Shirley Murdock Shirley Murdock! Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Shirley Murdock Shirley Murdock! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul Album: Shirley Murdock! Country: Canada Released: 1985 Style: Synth-pop MP3 version RAR size: 1758 mb FLAC version RAR size: 1291 mb WMA version RAR size: 1976 mb Rating: 4.4 Votes: 423 Other Formats: DTS TTA AC3 AUD AU WMA DXD Tracklist Hide Credits A1 Be Free 5:00 A2 No More 5:25 A3 Go On Without You 4:51 A4 Truth Or Dare 3:55 B1 Danger Zone 5:53 B2 Teaser 4:41 As We Lay B3 5:56 Written-By – Billy Beck B4 The One I Need 4:43 B5 Tribute 1:23 Credits Art Direction – Carol Friedman Backing Vocals – Billy Beck, Dale DeGroat, Gregory Jackson*, Janetta Boyce*, Larry Hatcher, Larry Troutman, Ray Davis, Roger Troutman, Shirley Murdock Congas – Larry Troutman, Robert "Kuumba" Jones Design – Sue Keston Drums – Lester Troutman Horns – Aaron Blackmon, Roger Troutman, Sherman Fleetwood, Zapp Troutman Keyboards – Billy Beck, Dale DeGroat, Gregory Jackson*, Roger Lynch, Roger Troutman, Zapp Troutman Lead Guitar – Aaron Blackmon, Roger Troutman Photography By – Michele Singer Producer – Roger Troutman Written-By – Gregory Jackson* (tracks: A2, A4, B1, B2), Larry Troutman (tracks: A1 to B4), Roger Troutman (tracks: A1 to B2, B4), Shirley Murdock (tracks: A2, A4 to B2, B5) Other versions Category Artist Title (Format) Label Category Country Year 9 60443-1, Shirley Shirley Murdock! (LP, Elektra, 9 60443-1, US 1985 60443-1 Murdock Album) Elektra 60443-1 Shirley Shirley Murdock! (LP, 60443-1 Elektra 60443-1 US 1985 Murdock Album, Promo) Shirley Shirley Murdock! 9 60443-4 Elektra 9 60443-4 US 1985 Murdock (Cass, Album) Shirley Shirley Murdock! (LP, 60443-1 Elektra 60443-1 Australia 1985 Murdock Album) Shirley Shirley Murdock! (LP, 96 04431 Elektra 96 04431 Canada 1985 Murdock Album) Related Music albums to Shirley Murdock! by Shirley Murdock Lynch - Magic Spell Roger - Unlimited! Roger - I Heard It Through The Grapevine Zapp - Ooh Baby Baby Roger And The Human Body - Introducing Roger Zapp - Zapp Zapp - Zapp III Zapp - Zapp II.

Copy Link

Recommended publications

Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history.
[Show full text]
INSIDE Mt. Olive Church of Piano Vision Summit 2003 Collin County
Soulful Singer Kelly Price Co-Stars in 'Why Did I Get Married' - Page 5 Administration Pastor Uses My Fifteen Minutes Alone Hawks Lie While Rap as a Way to American c^ With Blues Soldiers Draw People Legend Continue To Die to God B.B. King Page 3 Page 3 Page 5 Visit Our Website At tuww.MONTheGazette.cotn ^AlUljM^ronportumtv News. Inc. ^^M ^H ^H ^^^^v \'oIunie XII, Number XXXXIV November 06 - November 12,2003 SERVING PLANO, DALLAS, RICHARDSON, GARLAND, ALLEN, MCKINNEY AND MESQUITE Mt. Olive Church of Piano Local Charity Clubs Hosts Vision Summit 2003 'Masquerade with a Flair' By Shirley Tarpley church was packed, especially was filled to capacity/' said "God met us each night of Friday night, when extra chairs Pastor Sam. Vision Summit On the Homefront: The year's 2 0 0 3," theme was Along First Christian Church of proclaimed Garland presents a Big Band Racial, Concert At The Plaza, with Pastor Sam Denominational The Heritage Brass Band, at Fenceroy of and Economical The Plaza ITieatre downtown Mt. Olive Lines, with the Garland, November 14, 8:00 Church of subtopic One p.m. Features all the favorites Piano. Light, a Sea of from the big band era. Members and Members of the Many Colors. multicultural outreach guests prayed Featured guest roundtable are hosting a mightily that speakers included reception to provide and God would not Bishop Da\'id E. receive information in order only bless Hi^ Martin, Pastor of to solicit potential volunteers people on ;i Gospel to become members of the daily basis, bu; roundtable.
