National Register of Historic Places Inventory Nomination Form
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ABSTRACT Title of Document: VISUALIZING AMERICAN
ABSTRACT Title of Document: VISUALIZING AMERICAN HISTORY AND IDENTITY IN THE ELLEN PHILLIPS SAMUEL MEMORIAL Abby Rebecca Eron, Master of Arts, 2014 Directed By: Professor Renée Ater, Department of Art History and Archaeology In her will, Philadelphia philanthropist Ellen Phillips Samuel designated $500,000 to the Fairmount Park Art Association “for the erection of statuary on the banks of the Schuylkill River … emblematic of the history of America from the time of the earliest settlers to the present.” The initial phase of the resulting sculpture project – the Central Terrace of the Samuel Memorial – should be considered one of the fullest realizations of New Deal sculpture. It in many ways corresponds (conceptually, thematically, and stylistically) with the simultaneously developing art programs of the federal government. Analyzing the Memorial project highlights some of the tensions underlying New Deal public art, such as the difficulties of visualizing American identity and history, as well as the complexities involved in the process of commissioning artwork intended to fulfill certain programmatic purposes while also allowing for a level of individual artists’ creative expression. VISUALIZING AMERICAN HISTORY AND IDENTITY IN THE ELLEN PHILLIPS SAMUEL MEMORIAL By Abby Rebecca Eron Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Master of Arts 2014 Advisory Committee: Professor Renée Ater, Chair Professor Meredith J. Gill Professor Steven A. Mansbach © Copyright by Abby Rebecca Eron 2014 The thesis or dissertation document that follows has had referenced material removed in respect for the owner's copyright. -
· L.1 Fi\ 2018 ©
4th Edition HISTORY IN STONE AT THE NEBRASKA STATE CAPITOL LeeLawrie.com Harm, Paul Gregory .... · l.1 Fi\ 2018 © GREGORY PAUL HARM, M.A. Contents Prologue ...............................................................................................................1 Introduction: Little House (of State) on the Prairie ...............................................19 Part 1: Lee Lawrie Was Never Born 1. Who Was Hugo? ....................... 25 2. The Philosophy of Lawrie.......... 41 Part 2: The Creators of Stone Storybooks 3. A Master of Logistics .................47 5. Professor Dale Gibbs, Dick 4. Goodhue and His Team Hill, and the Rescue of of Dreamers ................................59 Lawrie’s Maquettes ....................79 6. Lawrie’s Largest Commission and How It Came to Be ..............93 Part 3: Prairie Deco: Regionalism Marries Art Deco 7. Architecture is Frozen Music .....115 13. Nebraska’s Halls of Justice ......... 179 8. Symbols and Inscriptions: 14. Details, Details ........................... 185 What Does It All Mean? ........... 129 15. Civilization’s Great 9. The Red Man’s Heritage— Lawgivers and Nobility .............. 189 Harmony with Nature ................ 133 16. Alexander’s History of Law ...... 203 10. Pioneers and Sodbusters ............ 147 17. The Sower ................................. 229 11. Moving Inside ............................ 155 18. Alexander’s Unrealized Dreams ... 235 12. The Birth of the Unicameral ...... 165 19. The Most Poignant Discovery .... 247 Conclusion: Lessons Learned ......................................................................... -
1 from Mesopotamia to the Nebraska State Capitol
From Mesopotamia to the Nebraska State Capitol: Assyrian Revival and New American Meanings Eva Miller From Mesopotamia to the Nebraska State Capitol: Assyrian Revival and New American Meanings Bertram Grosvenor Goodhue’s influential ‘prairie skyscraper’ design for the Nebraska State Capitol, inaugurated in 1928, has long defied stylistic categorisation. A now greatly overlooked element of its unclassifiable style was noted in numerous assessments at the time which identified ‘Oriental’ ‘Assyrian’ or ‘Assyrian-Babylonian’ features which, despite (or because of) their associations with a deep antiquity, contributed to the new, distinctly American architecture of the building, and of its sculptural programme by Lee Lawrie. This article considers the Assyrianising tendencies of the Capitol in the context of Art Deco interest in ‘revival’ of ancient styles, and American civic architecture’s engagement with the ancient Middle Eastern past as an origin of civilization. Goodhue’s close collaboration with Lawrie, muralist Hildreth Meière, and ‘symbologist’ Hartley Burr Alexander exemplified the productive and creative application of revived ancient iconography, which was employed in Nebraska in the service of various historical narratives and as a reflection of the designers’ aesthetic appreciation for Assyrian sculptures. Finally this article also investigates how the Capitol’s treatment of the ancient Mesopotamian ‘lawgiver’ Hammurabi influenced ‘Hammurabis’ in subsequent sculptural contexts, including in the State Capitol of Louisiana, American federal government buildings, and the Oriental Institute of the University of Chicago.1 In 1929, the year after architect Bertram Grosvenor Goodhue’s new State Capitol at Lincoln, Nebraska (fig. 1) opened to the public, the Nebraska-based journal The Prairie Schooner published a seven-page poem by a certain Rosemonde E. -
