6] In 181 Psalmus Hungaricus Op. 13. Faksimile-Ausgabe der Originalhandschrift Picasso, Le Point: Revue Artistique et Littéraire, XLII (Octobre 1952). mit einer Studie von Ferenc Bónis. [Ms. Stiftung Paul Sacher, Basel]. 19 x 26 cm, 56, with numerous illus pp. Line-cut of the autograph songs “L’Orchata”, “Les Cloches”, & “Le Chardonne rit”, composed in 1943. Together with Budapest, 1987. 26 x 34 cm, 68, 32 pp. Beautiful 6-color halftone. Issued on the essays on Picasso by 8 contributors. Includes facsimile of Picasso letter and occasion of the 20th anniversary of the composer’s death. Commentary in Ger-Hung. handwriting analysis by the graphologist Raymond Trillat. Wrappers. $35 Linen. $125 OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.8

LIGETI, György, 1923-2006 933 [Rückert Lieder, selections, voice & orch, voice/piano] 205 [Etudes, piano, book 1] Ich bin der Welt abhanden gekommen. Facsimile Edition of the Autograph Études pour piano—premier livre— (1985). Faksimileausgabe/Facsimile Manuscripts, Gilbert Kaplan, Editor. Edition. New York, 2015. 29 x 37 cm, 92 pp, CD audio recording. Full-color reproduction of Mainz, 1986. 27 x 33 cm, 38 pp. 2-color line-cut. With these 6 études the composer one of Mahler’s most popular and poignant songs, composed in 1901 with a text by won the 1986 University of Louisville Grawemeyer Award for Music Composition. Friedrich Rückert. It is the third of the original five-song cycle “Rückert-Lieder”; The manuscript reproduced here represents a preliminary version of the Études, Mahler himself conducted the first performance in 1905 and described “Ich bin der which differs from the final published version. Limited edition of 2000 copies. Welt abhanden gekommen” / “I am lost to the world” as creating “a feeling that rises Wrappers with full-color illustration of a page from the “draft” of étude no.1. $30 just up to the lips, but does not pass beyond them... It is my very self”. This carefully http://www.omifacsimiles.com/brochures/ligeti_pr.html executed facsimile includes the orchestra & piano-vocal autograph versions, sketches, incomplete fair copy in the hand of Alma Mahler, and extensive historical notes and documentation by Gilbert Kaplan and Stephen Hefling. The manuscript 460 [Works, selections] and its survival has an amazing story. Limited bibliophile edition of 400 copies, only Notenbilder. Kunstmappe mit sechs Faksimiles nach Musik-Autographen 200 for the trade. Clothbound with slipcase. $100 von György Ligeti und mit dem Reprint eines Ligeti-Portraits von Klaus http://www.omifacsimiles.com/brochures/mahler_ich.html Böttger: Volumina; Etudes pour Piano; Monument; Violinkonzert; Klavierkonzert; Requiem. 429 [Symphony No.5 in C minor, selections] Mainz/Munich, 1991. 36 x 46 cm, i, iv, 7 pp. Superb full-color facsimile leaves from Adagietto. Facsimile, Documentation, Recording. Gilbert Kaplan, Editor. six works of Ligeti, each of them from “composing” scores for the final draft of the [Mss., Pierpont Morgan Library, New York & New York Public Library at respective work. Ligeti’s compositions take shape almost like frescos, with constant Lincoln Center]. revision, crossing out, and varied use of color. Includes beautiful reprint of an original lithograph-portrait of the composer by Klaus Böttger. Bibliophile edition of New York, 1992. 30 x 38 cm, 112, 20 + 20 pp, CD audio recording. Sharp 300 copies on Arches laid paper, with each leaf numbered and signed by the duotone of both Mahler’s autograph fair copy score and Alma Mahler’s Stichvorlage composer or artist. Distinctive portfolio in white paper with reverse embossed titles. of the “Adagietto” movt of the Fifth Symphony. This wonderfully lyrical movement $630 http://www.omifacsimiles.com/brochures/ligeti_km.html was, according to notes left behind by Willem Mengelberg, Gustav’s declaration of love for Alma. Commentary by Gilbert E. Kaplan and Edward R. Reilly. Copious documentation and bibliography. Includes a new CD recording with the London MAHLER, Gustav, 1860-1911 Symphony Orchestra. Numbered edition of 1500 copies in silk case. $125 955 [Lied von der Erde, selection] http://www.omifacsimiles.com/brochures/mahler_ad.html Der Abschied—Facsimile Edition of the Sixth Movement of Das Lied von der Erde. I: Draft Orchestral Score; II: Particel, Short Score; III: Texts on 382 [Symphonic sketches, Symphony No.?] the Facsimile. [Willem Mengelberg Archive, Nederlands Muziek Institut, Symphonische Entwürfe. Faksimile nach den Skizzen aus der Wiener The Hague]. Stadt- und Landesbibliothek und der Pierpont Morgan Library New York. The Hague, 2017. Oblong, 35 x 27, 3 vols, 44, 20; 46 pp. Fine bibliophile facsimile Erstveröffentlichung. Geleitwort von Claudio Abbado. Herausgegeben von of Mahler’s manuscripts of “Der Abschied” (Farewell), the sixth movement of Das Renate Hilmar-Voit. Lied von de Erde, issued on the 60th anniversary of the Dutch Mahler Society. The edition includes the manuscripts of both the draft orchestral score and the particel Schriftenreihe zu Musik, 3. Tutzing, 1991. 29 x 38 cm, 4 fascicles, 24, 32 pp. short score. In December 1917, the great Dutch conductor Willem Mengelberg Halftone of the autograph sketches in their original bifolio and loose sheet format. conducted the Vienna Philharmonic Orchestra in a performance of Das Lied and Contains three symphonic movements, a Scherzo in c minor/major with trio in Ab following that performance, Alma Mahler presented Mengelberg with the 2 major/C major, a Presto in G major, and an “Allegro energico” in A major. How manuscripts which are the basis of this facsimile. Alma included the note (also these movements fit together or exactly for what purpose they were written is still not provided in facsimile): “To the Friend of Gustav Mahler. . . the most wonderful known. Beautiful portfolio in quarter linen with printed boards. $174 interpreter of his work, Willem Mengelberg”. The particle represents a relatively early stage of the composition and reveals many aspects of how the movement took 498 [Symphony, no.7, D major] shape. The orchestral version is much more complete, but still is considered a draft. Facsimile Edition of the Seventh Symphony. Donald Mitchell/Edward R. Notes by Eveline Nikkels & Frits Zwart, with introduction by Edward Reilly. Limited edition of 400 numbered copies in the original format as presented by Alma Mahler Reilly. [Het Concertegebouw, Amsterdam]. to Mengelberg, 3 volumes, housed in a beautiful box covered with black paper. ’s-Graveland, 1995. 30 x 40 cm, 2 vols, 98; 308 pp. Beautiful full color facsimile of $168 http://www.omifacsimiles.com/brochures/mahler_ab2.html the autograph fair copy published on the occasion of the Concertgebouw Orchestra’s “Mahler-feest 1995.” Contains numerous erasures & revisions, with major but non-structural differences from the printed score, including the elimination of a 816 [Lied von der Erde, selection] contrapuntal section from the second movement. Introduction analyzes relationship Das Lied von der Erde: Der Abschied. “Clavierauszug” – Manuscript – of surviving sources; these include a copyist’s ms & a “cancelled” sketchbook in Facsimile. [Willem Mengelberg Archive, Nederlands Muziek Institut, The Vienna, and two sketch-drafts in New York. Handsome clamshell case in blue linen. Hague]. $375 http://www.omifacsimiles.com/brochures/mahler7.html The Hague, 2002. Oblong, 29 x 23 cm, 15, 17 pp. Color reproduction (c. 85% of original size) of a fascinating autograph draft in the form of a piano-vocal score. It 917 [Symphony No.9, draft, movts 1-3] represents a relatively early stage of the composition and reveals many aspects of IX. Symphonie. Partiturentwurf der ersten drei Sätze. Faksimile nach der how the movement took shape. Notes by Eveline Nikkels & Frits Zwart, introduction by Edward Reilly. Limited edition of 350 copies. Handsomely bound in wrappers Handschrift. Herausgegeben von Erwin Ratz. [Ms. Pierpont Morgan with period decoration and oriental landscape. $54 Library, New York]. http://www.omifacsimiles.com/brochures/mahler_ab.html Vienna, n.d. Oblong, 29 x 23 cm, 158, 8 pp. (Re-issue of the 1971 facsimile edition) Halftone of the autograph draft score. Considered Mahler’s second stage in the composition process (followed only by the final, fair copy) this fascinating document shows instruments notated in the proper transpositions and in the normal score order but without whole-bar rests when they are silent. Afterword in Ger-Eng by Erwin Ratz. Wrappers. $68 OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.9

942 Martner, Knud. PENDERECKI, Krzysztof, b.1933 Mahler’s Concerts. 474 Skizze zur “” (1969/71); Skizze zu “” (1970); Skizze New York, 2010. 22 x 28 cm, 287 pp. Provides the first detailed history of Mahler on zur Oper “” (1984/86). the podium. A carefully researched listing of more than 300 performance arranged Mainz, 1987. Oblong & upright, 42 x 35, 42 x 70 cm, 3 pp. Color facsimile in the chronologically. Illustrated with reproductions of original playbills, programs or original format of 1 sketch page from Utrenja, Kosmogonia and Die schwarze Maske. transcriptions thereof. Hardbound. $50 Folder. $29

MALIPIERO, Gian Francesco, 1882-1973 PFITZNER, Hans, 1869-1949 446 La passione (per soli, coro e orchestra) dalla rappresentazione della Cena 188 Philosophie und Dichtung in meinm Leben. e Passione di Pierozzo Castellano Castellani. Riduzione per pianoforte e Dokumente zur Morphologie, Symbolik und Geschichte (Deutscher Denker). Berlin, canto. 1944. 15 x 21 cm, 23, 7 pp. Line-cut of the autograph written in 1943. With musical Milan, 1935. 26 x 30 cm, 58 pp. Line-cut of the autograph fair copy of the and literary worklist. Wrappers. Rare. $38 piano-reduction score. Wrappers. $75

