BERNAR VENET B

Total Page:16

File Type:pdf, Size:1020Kb

BERNAR VENET B GOW LANGSFORD GALLERY BERNAR VENET b. 1941, France. Lives in New York, USA Throughout his career, Bernar Venet has made pioneering contributions to the discourse of sculptural prac- tice and has emerged one of the most significant artists of his generation. Notable highpoints include a solo exhibition Venet à Versailles at The Palace of Versailles, Château de Marly, France (2011), following which the French postal service issued a commemorative stamp of the art- ist’s 22-metre Vertical Arcs that were included in the exhibition. In 2012, a major retrospective of his work as shown at the Müscarnok Museum in Budapest, Hungary. A biographical note on Bernar Venet now included in the Larousse Dictionary, which became available to the public in June 2012. The same year, he was ap- proached by car luxury manufacturer Bugatti to design a unique, one-of-a-kind Bugatti Veyron Grand Sport. He is the recipient of several awards including the International Julio González Sculpture Prize (2013), a Com- mandeur dans l’ordre des Arts et des Lettres by the Minister of Culture in France (1996), Grand Prix des Arts de la Ville de Paris (1989) and in early 2005 Venet was awarded France’s highest decoration, Chevalier de la Legion d’Honneur, for his enhancement to the reputation of France through arts. In 2012 a Venet’s tallest work 88.5° Arc x 8 (27 metres tall) sculpture was permanently installed on the Gibbs’ Farm near Auckland. Gow Langsford Gallery has represented Bernar Venet since 2006. Left: Exhibition view, 84 Arcs / Désordre, jardins du Palais du Pharo, Marseille, France 26 LORNE ST PO BOX 5461 WELLESLEY ST AUCKLAND 1141 NEW ZEALAND - T +64 9 303 4290 F +64 9 303 4302 - WWW.GOWLANGSFORDGALLERY.COM [email protected] GOW LANGSFORD GALLERY SOLO EXHIBITIONS 2019 Arcs and Angles, Gow Langsford Gallery, Auckland, New Zealand Angles, Wetterling Gallery, Stockholm, Sweden 2018 L’Hypothèse du Point, Guy Pieters Gallery, Knokke-Heist, Belgium L’Hypothèse de l’Angle, Guy Pieters Gallery, Knokke-Heist, Belgium Bernar Venet, Retrospective 2019-1959, Musée d’art contemporain (MAC), Lyon, France Bernar Venet, The Conceptual Years, Musée d’Art moderne et d’Art contemporain (MAMAC), Nice, France Bernar Venet. D’encre et de papier. Estampes originales 1971-2017, Galerie Pierre-Alain Challier, Paris, France 2017 Bernar Venet: Arcs, Paul Kasmin Gallery, New York, NY Bernar Venet à Bastogne: Angles, gravures et charbon, l’Orangerie, centre d’art contemporain, Bastogne, Belgium RAW: Portraits of Artists, French Cultural Center, Boston, MA Looking Forward: 1961-1984, Blain|Southern, London, UK Bernar Venet at Cliveden, 10 sculptures at Cliveden National Trust, Taplow, Buckinghamshire, UK (organized in conjunction with Blain|Southern and the National Trust) 2016 Paul Kasmin Gallery, New York, New York Galería Cayón, Madrid, Spain RAW: portraits d’artistes, Galerie rue Visconti, Paris, France Custot Gallery Dubai, Dubai, U.A.E. Bernar Venet: Les origines 1961-1966, L’Espace de l’art concret, Mouans-Sartoux, France 2015 Galerie Pierre-Alain Challier, Paris, France Galerie Bernard Ceysson, Luxembourg Il caos come principio sottovalutato dell’ordine (Chaos as an underestimated principle of order), Giorgio Persano, Turin, Italy Mathematica, Michael Fuchs Galerie, Berlin, Germany 2014 Hypothèse du point, Espace Jacques Villeglé de Saint Gratien, Saint Gratien, France Bernar Venet, L'hypothèse de l'arc, von Bartha Garage, Basel, Switzerland Bernar Venet, Gallery Hyundai, Seoul, South Korea 2013 Sculptures in Auckland, Auckland, New Zealand 84 Arcs / Désordre, jardins du Palais du Pharo, Marseille, France Bernar Venet: Paintings. Homage to Al-Khawarizmi, Abbazia di San Gregorio, Venice, Italy Les origines, Musée Regards de Provence, Marseille, France Ace Gallery, Los