Alexander Ghedi Weheliye
Alexander Ghedi Weheliye Dept. African American Studies 1711 N. Marshfield Ave #2 1860 Campus Dr., Crowe 5-121 Chicago, IL 60626 Northwestern University (773) 494-1835 Evanston, IL 60208-2240 [email protected] [email protected] http://sites.google.com/site/alexweheliye Positions Held 2019 Instructor School of Criticism and Theory, Cornell University. 2014- Professor of African American Studies and English. Northwestern University. 2013-16 Director of Graduate Studies and Vice Chair. Department of African American Studies, Northwestern University. 2009-12 Director: Program in Critical Theory, Northwestern University. 2007-8 Director of Graduate Studies and Vice Chair. Department of African American Studies, Northwestern University. 2006-14 Associate Professor of African American Studies and English, Northwestern University. 2000-6 Assistant Professor of English and African American Studies, Northwestern University. 1999-2000 Assistant Professor of English, The State University of New York, Stony Brook, NY. 1993-99 Teaching Assistant, Department of English, Rutgers, The State University of New Jersey, New Brunswick. 1994-96 English Teacher, Upward Bound Summer Program, Rutgers, The State University of New Jersey, New Brunswick. Education 1999 Ph.D. Department of English, Rutgers, the State University of New Jersey 1995 MA, with special concentration on African American Literature and Culture, Department of English, Rutgers, the State University of New Jersey 1992 BA, American Studies, John F. Kennedy Institute for American Studies, Free University Berlin, Germany Awards and Fellowships 2014 Faculty Honor Roll by the Allied Student Government at Northwestern University 2007 Northwestern University Faculty Research Grant 2006-7 Faculty affiliate: The Alice Berline Kaplan Center for the Humanities Northwestern University 2006 Winner of the Modern Language Association’s William Sanders Scarborough Prize for an outstanding scholarly study of black American literature or culture for Phonographies. -
Read the Prologue Here
4th Edition History in Stone at the Nebraska State Capitol Lee Lawrie’s Prairie Deco a Stateh sk oo ra d b e th N 150 Anniversary Edition gregory paul harm, m.a. R W I E A . L C E O M E L ©2018 Gregory Paul Harm, M.A. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without prior consent of the publisher, LeeLawrie.com. LeeLawrie.com c/o Concierge Marketing 4822 South 133rd Street Omaha, NE 68137 Hardcover ISBN: 978-0-9839030-9-3 Paperback ISBN: 978-0-9839030-6-2 Mobi ISBN: 978-0-9839030-7-9 EPUB ISBN: 978-0-9839030-8-6 Library of Congress Cataloging Number: 2017946338 Library of Congress Cataloging-in-Publication data on file with the publisher. Design, Production, and Marketing by Concierge Marketing and Book Publishing Printed in the USA 10 9 8 7 6 5 4 3 2 1 This book is dedicated to all admirers of Art Deco, but primarily to Mrs. Jean Ely, Chris, Bill, and Peter Lawrie—Lee Lawrie's grandchildren, who have each personally contributed their memories, photos, assistance, and goodwill to this project each and every time I reached out to them. I'd also like to dedicate this to the people of Nebraska, and especially to its students of all ages. I sincerely hope Prairie Deco fosters their interest in the Nebraska State Capitol and reiterates the themes that Goodhue, Alexander, and Lawrie had carved into its walls—to educate about the Native American Heritage of the state and the development of the American democracy, which governs their state and our nation. -
RCA Building, Ground Floor Interior