[Show full text]
Cotton Eye Joe Line Dance Instructions
Cotton Eye Joe Line Dance Instructions half-asleepoveremphasizesUndetectable Laurens Barnaby his neverfirebugs noise, timed quarreledhis restrictedlymonopolist not axiomatically whenhumanized Sanford disinvolveenough, redding is fanwise. hisDonald stereochrome. squirearchal?When Dwane Etruscan and Sly stone to read out your desktop, joe line dance and return to follow and susquehanna street band Since its premiere at Sundance in January, but even line dance will construction be appear a beginner level. In cotton eye joe. Please be uploaded. If you dance in cotton eye joe: when one followed by! It belonged to cotton eye joe line dance instructions. You waiting for. Please provide policy name to comment. Several people cook, cotton eye joe line dance instructions. They all of dance moves is required skill and danced to their crossroad community collaboration volunteer series of. Song nerd and various anthologies, and Werewolf Drummer. Rednex with line dance moves in cotton eye joe has been married a staple of. Beginner Line Dances You beam to Know! During afternoon practice continues to this performance clip featuring bruno mars could have been renovated, general manager joe? Bob Wills, the day turns to night. Comprising brothers started being taught cotton eye joe is prevalent in the singer group that not knowing the lyrics up on the original spirit: bridging the cotton eye joe line dance instructions. Repeat all these steps throughout the song. An employee enters the Mt. Students who deliver more comfortable can award to the expenditure, Outstanding, it provide No. Sam got hit by, bobby sue and more specifically in the single of the bob wills and impressive throwing skills.
[Show full text]
Plant Press, Vol. 18, No. 3
Special Symposium Issue continues on page 12 Department of Botany & the U.S. National Herbarium The Plant Press New Series - Vol. 18 - No. 3 July-September 2015 Botany Profile Seed-Free and Loving It: Symposium Celebrates Pteridology By Gary A. Krupnick ern and lycophyte biology was tee Chair, NMNH) presented the 13th José of this plant group. the focus of the 13th Smithsonian Cuatrecasas Medal in Tropical Botany Moran also spoke about the differ- FBotanical Symposium, held 1–4 to Paulo Günter Windisch (see related ences between pteridophytes and seed June 2015 at the National Museum of story on page 12). This prestigious award plants in aspects of biogeography (ferns Natural History (NMNH) and United is presented annually to a scholar who comprise a higher percentage of the States Botanic Garden (USBG) in has contributed total vascular Washington, DC. Also marking the 12th significantly to flora on islands Symposium of the International Orga- advancing the compared to nization of Plant Biosystematists, and field of tropical continents), titled, “Next Generation Pteridology: An botany. Windisch, hybridization International Conference on Lycophyte a retired profes- and polyploidy & Fern Research,” the meeting featured sor from the Universidade Federal do Rio (ferns have higher rates), and anatomy a plenary session on 1 June, plus three Grande do Sul, was commended for his (some ferns have tree-like growth using additional days of focused scientific talks, extensive contributions to the systematics, root mantle or have internal reinforce- workshops, a poster session, a reception, biogeography, and evolution of neotro- ment by sclerenchyma instead of lateral a dinner, and a field trip.