PIZZETTI, Ildebrando, 1880-1968 MARTUCCI, Giuseppe, 1856-1909 446 Quartetto in re per due violini, viola e violoncello. 915 [Works, selection] Milan, 1934. Oblong, 30 x 21 cm, 96 pp. Line-cut of the autograph fair copy (score), Gli autografi della Fondazione Pagliara. Facsimili dated 3 December 1932. Coverboards in paper. $95 Lucca, 2009. 4°, 2 vols, vii, 219; vii, 171 pp. Line-cut of 7 autograph manuscripts in possession of the Fondazione Pagliara, together with new critical editions: Capriccio per pianoforte op.2; Pensiero musicale per violoncello e pianoforte op.36, no.1; Tre POULENC, Francis, 1899-1963 pezzi per pianoforte op.64; Due canti op.68c; La canzone dei Ricordi op.68a; 807 Cocardes. Chanson populaire sur le poëme de Jean Cocteau: I. Miel de Composizione in re (1902); Terza melodia (1902). Wrappers. $130 Narbonne; II. Bonne d’enfant; III. Enfant de troupe (1919). Introduction-Inleiding: Catherine Miller. Fontes Musicae Bibliothecae Regiae Belgicae, I/VII. Brussels, 2000. 27 x 35 cm, xii, MICHIELSEN, Leonard Pieter Joseph, 1872-1944 14 pp. Halftone of the autograph. Version for violin, cornet, , bass drum & 432 Selected Songs in Autograph. Introduction by Jaap van Benthem. triangle. Wrappers. $24 http://www.omifacsimiles.com/brochures/poulenc.html [Municipal Museum, The Hague]. Dutch Music Facsimiles, 6. Utrecht, 1990. 4º, iv, 23 pp. Line-cut of the autograph fair copy. Contains 5 settings on German texts, 3 on French texts and 2 on Dutch. All REGER, Max, 1873-1916 the songs were composed in the first decade of the 20th c. Wrappers. $24 519 Phantasie und Fuge für Orgel über B A C H. Op. 46. Faksimile des Autographs. Vienna, 1984. 28 x 36 cm, iv, 28 pp. Beautiful 3 and 4-color halftone in original ORFF, Carl, 1895-1982 folio format. Preface in Ger-Eng by Susanne Popp and Susanne Shigihara. Protective 753 Carmina Burana. Cantiones profanae cantoribus et choris cantandae folder. $42 comitantibus instrumentis atque imaginibus magicis. Facsimile of the Composer’s Autograph Score in the Bayerischen Staatsbibliothek München. Edited by the Carl Orff-Stiftung With Introductory Notes by 922 [Schumann, lieder, op.35, selections, arr.] Hartmut Schaefer and Werner Thomas. Zwei Lieder Robert Schumann; bearbeitet von Max Reger für tiefe Singstimme und Orgel ; mit einem Vorwort von Susanne Popp. Mainz, 1997. 32 x 42 cm, 160, xxxi pp. Full-color facsimile, in the original folio format, of the autograph fair copy. Orff’s great musico-dramatic masterpiece Stuttgart, 2011. 24 x 30 cm, 8 pp. Full-color reproduction of the Reger’s autograph composed on a sequence of medieval Latin lyrics with exciting block chords and Mus. Ms. 085, & Mus. Ms. 179, issued on the occasion of the bicentenary of driving rhythms. This deluxe edition captures the dark and light blue inks of the Schumann’s birth. A curiosity arrangement of “Wer machte dich so krank?” (op.35, composer’s handwriting, with additions in lead and colored pencil. Binding in black no.11) and “Alte Laute” (op.35, no.12)—for organ and voice—showing Reger’s linen & quarter leather. (special limited offer). $185 admiration for Schumann. Portfolio. $26 http://www.omifacsimiles.com/brochures/orff_carm.html http://www.omifacsimiles.com/brochures/reger_schum.html

479 Astutuli. Eine bairische Komödie. Faksimile. 520 [Trio, violin, viola, & cello] Mainz, 1986. 22 x 31 cm, 20, 102 pp. Beautiful line-cut of the autograph score in Trio Op.77b. Faksimile der Handschrift herausgegeben aus Anlaß des the original format. Composed in the aftermath of the war, Orff used whatever 100. Geburtstags Max Regers. materials were available to him–thin yellow paper and red ink–and ruled his own Musikalische Veröffentlichung des Max Reger Instituts, 3. Wiesbaden, 1973. Oblong, staff lines. Separate text vol. Afterword by FranzWillnauer. Slipcase. $113 17 x 13 cm, i, 68 pp. Fine 3-color line-cut/halftone issued on the occasion of the composer’s 100th birthday. The use of different inks for the notes versus dynamic and articulation markings, as is the case here, is characteristic of Reger’s fair copies. 207 [W.E. Schäfer et al] Foreword by Ottmar Schreiber. Wrappers, with beautiful presentation folder. $75 Ein Bericht in Wort und Bild. Mit Beiträgen von W.E. Schäfer, K.H. Ruppel, Gustav Rudolf Sellner und Werner Thomas. 348 Max Reger zum 50. Todestag. Süddeutsche Max Reger-Tage 1966. Mainz, 2/ 1960. 22 x 23 cm, 44, 94 plates pp. Rich documentation of Orff’s life and work, with numerous photographs and illustrations of letters and musical mss. 4 Katalog er Ausstellung, München, 2. bis 30. Mai, Regensburg, 21. Juni bis essays in Ger. Linen. $22 24. Juli. Munich, 1966. 15 x 21 cm, 71 pp. Exhibition catalog with descriptions on 347 items. Chronology and comprehensive index. Wrappers. $20 OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.10

ROBERT, Clément, 1886-1941 SAUGUET, Henri, b.1901 441 Prélude, arabesque, tarentelle, op.3, no.1. 232 (Cluzel, Raphaël) Béziers, [1992]. 21 x 30 cm, 27 pp. Line-cut of the Justin Robert edition, Paris, 1911. Jardin allégorique du musicien Henri Sauguet. Poème de Raphaël Cluzel. Laid paper, with stiff folder. $16 Fac-similé du manuscrit. Paris, 1983. 29 x 39 cm, 5 pp. Beautiful line-cut of the autograph. Published on the occasion of a special issue in tribute of Sauguet by La Revue Musicale. Limited ROTA, Nino (Giovanni), 1911-1979 edition of 160 numbered copies signed by the author. Presentation wrappers. $75 962 Nino Rota: La dolce vita. Sources of the Creative Process. Giada Viviani. The Composer’s Workshop, 1 Turnhout, 2018. 25 x 35 cm, 214 pp (105 color illus). Based on the rich collection of sources held at the Fondazione Giorgio Cini, Venice, SCHENKER, Heinrich, 1867-1935 Giada Viviani has reconstructed the most significant phases of the compositional 359 [Schenkerian analysis] process of the La dolce vita soundtrack and documented the close relationship Der Dreiklang. Monatsschrift für Musik. Herausgegeben von Oswald Jonas between Rota and Fellini. The book illustrates the compositional process of the und Felix Salzer. Heft 1-9, Jahrgang 1937-1938. audiovisual sequences, the genesis of the music for the introductory titles and final Hildesheim, 1989. 17 x 24 cm, 213 pp. Line-cut of the Vienna, 1937-38 edition. credits, the management of sound effects and improvised episodes, and the adoption Wrappers. $60 of pre-existing material. The introductory essay presents the composer in the context of the times, early reviews, the film narrative structure and the role of the music in the overall drama. The text is complemented by a wide selection of sources SCHNABEL, Arthur, 1882-1951 reproduced in facsimile. Hardbound. $185 553 Symphony No.1 [für großes Orchester]. http://www.omifacsimiles.com/brochures/rota.html New York, 1945. 23 x 31 cm, 172 pp. Line-cut of the autograph score, dedicated to Samuel Courtauld in memoriam Lil Courtauld. Limited edition, each copy signed by ROUSSEL, Albert, 1869-1937 the composer. Wrappers. $73 835 Concertino pour violoncelle et orchestre. Réduction pour violoncelle et piano (1936). Introduction–Inleidung: Catherine Miller. SCHOENBERG, Arnold, 1874-1951 Fontes Musicae Bibliothecae Regiae Belgicae, I/VIII. Brussels, 2001. 25 x 33 cm, 28 958 Friede auf Erden / Peace On Earth, Op. 13. Facsimile. Edited by Therese pp. Halftone of the autograph fair copy of the piano reduction (violoncello & piano) Muxeneder. plus solo violoncello part. Both autographs contain numerous corrections and Vienna, 2017. 27 x 35 cm, 48 pp. This facsimile edition—prepared 110 years after annotations in pencil. Wrappers. $25 the work was composed—unites 2 autograph music manuscripts of the choral work that displays “the most artful polyphony, most wonderful tonal effect, and sublimest 809 Fugue pour piano (ca 1898); Rustiques pour piano op.5 (1904-1906); expression” (Anton Webern). Peace on Earth, op. 13 is part of the traditional choral Light pour chant et piano op.19 nº 1 (1918); Fanfare pour un sacre païen music repertoire. The text of this a-cappella chorus, composed in 1907 for a (1921). Introduction-Inleiding: Yves Lenoir. competition organized by the Steiermärkischer Musikverein, was taken from a Christmas poem written by . The poem begins with the Fontes Musicae Bibliothecae Regiae Belgicae, I/IV. Brussels, 1987. 27 x 35 cm, xviii, promising message of peace from the Christmas story, and then depicts the history of 30 pp. Line-cut of the autograph. Wrappers. $16 the world after Christ’s birth as a time of war in which the belief in justice and peace had been retained, however; a peace that promises to become reality for future generations. Commentary in Ger-Eng. Beautiful bibliophile edition, original large SAINT-SAËNS, Camille, 1835-1921 folio format, printed on fine silky paper with art paper covers. $46 958 Le carnaval des animaux. Fac-similé du manuscrit autographe / The http://www.omifacsimiles.com/brochures/schoen_frieda.html Carnival of the Animals. Facsimile of the Autograph Manuscripts. Introduction Marie-Gabrielle Soret. De Main de Maître, 2. Turnhout, 2018. 30 x 36.6 cm, 192 pp ( 127 color). 903 Gurre-Lieder. Reproduktion des Autographs nach der Faksimileausgabe Full-color facsimile of the autograph full score—“Stichvorlage”. The second volume von 1912. Herausgegeben von Ulrich Krämer. of the series “De main de maître”, a facsimile collection devoted to orchestral scores Arnold Schönberg Sämtliche Werke, A/V/16,2. Mainz, 2002. 28 x 38 cm, viii, 181 of the most prestigious sources conserved in the Music Department of the pp. Beautiful line-cut reproduction in slightly reduced format of the 1912 facsimile Bibliothèque National de France. If there is one work in all of Saint-Saëns’ musical issued by Universal. Gurre-Lieder is a large cantata for five vocal soloists, narrator, output that supremely captures the disposition so typical of the composer, it is The chorus and large orchestra, based on poems by the Danish novelist Jens Peter Carnival of the Animals, completed in Feb. 1886, and created for friends and Jacobsenwith. Begun in 1900 as a song cycle for soprano, tenor and piano, and performers close to Saint-Saëns and performed about 15 times between 1886 and written in lush late-romantic Wagnerian style, the work was repeatedly put aside for 1894 to a small audience. Because Saint-Saëns feared that his “zoological fantasy” other projects and not completed until 1911. Its premiere took place in Vienna under would damage his reputation, the work was published in its entirety only after his the baton of Franz Schreker, and the performance received positive reviews. In "Des death. Since then, its immense popularity has continued to grow, so much so that it Sommerwindes wilde Jagd" Schoenberg introduced for the first time the vocal is now enjoyed by music lovers and the general public alike. Marie-Gabrielle Soret, technique "Sprechgesang", later explored in Pierrot Lunaire. The original manuscript a Saint-Saëns specialist, provides a detailed description of the work and the context now resides at the Pierpont Morgan Library in New York. Commentary by Ulrich of its creation, the facsimile includes the 14 numbers of The Carnival of the Animals. Krämer. Linen. $207 http://www.omifacsimiles.com/brochures/schoen_gl.html It reveals the composer’s handwriting, all the performance directions as he noted them, and the playful animal drawings with which he decorated his score—a fish for “Aquarium”, the skeleton of a dinosaur for “Fossiles”, and the pale blue pencil silhouette of a swan to illustrate the famous “Swan”. Commentary in Fr-Eng.