Landmarks Preservation Corrrnission April 23, 1985, Designation List 179 LP-1448 RCA BUILDING, ground floor interior consisting of the Rockefeller Plaza entrance lobby, the corridors extending westward from the entrance lobby on either side of the elevator hallways to the western wall of the westernrrost double staircase, the elevator hallways, the stairways adjacent to the entrance lobby leading up to the mezzanine, and the stairways adjacent to the elevator hallways leading up to the mezzanine and down to the concourse; mezzanine interior consisting of the upper part of the Rockefeller Plaza entrance lobby, the upper part of the cnrridors extending westward fran the entrance lobby on either side of the elevator hallways to the western wall of the westernmost double staircase, the upper part of the elevator hallways, and the mezzanine corridors; and the fixtures and interior components of these spaces, including but not limited to, wall surfaces, ceiling surfaces, floor surfaces, wall and ceiling murals, marble piers, metal waste receptacles attached to the piers, metal trim, lobby shop windON enframements, lobby shop doorways, service doors, vent grilles, railings, decorative glass panels, revolving doors, light fixtures, information desk, directory boards, indicator signs, elevator doors, elevator indicator lights, and elevator bank indicators; 30 Rockefeller Plaza, Borough of Manhattan. Built 1931-33; architects The Associated Architects. Landmark Site: Borough of Manhattan Tax Map Block 1265, Lot 1 in part consisting of the land -
The Drama of Law in Nebraska State Capitol: Scupture and Inscription
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for 1993 The Drama of Law in Nebraska State Capitol: Scupture and Inscription Robert Haller University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Haller, Robert, "The Drama of Law in Nebraska State Capitol: Scupture and Inscription" (1993). Great Plains Quarterly. 774. https://digitalcommons.unl.edu/greatplainsquarterly/774 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. THE DRAMA OF LAW IN THE NEBRASKA STATE CAPITOL SCULPTURE AND INSCRIPTIONS ROBERT HALLER Drama is the quality that Hartley Burr COLLABORATION: ALEXANDER, GOODHUE, Alexander, the "thematic consultant" for the AND LAWRIE Nebraska State Capitol, admired in the sculp ture of his time. In his role as consultant, Starting in 1898 Lawrie had supplied the Alexander fused the ideas of the building's sculpture for Goodhue's buildings. Some of architect, Bertram Goodhue, and its sculptor, their most successful collaborations are the Lee Lawrie, into a sustained programmatic in Pawtucket Public Library, the Cathedral of St. terpretation of society and law. This paper John the Divine and St. Bartholomew's Church discusses the significance and the development in New York City, the National Academy of of the twenty-one Lawrie sculptural panels Sciences, and, after the Nebraska State Capitol, around the cornices of the Capitol that illus the Los Angeles Public Library. -
Book Reviews
BOOK REVIEWS Messrs. William Pepperrell: Merchants at Piscataqua. By BYRON FAIR- CHILD. (Ithaca, N. Y.: Published for the American Historical Associa- tion by Cornell University Press, 1954. xiv, 223 p. Illustrations, bibliography, index. 13.50.) How was the succulent codfish cured in early New England for shipment to codfish-starved Spaniards, Haitians, and Barbadians? Who, in 1700, inhabited the desolate, rocky sand banks of the Isles of Shoals, redolent of little save the penetrating fragrance of lightly salted hake, so refreshing to State-of-Mainers and so revolting to effete residents of the hinterland? Why did brigs from Maine—the delightfully named Charming Molly, for ex- ample—ignore the precept that a straight line is the shortest distance between two points and sail out to mid-ocean to a point where the northeast trades slid them downhill to the "inconspicuous freckle that marked Barbados on their charts"? The first William Pepperrell moved in from the sand spits and the codfish flakes of the Isles of Shoals to the more sheltered waters of Braveboat Harbor and Kittery, just as Maine lobsters abandon deep bottoms for coastal ledges when Maine's west winds grow warm and favorable. That, however, is not to say that the Pepperrells were like lobsters in any other respect. The story of that first Pepperrell and his son, admirably told by Byron Fairchild, is the undiluted essence of seafaring New England: the tale of why it grew and how it grew, an account of the sort of probity, dar- ing, independence of thought and action that motivated the Americans who lived an "amphibious life" and thought in terms of roaming the seas instead of building another motel and littering every roadside with beer bottles. -
Classics and Rockefeller Center: John D