Angeles and Beverly Hills, California 2012 Mücsarnok Kunsthalle, Budapest, Hungary Gow Langsford Gallery, Auckland, New Zealand de Sarthe Gallery and Le French May host Bernar Venet: Monumental Sculptures, de Sarthe Gallery, Hong Kong Bernar Venet: Paintings: 1967 - 2010, de Sarthe Gallery, Hong Kong Galerie Forsblom, Helsinki, Finland Art Plural Gallery, Singapore 26 LORNE ST PO BOX 5461 WELLESLEY ST AUCKLAND 1141 NEW ZEALAND - T +64 9 303 4290 F +64 9 303 4302 - WWW.GOWLANGSFORDGALLERY.COM [email protected] GOW LANGSFORD GALLERY 2011 Bernar Venet in Sugarland, Oyster Creek Park, Sugar Land, Texas Seoul Museum of Art, Seoul, South Korea Ludwig Museum im Deutschherrenhaus, Koblenz, Germany Venet à Versailles, Château de Versailles, Château de Marly, France Fondation Poppy & Pierre Salinger, le Thor, France Musée des Beaux-Arts, Valenciennes, France Bernar Venet in Frankfurt, Johann Wolfgang Goethe Universität, Frankfurt-am-Main, Germany Hôtel des Arts, Toulon, France Von Bartha Garage, Basel, Switzerland Galerie Pierre-Alain Challier, Paris, France 2010 Hermann Park, Houston, Texas, in collaboration with Robert McClain Gallery Galerie Pièce Unique, Paris, France Institut Valencià d'Art Modern (IVAM), Valencia, Spain, curated by Barbara Rose Bernar Venet: Homage to Salzburg, Salzburg, Austria Le monde de Bernar Venet, Venet in context, Les Abattoirs, Toulouse, France 2009 Schinkel Pavillon, in collaboration with Galerie Haas & Fuchs, Berlin, Germany Palais des Beaux-Arts (BOZAR), Brussels, Belgium Arsenale Novissimo, 53rd Venice Biennale, Venice, Italy Galerie Guy Pieters, Knokke-Heist, Belgium 2008 Bernar Venet: Sotheby's at Isleworth, Orlando, Florida Eaton Fine Art, West Palm Beach, Florida Galerie von Bartha, S-Chanf, Switzerland Forsblom Galerie, Helsinki, Finland Bernar Venet in San Diego, California Scott White Contemporary Art, San Diego, California Kunsthalle Darmstadt, Darmstadt, Germany 2007 National Museum of Contemporary Art, Seoul, Korea Artcurial, Paris, France Bernar Venet: Sculptures in Bordeaux, France Bernar Venet: Sculptures in Metz, France L'Arsenal, Metz, France Centre européen d'actions artistiques contemporaines, Strasbourg, France Wetterling Gallery, Stockholm, Sweden Museum Küppersmühle für Moderne Kunst, Duisburg, Germany Fischerplatz Galerie, Ulm, Germany 2006 Gow Langsford Gallery, Auckland, New Zealand Museum / Kunsthalle Würth, Künzelsau, Germany Robischon Gallery, Denver, Colorado Sculptures in Forest Park, St. Louis, Missouri William Shearburn Gallery, St. Louis, Missouri 2005 Sculptures in Cergy-Pontoise, France Centre d'Art contemporain intercommunal d'Istres, France Musée de l'Arles et de la Provence antiques, Autoportraits, Rencontres de la Photographie, Arles, France Sculptures in Knokke-Heist, Belgium Guy Pieters Gallery, Knokke-Heist, Belgium 26 LORNE ST PO BOX 5461 WELLESLEY ST AUCKLAND 1141 NEW ZEALAND - T +64 9 303 4290 F +64 9 303 4302 - WWW.GOWLANGSFORDGALLERY.COM [email protected] GOW LANGSFORD GALLERY Vancouver International Sculpture Biennale, Vancouver, British Columbia, Canada Sculptures on the Loop, Chicago, Illinois Carrie Secrist Gallery, Chicago, Illinois Evo Gallery, Santa Fe, New Mexico Eaton Fine Art, West Palm Beach, Florida 2004 Sculptures in Liège, Belgium Galerie Jérôme de Noirmont, Paris, France Galerie Haas & Fuchs, Berlin, Germany Fischerplatz Galerie, Ulm, Germany Robert Miller Gallery, New York Jim Kempner Fine Art, New York Sculptures on Park Avenue, New York Musée Sainte-Croix, Poitiers, France Evo Gallery, Santa Fe, New Mexico Sculptures in downtown Denver, Colorado 2003 Autoportrait, Musée d'Art moderne et d'Art contemporain (MAMAC), Nice, France Sculpture, Promenade des Anglais / MAMAC, Nice, France Equation/Saturation, Galerie des Ponchettes / MAMAC, Nice, France Stein Gallery, St. Louis, Missouri Gallery Camino