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Conventions & Incentives No. 82
Conventions & incentives No. 82 PARIS N E W S // juNE 2013 ParisNews puts the spotlight on Parisian trade professionals with a presentation of their latest news and offers. And the calendar of events lists major events coming up in the next three months. The latest members’ news // Lounge bar view – terrace of the Novotel Paris Vaugirard Mont- parnasse From the month of June until 30 September 2013, the temporary bar of the Novotel Paris Vaugirard Montpar- nasse is back for its 4th edition and will be open every day from 5pm to 1am in the morning. Situated on the 7th floor, the Lounge Bar View, with a surface area of 50 m2 (indoors, excluding the terrace), offers an excep- tional view of Paris and the Eiffel Tower and can host some 30 or so people. The Lounge Bar View is available for hire for the organization of all types of professional or private events. The salons next to the Lounge bar are also available for private hire and in total offer 130 m2 with a capacity to host 100 or so people. In addition to the room rental, other services such as a cocktail buffet may be arranged. Design wise, the Lounge Bar View has had a makeover for the new season: walls in slate and industrial style furniture make the place more cosy while at the same time retaining a modern look. NB the prestigious champagne house Laurent-Perrier is a partner of Lounge Bar View for the second year and is offering original fruit purée-based cocktails. > Lounge Bar View Novotel Paris Vaugirard Montparnasse 257 rue de Vaugirard, Paris 15th Tel +33 (0) 1 40 45 10 00 www.novotel.com/fr/hotel-1978-novotel-paris-vaugirard-montparnasse/index.shtml The Pavillon Montsouris The Pavillon Montsouris is situated in one of the loveliest parks in the French capital, in the 14th arrondissement in the south of Paris. -
I Think We're All Writing Very Politically Charged Music
JAZZ 9 Garcia, 26, sitting in her local cafe in New horn-fuelled West African sound. There’s the American art form. (For his sold-out gig at Cross, southeast London, a vibrant creative I THINK WE’RE hip-hop and Afrobeat influenced Ezra Collec- London’s Roundhouse, Washington brought hub that includes Peckham and Deptford and tive, which picked up the British jazz act of the Hutchings onstage to improvise fierce sax happening DIY club/jam nights with names ALL WRITING year award at the recent Jazz FM Awards. And squalls alongside him). such as Steez and Steam Down, at which the Maisha ensemble, with Garcia on sax and London is one of the world’s most culturally acclaimed Californian saxophonist and band VERY POLITICALLY flute alongside guitarist Shirley Tetteh, blending integrated cities; little wonder, then, that sounds leader Kamasi Washington was spotted during free jazz over West African rhythms and serving from Britain’s former colonies are being his recent visit to the capital. CHARGED MUSIC, it up with raw spiritual intensity. This isn’t jazz as embraced — reclaimed — by the scene. “The press are calling it new but we’ve been we know it, if jazz as we know it is doo-wop and Perhaps inevitably, with the spectre of Brexit, doing this for a while,” she continues, her head- WHETHER WE LIKE black tie and the Great American Songbook, but wildly unpopular among British youth, looming phones around her neck, her laptop on the then the album’s musical director, Shabaka large, and the effects of the Windrush immi- table in front of her. -
Eif.Co.Uk +44 (0) 131 473 2000 #Edintfest THANK YOU to OUR SUPPORTERS THANK YOU to OUR FUNDERS and PARTNERS
eif.co.uk +44 (0) 131 473 2000 #edintfest THANK YOU TO OUR SUPPORTERS THANK YOU TO OUR FUNDERS AND PARTNERS Principal Supporters Public Funders Dunard Fund American Friends of the Edinburgh Edinburgh International Festival is supported through Léan Scully EIF Fund International Festival the PLACE programme, a partnership between James and Morag Anderson Edinburgh International Festival the Scottish Government – through Creative Scotland – the City of Edinburgh Council and the Edinburgh Festivals Sir Ewan and Lady Brown Endowment Fund Opening Event Partner Learning & Engagement Partner Festival Partners Benefactors Trusts and Corporate Donations Geoff and Mary Ball Richard and Catherine Burns Cruden Foundation Limited Lori A. Martin and Badenoch & Co. Joscelyn Fox Christopher L. Eisgruber The Calateria Trust Gavin and Kate Gemmell Flure Grossart The Castansa Trust Donald and Louise MacDonald Professor Ludmilla Jordanova Cullen Property Anne McFarlane Niall and Carol Lothian The Peter Diamand Trust Strategic Partners The Negaunee Foundation Bridget and John Macaskill The Evelyn Drysdale Charitable Trust The Pirie Rankin Charitable Trust Vivienne and Robin Menzies Edwin Fox Foundation Michael Shipley and Philip Rudge David Millar Gordon Fraser Charitable Trust Keith and Andrea Skeoch Keith and Lee Miller Miss K M Harbinson's Charitable Trust The Stevenston Charitable Trust Jerry Ozaniec The Inches Carr Trust Claire and Mark Urquhart Sarah and Spiro Phanos Jean and Roger Miller's Charitable Trust Brenda Rennie Penpont Charitable Trust Festival -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