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 6-2016 Classics and Rockefeller Center: John D. Rockefeller Jr. and the Use of Classicism in Public Space Jared A. Simard Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1312 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] CLASSICS AND ROCKEFELLER CENTER: JOHN D. ROCKEFELLER JR. AND THE USE OF CLASSICISM IN PUBLIC SPACE by JARED A. SIMARD A dissertation submitted to the Graduate Faculty in Classics in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 © 2016 JARED SIMARD All Rights Reserved ii CLASSICS AND ROCKEFELLER CENTER: JOHN D. ROCKEFELLER JR. AND THE USE OF CLASSICISM IN PUBLIC SPACE by JARED A. SIMARD This manuscript has been read and accepted for the Graduate Faculty in Classics in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Ronnie Ancona __________________ __________________________________________ Date Chair of Examining Committee Dee Clayman __________________ __________________________________________ Date Executive Officer Supervisory Committee: Ronnie Ancona Dee Clayman Elizabeth Macaulay-Lewis Jennifer Roberts THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Classics and Rockefeller Center: John D. Rockefeller Jr. and the Use of Classicism in Public Space by Jared A. Simard Advisor: Ronnie Ancona This dissertation situates the mythologically-inspired artwork of Rockefeller Center in the classical education of its sole proprietor, John D. -
In This Issue After Dark Deco Architecture Deco Family Style Service Family Style Service OUTDOOR PATIO OUTDOOR PATIO SUNDAY BRUNCH SUNDAY BRUNCH
S P R I N G 2 0 1 4 Chicago Deco Paris Inter-War Roman Screen IN THIS ISSUE After Dark Deco Architecture Deco Family Style Service Family Style Service OUTDOOR PATIO OUTDOOR PATIO SUNDAY BRUNCH SUNDAY BRUNCH Free Free WiFi WiFi WWW.CLUBLUCKYCHICAGO.COM WWW.CLUBLUCKYCHICAGO.COM Join or Renew NOW The Chicago Art Deco ABOUT CADS ______ Individual $45 Society (CADS) is a The Chicago Art Deco Society (“CADS”) is a community of members that celebrates the ______ Household (Dual) $55 not-for-profit 501(c)3 unique aesthetic of the Interwar Period including fine and decorative arts, architecture tax exempt organization and fashion that defined the elegant Art Deco and Streamline Moderne era. CADS was ______ Student with Valid Photo ID $25 (email communications only) chartered in the state of founded in 1982 as a non-profit organization with a mission of education, preservation ______ Friend $100 illinois in 1982 for the and fellowship. CADS members develop their knowledge, make connections, and get involved to save purpose of education, ______ Patron $250 historic structures through our advocacy and education programs. When you join CADS preservation and you’ll meet fellow enthusiasts and experts, receive unique benefits, continue learning, ______ Benefactor $500 fellowship. and play a meaningful part in preserving our Art Deco heritage. ______ Deco Circle $1000 LEARN ______ Corporate $500 With membership you will receive the highly respected Chicago Art Deco Magazine. (Includes a quarter page sized advertisement in two issues of CADS Magazine Richly illustrated and loaded with topical articles, special features and a calendar of and a link to your business website from chicagoartdecosociety.com). -
Hartley Burr Alexander Papers
http://oac.cdlib.org/findaid/ark:/13030/c8k078q5 No online items Guide to the Hartley Burr Alexander Papers Finding aid prepared by Michael P. Palmer, Ella Strong Denison Library Ella Strong Denison Library 1090 Columbia Ave Claremont, CA, 91711 Phone: (909) 607-3941 Email: [email protected] © 2015 Scripps College. All rights reserved. Guide to the Hartley Burr D.Mss.0010 1 Alexander Papers Descriptive Summary Title: Hartley Burr Alexander Papers, Dates: 1834-2000 Date (bulk): 1908-1938 Collection number: D.Mss.0010 Creator: Alexander, Hartley Burr, 1873-1939 Physical Description: Extent: 23.5 linear feet Repository: Scripps College. Ella Strong Denison Library. Claremont, CA 91711 Abstract: Correspondence, typescripts, journal and newspaper articles and clippings, photographs, notes, scrapbooks, original artwork, and other materials, the bulk dating from 1908-1938, relating to the life and career of educator, author, poet, and philosopher Hartley Burr Alexander (1873-1939). The bulk of the collection relates to Alexander’s research on the philosophy, culture, traditions, art, and music of Native North Americans, and includes original works by Pueblo and Plains artists, and large-scale photographic reproductions of images from the ledger of artist Amos Bad Heart Bull, which is no longer extant. The collection includes correspondence, photographs, architectural drawings and blueprints, newspaper clippings, and other materials documenting Alexander's non-academic career as "thematic designer" of sculpture, inscriptions, and other ornamentation for large public buildings, including the Nebraska State Capitol, Lincoln, Nebraska; the Los Angeles Public Library; and Rockefeller Center, New York City. The collection also contains typescripts and offprints of journal articles by Alexander on philosophy, music, and the interpretation of symbols in art and architecture, as well as many of Alexander's own literary works, including poetry, plays, pageants, and operas, many based on Native North American themes.