965 Un esprit libre. Marie-Gabrielle Soret. Paris, 2020. 27 x 22 cm, 192 (140 illus). Exhibition catalog issued on the occasion of the centenary of the composer’s death comprised of letters, autograph manuscripts, photographs, maquettes of costume and designs from the rich collection of the Bibliothèque nationale de France. Wrappers. $44 OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.11

916 [Kleine Klavierstücke, piano, op.19] 904 [Arnold Schönberg Center] Six Little Piano Pieces, op.19 (1911). Facsimile Edition. Commentary by Arnold Schönberg. Spiele, Konstruktionen, Bricolagen / Games, Christian Meyer. Constructions, Bricolages. Vienna, 2009. 4°. 23 pp. Arnold Schoenberg’s “Six Little Piano Pieces,” op. 19, Vienna, 2004. 18 x 22 cm, 80 pp, w/ 86 color illus. Beautifully illustrated catalog composed in 1911, can be counted among the iconic works of the music of the 20th produced on the occasion of the exhibit “Arnold Schönbergs century. Extreme concision of diction and a immediate will to expression are here Schachzüge—Dodekaphonie und Spiele-Konsruktionen”, Arnold Schönberg Center combined. This newly released facsimile edition permits a detailed study of the and the Universität für angewandte Kunst Wien, 7 May, 13 September 2004. composer’s first written copy and holograph fair copy. The aura of the manuscripts Wrappers. $25 http://www.omifacsimiles.com/brochures/schoen_g.html conveyed by the faithful reproduction of the originals gives an impression of the uniqueness of this piece in its time and also in ours. It allows us to follow compositional thought processes and to obtain insight into details of interpretation. 882 [Arnold Schönberg Center] Wrappers (hardbound version is now out of print). $25 Arnold Schönberg. Portfolio http://www.omifacsimiles.com/brochures/schoen_ks.html Vienna, 2005. 13.5 x 17 cm, 64 pp. A selection of Schoenberg’s paintings and drawings. Includes 32 full color reproductions, printed with black background. Wrappers, in laid paper. $12 http://www.omifacsimiles.com/brochures/schoen.html 555 [Modern Psalms, op.50c] Moderne Psalmen. Die Skizzen zum ersten Psalm. Partitur nach den hinterlassenen Skizzen Schoenbergs herausgegeben von Rudolf Kolisch. 931 [Arnold Schönberg Center] [Ms. Arnold Schoenberg Institute, University of Southern California, Los Schönberg. Pierrot Lunaire Companion. Elke Fess, Therese Muxeneder. Angeles]. Vienna, 2012. 15 x 22 cm, 80 pp, w/ 42 color illus. Beautifully illustrated catalog Mainz, 1956. 23 x 30, upright & oblong cm, 15, 56 with 34, 22 pp. Halftone of all produced on the occasion of composition of Arnold Schoenberg’s Pierrot lunaire in the autograph sketches as well as the full texts of the poems, together with full Berlin in 1912. The work was commissioned by Albertine Zehme, whose recitations transcriptions. Introduction in Ger. Wrappers, with handsome protective folder in were marked by a highly individual aesthetic, aiming to “recapture the ear’s quarter linen. $68 prerogative in life”. In terms of its genre, Pierrot lunaire was historically unique at the time Schoenberg composed it and marks the high point of his expressionistic period. The famous melodrama is placed in the extreme danger zone of post-Romantic 174 Nachtwandler (1901) (Gustav Falke). For Voice, Piccolo, in F, composition. Pierrot, “with waxen countenance”, is a bizarre and nervous figure, Snare Drum and Piano. Score, Facsimile and Parts. enticed into a counterworld of nighttime phantasms and hopeless passions. A Los Angeles, 1969. 4º, ii, 52, 8 pp. Line-cut of the autograph score, together with a cosmos of tonal shading in the colorful realm between singing and speaking. new practical edition (score & parts). Cabaret song composed while Schoenberg Ger/Eng. Wrappers. $15 http://www.omifacsimiles.com/brochures/schoen_pl.html served as musical director of Ernst von Wolzogen’s Überbrettl Theater in Berlin. First used in Wolzogen’s production “Das bunte Theater”. Introduction by Leonard Stein. Wrappers. $22 944 Arnold Schönberg Playing Cards. 1909/1919. Los Angeles, 2015. 54 cards. Besides composing and his theoretical writings Arnold Schoenberg produced hundreds of paintings, toys, games, chess sets and playing 934 A Survivor from Warsaw opus 46. Edited by Therese Muxeneder. cards for his own use. Here is one set of playing cards—carefully executed in Facsimile Edition of the Autograph from the Collection of the Music facsimile. The style is described: “[this] set used grotesque imagery and visual puns Division, Library of Congress, Washington, D..C. With a Preface by Nuria from his caricatures and doodles, with the suit symbols integrated into the designs.” Schoenberg Nono and an Introduction by Therese Muxender. The original cards were made in watercolors and gouache on cardboard with gold Meisterwerke der Musik im Faksimile, 29. Laaber, 2013. Oblong, 41 x 27 cm, xxx, and silver. With plastic box. $20 30 pp. Full color reproduction of the autograph short score preserved in the http://www.omifacsimiles.com/brochures/schoen_play01.html Koussevitzky Collection at the Library of Congress. This deeply inspirational work for narrator, men’s chorus and orchestra, written in just 13 days, is a nice summing up of 944 Arnold Schönberg Playing Cards—Whist/Bridge. 1909/1919. Schoenberg’s compositional and technical achievements. The handwriting of the 73 year old is shaky, and due to failing eyesight relatively large, but nevertheless there is Los Angeles, 2015. 54 cards. Besides composing and his theoretical writings clear and raw energy in his setting and depiction of the horrific Warsaw ghetto, in his Schoenberg produced hundreds of paintings, toys, games, chess sets and playing words, “based partly upon reports which I have received directly or indirectly.” cards for his own use. Here is one set of playing cards—carefully executed in Hardbound with photo reproduction of the original binding. $214 facsimile. The style is described: “[this] set is more severe and geometric, almost http://www.omifacsimiles.com/brochures/schoen_sur.html digital. His inventiveness was driven by a passion for rules, order and numbers, and his cards also reveal his capacity for highly personal expression. The elongated cards are divided into four suits (based upon clubs, hearts, spades and diamonds) each 557 Three Pieces for Chamber Orchestra (1910). Score, Facsimile and Parts. comprising both numeral and double-ended court cards. The designs don't contain Los Angeles, 1962. 4º, 23, 3 pp. Line-cut of the autograph score, together with new many curves and are more technical than fluid. The influence of Jugendstil is practical edition (score & parts). Scored for fl, ob, cl, bsn, hn, org, cel & strings. recognisable.” The original cards were made in watercolors and gouache on Wrappers. $18 cardboard with gold and silver. With plastic box. $20 http://www.omifacsimiles.com/brochures/schoen_play02.html

295 [Arnold Schönberg Center] 425 Arnold Schoenberg: Mit Beiträgen von Alban Berg, Paris von Gütersloh, K. Lesure, François. Dossier de presse du Pierre Lunaire d’Arnold Schoenberg réuni par Horwitz, Heinrich Jalowetz, W. Kandinsky, Paul Königer, Karl Linke, François Lesure avec le concours de Gertraut Haberkamp, Malcolm Robert Neumann, Erwin Stein, Ant. v. Webern, Egon Wellesz. Turner et Emilia Zanetti. Munich, 1912. 15 x 23 cm, 92, with 6 ilus pp. Collection of essays by intellectuals from the “Der Blaue Reiter”. Articles on Schoenberg’s musical innovations (Webern), Anthologie de la Critique Musicale, II. Geneva, 1985. 4º, 240 pp. Reactions of the Die Harmonielehre (Jalowetz), the paintings (Kandinsky & Von Gütersloh), and press (in facsimile). The argument advanced on one side or the other reveal with Schoenberg, the teacher. Illustrations include a contemporary photograph of the particular sharp focus the mentalities and aesthetics of each country in the aftermath composer and 5 reproductions of his art mounted on black paper: “Selbstbildnis” of First World War. Wrappers. $111 (two), “Damenporträt” and “Visionen” (two). The small Festschrift was partly financed by the Gustav Mahler Stiftung. Original wrappers. Rare. $350 OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.12

SCRIABIN, Alexander Nikolaievich, 1872-1915 876 [Symphony no.13, op.113, Bb minor, “Babi Yar”] 944 Piano Sonata No.7 op.64. Faksimile nach dem Autograph im Besitz der Simfonija no.13 Partitura. Faksimile / Symphony No.13. Score. Facsimile. Juilliard School, New York, Juilliard Manuscript Collection, Signatur 2 Sk63 Moscow, 2006. 24 x 32 cm, 196 pp. Facsimile edition of the autograph full score AA JMC. Einleitung von Valentina Rubcova. issued on the ocassion of the 100th anniversary of the composer’s birth. A poem by [Henle Music Facsimiles, 27]. Munich, 2015. 27 x 39 cm. xiv, 26 pp. Deluxe Yevgeny Yevtushenko, a young, but already very well-known poet at that time, full-color facsimile of the autograph issued on the occasion of “Scriabin Year”. called “Babi Yar”, served as the stimulus for beginning work on the symphony. Babi Scriabin’s seventh piano sonata is amongst the late sonatas nos. 6–10, conceived as Yar is a ravine on the northwest outskirts of Kiev, where, carrying out Hitler’s plans preliminary studies for a “Gesamtkunstwerk” of enormous proportions, the to execute the “final solution”, the German troops who occupied Ukraine shot “Mysterium”. The mystic aura of the sonata is communicated to the player not least approximately 100,000 Jews in 1941-1943. Shostakovich writes: “I am in some through the ecstatic performance directions contained in the autograph and the first quandary... I don’t know who will be able to sing it. ...But in the meantime, I came edition. Valentina Rubcova provides a guide for a journey of discovery through up with the idea of writing something else along the same lines to Yevtushenko’s Scriabin’s esoteric musical world. Beautiful textured paper boards with autograph words. His little volume of poetry is making me think about writing a symphony in titling in mauvish crimson. $118 which “Babi Yar” will be the first or second movement. ...I hope Yevtushenko will http://www.omifacsimiles.com/brochures/scriabin.html now write me the poem I asked for. This is how the 13th Symphony is taking shape”. The work experienced unexpected twists and turns during its emergence and development of its central idea, and by dramatic upheavals in the fate of the finished 170 Alexander Nikolaievich Scriabin, 1872-1915. work. After its premiere, the performance of this symphony was long banned, and it Moscow, 1979. 22 x 29 cm, 216, with numerous illus pp. Hundreds of illustrations was never published in the author's homeland in its original and unadulterated form. including photos, title pages, musical mss and letters and documents. Text in Rus. This high-quality reproduction makes this masterpiece accessible for the first time in Linen. $25 its authentic form and gives us a glimpse into the composer’s creative process. The