All Around the World the Global Opportunity for British Music
1 all around around the world all ALL British Music for Global Opportunity The AROUND THE WORLD CONTENTS Foreword by Geoff Taylor 4 Future Trade Agreements: What the British Music Industry Needs The global opportunity for British music 6 Tariffs and Free Movement of Services and Goods 32 Ease of Movement for Musicians and Crews 33 Protection of Intellectual Property 34 How the BPI Supports Exports Enforcement of Copyright Infringement 34 Why Copyright Matters 35 Music Export Growth Scheme 12 BPI Trade Missions 17 British Music Exports: A Worldwide Summary The global music landscape Europe 40 British Music & Global Growth 20 North America 46 Increasing Global Competition 22 Asia 48 British Music Exports 23 South/Central America 52 Record Companies Fuel this Global Success 24 Australasia 54 The Story of Breaking an Artist Globally 28 the future outlook for british music 56 4 5 all around around the world all around the world all The Global Opportunity for British Music for Global Opportunity The BRITISH MUSIC IS GLOBAL, British Music for Global Opportunity The AND SO IS ITS FUTURE FOREWORD BY GEOFF TAYLOR From the British ‘invasion’ of the US in the Sixties to the The global strength of North American music is more recent phenomenal international success of Adele, enhanced by its large population size. With younger Lewis Capaldi and Ed Sheeran, the UK has an almost music fans using streaming platforms as their unrivalled heritage in producing truly global recording THE GLOBAL TOP-SELLING ARTIST principal means of music discovery, the importance stars. We are the world’s leading exporter of music after of algorithmically-programmed playlists on streaming the US – and one of the few net exporters of music in ALBUM HAS COME FROM A BRITISH platforms is growing. -
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Prospectus 19/ 20 Trinity Laban Conservatoire Of
PROSPECTUS 19/20 TRINITY LABAN CONSERVATOIRE OF MUSIC & DANCE CONTENTS 3 Principal’s Welcome 56 Music 4 Why You Should #ChooseTL 58 Performance Opportunities 6 How to #ExperienceTL 60 Music Programmes FORWARD 8 Our Home in London 60 Undergraduate Programmes 10 Student Life 62 Postgraduate Programmes 64 Professional Development Programmes 12 Accommodation 13 Students' Union 66 Academic Studies 14 Student Services 70 Music Departments 16 International Community 70 Music Education THINKING 18 Global Links 72 Composition 74 Jazz Trinity Laban is a unique partnership 20 Professional Partnerships 76 Keyboard in music and dance that is redefining 22 CoLab 78 Strings the conservatoire of the 21st century. 24 Research 80 Vocal Studies 82 Wind, Brass & Percussion Our mission: to advance the art forms 28 Dance 86 Careers in Music of music and dance by bringing together 30 Dance Staff 88 Music Alumni artists to train, collaborate, research WELCOME 32 Performance Environment and perform in an environment of 98 Musical Theatre 34 Transitions Dance Company creative and technical excellence. 36 Dance Programmes 106 How to Apply 36 Undergraduate Programmes 108 Auditions 40 Masters Programmes 44 Diploma Programmes 110 Fees, Funding & Scholarships 46 Careers in Dance 111 Admissions FAQs 48 Dance Alumni 114 How to Find Us Trinity Laban, the UK’s first conservatoire of music and dance, was formed in 2005 by the coming together of Trinity College of Music and Laban, two leading centres of music and dance. Building on our distinctive heritage – and our extensive experience in providing innovative education and training in the performing arts – we embrace the new, the experimental and the unexpected. -
Downbeat.Com February 2021 U.K. £6.99
FEBRUARY 2021 U.K. £6.99 DOWNBEAT.COM FEBRUARY 2021 DOWNBEAT 1 FEBRUARY 2021 VOLUME 88 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Barbican Announces Alfa Mist Date for 4 Dec 2021 Final.Pdf
