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Viaplay Included in Bahnhof's Top-Tier TV Package and Available As Add-On Subscription • Bahnhof to Distribute NENT Grou
• Viaplay included in Bahnhof’s top-tier TV package and available as add-on subscription • Bahnhof to distribute NENT Group’s premium V channels for the first time • Partnership reflects NENT Group’s unique content offering and strategic focus on long-term distribution deals Nordic Entertainment Group (NENT Group), the Nordic region’s leading streaming company, has extended and expanded its distribution agreement with Swedish broadband and IPTV provider Bahnhof. NENT Group’s Viaplay streaming service will continue to be available to Bahnhof’s 350,000 customers in Sweden as an add-on subscription, and Viaplay’s TV & Movie package will now be included in Bahnhof’s top-tier TV offering, TV Stor. In addition, Bahnhof customers can add NENT Group’s premium V film and sports channels to their subscriptions for the first time, and the recently launched V Sport Extra channel will be included in the TV Stor package. NENT Group’s Swedish channels TV3, TV6, TV8 and TV10 will remain part of all Bahnhof’s TV packages. Kim Poder, NENT Group Chief Commercial Officer: “Our content offering is in a class of its own, and we are delighted to expand this relationship with Bahnhof, which is one of Sweden’s fastest growing operators. We have recently renewed our Swedish rights to the Premier League until 2028, we will be the home of FIS winter sports from 2021 and we continue to invest in Viaplay originals, the best Hollywood films and series, and high-quality kids content. We want Viaplay and our unique content to be as widely available as possible, and we are constantly exploring new ways to bring them to even more homes.” Jon Karlung, CEO, Bahnhof: “I am excited that we now have one of Sweden’s strongest entertainment offerings, thanks to our newly expanded agreement with NENT Group.” The partnership with Bahnhof reflects NENT Group’s strategic focus on long-term distribution deals that ensure the broad availability of its streaming services and TV channels across the Nordic region. -
The Biopolitics of Media Currency: Transforming the Ghana Film Unit Into TV3 Peter J
The Biopolitics of Media Currency: Transforming the Ghana Film Unit into TV3 Peter J. Bloom Abstract: This article is an examination and extension of concepts that Achille Mbembe presented in his 2016 African Studies Association Abiola Lecture. In partic- ular, “cognitive assemblages” are elaborated upon to consider how a shifting under- standing of media has become part of a neoliberal digital media platform promoted by the Ghanaian state in association with Malaysia. Mbembe’s invocation of the “injunction to decolonize” is also discussed through information capture and data mining to consider the extent to which the promise of a digital future is a form of neo- colonialism or an opportunity for an expanded digital commons. Résumé: Cet article est un examen et un prolongement des concepts présentés par Achille Mbembe durant la conférence Abiola de l’Association d’études africaines 2016. En particulier, les « assemblages cognitifs » sont développés pour examiner comment une compréhension changeante des médias est devenue une partie inté- grante de la plate-forme médiatique numérique néolibérale promue par l’État ghan- éen en association avec la Malaisie. L’appel de Mbembe à « l’injonction à la décolonisation » est également discuté par l’acquisition d’information et l’explora- tion de données afin de déterminer dans quelle mesure la promesse d’un avenir African Studies Review, Volume 64, Number 1 (March 2021), pp. 57–70 Peter J. Bloom is Associate Professor and Chair of the Department of Film and Media Studies at the University of California at Santa Barbara. He has published widely on Anglophone and Francophone colonial media, including French Colonial Documen- tary (2003). -
Cinema and New Technologies: the Development of Digital
CINEMA AND NEW TECHNOLOGIES: THE DEVELOPMENT OF DIGITAL VIDEO FILMMAKING IN WEST AFRICA S. BENAGR Ph.D 2012 UNIVERSITY OF BEDFORDSHIRE CINEMA AND NEW TECHNOLOGIES: THE DEVELOPMENT OF DIGITAL VIDEO FILMMAKING IN WEST AFRICA by S. BENAGR A thesis submitted to the University of Bedfordshire in partial fulfilment of the requirements for the degree of Doctor of Philosophy February 2012 2 Table of Contents LIST OF TABLES .................................................................................................. 5 LIST OF FIGURES ................................................................................................ 6 ACKNOWLEDGEMENT ...................................................................................... 7 DEDICATION: ....................................................................................................... 8 LIST OF ABBREVIATIONS AND ACRONYMS ................................................ 9 ABSTRACT .......................................................................................................... 13 Chapter One: INTRODUCTION .......................................................................... 14 1.1 Key Questions of the Research ................................................................... 14 1.2 Methodologies ............................................................................................. 21 1.3 Context: Ghana and Burkina Faso .............................................................. 28 1.4 Context: Development of Film Cultures .................................................... -