875 Tahiti-trott (Tea for Two von Vincent Youmans) op.16. Faksimile des SHOSTAKOVICH, Dmitri, 1906-1975 Partiturautographs. Festgabe zum 60. Geburtstag von Hermann Danuser, 790 Sonate für Viola und Klavier / Sonata for Viola and Piano, op.147. herausgegeben von der Paul Sacher Stiftung. Facsimile Edition. Eine Publikation der Paul Sacher Stiftung. [Hamburg], 2006. 30 x 39, 71, 6 pp. Full [Hamburg], c.2000. 24 x 32 cm, 8, 68 pp. Color facsimile of the autograph fair copy color facsimile of Shostakovich’s full score autograph of the orchestra arrangement of issued on the occasion of the 25th anniversary of the composer’s death. The Sonata the musical hit “Tea for Two”. The composer evidently became acquainted with the is his last work and received its premiere on October 1, 1975, after Shostakovich’s Russian version of the song—called “Tahiti-Trott”—in 1926 in the Meyerhold death. As is the case with other works of Shostakovich, quotations from his other Theater, where it formed a number in a theater piece. The composer’s arrangement compositions as well as quotations and reminiscences from works by other (for large orchestra) dates from 1927 and was stimulated by the conductor Nikolaj composers play an important role in the Viola Sonata. During the days of its Malko to whom it was dedicated. As the new proletariat orientation of the Soviet composition the composer wrote an open letter to the musicians of the world: “By culture took place Shostakovitch was compelled to distance himself from the work building bridges into the future we must take care not to burn the bridges connecting which was criticized for its decadent Western posture. Although a set of parts existed today’s culture to its immortal past”; the Viola Sonata demonstrates this living in the Soviet Union, allowing occasional performances and providing the basis of connection between times and cultures with hypnotic power. Preface in Ger-Eng-Rus two posthumous editions (1984 & 2006), the original manuscript stayed in the by Manashir Jakubov. Hardbound. $110 possession of Malko until 1989, when it passed to the Paul Sacher Foundation. This http://www.omifacsimiles.com/brochures/shost_vs.html publication, a festschrift honoring the 60th birthday of Hermann Danuser, presents for the first time a complete facsimile edition, accompanied by 5 essays and a 442 Symphony No.7 “Leningrad” Op.60 (1941). Facsimile Edition of the reproduction of the 1926 Russian edition of Tahiti-Trott. Linen. $89 http://www.omifacsimiles.com/brochures/shost_tt.html Manuscript with a Commentary by Manahir Yakubov. Tokyo, 1992. 26 x 37 cm, 18, 141 pp. Beautiful full-color facsimile of the autograph fair copy score, richly annotated from performances and editors. Issued on the 60th SIBELIUS, Jean, 1865-1957 anniversary of the founding of Zen-On Music, specialist-publisher of the works of 943 Luonnotar op. 70. Facsimile of the Autograph Score and the Piano Shostakovich. Symphony No.7, composed in 1941 in response to the siege of Reduction / Faksimile der autographen Partitur und des Klavierauszugs. Leningrad, is an artistic protest against totalitarianism, war and force, and appeals to Edited by T. Virtanen. all people worldwide for humanism and peace. Preface in Rus-Jap-Eng-Ger. Deluxe Jean Sibelius Werke, Sonderband. Wiesbaden, 2015. 25 x 32 cm, 88 pp. Special edition, in cloth with slipcase. $595 edition issued on the occasion of the 150th birthday of the composer. The large http://www.omifacsimiles.com/brochures/shost7.html orchestral song Luonnotar is considered one of the boldest works of Jean Sibelius. This alone would be reason enough to print the autograph sources (full score and piano reduction) as a color facsimile for the Sibelius Anniversary Year 2015. In addition, the autograph score also has a special significance for the transmission: it ensured the survival of the entire work after World War II; the source material for the printer compiled by Breitkopf & Härtel had been destroyed in an air-raid bombing in 1943. The meticulously elucidated volume is the first complete facsimile edition of an orchestral work by Jean Sibelius – a milestone in Sibelius editorial history that meaningfully supplements the complete edition Jean Sibelius Works as a truly special volume. Linen. $99 http://www.omifacsimiles.com/brochures/sibelius.html

406 Kilpeläinen, Karl. The Jean Sibelius Musical Manuscripts at Helsinki University Library. Complete Calalog. Wiesbaden, 1991. 18 x 25 cm, 520 pp. Systematic annotated catalog of the most extensive collection of Sibelius autographs, sketches, letters, diary pages. Includes hitherto uncatalogued material. Linen. $119 OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.13

SMYTH, Ethel, 1858-1944 604 [Concerto, & orch, op.11] 915 String Trio in D, op.6 for Violin, Viola and Violoncello. Faksimile der Concert für das Waldhorn mit Begleitung des Orchesters oder Pianoforte, Handschrift Smyth MSS 1 Durham University Library. Op.11. Clavierauszug. Faksimile des Autographs mit einem Nachwort von Sound Researh of Women Composers: Music of the Romantic. Kassel, 2010. 8°, 82 Alfons Ott. [Ms. Städtische Musikbibl. Munich]. pp. Full-color facsimile of the autograph score. This ambitious 4-movement trio in D Tutzing, 1971. Oblong, 4º, 20, iv pp. Beautiful line-cut of the autograph score, in major is full of vitality and displays an extraordinary eagerness to experiment with piano reduction format. Written when the composer was 18, the concerto was regard to the specific conditions and potential of the genre. At the same time it is inspired by his horn-playing father, to whom the work is dedicated. Afterword in permeated by a kaleidoscopic variety of themes, which is typical for this spirited Ger. Bibliophile edtion bound in blue leather. $106 composer with her broad education. She intentionally takes on the themes from http://www.omifacsimiles.com/brochures/strauss_hc.html different traditions and uses them to express many facets of her feelings and ability. Hardbound. $88 http://www.omifacsimiles.com/brochures/smyth.html 611 [Etudes, violin] Zwei späte Violinstudien. Daphne-Etude: Etude G-dur nach einem Motiv SOUSA, John Philip, 1854-1932 aus “Daphne” für Violin Solo; Allegretto E-dur für Violin und Klavier. Im 716 The Stars and Stripes Forever by John Philip Sousa. Foreward by Frederick Faksimile und im Erstdruck herausgegeben von Alfons Ott. [Ms. Richard Fennell. Introduction by Jon Newsom. Strauss Collection, Garmish, & Dr. Christian Strauss Collection, Munich]. [Cleveland], 1998. Oblong, 36 x 27 cm, 24, 20 pp. Halftone of the autograph. Varie musiche di Baviera, 3. Giebing, 1969. 21 x 29 cm, i, 5, with 2 pp. Line-cut of Includes a pencil draft in which Sousa sketched the voice leading in the 2 autographs (composed respectively in 1945 and 1948), together with practical accompaniment to guide him in writing out the full score, the full score, and one edition. Introduction in Ger. Wrappers. $15 page of the piano arrangement. With essay by James R. Smart, “Genesis of a March, The Stars and Stripes Forever”. Wrappers. $30 855 Till Eulenspiegels lustige Streiche, opus 28. Nach alter Schelmenweise in Rondoform gesetzt von Richard Strauss, op.28. Faksimile der autographen STOCKHAUSEN, Karlheinz, 1928-2007 Partitur. 930 Gesang der Jünglinge. Elektronische Musik. Faksimile-Edition 2001. 1955-1956. Werk Nr.8. Frankfurt, 1999. 30 x 40 cm, 38, ii pp. Handsome line-cut of the autograph full score. Strauss prepared a new manuscript of the tone poem “Till Eulenspiegel” Kürten, 2001. 4°, 308 pp. Gesang der Jünglinge or "Song of the Youths" is often cited (1895) in 1944, presented here in this facsimile edition. He writes to his grandson as the the first masterpiece of electronic music. A product of Stockhausen's early Richard on 3 Oct. 1944, deeply disconsolate at the destruction of the war: “The day mature years (after studies at the Hochschule für Musik Köln, classes with Frank before yesterday I began to write out the Eulenspiegel score once again; it’s a more Martin and private studies in Paris with Messiaen and Milhaud), this iconic piece was intelligent occupation than fabricating more decrepit original works.... This work realized in 1955–56 at the Westdeutscher Rundfunk Studio in Cologne just recently gives me a lot of pleasure and at least keeps me from thinking about other things”. established by Herbert Eimert. The work comes from a period of absorption with The manuscript, dedicated not only to his children and grandchildren but “to the phonics, acoustics, and information theory. The autograph "score" reproduced here good Till himself on his fifieth birthday”, is largely identical to the original score, in full color and which includes numerous “sketches”, is like no other document in however not without some significant refinements: in the final bars where the the history of music; it consists of a wide variety carefully drawn charts and graphs reinforcement of horns 4 to 8 could be dropped (“ad libitum”), Strauss has combined (including the traditional pentagram). It integrates electronic sounds with the human the original six into a rich three voice texture. Afterword in Ger-Eng by voice by means of matching voice resonances with pitch and creating sounds of Walter Werbeck. Full linen binding with gold lettering. $124 phonemes electronically. Hardbound with photo of Stockhausen on the cover. $360 http://www.omifacsimiles.com/brochures/strauss_til.html http://www.omifacsimiles.com/brochures/stock.html

452 Tod und Verklärung Op.24. Facsimile-Reproduktion der Handschrift. STRAUSS, Richard, 1864-1949 Original: Universal-Edition, Wien. [Ms. Pierpont Morgan Library, New 601 Aus alter Zeit. Gavotte [AV 57]. Faksimile der handschriftlichen Vorlagen York]. sowie des Erstdrucks. Mit einer Einführung von Stephan Kohler. Philarmonia-Faksimiledrucke, 3. Vienna, 1923. 28 x 37 cm, 84 pp. Fine Faksimile-Drucke des Richard-Strauß-Instituts, 1. Tutzing, 1985. 28 x 36 cm, viii, 6 & monochrome collotype of Strauss’ meticulous autograph fair copy (full score), 9 pp. Superb 4-color halftone of the autograph and the 1881 fair copy for Maria completed 18 November 1889. This special facsimile appeared in the 20s during the Beetz. With a reprint of the original 1879 edition with magnificent Jungendstil life of the composer, a fact that was unprecedented. Standard binding with purple illustrations. Introduction. Wrappers. $53 paper boards. $300

603 [Concerto, horn & orch, op.11] 609 Wer hat’s gethan? (H. v. Gilm). Erstausgabe des Liedes mit vollständigem Concert für das Waldhorn mit Begleitung des Orchesters oder Pianoforte, Faksimile, sowie Nachwort von Willi Schuh. [Ms. The Pierpont Morgan Op.11. Clavierauszug. Faksimile des Autographs mit einem Nachwort von Library, New York]. Alfons Ott. [Ms. Städtische Musikbibl., Munich]. Tutzing, 1974. 25 x 34 cm, 15, with 2 pp. Halftone. Together with performing Tutzing, 1971. Oblong, 34 x 25 cm, 20, iv pp. Beautiful line-cut of the autograph edition. Wrappers with handsome cloth covering. $27 score, in piano reduction format. Written when the composer was 18, the concerto was inspired by his horn-playing father, to whom the work is dedicated. Afterword in Ger. Linen. $42 http://www.omifacsimiles.com/brochures/strauss_hc.html 610 “Wir beide wollen springen”. Ein Meisterlied aus der Zeit des Jugendstils gedichtet von Otto Julius Bierbaum, komponiert von Richard Strauss, illustriert von Julius Diez. [Ms. Städtische Musikbibl. Munich]. Tutzing, 1968. 30 x 38 cm, 20, 4, 1 (extra-large) pp. Photographs of composer, poet and illustrator as well as autograph of original poem. Special edition of 400. Edited and introduction by Alfons Ott. With protective slip cover. $35 OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.14