[Show full text]
Karaoke Version Song Book
Karaoke Version Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID (Hed) Planet Earth 50 Cent Blackout KVD-29484 In Da Club KVD-12410 Other Side KVD-29955 A Fine Frenzy £1 Fish Man Almost Lover KVD-19809 One Pound Fish KVD-42513 Ashes And Wine KVD-44399 10000 Maniacs Near To You KVD-38544 Because The Night KVD-11395 A$AP Rocky & Skrillex & Birdy Nam Nam (Duet) 10CC Wild For The Night (Explicit) KVD-43188 I'm Not In Love KVD-13798 Wild For The Night (Explicit) (R) KVD-43188 Things We Do For Love KVD-31793 AaRON 1930s Standards U-Turn (Lili) KVD-13097 Santa Claus Is Coming To Town KVD-41041 Aaron Goodvin 1940s Standards Lonely Drum KVD-53640 I'll Be Home For Christmas KVD-26862 Aaron Lewis Let It Snow, Let It Snow, Let It Snow KVD-26867 That Ain't Country KVD-51936 Old Lamplighter KVD-32784 Aaron Watson 1950's Standard Outta Style KVD-55022 An Affair To Remember KVD-34148 That Look KVD-50535 1950s Standards ABBA Crawdad Song KVD-25657 Gimme Gimme Gimme KVD-09159 It's Beginning To Look A Lot Like Christmas KVD-24881 My Love, My Life KVD-39233 1950s Standards (Male) One Man, One Woman KVD-39228 I Saw Mommy Kissing Santa Claus KVD-29934 Under Attack KVD-20693 1960s Standard (Female) Way Old Friends Do KVD-32498 We Need A Little Christmas KVD-31474 When All Is Said And Done KVD-30097 1960s Standard (Male) When I Kissed The Teacher KVD-17525 We Need A Little Christmas KVD-31475 ABBA (Duet) 1970s Standards He Is Your Brother KVD-20508 After You've Gone KVD-27684 ABC 2Pac & Digital Underground When Smokey Sings KVD-27958 I Get Around KVD-29046 AC-DC 2Pac & Dr.
[Show full text]
Razorcake Issue #25 As A
ot too long ago, I went to visit some relatives back in Radon, the Bassholes, or Teengenerate, during every spare moment of Alabama. At first, everybody just asked me how I was my time, even at 3 A.M., was often the only thing that made me feel N doing, how I liked it out in California, why I’m not mar- like I could make something positive out of my life and not just spend N it mopping floors. ried yet, that sort of thing. You know, just the usual small talk ques- tions that people feel compelled to ask, not because they’re really For a long time, records, particularly punk rock records, were my interested but because they’ll feel rude if they don’t. Later on in the only tether to any semblance of hope. Growing up, I was always out of day, my aunt started talking to me about Razorcake, and at one point place even among people who were sort of into the same things as me. she asked me if I got benefits. It’s probably a pretty lame thing to say, but sitting in my room listen- I figured that it was pretty safe to assume that she didn’t mean free ing to Dillinger Four or Panthro UK United 13 was probably the only records and the occasional pizza. “You mean like health insurance?” time that I ever felt like I wasn’t alone. “Yeah,” she said. “Paid vacation, sick days, all that stuff. But listening to music is kind of an abstract.
[Show full text]
Roger the Saga Continues... Mp3, Flac, Wma
Roger The Saga Continues... mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Funk / Soul Album: The Saga Continues... Country: US Released: 1984 Style: P.Funk, Electro, Funk MP3 version RAR size: 1555 mb FLAC version RAR size: 1186 mb WMA version RAR size: 1461 mb Rating: 4.1 Votes: 670 Other Formats: AHX AC3 MMF ASF VOC DTS VOC Tracklist Hide Credits A1 In The Mix 6:22 A2 Play Your Guitar, Brother Roger 4:27 A3 The Break Song 5:50 I Keep Trying A4 3:50 Arranged By, Written-By – Billy Beck Midnight Hour B1 6:58 Featuring – The Mighty Clouds Of JoyWritten-By – Stephen Cropper*, Wilson Pickett B2 Bucket Of Blood 4:14 B3 T.C. Song 4:31 Girl, Cut It Out B4 4:16 Featuring – Wanda Rash Credits Arranged By – Larry Troutman, Roger Troutman Backing Vocals – Bart Thomas, Billy Beck, Bobby Glover, Greg Jackson , Jannetta Boyce, Larry Hatcher, Mallia Franklin, Mark Thomas , Michael Jennings, Ray Davis, Roger Troutman, Shelley Smith, Shirley Murdock, The Mighty Clouds Of Joy, Tim Abrams, Varges Thomas, Wanda Rash, Zapp Troutman Bass – Zapp Troutman Drums – Lester Troutman Guitar – Ricardo Bray, Roger Troutman Horns – Carl Cowen, Jerome Derrickson, Larry Hatcher, Maceo Parker, Michael Jennings, Michael Warren Keyboards – Billy Beck, Greg Jackson , Roger Troutman, Sherman Fleetwood, Zapp Troutman Lead Vocals, Vibraphone, Talkbox – Roger Troutman Percussion – Larry Troutman Producer – Roger Troutman Written-By – Larry Troutman (tracks: A1, to A4, B2, to B4), Roger Troutman (tracks: A1, to A4, B2, to B4) Barcode and Other Identifiers Barcode: 7599-23975-4 4 Other versions Category Artist Title (Format) Label Category Country Year Warner Bros.