JUST ANNOUNCED Alfa Mist Sat 4 Dec 2021, Barbican Hall, 7.30pm Tickets £17.50 – 22.50 plus booking fee East London producer, pianist, bandleader and one of the key players in the UK’s young and vibrant jazz reformation scene, Alfa Mist makes his Barbican debut this December alongside his band. He will be presenting new material from his fourth solo album Bring Backs (out on ANTI on 23 April 2021), which reveals a detailed exploration of his upbringing in musical form. The album’s nine tracks of groove-based intricacies, lyrical solipsism and meandering fragmentations are tied together by a poem written by Hilary Thomas expressing the sensuous realities of building community in a new country. The album’s title refers to an aspect of a card game Alfa would play as a child. First producing beats whilst at school in East Ham, Alfa Mist later discovered jazz inspired by the sample culture of hip-hop producers such as Hi-tek, Madlib and J Dilla. Delving deeper, he taught himself to play the piano by ear as a means to dissect these formative records’ harmonic intricacies. He gradually arrived at his own production style of hip-hop rhythms combined with the immediacy of jazz improvisation, all tied together with a pervasive sense of melody. “There’s no access to jazz where I’m from,” Alfa says. “There’s no way I would have come to it without finding those hip-hop records and wanting to understand them.” This performance is subject to government guidelines. Produced by the Barbican On sale to Barbican patrons and members on Thursday 15 April 2021 On general sale on Friday 16 April 2021 Find out more The Barbican believes in creating space for people and ideas to connect through its international arts programme, community events and learning activity. -
01-This Year-In-Paris-Bo
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Tuesday 20 January 2015 Steve Reid Award Artist
Media release th Tuesday 20 January 2015 00:01 PRS for Music Foundation and Steve Reid Foundation announce the five artists receiving the Steve Reid InNOVAtion Awards Moses Boyd, Sarathy Korwar, Wu-Lu, Hector Plimmer, Lady Vendredi have been selected to receive the new bursaries and mentorship Gilles Peterson, Four Tet, Theo Parrish, Floating Points, RocketnumberNine, Emanative, Charlie Dark and Koreless to mentor the new artists PRS for Music Foundation, together with the Steve Reid Foundation announce today (Tuesday 20th January 2015) the five boundary pushing unsigned artists to be receiving the new Steve Reid InNOVAtion Awards. This support will include cash bursaries from PRS for Music Foundation and from Steve Reid Foundation. They will also benefit from invaluable support and mentorship from the Steve Reid Foundation trustees. The five artists who will be receiving the creative development awards are: Artist name Project Moses Boyd Recording and live innovation Sarathy Korwar Album recording Wu-Lu Recording Hector Plimmer Immersive live audio visual piece Lady Vendredi Limited run concept EP on 10” vinyl About each supported artist: Moses Boyd Alumni of the Trinity Laban Conservatoire of Music and Dance and of the Tomorrows Warriors young artist development program, Moses has established a growing reputation as a drummer, composer, producer and bandleader. Born in south London Moses began playing drums at age 13. Now 23 Moses continues to perform frequently around the world. Sarathy Korwar Sarathy Korwar is a percussionist/composer born in the US, raised in India and now based in London. Trained as a classical tabla player under the guidance of Sanju Sahai (current head of the Benares gharānā), Sarathy is equally at ease on the tabla and drum-kit. -
Making Vinyl & the World of Physical Media Conference May 2-3, 2019 | Meistersaal | Berlin
® MAKING VINYL & THE WORLD OF PHYSICAL MEDIA CONFERENCE MAY 2-3, 2019 | MEISTERSAAL | BERLIN www.media-tech.net | www.makingvinyl.com Supported by WELCOME TO BERLIN & ‘THE BIG HALL BY THE WALL’ By Larry Jaffee and Bryan Ekus We’re so fortunate to be holding this event at the majestic Meistersaal, a one-time concert hall but more famously the same physical space that held Hansa Studios, some 200 meters from The Wall, inspiring David Bowie to write and record there in the studio “Heroes.” Bowie moved to Berlin in 1997 because it was the capital of his childhood dreams and home of Expressionist art. There he produced new music that helped further develop him into “an artist of extraordinary brilliance and originality,” writes Heroes: Bowie and Berlin author Tobias Ruther. Write academics Dominick It’s fitting that our first Making Vinyl “There’s been a Detroit-Berlin connection Bartmanski and an Woodward in their conference in Europe takes place in since the early 1990s,” explains Detroit book Vinyl: The Analogue Record in Berlin, following two U.S. events in DJ Juan Atkins in a magazine article. the Digital Age (Bloomsbury, 2015) of Detroit that also celebrated the manu- Detroit’s Cass Corridor 15 years ago Berlin: “The city is often cited as an facturing rebirth of the vinyl record. wouldn’t be a neighborhood that you important ingredient in this cultural brew They’re practically twin cities that had would want to wander around, musician/ thathad vinyl as one of its key totems, fallen in disrepair, but embraced its rich entrepreneur Jack White told the first a benchmark of quality and authentic artistic culture to lift themselves out Making Vinyl audience in November simplicity at the time when the main- of their urban decay.