608 [Correspondence, to Thuille] 423 [Symphonies for Wind Instruments, 1920 ver.] Richard Strauss und Ludwig Thuille. Briefe der Freundschaft 1877-1907. Symphonies d’instruments à vent. Faksimileausgabe des Particells und der Herausgegeben von Alfons Ott. Partitur der Erstfassung (1920) herausgegeben und kommentiert von Drucke zur Münchner Musikgeschichte, IV. Munich, 1969. 15 x 22 cm, 246 pp. All André Baltensperger und Felix Meyer. the Strauss letters provided in line-cut facsimile and edition. Hardbound with Eine Veröffentlichung der Paul Sacher Stiftung. Basel, 1991. 22 x 26 cm, 48, 36 pp. decorative paper & slip case. $45 Superb full-color halftone of the autograph full score and short score (particell). One of the last works from the composer’s “Russian” period, written for 23 wind instruments and dedicated to the memory of Claude Debussy. Reproduces the first STRAVINSKY, Igor, 1882-1971 version from 1920 in its two surviving versions: a full score fair copy (copied on thin 858 Stravinky’s Histoire du Soldat: A Facsimile of the Sketches. Edited by ruled yellow paper) and the autograph particell. Commentary in Ger-Eng. Handsome Maureen A. Carr. binding with vellum spine and red paper boards, plus matching slipcase. $211 Music in Facsimile. Madison, 2005 23 x 31 cm, 355 pp (224 plates). Halftone http://www.omifacsimiles.com/brochures/strav_sw.html reproduction of the autograph draft in various stages of development, mostly notated in short score. The facsimile contains all the existing musical sketches, reproduced 208 from the combined holdings of the Paul Sacher Stiftung in Basel and the Rychenberg [Kunstmuseum Basel] Stiftung in Wintertur; the editor has provided a careful ordering and description of Strawinsky. Sein Nachlaß. Sein Bild. [Herausgegeben vom] Kunstmusuem the highly diverse material which comes down to us in 8 distinct sketchbooks. Basel in Zusammenarbeit mit der Paul Sacher Stiftung. Contributions by Maureen Carr, Philippe Girard, Alain Rochat, & Noël Cordonier. Basel, 1984. 22 x 30 cm, 386 pp; 20, 16 pp (booklets). Catalog to the exhibition held Wrappers, with colorful artwork. $110 at the Kunstmuseum, June 6 to September 9, 1984. One of the richest picture http://www.omifacsimiles.com/brochures/strav_histoire.html documentaries ever assembled, consisting of essays and hundreds of facsimiles from the vast holdings of the Paul Sacher Foundation. Original designs for various stage works. Hardbound, with Stravinsky autograph on cover. (in German) $75 707 [3 Pieces, string quartet] http://www.omifacsimiles.com/brochures/straw.html Trois pièces pour quatuor à cordes. Skizzen, Fassungen, Dokumente, Essays. Festgabe für Albi Rosenthal zum 80. Geburtstag. Herausgegeben von Hermann Danuser in Verbindung mit Felix Meyer und Ulrich Mosch. 425 Lesure, François. Eine Veröffentlichung der Paul Sacher Stiftung. Winterthur, 1994. 25 x 38 cm, 174 Dossier de presse du Sacre du Printemps d’Igor Stravinsky réuni par pp. Beautiful full-color reproduction, documenting all the compositional stages of François Lesure avec le concours de Gertraut Haberkamp, Malcolm this important work: an early 4-hand version, various sketch-drafts, the complete fair Turner et Emilia Zanetti. copy (with first printed edition below), plus the first printed edition of the piano Anthologie de la Critique Musicale, I. Geneva, 1980. 8°, 180 pp. Reactions of the 4-hand version of 1914. Musicological contributions (in Ger & Fr) by Ernst press (in facsimile) from the first night in Paris (1913) until the time that this work Lichtenbahn, Richard Turuskin, Ulrich Mosch, Felix Meyer, Hermann Danuser, finally was accepted on its own merits (1928). Wrappers. $61 Niklaus Röthlin, & Robert Riencikowski. Dedicated to Albi Rosenthal on his 80th birthday. Hardbound. $254 http://www.omifacsimiles.com/brochures/strav_trois.html 240 [Musée d’Art Moderne de la Ville de Paris] Igor Stravinsky. La carrière européene. 14 Octobre–30 November 1980. 927 Stravinsky's Pulcinella: A Facsimile of the Sources and Sketches. Maureen Musée d’Art Moderne de la Ville de Paris. A. Carr. Paris, 1980. 21 x 26 cm, 123, with 77 illus pp. Exhibition catalog. Introduction in Fr Music in Facsimile. Madison, 2010. 23 x 31 cm, ix, 433 pp (250 plates). Halftone by François Lesure. Description of 357 exhibited items, including musical monochrome reproduction of all the known musical sources and sketches for autographs, letters, photographs and drawings. Chronology. Wrappers. $22 Stravinsky’s Pulcinella (1919-1920) from the combined holdings of the Paul Sacher Stiftung and the British Library. The commentary addresses the genesis of the idea for Pulcinella, the sources chosen and discarded by Stravinsky, compositional process 353 [New York Public Library] and the collaboration of Pabla Picasso and choreographer Léonide Massine in Stravinsky and the Theatre: A Catalogue of Decor and Costume Designs shaping the work. Includes additional essays by Lynn Garafola, Ulrich Mosch, for Stage Productions of His Works, 1910-1962. Jeanne Chenault Porter and Richard Taruskin. Wrappers, with colorful artwork. $180 New York, 1963. 22 x 22 cm, 57 pp. Companion volume to the exhibition catalogue http://www.omifacsimiles.com/brochures/strav_pul.html Stravinsky and the Dance: A Survey of Ballet Productions, 1910-1962 (May, 1962). Includes 38 illustrations; full-color portrait of Igor Stravinsky by Albert Gleizes. 930 The Rite of Spring / Le sacre du printemps (1910-13). Centenary Edition in Wrappers. $16 Three Volumes. Facsimile of the Autograph Full Score Edited by Ulrich Mosch; Facsimile of the Version for Piano Four-Hands Edited by Felix SZYMANOWSKI, Karol, 1882-1937 Meyer; Avatar of Modernity: the Rite of Spring Reconsidered Edited by 622 Harnasie. Facsimile szkicu partytury. Przygotowali do wydanie Teresa Hermann Danuser and Heidy Zimmermann. Chylinska i Zygmunt Kasicki. A Publication of the Paul Sacher Foundation. London, 2013. 25 x 32 cm, 3 vols. Full Krakow, 1982. 28 x 38 cm, iv, 176 pp. Halftone of the autograph score in the color facsimile edition issued on the occasion of the 100th anniversary of the first original format. Issued on the occasion of the centenary of the composer’s birth. performance of the Rite of Spring. It was an epochal moment in the history of both Introduction in Pol. Folder. $89 music and ballet, and it signalled the breakthrough into Modernism. Subtitled “Scenes from Pagan Russia”, it is a work of international scope created as a collaboration among leading figures working in multiple genres—and a masterpiece TANEYEV, Sergei, 1856-1915 of extraordinary artistic potency. Ger-Eng text. 881 Canzone, clarinette et quintette à cordes. Clarinette, ou violoncelle, et http://www.omifacsimiles.com/brochures/strav_rite.html piano. c.1883. Présentation par Valeriy Berezin. [Glinka Museum, Moscow; Moscow Conservatory Library]. Collection Dominantes. Courlay, 2006. 24 x 34 cm, 2 parts, xvii, 10 parts, 80 pp. Line-cut of the autograph and contemporary ms material. Introduction in Fr-Rus-Eng-Ger. Wrappers, in portfolio. $48 OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.15

THOMSON, Virgil, 1896-1989 161 [Hilmar, Ernst] 445 [“Bugles and Birds”, piano, portrait of Picasso] Anton Webern, 1883-1983. Eine Festschrift zum hundertsten Geburtstag Picasso. Words: Gertrude Stein; Music: Virgil Thomson. [Yale Music herausgegeben von Ernst Hilmar mit einer Einleitung von Henri Pousseur. Library]. Vienna, 1983. 17 x 24 cm, 296 pp. Exhibition catalog issued on the occasion of the New York, 1992. 26 x 36 cm, c.40, 4 pp. “Portraits”, one in words, the other in International Webern year. Inlcudes numerous essays, illustrations, & letters. music, of Pablo Picasso. Includes beautiful letterpress edition of Stein’s Picasso Worklist. In Ger. Wrappers. $20 (1909), A Completed Portrait of Picasso (1923), Picasso (1938 monograph) and Thomson’s Bugles and Birds: A Portrait of Picasso (30 April 1940). Thomson does not attempt to evoke Picasso’s visual art, rather, “only the sitter’s presence is portrayed”. WEILL, Kurt, 1900-1950 Limited numbered edition of 275 copies, in handsome silk case. $350 723 Die Dreigroschenoper. A Facsimile of the Holograph Full Score. Music by Kurt Weill. Lyrics by Bertolt Brecht. Edited by Edward Harsh. The Kurt Weill Edition, IV/1. New York, 1996. 30 x 39 cm, [viii], 151 pp. Beautiful 639 [Portraits, piano] color reproduction of the autograph score. Initiates the complete works edition of Eighteen Portraits. A Collaboration by Virgil Thomson & Maurice Grosser. Kurt Weill. (Subscribers to the series receive a substantial savings). $225 New York, 1985. 38 x 50 cm, iv, 108 pp. Superb halftone. For many years Virgil http://www.omifacsimiles.com/brochures/weill.html Thomson and Maurice Grosser made portraits of mutual friends, in music and paint respectively. For the first time Eighteen Portraits documents this association in a beautiful portfolio containing portraits of the artists and 16 friends in music and 159 [Marz, Henry] lithography. Handmade Banryo Hikizome paper in a beautiful portfolio of Tussah Kurt Weill and Lotte Lenya. Library and Museum of the Performing Arts at silk by Gérard Charrière and Carol Joyce. Edition of 120 signed copies. $2995 Lincoln Center and the Goethe House New York. http://www.omifacsimiles.com/brochures/thomson.html New York, 1976. 18 x 28 cm, 88 pp. Special exhibition catalog produced on the occasion of Weil’s 75th birthday, but equally devoted to Lotte Lenya. Numerous color & B/W illustrations of sets from operas, drawings, photographs, as well as 11 TIPPETT, Michael, b.1905 pages of musical mss from songs and operas in facsimile. 12 literary contributions by 210 Michael Tippett: A Man of Our Times. persons close to Brecht or Lenya, including Leonard Bernstein and Rex Reed. London, 1977. Oblong, 25 x 22 cm, 126 pp. Special exhibition chaired by Colin Worklist and chronology for both artists. Wrappers. $18 Davis. Hundreds of photos, facsimiles of letters, musical autographs, newspaper clippings, etc. Wrappers. $21 COMPOSITE & MISCELLANEOUS SOURCES 212 [Sacher Stiftung, Basel] WALTON, William, 1902-1983 Handschriften aus der Sammlung Paul Sacher. Festschrift zu Paul Sachers 666 Façade 2. Poems by Edith Sitwell. Music by William Walton. Facsimile. siebzigtem Geburtstag. London, [1979]. Square, 29 x 29 cm, 26, 5 pp. Line-cut of the composer’s 1977 Basel, 1976. 4º, 197pp (68 illus.). Full-color halftone. Rich anthology of 20th-c. revised and reordered version. Consists of 8 settings of Sitwell’s poetry for small compositions from the library of one of the most enthusiastic promoters of orchestra and reciter. Wrappers. $25 contemporary music. Comprehensive catalog of 201 mss now in the Sacher collection. Full-size color plates of works by Conrad Beck, Jean Binet, Boris Blacher, Robert Blum, Benjamin Britten, Fritz Brun, Willy Burkhard, Alfredo Casellla, Ferenc WEBERN, Anton, 1883-1945 Farkas, Walther Geiser, Josef Matthias Hauer, Hans Werner Henze, Paul Hindemith, 671 Sketches (1926-1945). Facsimile Reproductions from the Composer’s Arthur Honegger, Hans Huber, , Jacques Ibert, , Dinu Autograph Sketchbooks in the Moldenhauer Archive. Commentary by Lipatti, Ina Lohr, André-François Marescotti, Bohuslav Martinů, Marcel Mihalovici, Ernst Krenek with a Foreword by Hans Moldenhauer. Paul Müller, Walther Müller von Kulm, Bo Nilsson, Goffredo Petrassi, Richard New York, 1968. Oblong, 37 x 30 cm, 16, 47 pp. Fine line-cut reproduction of the Strauss, Igor Stravinsky, Robert Suter, Sándor Veress, Felix Weingartner, Superb autograph. Webern made preliminary drafts for his compositions which show stages bibliophile edition, 1000 hand-numbered copies. Vellum spine. Rare. $450 of evolution and the unending thought and care that he bestowed upon them. While Stravinsky called the finished products “those dazzling diamonds”, this volume allows us a glimspe into the composer’s workshop. These fascinating sketches, MODERN EDITIONS extracted from five sketchbooks from the Webern Archive, illustrate the meticulous 687 [Goruppi, Giuliano] step-by-step process of the composer’s 12-tone technique. Compositions include Antichi e nuove melodie di natale. Elaborazioni per coro, quattro op.19, 20, 21, 22, 24, 31 and several unidentified works. Handsome binding in strumenti a fiato e organo di Giuliano Goruppi. beige and brown linen, with slipcase. $50 Lucca, 2009. 23 x 31.5 cm, x, 188 pp. Critical edition of 9 Christmas songs. http://www.omifacsimiles.com/brochures/webern.html Contents: Luciano Migliavacca “Brilla una luce in cielo”; Tradizionale, “Conventry Carol”; Enrico Capaccioli, “Lieti Pastori”; Settimio Zimarino, “Ninna nanna a Gesù 670 Sechs Stücke für großes Orchester Opus 6. Faksimile-Ausgabe der bambino”; Luigi Ricci, “Pastorale”; Carlo Adolfo Bossi, “Puer natus”; Stanko Premrl, “Quem Vidistis”; Jan Kampanus Vodnansky, “Rorando caeli defluant”; Katherine autographen Partitur der ersten Fassung und des von Webern korrigierten Davis, “The little drummer boy”. Wrappers. $40 Handexemplares des Erstdruckes. Einführung und Analyse von Claudio Abbado. 687 Festgabe der Wiener Stadt- und Landesbibliothek. Vienna, 1983. 27 & 24, 15 pp. Mazzocchi. Domenico. Beautiful halftone. Limited edition of 300 copies. With contributions by F. Patzer and Madrigali a cinque voci e d’altri varij concerti 1638. A cura di Luca E. Hilmar. Portrait of Oscar Kokoschka. Folder. Mancini. Lucca, 2009. 21 x 31 cm, xxi, 196 pp. Critical edition. Wrappers. $46 672 Variations für Klavier Op. 27. Webern’s Ideas on the Work’s Interpretation Set Out for the First Time by Peter Stadlen with the Aid of His Facsimile of 688 Naccimbeni, Stefano. His Working Copy Containing Webern’s Instructions for the World Messe a otto voci con la partitura per l’organo. A cura di Licia Mari. Première. Musiche della Basilica di Santa Barbara in Montova, 1. Lucca, 2009. 21 x 31 cm, Vienna, 1979. 4º, vii, 18 pp. Halftone reproduction of Webern’s annotated print xviii, 256 pp. Critical edition. Wrappers. $69 along with Stadlen’s copy annotated for performance. Wrappers. $29 OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.16