Broadcast Bulletin Issue Number 45
* Ofcom broadcast bulletin Issue number 45 10 October 2005 Ofcom broadcast bulletin 45 10 October 2005 Contents Introduction 3 Standards cases In Breach 4 Resolved 8 Other programmes not in breach/outside remit 11 2 Ofcom broadcast bulletin 45 10 October 2005 Introduction Ofcom’s Broadcasting Code took effect on 25 July 2005 (with the exception of Rule 10.17 which came into effect on 1 July 2005). This Code is used to assess the compliance of all programmes broadcast on or after 25 July 2005. The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/ The Rules on the Amount and Distribution of Advertising (RADA) apply to advertising issues within Ofcom’s remit from 25 July 2005. The Rules can be found at http://www.ofcom.org.uk/tv/ifi/codes/advertising/#content The Communications Act 2003 allowed for the codes of the legacy regulators to remain in force until such time as Ofcom developed its own Code. While Ofcom has now published its Broadcasting Code, the following legacy Codes apply to content broadcast before 25 July 2005. • Advertising and Sponsorship Code (Radio Authority) • News & Current Affairs Code and Programme Code (Radio Authority) • Code on Standards (Broadcasting Standards Commission) • Code on Fairness and Privacy (Broadcasting Standards Commission) • Programme Code (Independent Television Commission) • Programme Sponsorship Code (Independent Television Commission) • Rules on the Amount and Distribution of Advertising From time to time adjudications relating to advertising content may appear in the bulletin in relation to areas of advertising regulation which remain with Ofcom (including the application of statutory sanctions by Ofcom). -
Consumer Watch Information Dissemination; an Effi Cient, Transparent and Business Wpublication from the National 3
October 2013 NCA’s Vision To become the most forward-looking and innovative Communications Dear Valued Consumers, Regulatory Authority in the sub- elcome to this fi rst edition 2. Empower consumers through region; by creating and maintaining of the Consumer Watch information dissemination; an effi cient, transparent and business Wpublication from the National 3. Bridge existing gaps between friendly environment to enable Ghana Communications Authority (NCA) consumers and other stakeholders; become the premier destination of ICT This publication, which is solely 4. Give a voice to consumers that investment in the sub-region. dedicated to you, is aimed at educating, cannot reach their operators; Our Mission enlightening and protecting you with 5. Provide consumers with complete regard to communication services in the and accurate information in simple and To regulate the communications country. clear language. industry by setting and enforcing We want Consumer Watch to be the Hopefully, there will be other avenues high standards of competence and publication that you rely on to inform for us to get in touch with you for your performance to enable it to contribute you of on-going developments within benefi t. signifi cantly and fairly to the nation’s the industry and assure you that the We urge you to write to us with your prosperity through the provision of NCA takes consumer issues very suggestions and thoughts about how we effi cient and competitive services. seriously and is actively playing its role can together develop this industry for the of Consumer Protection in line with our benefi t of Ghana. National mandate. -
Communicate for Health Annual Report: Year 2 Cooperative Agreement No: AID‐641‐A‐15‐00003
Communicate for Health Annual Report: Year 2 Cooperative Agreement No: AID‐641‐A‐15‐00003 Project dates: November 10, 2014 – November 30, 2019 Reporting Period: October 1, 2015 – September 30, 2016 Draft submission date: October 10, 2016 Communicate for Health Annual Report: Year 2 1 Table of Contents Table of Contents ..................................................................................................................................... 2 Acronyms and Abbreviations ................................................................................................................... 3 Executive Summary.................................................................................................................................. 5 Overview of Communicate for Health in Ghana ..................................................................................... 7 Social and Behavior Change Communication and Media (ER1) ............................................................... 9 Capacity Building (ER2) .......................................................................................................................... 28 Development of One Local SBCC Organization to be a Recipient of USAID Funding (ER3) .................. 38 Monitoring and Evaluation .................................................................................................................... 42 Partnerships and Coordination ............................................................................................................. 49 Overview -