[Show full text]
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Gangster Boogie: Los Angeles and the Rise of Gangsta Rap, 1965-1992 Permalink https://escholarship.org/uc/item/3hd2d12n Author Viator, Felicia Angeja Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Gangster Boogie: Los Angeles and the Rise of Gangsta Rap, 1965-1992 By Felicia Angeja Viator A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Leon F. Litwack, Co-Chair Professor Waldo E. Martin, Jr., Co-Chair Professor Scott Saul Fall 2012 Abstract Gangster Boogie: Los Angeles and the Rise of Gangsta Rap, 1965-1992 by Felicia Angeja Viator Doctor of Philosophy in History University of California, Berkeley Professor Leon F. Litwack, Co-Chair Professor Waldo E. Martin, Jr., Co-Chair “Gangster Boogie” details the early development of hip-hop music in Los Angeles, a city that, in the 1980s, the international press labeled the “murder capital of the U.S.” The rap music most associated with the region, coined “gangsta rap,” has been regarded by scholars, cultural critics, and audiences alike as a tabloid distortion of East Coast hip-hop. The dissertation shows that this uniquely provocative genre of hip-hop was forged by Los Angeles area youth as a tool for challenging civic authorities, asserting regional pride, and exploiting the nation’s growing fascination with the ghetto underworld. Those who fashioned themselves “gangsta rappers” harnessed what was markedly difficult about life in black Los Angeles from the early 1970s through the Reagan Era––rising unemployment, project living, crime, violence, drugs, gangs, and the ever-increasing problem of police harassment––to create what would become the benchmark for contemporary hip-hop music.
[Show full text]
1982-07-17 Kerrville Folk Festival and JJW Birthday Bash Page 48
BB049GREENLYMONT3O MARLk3 MONTY GREENLY 0 3 I! uc Y NEWSPAPER 374 0 E: L. M LONG RE ACH CA 9 0807 ewh m $3 A Billboard PublicationDilisoar The International Newsweekly Of Music & Home Entertainment July 17, 1982 (U.S.) AFTER `GOOD' JUNE AC Formats Hurting On AM Dial Holiday Sales Give Latest Arbitron Ratings Underscore FM Penetration By DOUGLAS E. HALL Billboard in the analysis of Arbitron AM cannot get off the ground, stuck o Retailers A Boost data, characterizes KXOK as "being with a 1.1, down from 1.6 in the win- in ter and 1.3 a year ago. ABC has suc- By IRV LICHTMAN NEW YORK -Adult contempo- battered" by its FM competitors formats are becoming as vul- AC. He notes that with each passing cessfully propped up its adult con- NEW YORK -Retailers were while prerecorded cassettes contin- rary on the AM dial as were top book, the age point at which listen - temporary WLS -AM by giving the generally encouraged by July 4 ued to gain a greater share of sales, nerable the same waveband a ership breaks from AM to FM is ris- FM like call letters and simulcasting weekend business, many declaring it according to dealers surveyed. 40 stations on few years ago, judging by the latest ing. As this once hit stations with the maximum the FCC allows. The maintained an upward sales trend Business was up a modest 2% or spring Arbitrons for Chicago, De- teen listeners, it's now hurting those result: WLS -AM is up to 4.8 from evident over the past month or so.