578 Puccini, Giacomo (critical vocal score) 680 Weill, Kurt (collected edition) Tosca. Melodramma in Three Acts by Luigi Illica – Giuseppe Giacosa Mahagonny: Ein Songspiel. Edited by Giselher Schubert. Based on the Drama by Victorien Sardou. English Version by Roger Parker. The Kurt Weill Edition, I/3. New York, 2016. 30 x 39 cm. 182; 59 pp. This first Reduction for Voice and Piano of the Revised Edition of the Full Score collaboration between Weill and Bertolt Brecht would achieve epochal importance Based on the Original Sources, Edited by Roger Parker. in the genre of opera (and music theater in general); it led Weill to form his signature [Critical Editions of Vocal Scores]. Milan, 1997. 8º, lxx, 335 pp. Wrappers. $30 'Song style,' which would exercise a stylistically formative impact on the music of the Weimar Republic; it brought about a musical breakthrough for Weill's wife Lotte Lenya, whose performance inaugurated a new species of singer-actor; and it 612 Puccini, Giacomo (complete works for voice & pf) represents Brecht's debut as a stage director in the domain of musical theater. In Casa mia, casa mia. Per soprano o tenore e pianoforte. A cura di Pietro addition the work served as a study for one of the most popular operas of the 20th Spada. century, Aufstieg und Fall der Stadt Mahagonny. Linen. $340 http://www.omifacsimiles.com/brochures/weill.html Tutte le Composizioni per Voce e Pianforte, XIV. Rome, 1998. 4º, 8 pp. Wrappers. $4 627 Weill, Kurt (collected edition) Die Dreigroschenoper. Deutsche Bearbeitung von Bertolt Brecht. Musik 600 Puccini, Giacomo (critical vocal score) von Kurt Weill. Edited by Stephen Hinton and Edward Harsh. Tosca. The Kurt Weill Edition, I/5. New York, 2000. 30 x 39 cm, 285 pp. Cloth. (Subscribers [Critical Editions of Vocal Scores]. Milan, 1997. Cloth. $50 to the series receive a substantial savings). $360 http://www.omifacsimiles.com/brochures/weill.html 555 [Trios, wind] D. Milhaud: Suite d’après Corrette, op.161 (1937); H. Sauguet: Trio 693 Weill, Kurt (collected edition) (1946); J. Canteloube: Rustiques (1946). Johnny Johnson. Edited by Tim Carter. Monaco. 4º, 3 parts, 80 pp. Scored for oboe, & . Portfolio. $55 The Kurt Weill Edition, I/13. New York, 2012. 30 x 39 cm. 348; 116 pp. Originally produced by the legendary Group Theatre in 1936, Johnny Johnson marked Weill's 555 [Trios, wind] first contribution to the American musical theater. With book and lyrics by Pulitzer J. Ibert: Cinq pièces en trio (1935); G. Auric: Trio (1938); H. Barraud: Prize-winning playwright Paul Green, the anti-war musical opened in November 1936 on Broadway, where it enchanted audiences and critics alike. Lee Strasberg Trio (1935); Daniel-Lesur: Suite (1939). directed, and the cast included a young Elia Kazan. The edition presents Johnny Monaco. 4º, 3 parts, 100 pp. Scored for oboe, clarinet & bassoon. Portfolio. $55 Johnson in full score, with the complete spoken text placed between the musical numbers. The editor drew on a vast array of surviving source materials, including not only Weill's manuscripts but also rehearsal scores and sets of instrumental parts, 672 Weill, Kurt (collected edition) often containing several layers of chaotic performance annotations. Carter's Zaubernacht. Edited by Elmar Juchem and Andrew Kuster. introductory essay illuminates the work's genesis and performance history, the The Kurt Weill Edition, I/0. New York, 2008. 30 x 39 cm, 2 vols, 224, 72 pp. editorial process, and performance issues. 11 plates with facsimiles illustrate editorial Zaubernacht is an hour-long stage work scored for an imaginative 9-piece ensemble challenges and solutions. A separate critical report documents every step of the consisting of flute, bassoon, percussion, piano and 5 string players. Weill composed editorial process and provides additional information for future stagings. Linen. $440 this children's pantomime in 1922, while he was a member of Ferruccio Busoni's http://www.omifacsimiles.com/brochures/weill.html master class in composition in Berlin. Based on a scenario by Wladimir Boritsch (1891–1954), an elusive writer and impresario from Russia, the pantomime received its world premiere on 18 Nov. 1922 at Berlin's Theater am Kurfürstendamm. The 681 Weill, Kurt (collected edition) work's only other production occurred at New York City's Garrick Theatre in Lady in the Dark. Edited by Bruce D. McClung and Elmar Juchem. December 1925, after which the orchestration disappeared. After 80 years of The Kurt Weill Edition, I/16. New York, 2018. 30 x 39 cm. 3 vols, 748; 137 pp. Two obscurity, Kurt Weill’s first stage work is available again in this critical edition thanks fateful meetings in Nov. 1939 between Kurt Weill and Moss Hart led inexorably to a to the rediscovery of the original set of instrumental parts at Yale University in 2006. new kind of Broadway musical. It was the brainchild of Weill, Hart and lyricist Ira Cloth. (Subscribers to the series receive a substantial savings). $340 Gershwin, and the opening-night roster included the talented Gertrude Lawrence, http://www.omifacsimiles.com/brochures/weill.html Danny Kaye, Victor Mature, Bert Lytell, Natalie Schaefer, MacDonald Carey and producer Sam Harris. The new show, entirely innovative in form and subject matter, used psychoanalysis as the primary plot driver and staged the protagonist's 664 Weill, Kurt (collected edition) spectacular dreams as one-act operas, giving audiences glimpses of the glamorous Der Protagonist. Edited by Gunther Diehl and Jürgen Selk. worlds of fashion and publishing as well as the intimacies of a psychiatrist's office. The Kurt Weill Edition, I/1. New York, 2007. 30 x 39 cm, 2 vols, 377, 56 pp. Weill’s Lady in the Dark landed like a bombshell on Broadway in January 1941. Now, for first opera, a one-act work from 1925 with libretto by Georg Kaiser, an outstanding the first time since then, producers and directors can recreate the magic from this representative of expressionist drama. It belongs to a series of early compositions that new critical edition of the score, book, and lyrics. Through patient and thorough systematically explored almost every musical genre: chamber music, choral music, examination of a wealth of archival and other unpublished sources, the editors lieder, orchestral works, and ballet. With the successful premiere of the opera on 27 present a version of the show very close to what hit the boards in 1941. 3 vols, linen March 1926, conducted by Fritz Busch, Weill not only achieved a spectacular bound. $675 http://www.omifacsimiles.com/brochures/weill.html breakthrough as a composer but also rose to prominence among the young composers identified at the time with the renewal of opera. Hardbound. (Subscribers 683 to the series receive a substantial savings). $475 Weill, Kurt (collected edition) http://www.omifacsimiles.com/brochures/weill.html Happy End. ein Stück mit Musik in drei Akten von Elisabeth Hauptmann. Edited by Stephen Hinton and Elmar Juchem. The Kurt Weill Edition, I/6. New York, 2020. 30 x 39 cm. 2 vols, 240, 61 pp. Hardbound. $450 http://www.omifacsimiles.com/brochures/weill.html OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.17

637 Weill, Kurt (collected edition) MONOGRAPHS The Firebrand of Florence. Broadway Operetta in Two Acts. Music by 652 Addessi, Anna Rita & Roberto Agostini. Kurt Weill, Lyrics by Ira Gershwin, Book by Edwin Justus Mayer Based on Il giudizio estetico nell’epoca dei mass media. Musica, cinema, teatro. A His Play The Firebrand. Edited by Joel Galand. cura di Anna Rita Addessi e Roberto Agostini. The Kurt Weill Edition, I/18. New York, 2002. 30 x 39 cm, 3 vols, 1,008, 115 pp. Lucca. 2003. 12º, xiv, 156 pp. Articles by Mario Baroni, Simon Frith, Tullia Magrini, Broadway musical based on the life of the Florentine sculptor Benvenuto Cellini. François Jost, Antonio Boschi, Ugo Volli, Marco De Marinis, Piero Bertolini (& Cloth. (Subscribers to the series receive a substantial savings). $600 Marco Dallari), Eugenia Casini Ropa, Jean Molino and Paolo Gozza. Wrappers. $24 http://www.omifacsimiles.com/brochures/weill.html