Våren 2019, Vecka 6-14
Våren 2019 – Q1, vecka 6-14 2019 04 17 MMS kanalpenetrationsrapport MMS utför fristående kanalpenetrationsundersökningar fyra gånger per år, två gånger på våren och två gånger på hösten, rapporterna benämns Q1-Q4. Dessa används bland annat av TV- kanaler och mediebyråer. Resultaten används inte vid utformningen av tittarpanelen eller peoplemeter-systemet och är inte kopplade till MMS övriga undersökningar. Till skillnad från tittarmätningarna som omfattar åldrarna 3-99 år så intervjuas endast personer i åldrarna 9-99 år i kanalpenetrationsundersökningen. Under fältperioden 5 februari till 8 april 2019 intervjuades 3 000 personer i åldersspannet 9-99 år. 2 511 av dessa uppgav att de hade minst en TV-apparat, och utgör därmed basen för beräkningen av kanalpenetration. Resultaten viktas med avseende på ålder och nuts2-region. Undersökningen utförs via telefon i ett obundet slumpmässigt urval ur befolkningsregistret, där respondenterna får frågor om vilka TV-kanaler de kan se i sina bostäder. Undersökningen tar alltså fram medveten tillgång, inte teknisk penetration. Vissa kanaler mäts i varje omgång medan andra, av utrymmesskäl, endast mäts varannan omgång: en gång på våren och en gång på hösten. Listan över kanaler som undersöks uppdateras löpande i samråd med MMS kunder. De kanaler som inte finns med i denna rapport finns i rapporten för Q4 2018. Tidigare rapporter finns på http://mms.se/rapporter- lista.php/?t=tp För frågor kontakta: Jessica Rönnlund, projektledare epost [email protected] Tabellen nedan visar penetrationen för respektive TV-kanal i TV-befolkningen 9-99 år i procent och tusental under Q1 v6-14 2019. Förändringarna från föregående mätning avser mätningen för Q4 v42-49 2018, eller för kanaler med * då mätningen för Q3 v33-41 2018 avses. -
Elisa Elamus Ja Elisa Klassik Kanalipaketid Kanalid Seisuga 25.09.2021
Elisa Elamus ja Elisa Klassik kanalipaketid kanalid seisuga 25.09.2021 XL/XLK 99 telekanalit + 7 HD kanalit L/LK 99 telekanalit M/MK 61 telekanalit S/SK 40 telekanalit PROGRAMM KANAL AUDIO SUBTIITRID PROGRAMM KANAL AUDIO SUBTIITRID ETV 1 EST 3+ 66 RUS Kanal 2 2 EST STS 71 RUS TV3 3 EST Dom kino 87 RUS ETV2 4 EST TNT4 90 RUS TV6 5 EST TNT 93 RUS Duo4 6 EST Pjatnitsa 104 RUS Duo5 7 EST Kinokomedia HD 126 RUS Elisa 14 EST Eesti Kanal 150 EST Cartoon Network 17 ENG; RUS Meeleolukanal HD 300 EST KidZone TV 20 EST; RUS Euronews 704 RUS Euronews HD 21 ENG 3+ HD 931 RUS CNBC Europe 32 ENG TV6 HD 932 EST ALO TV 46 EST TV3 HD 933 EST MyHits HD 47 EST Duo7 HD 934 RUS Deutsche Welle 56 ENG Duo5 HD 935 EST ETV+ 59 RUS Duo4 HD 936 EST PBK 60 RUS Kanal 2 HD 937 EST RTR-Planeta 61 RUS ETV+ HD 938 RUS REN TV Estonia 62 RUS ETV2 HD 939 EST NTV Mir 63 RUS ETV HD 940 EST Fox Life 8 ENG; RUS EST Discovery Channel 37 ENG; RUS EST Fox 9 ENG; RUS EST BBC Earth HD 44 ENG-DD Duo3 10 ENG; RUS EST VH 1 48 ENG TLC 15 ENG; RUS EST TV 7 57 EST Nickelodeon 18 ENG; EST; RUS Orsent TV 69 RUS CNN 22 ENG TVN 70 RUS BBC World News 23 ENG 1+2 72 RUS Bloomberg TV 24 ENG Eurosport 1 HD 905 ENG; ENG-DD; RUS Eurosport 1 28 ENG; RUS Duo3 HD 917 ENG; RUS EST Viasat History 33 ENG; RUS EST; FIN; LAT Viasat History HD 919 ENG; RUS EST; FIN History 35 ENG; RUS EST Duo6 11 ENG; RUS EST Eurochannel HD 52 ENG EST FilmZone 12 ENG; RUS EST Life TV 58 RUS FilmZone+ 13 ENG; RUS EST TV XXI 67 RUS AMC 16 ENG; RUS Kanal Ju 73 RUS Pingviniukas 19 EST; RUS 24 Kanal 74 UKR HGTV HD 27 ENG EST Belarus -
TV3 Network Services Ltd V BSA, 15 May 1995 (PDF)
IN THE HIGH COURT OF NEW ZEALAND c2.:3 ( s WELLINGTON REGISTRY AP 29/94 BETWEEN TV3 NETWORK SERVICES LIMITED S2.)- Appellant ND THE BROADCASTING STANDARDS \." 11131 ` A- AUTHORITY 12 JUL 1995 000655 First Respondent AND Second Respondent (cis/9s JUDGMENT OF EICHELBAUM CJ Solicitors Grove Darlow and Partners, Auckland for appellant Crown Law Office, Wellington for amicus curiae IN THE HIGH COURT OF NEW ZEALAND WELLINGTON REGISTRY AP 29/94 BETWEEN TV3 NETWORK SERVICES LIMITED Appellant AND THE BROADCASTING STANDARDS AUTHORITY First Respondent AND Second Respondent Hearing 7 December 1994 Counsel TJG Allan for appellant First respondent abides decision of Court Second respondent - no appearance Ailsa Duffy as amicus curiae Judgment J5 MAY 1995 JUDGMENT OF ETCHELBAUM CJ On 11 July 1993, an item entitled "Hear No Evil - Speak No Evil" was screened on TV3 as part of that network's 20/20 programme. The item dealt with incest, and focused particularly on the case of a man who had recently been convicted of sexual offences committed on his five daughters. The particularly horrific nature of the abuse had made it the subject of some previous publicity, 2 including a number of newspaper reports, and an article published in a weekly magazine in April 1993. The programme showed interviews with three daughters who had suffered the abuse, although in accordance with the provisions of s.139(l) of the Criminal Justice Act 1985 their identities were disguised; that is, their faces were concealed and their true names withheld. Also included was a brief interview with the girls' mother, Mrs S, whose identity was disguised likewise. -
Drama Directory 2014