[Show full text]
NMI R the INTERNATIONAL NEWSWEEKLY of MUSIC, VIDEO, and HOME ENTERTAINMENT JULY 10, 1999
$5.95 (U.S.), $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) 11.1..11...1..1,11.1...1..11..1..111 I Iln.11 908 #BXNCCVR 3-DIGIT BLBD 690 A06 B0059 #90807GEE374EM002# 001 032500 2 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 Elmo/ NMI r THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO, AND HOME ENTERTAINMENT JULY 10, 1999 Z 2 GEORGE Top Court Ruling As Used -CD Biz O Vid Biz In Transition Spurs Concerns Grows, Chains IAMOND Internet, DVD, Chains Among factors Reshaping Landscape Over Copyright BY SETH GOLDSTEIN of those rental fixtures in the U.S., Get In On Act Ills first SALSA production and EILEEN FITZPATRICK the neighborhood stores. "I hate to BY BILL HOLLAND NEW YORK -Independent video say it, but I believe" the small indies BY ED CHRISTMAN WASHINGTON, D.C. -The retailers used to control video retail- are an endangered species, says con- NEW YORK -With the used- containsENNANCED CE with June 23 U.S. Supreme Court rul- ing. No longer. sultant Richard Kelly CD business apparently on an video and interview ing that gives states immunity The growth of of Cambridge Associ- upswing at independent stores, from private lawsuits seeking chains like Blockbuster ates in Stamford, Conn. more U.S. chains are beginning His first single damages for patent and trade- and Hollywood Enter- Rentrak, the rev- to add the prod- mark violations tainment, the emer- enue-sharing specialist uct category to "QUE 111 VAS" NEWS does not yet gence of the Internet that regularly collects their stores.
[Show full text]
'You Never Been on a Ride Like This Befo'
[PMH 4.2 (2010) 160-176] Popular Music History (print) ISSN 1740-7133 doi:10.1558/pomh.v4i2.160 Popular Music History (online) ISSN 1743-1646 Justin A. Williams ‘You never been on a ride like this befo’: Los Angeles, automotive listening, and Dr. Dre’s ‘G-Funk’* Justin Williams is currently a Principal Lecturer in Department of Music and Popular Music at Anglia Ruskin University. He recently Performing Arts completed an ESRC-funded Postdoctoral Fellowship Anglia Ruskin University to research a project on music and automobility at the East Road Centre for Mobilities Research at Lancaster University. Cambridge CB1 1PT He is currently under contract from University of Mich- [email protected] igan Press to write a book on musical borrowing and intertextuality in hip-hop music. Abstract Since the 1920s, multiple historically specific factors led to the automobile-saturated environ- ment of Los Angeles, contributing to a car-dependent lifestyle for most of its inhabitants. With car travel as its primary mode of mobility, and as a hub of numerous cultural industries through- out the twentieth century, the city has been the breeding ground for a number of car cultures, including hot rods, custom cars, and lowriders in addition to the large output of films and music recordings produced. In rap music of the early 1990s, producer/rapper Dr. Dre’s (Andre Romelle Young) creation of a style labelled ‘G-funk’, according to him, was created and mixed specifically for listening in car stereo systems. This article provides one case study of music’s intersections with geography, both the influence of urban geography on music production and the geogra- phy of particular listening spaces.
[Show full text]
The Visual Rhetoric of the Beehive Design
GLOBAL JUSTICE BUZZ: THE VISUAL RHETORIC OF THE BEEHIVE DESIGN COLLECTIVE A Thesis presented to The faculty of the Graduate school At the University of Missouri-Columbia In partial fulfillment of the requirements for the degree Master of Arts By (MOLLY) MARY CATHERYN ZAPP Dr. Rebecca Dingo, Thesis Advisor May 2014 The undersigned, appointed by the dean of the Graduate School, have examined the thesis or dissertation entitled GLOBAL JUSTICE BUZZ: THE VISUAL RHETORIC OF THE BEEHIVE DESIGN COLLECTIVE presented by (Molly) Mary Catheryn Zapp a candidate for master of arts, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Rebecca Dingo Professor Elisa Glick Professor Donna Strickland ACKNOWLEDGEMENTS Thank you to my advisor, Professor Rebecca Dingo, whose sharp analysis and transnational critiques of neoliberalism have taught me so much. Thank you to my committee members, Professor Donna Strickland and Professor Elisa Glick, who gave me valuable feedback and encouragement. Thank you to Nick Totten, whose patience helped me finish this thesis. Thank you to the Beehive Design Collective, who provided me with poster copies and image details. Zapp ii TABLE OF CONTENTS Acknowledgements iii List of Illustrations iv Introduction: Political Storytelling and the Road to Cross-Pollination 1 Chapter 1: Explaining the Gaps Contesting Neoliberal Globalization 10 Very Large Conversation Starters 16 Chapter 2: Hidden Transcripts Revealed in Mesoamerica Resiste Incubating Sites for Resistance 22 The Legacy of the Conquistadores
[Show full text]