688 Agamennone, Maurizio. 652 Weill, Kurt (collected edition) Su Daniele Paris. Storie e memorie di un direttore d’orchestra. Chamber Music. Edited by Wolfgang Rathert and Jürgen Selk. Documenti di Storia Musicale Abruzzese, 6. Lucca, 2009. 8º, 358 pp, audio CD. The Kurt Weill Edition, II/1. New York, 2004. 30 x 39 cm, 2 vols, 192, 107 pp. The Wrappers. $65 first volume of Weill’s chamber works edited in critical edition. Contents: String Quartet in B Minor, String Quartet op.8, Sonata for Violin and Piano, Frauentanz: Sieben Gedichte des Mittelalter, op.10 (voice, fl, vla, cl, hn, bsn), Ick sitze da_un 696 Agresta, Maria Francesca. esse Klops (voice, 2 pic, bsn). Cloth. (Subscribers to the series receive a substantial Il Suono dell’Iteriorità. Daniele Paris per il cinema di Liliana Cavani, Luigi savings). $335 http://www.omifacsimiles.com/brochures/weill.html Di Gianni, Lorenza Mazzetti. Lucca, 2010. 8º, xvii, 166 pp. Wrappers. $39 690 Weill, Kurt (collected edition) Music with Solo Violin. Edited by Andreas Eichhorn. 698 Alberti, Alfonso. The Kurt Weill Edition, II/2. New York, 2010. 30 x 39 cm. 246; 71 pp. This volume La rosa è senza perché. Niccolò Castiglioni, 1966-1996. contains the full scores of the Concerto for Violin and Wind Orchestra, op. 12, and Lucca, 2012. 12º, 281 pp. Wrappers. $44 Der neue Orpheus, op. 16, Weill’s cantata for soprano, solo violin, and orchestra on a text by Iwan Goll. Weill composed the works in 1924 and 1925, respectively. The concerto received its world premiere in 1925 in Paris during the “Exposition 663 Alberti, Alfonso. internationale des Arts décoratifs et industriels modernes” (the international arts fair Niccolò Castiglioni 1950-1966. that gave rise to the term art “deco”); the cantata was first heard in 1927 when Erich Quaderni del Corso di Musicologia del Conservatorio “G. Verdi” di Milano, 8. Kleiber conducted it at Berlin's Staatsoper. Although piano reductions appeared Lucca, 2006. 8º, 306 pp. Wrappers. $40 during the composer's lifetime, he never saw the works published in full score. In 1965 Universal Edition issued a full score of the concerto, but it was not actually engraved, and it lacked editorial commentary. Linen. $375 673 Alberti, Alfonso. http://www.omifacsimiles.com/brochures/weill.html Le sonate di Claude Debussy. Contesto, testo, interpretazione. Repertori Musicali, 3. Lucca, 2008. 14 x 22 cm, xvii, 231 pp. Hardbound. $30 597 Weill, Kurt (collected edition) Die Dreigroschenoper. A Facsimile of the Holograph Full Score. Music by 675 Angermüller, Rudolph & Elena Biaggi Parodi. Kurt Weill. Lyrics by Bertolt Brecht. Edited by Edward Harsh. Antonio Salieri (1750-1825) e il teatro musical a Vienna. Convenzioni, The Kurt Weill Edition, IV/1. New York, 1996. 30 x 39 cm, [viii], 151 pp. Beautiful innovazioni, contaminazioni stilistiche. A cura di Rudolph Angermüller e color reproduction of the autograph score. Initiates the complete works edition of Elena Biaggi Parodi. Kurt Weill. (Subscribers to the series receive a substantial savings). $225 http://www.omifacsimiles.com/brochures/weill.html Grooves—Edizioni di Musiche Audiotattili, 1. Lucca, 2012. 17 x 24 cm, x, 461 pp. Wrappers. $70

683 Weill, Kurt (collected edition) Popular Adaptations, 1927-1950. Edited by Charles Hamm, Elmar Juchem 649 Augoyard, Jean-François & Henry Torgue. and Kim H. Kowalke. Repertorio degli effectti sonori. A cura di Adolfo Conrado. The Kurt Weill Edition, IV/2. New York, 2009. 30 x 39 cm. 326 pp. Thanks to a Quaderni di Musica/Realtà, 52. Lucca, 2003. 8˚, xii, 192 pp. Wrappers. $29 sustained, multiyear search, every known popular adaptation of Weill's music published during his lifetime is included in a full-color gallery of covers and its 673 catalogue: workers' choruses, virtuosic violin showpieces, sheet music, vocal gems Barbieri, Daniele, Luca Marconi & Francesco Spampinato. and selections, polyglot songbooks, newspaper supplements, anthologies, dance L’ascolto musicale. Condotte, pratiche, grammatiche. A cura di Daniele band and choral arrangements. Particularly prone to physical deterioration and loss Barbieri, Luca Marconi, Francesco Spampinato. over time, some of these items have apparently survived only as unica. The 176 Lucca, 2008. 17 x 24 cm, xi, 373 pp. Wrappers. $59 covers tell a colorful tale all on their own, and each of the 38 black-and-white facsimiles is printed at full size and in original format. A magisterial essay by Charles Hamm, one of the foremost scholars of popular music in the 20th century, 686 Baroni, Mario. accompanies the illustrations and discusses each facsimile in detail. As none of L’insegnamento come scienza. Ricerce sull didattia della musica a cura di Weill’s theatrical works were available in full score, the publication is an essential Mario Baroni. volume in documenting how Weill's music was transmitted and received during his Manuali d’Analisi e Teoria Musicale, Collana del G.A.T.M., 3 Lucca, 2009. 8º, xv, lifetime. Cloth. (Subscribers to the series receive a substantial savings). $225 148 pp. Wrappers. $32 http://www.omifacsimiles.com/brochures/weill.html OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.18

655 Baroni, Mario. 560 Cerchio, Bruno. L’orecchio intelligente. Guida all’ascolto di musiche non familiari. Il suono filosofale. Musica e alchimmia. Postfazione di Maurizio Manuali d’Analisi e Teoria Musicale, Collana del G.A.T.M., 1 Lucca, 2004. 8º, xii, Barrancano. 268 pp, 2 CDs. A guide to listening to non-familiar music, from the medieval period Musica Ragionata, 2. Lucca, 1993. 12º, 151 pp. Wrappers. $26 to the present time. Wrappers. $32

626 Cescotti, Diego. 555 Bastianelli, Giannotto. Riccardo Zandonai. Catalogo tematico. Gli scherzi di Saturno. Carteggio 1907-1927. A cura di Marcello de Hermes, Musica e Spettacolo nel Novecento, 8. Lucca, 1999. 8º, xxx, 659 pp. Angelis. Wrappers. $80 Hermes, Musica e Spettacolo nel Novecento, 1. Lucca, 1991. 8º, lxv, 339 pp. The correspondence of one of the leading figures in the revival of Italian musicology. Wrappers. $42 560 Civra, Ferruccio. Musica poetica. Introduzione alla retorica musicale. Musica Ragionata, 1. Lucca, 2/ 2009. 12º, 215 pp. Wrappers. $37 582 Bianchi, Stefano. La musica futurista. Ricerche e documenti. Musica Ragionata, 8. Lucca, 1995. 12º, 247 pp. Wrappers. $34 660 Conti, Luca. Suoni di una terra incognita: Il microtonalismo in Nord America (1900-1940). 687 Bologna, Alessio. Lucca, 2005. 17 x 24 cm, x, 353 pp. Survey of the use of microtonality in North “Collettanee” in morte di Serafino Aquiliano. Edizione a cura di Alessio America. Wrappers. $56 Bologna. Documenti di Storia Musicale Abruzzese, 5. Lucca, 2009. 8º, xi, 529 pp. Wrappers. $78 696 Cossettini, Luca. Luigi Nono: Studi, edizione, testimonianze. Quaderni del Laboratorio Mirage. Lucca, 2010. 8˚, xviii, 265 pp. Wrappers. $54 634 Borio, Gianmario & Mauro Cassadei Turroni Monti. Erik Satie e la Parigi del suo tempo. A cura di Gianmario Borio e Mauro Cassadei Turroni Monti. 644 Crepet, Marco. Nuovi Percorsi Musicale, 4. Lucca, 2001. 8º, 139 pp. Contributions by Ornella Il teatro espressionista de Camillo Togni. Volta, Adriana Guarnieri Corazzol, Emilio Sala, Toni Geraci, Antonio Trudu, Quaderni di Musica/Realtà, 47. Lucca, 2001. 8º, 214 pp. Wrappers. $26 Gianfranco Vinay and Massimo Privitera. Wrappers. $32

673 Cristiani, Alberto, Aldo Cutroneo & Laura Di Paolo. 599 Borio, Gianmario & Gabrio Taglietti. Šostakovič e il suo tempo. A cura di Alberto Cristiani, Aldo Cutroneo, Itinerari della musica americana. Laura Di Paolo. Nuovi Percorsi Musicale, 1. Lucca, 1997. 8º, 196 pp. Wrappers. $42 Lucca, 2008. 17 x 24 cm, 166 pp. Wrappers. $59

423 [Cambridge, Houghton Library, Harvard University] 651 Dalmonte, Rossana & Marco Russo. Sources of 20th-Century Music History. Alban Berg and the Second Bruno Maderna. Studi e testimonianze. A cura di Rossana Dalmonte e Viennese School; Musicians in American Exile; Bavarica. Marco Russo. Veröffentlichungen der Kommission Bayern-Harvard zur Musikgeschichte des 20. Quaderni di Musica/Realtà, 53. Lucca, 2004. 8˚, 487 pp. Wrappers. $40 Jahrhundert, [1]. Cambridge, 1988. 21 x 24 cm, 138, with 30 illus pp. Exhibition catalog produced jointly by Houghton Library and the Bayerische Staatsbibliothek. Describes recent acquisitions from collection of Hans Moldenhauer and Rudolf 685 Dalmonte, Rossana. Kolisch. Edited by Helmut Hell, Sigrid von Moisy and Barbara Wolff. Wrappers. $15 Il nuovo in musica. Estetiche tecnologie linguaggi. Atti del convegno (Trento, 18-20 gennaio 2008). A cura di Rossana Dalmonte, Francesco Spampinato. 627 Cannata, David Butler. Lucca, 2008. 17 x 21 cm, xii, 317 pp. Proceedings of the international conference, Rachmaninoff and the Symphony. Trento, January 18-20, 2008. Wrappers. $48 Bibliotheca Musicologica Universität Innsbruck, 4. Lucca, 2000. 8º, 170 pp. First in depth study of the composer based on the primary sources, including previously censored material. Wrappers. $42 649 Dalmonte, Rossana. Riletture: Nuovi libri e nuove idee. A cura di Rossana Dalmonte. Rivista di Analisi e Teoria Musicale, Anno 2003/1 Lucca, [2004]. 8º, vii, 160 pp. 630 Capri, Marco. Congress proceedings with sessions “Analyzing Bach Cantatas” (Eric Chafe), “Tonal Una piacente estate di San Martino. Studi e ricerche per Marcello Conati. pitch space” (Fred Lerhdahl), “Rap music and the poetics of identity” (Adam Krims), A cura di Marco Capri. “The science and psychology of music performance. Creative strategies for teaching Quaderni di Musica/Realtà, Supplemento, 1. Lucca, 2000. 8º, xiv, 504 pp. Festschrift and learning” (Richard Paarncutt & Gary E. McPherson), “Virtual music, computer for Marcello Conati. Wrappers. $83 synthesis of musical style” (David Cope), and “Representing musical time. A temporal-logic approach” (Alan Marsden). Wrappers. $26 OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.19

689 De Angelis, Marcello. 675 Caporaletti, Vincenzo. Si chiude. Anzi. Si apre!. Cronache musicali di “poveri” teatri dal 1960 a Jelly Roll Morton, la Old Quadrille e Tiger Rag. Una revisione storiografica oggi. / Jelly Roll Morton, the Old Quadrille and Tiger Rag. A Historiographic Lucca, 2010. 12º, xiii, 256 pp. Wrappers. $32 Revision. Prefazione di / Preface by Bruce Boyd Raeburn. Grooves—Edizioni di Musiche Audiotattili, 1. Lucca, 2011. 22 x 3b1 cm, xii, 104 pp. Wrappers. $37 695 De Benedictis, Angela Ida. Presenza storica di Luigi Nono. A cura di Angela Ida De Benedictis con la collaborazione di Laura Zattra. 562 Giazotto, Remo. Quaderni di Musica/Realtà, 60. Lucca, 2011. 8˚, 271 pp. Wrappers. $40 Puccini in casa Puccini. Akademos. Lucca, 1992. 8º, 291 pp. Linen. $45

637 Delume, Caroline & Ann-Dominique Merlet. La musique du xxe siècle de Arnold Schoenberg à nos jours. Par Caroline 652 [Girati, Luigi & Luigi Verdi] Delume, Ann-Dominique Merlet. 95 Plans. Context historique, point de Le città della musica. Celibidache a Bologna. A cura di Luigi Girati e Luigi mémoire, compositeurs, œuvres, terminologie, caractéristiques. Verdi. Prefazione di Silvia Gajani. Mnemosis – Mémoire de la Musique. Courlay, 2001. 8º, v, 148 pp. General survey Bologna, 2004. 8º, 304 pp. Sergiu Celibidache first performed in Bologna in 1953 on western music. Wrappers. $23 and actively conducted there until 1973. This book is a historical survey of his tenure and analysis of his legacy and relationship to the city. Wrappers.