2014 UPDATE CONTENTS Acknowlegements ..................................................... 2 Latvia .......................................................................... 122 Introduction ................................................................. 3 Lithuania ................................................................... 125 Luxembourg ............................................................ 131 Austria .......................................................................... 4 Malta .......................................................................... 133 Belgium ...................................................................... 10 Netherlands ............................................................. 135 Bulgaria ....................................................................... 21 Norway ..................................................................... 145 Cyprus ......................................................................... 26 Poland ........................................................................ 151 Czech Republic ......................................................... 31 Portugal .................................................................... 157 Denmark .................................................................... 36 Romania ................................................................... 160 Estonia ........................................................................ 42 Slovakia ................................................................... -
Social Media Index Report
Social Media Index Report February, 2016. Visit www.penplusbytes.org Email: [email protected] ABSTRACT Over the past several years, social media has exhibited an exponential penetration into the daily lives of individuals, operations of businesses, and the interaction between governments and their respective people. It would not be far from the truth to assert that social media has become an important requirement for our daily personal and business life. It is against this backdrop that Penplusbytes, a leader in enhancing the work of journalists and promoting effective governance using technology in Africa, is introducing the maiden Social Media Index (SMI) report on Ghana's print, and electronic media - Radio and Television. The SMI report takes a look at the performance of established newspapers, radio and TV stations in Ghana regarding their activity and following on social media as at February 8th, 2016. Essentially, this report measures how these media entities utilize their online platforms to reach out and engage their target audience by employing a quantitative research module. The module provides relevant numerical figures which informs the rankings. TABLE OF CONTENT 1. Introduction ……………………………………………………………….1 2. Radio Index……………………………...………………………………...2 3. TV Index…………………………………………………………………..6 4. Newspaper Index…………………………………………………………..9 5. Conclusion…………………………………………………………………12 1. INTRODUCTION Ghana is undeniably experiencing an explosion of social media presence where Facebook for instance is 2nd most visited website—above local news sites according to the January 2016 Top websites ranking released by SimilarWeb.com. Ghana currently accounts for about 2,900,000 of all Facebook users as at January 2016. Consider this, if Facebook were a country, it would be the 3rd most populous country in the world. -
Thesisx-Xfinal.Pdf
THE STATION OF THE NATION: Ghana Television and the Illusion of Public Service Broadcasting Lawrence Asafo-Agyei Master Thesis Department of Media & Communication Faculty of Humanities UNIVERSITY OF OSLO Autumn 2010 Abstract Ghana Television (GTV), the national television channel of Ghana has, since its establishment in 1965, struggled to function effectively as a public service broadcaster. As the television wing of the publicly owned Ghana Broadcasting Corporation (GBC), which comprises both radio and television, GTV has often had to operate in a political environment characterized by military dictators who sought to use broadcasting as a tool to legitimize themselves. In 1992, Ghana returned to constitutional governance. The natural expectation was to see GBC, and for that matter GTV, transformed into a true public service broadcaster, but this was soon dissipated by the sudden appeal of liberal market ideas in the new political environment. The media was deregulated, dismantling the monopoly structure of the broadcast market. For the first time, GTV faced competition from commercial television. At the same time, in the general shift towards market oriented policies, government reduced funding for state institutions including GBC. Facing dwindling funds, GTV was forced to compete with the new commercial television stations in both the audience and advertising markets, yet it was expected to pursue public service television goals and not only follow commercial principles. Even though GBC as a whole was faced with these challenges, this thesis limits itself to television. Combining qualitative and quantitative methods, policies and programming are examined to see how possible it is for GTV to function as a proper public service broadcaster in the face of commercialization and the controlling tendencies of government.