599 De Santis, Mila. Dallapiccola. Letture e prospettive. Atti del Convegno Internazionale di 624 Hentschel, Frank. Studi (Empoli-Firenze, 16-19 febbraio 1995) promosso e organizzato dal Funktion der Symmetrie in den Werken Béla Bartóks. Centro Studi Musicali Ferruccio Busoni di Empoli. A cura di Mila De Quaderni di Musica/Realtà, 40. Lucca, 1997. 8º, 216 pp. Wrappers. $26 Santis. Prefazione di Talia Pecker Berio. Le Sfere, 28. Lucca, 1997. 8º, 498 pp. Proceedings of a congress held in 1995. Wrappers. $40 655 Insolia, Riccardo & Antonino Marcellino. Alfredo Sangiorgi. A cura di Riccardo Insolia e Antonino Marcellino. Quaderni dell’Istituto Musicale Vincenzo Bellini di Catania, III-2003. Lucca, 2004. 585 Drabkin, William & Susanna Pasticci, Egidio Pozzi. 8º, 284 pp. Proceedings of a congress dedicated to Italian composer Alfredo Analisi schenkeriana. Per un’interpretazione organica della struttura Sangiorgi (1894-1962), one-time pupil of Schoenberg Wrappers. $32 musicale. Quaderni di Musica/Realtà, 32. Lucca, 1995. 8º, 165 pp. Wrappers. $30 623 Luise, Bruno. Nuovi percorsi tonali in Erik Satie. 599 Dufourt, Hugues. Quaderni di Musica/Realtà, 44. Lucca, 1999. 8º, 178 pp. Wrappers. $26 Musica, potere, scrittura. Le Sfere, 30. Lucca, 1997. 8º, 387 pp. Wrappers. $48 580 Mannino, Franco. Visconti e la musica. Prefazione di Lino Miccichè. 566 Fassone, Alberto. Akademos Tascabili Musica, 1. Lucca, 1994. 8º, xiii, 130 pp. Wrappers. $16 Carl Orff. Musica Ragionata, 6. Lucca, 1994. 12º, 446 pp. Wrappers. $29 667 Misuraca, Pietro. Luigi Rognoni e Alfredo Casella: Il carteggio (1934-1946) e gli scritti di 687 Fassone, Alberto. Rognoni su Casella (1935-1958). A cura di Pietro Misuraca. Carl Orff. Nuova edizione, riveduta ed ampliata. Aglaia, 3. Lucca, 1997. 8º, x, 208 pp. Wrappers. $45 Musica Ragionata, 18. Lucca, 2009. 12º, 661 pp. 2nd revised and enlarged edition. Wrappers. $58 589 Morini, Mario, Roberto Iovino & Alberto Paloscia. Pietro Mascagni. Epistolario, volume I. A cura di Mario Morini, Roberto 680 Fassone, Alberto. Iovino e Alberto Paloscia. Come un suono di natura.. Saggi su Mahler Hermes, Musica e Spettacolo nel Novecento, 6. Lucca, 1996. 8º, xvi, 388 pp. Musica Ragionata, 20. Lucca, 2015. 12º, 401 pp. Wrappers. $38 Wrappers. $42

610 Foresi, Andrea. 610 Morini, Mario, Roberto Iovino & Alberto Paloscia. Una vita per l’opera. Conversazioni con Sesto Bruscantini. Pietro Mascagni. Epistolario, volume II. A cura di Mario Morini, Roberto Akademos. Lucca, 1997. 8º, 212 pp. Wrappers. $42 Iovino e Alberto Paloscia. Hermes, Musica e Spettacolo nel Novecento, 6b. Lucca, 1997. 8º, 369 pp. Wrappers. $42 675 Gagliardi, Maurizio. Sulle ali di un grande vascello. Idee e percorsi storico-musicali per la formzione di base. Lucca, 2011. 14 x 21 cm, xii, 123 pp. Wrappers. $30 OMI - Old Manuscripts & Incunabula • tel/fax 212/ 758-1946 • www.omifacsimiles.com • [email protected] 20th century, p.20

161 [Museum of the 20th Century, Vienna] 589 Sestili, Daniele. Schönberg-Webern-Berg. Bilder-Partituren-Dokumente. Museum des 20. Musica Giapponese. Storia e teoria. A cura di Daniele Sestili. Jahrhunderts, Schweizergarten, Wien III, 17. Mai bis 20. Juli 1969. Musica Ragionata, 11. Lucca, 1996. 12º, 220 pp. Wrappers. $24 Vienna, 1969. Oblong, 23 x 22 cm, 118 pp. Exhibition catalog/documentary arranged in chronological order with hundreds of short essays and illustrations. In Ger. Wrappers. $40 696 Sità, Maria Grazia & Corrado Vitale. I Quartetti di Béla Bartók. Contesto, testo, interpretazione. Repertori Musicali, 4. Lucca, 2012. 14 x 22 cm, viii, 347 pp. Wrappers. $45 634 Nußbaumer, Thomas. Alfred Quellmalz und seine Südtiroler Feldforschungen (1940-42). Eine Studie zur musikalischen Volkskunde unter dem Nationalsozialismus. 655 Stefani, Gino and Stefania Guerra Lisi. Bibliotheca Musicologica Universität Innsbruck, 6. Lucca, 2001. 8º, 390 pp. Dizionario de Musica nella Globalità dei Linguaggi. Wrappers. $59 Musica Ragionata, 15. Lucca, 2004. 12º, 286 pp. Wrappers. $35

699 Pasticci, Susanna. 673 Tarquino, Gianluca. Sinfonia di Salmi: l’esperienza del sacro in Stravinskij. Dal ‘cilindro’ di Tosti. Discografia generale dei compositori abruzzesi. Musicalia, 9. Lucca, 2012. 17 x 24 cm, vi, 192 pp. Wrappers. $43 Note biografiche a cura di Marilde Cavuto. Prefazione di Francesco Sanvitale. Documenti di Storia Musicale Abruzzese, 4. Lucca, 2007. 8º, xlvii, 588 pp. 591 Pestalozza, Alessandro. Comprehensive discography (2363 items) of 20th-c. southern Italian composers. Dizionario della popular music. Gli strumenti. A cura di Alessandro Wrappers. $74 Pestalozza.. Akademos Tascabili Musica, 6. Lucca, 1996. 8º, 102 pp. Wrappers. $14 699 Tonini, Giuliano. Ferruccio Busoni. Aspetti biografici, estetici e compositivi inediti. A cura di 915 Piccardi, Carlo. Giuliano Tonini. L’occhio del compositore: Ernest Bloch (1880-1959) tra Ticino e Italia. Quaderni di Musica/Realtà, 57. Lucca, 2010. 14 x 21 cm, 27, 399 pp. Wrappers. Lucca, 2009. 22 x 22 cm, 136 pp. Beautiful picture documentary produced on the $50 occasion of a special exhibit at the Museo d’Art, Lugano in cooperation with the Ernest Bloch Family. Includes 72 plates, most of them photographs taken 1930-1934 by Roveredo Capriasca. Wrappers. $31 555 Tortora, Daniela. Nuova consonanza. Trent’anni di musica contemporanea. Musicalia, 2. Lucca, 1991. 8º, 250 pp. Wrappers. $38 639 Pozzi, Raffaele. Il suono dell’estasi. Olivier Messiaen. Dal banquet céleste all Turangalîa-Symphonie. 581 Tortora, Daniela. Lucca, 2002. 8º, 220 pp. Wrappers. $32 Nuova consonanza, 1989-1994. Trent’anni di musica contemporanea. Musicalia, 2a. Lucca, 1994. 8º, 207 pp. Wrappers. $32

557 Quattrocchi, Arrigo. Studi su Luigi Dallapiccola. Un seminario. A cura di Arrigo Quattrocchi. 589 Veroli, Patrizia. Musicalia, 4. Lucca, 1993. 8º, 201 pp. Contributions by P. Petrobelli, F. Bruni, A.M. Milloss. Un maestro della coreografia tra espressionismo e classicità. Con Vitali, G. Brioschi & A. Pezzotti, L. Mancini, G. Magnani, A. Quattrocchi, G. uno scritto di Roman Vlad. Mattietti & B. Sciacca and G. Vetere. Wrappers. $34 Musica Ragionata, 9. Lucca, 1996. 12º, 659 pp. Wrappers. $46

561 Rudzinski, Witold. 689 Visentini, Olga. Il ritmo musicale. Teoria e storia. A cura di Rosy Moffa. Berlioz e il su tempo. Musica Ragionata, 3. Lucca, 1993. 12º, 237 pp. Wrappers. $29 Musica Ragionata, 19. Lucca, 2010. 12º, 2 vols, xvi, 1385 pp. Wrappers. $115

212 [Sacher Stiftung, Basel] 673 Zimei, Francesco. Komponisten des 20. Jahrhunderts in der Paul Sacher Stiftung. Antonio Caroccia. I corrispondenti abruzzesi di Florimo. Selezione Basel, 1986. 23 x 30 cm, 462 pp. Catalog of an exhibit held at the Kunstmuseum dall'Epistolario. Prefazione di Francesco Zimei. A cura di Francesco Zimei. Basel, April-July 1986. 50 essays, documentation and over 100 facsimiles of Documenti di Storia Musicale Abruzzese, 3. Lucca, 2007. 8º, lxii, 146 pp. Wrappers. autographs, most in color, from the Sacher collection of 20th-c. composers. Includes $37 essays and reproductions from Sacher’s Bach and Haydn autographs. Texts in original language of contributor (Fr-Ital-Eng). Hardbound, with 4-color autograph on cover. $125

655 Salzer, Felix. Ascolto strutturale. Coerenza tonale in musica. A cura di Matilde Bufano. Lucca, 2004. 8º, 2 vols, xvii, 299, xviii, 348 pp. New translation (into Italian) of Salzer’s seminal work “Structural Hearing”. Wrappers. $64