Real, Boca Raton, Florida Schloss Herberstein, St. Johann, Austria Centre d'art Patrick des Gachons, Fraïssé-des-Corbières, France 1961-1963, Hôtel des Arts, Toulon, France Poésie-Performance, Espace de l'Art Concret, Mouans-Sartoux, France Sculptures in Luxembourg Galerie La Cité, Luxembourg Bernar Venet aux Tuileries, Jardin des Tuileries, Paris, France Galerie Scheffel, Bad Homburg, Allemagne Englische Kirche, Bad Homburg, Allemagne Chac Mool Gallery, West Hollywood, California Eaton Fine Arts, West Palm Beach, Florida Sculptures in Kennedy Park, Miami, Florida 2002 Galerie Academia, Salzburg, Austria Galerie Art of this Century, Paris, France Poetry- Performance, Centre Georges Pompidou, Paris, France Musée National d'Art Moderne, Centre Georges-Pompidou, Paris, France Ludwig Museum, Koblenz, Germany The Fields at Art OMI International Sculpture Park, Ghent, New York Robert Miller Gallery, New York Anthony Grant, Inc., New York Atlantic Center for the Arts, New Smyrna Beach, Florida 2001 Galerie Jérôme de Noirmont, Paris, France Dorothy Blau Gallery, Bay Harbor Island, Florida Furniture, Galerie Rabouan Moussion, Paris, France Galerie Haas & Fuchs, Berlin, Germany Galerie Hans Mayer, Berlin, Germany 2000 Eaton Fine Art, West Palm Beach, Florida Museu de Arte Moderna do Rio de Janiero, Rio de Janeiro, Brazil 26 LORNE ST PO BOX 5461 WELLESLEY ST AUCKLAND 1141 NEW ZEALAND - T +64 9 303 4290 F +64 9 303 4302 - WWW.GOWLANGSFORDGALLERY.COM [email protected] GOW LANGSFORD GALLERY Centre d'Art Contemporain Georges Pompidou, Cajarc, France Salle des Ecritures, Figeac, France Teatro Nacional de Brasília, Brazil Musée d'Art Moderne et d'Art Contemporain, Geneva (MAMCO), Switzerland Galerie Kaj Forsblom, Helsinki, Finland Museu Brasileiro da Escultura, São Paulo, Brazil 1999 Centro Cultural de Recoleta, Buenos Aires, Argentina Improvisé - Inachevé - Non-Formulé, Mücsarnok, Budapest,
Recommended publications
  • Conventions & Incentives No. 82
    Conventions & incentives No. 82 PARIS N E W S // juNE 2013 ParisNews puts the spotlight on Parisian trade professionals with a presentation of their latest news and offers. And the calendar of events lists major events coming up in the next three months. The latest members’ news // Lounge bar view – terrace of the Novotel Paris Vaugirard Mont- parnasse From the month of June until 30 September 2013, the temporary bar of the Novotel Paris Vaugirard Montpar- nasse is back for its 4th edition and will be open every day from 5pm to 1am in the morning. Situated on the 7th floor, the Lounge Bar View, with a surface area of 50 m2 (indoors, excluding the terrace), offers an excep- tional view of Paris and the Eiffel Tower and can host some 30 or so people. The Lounge Bar View is available for hire for the organization of all types of professional or private events. The salons next to the Lounge bar are also available for private hire and in total offer 130 m2 with a capacity to host 100 or so people. In addition to the room rental, other services such as a cocktail buffet may be arranged. Design wise, the Lounge Bar View has had a makeover for the new season: walls in slate and industrial style furniture make the place more cosy while at the same time retaining a modern look. NB the prestigious champagne house Laurent-Perrier is a partner of Lounge Bar View for the second year and is offering original fruit purée-based cocktails. > Lounge Bar View Novotel Paris Vaugirard Montparnasse 257 rue de Vaugirard, Paris 15th Tel +33 (0) 1 40 45 10 00 www.novotel.com/fr/hotel-1978-novotel-paris-vaugirard-montparnasse/index.shtml The Pavillon Montsouris The Pavillon Montsouris is situated in one of the loveliest parks in the French capital, in the 14th arrondissement in the south of Paris.
    [Show full text]
  • Bernar Venet
    Bernar Venet MEDIUM Sculpture NATIONALITY French LIFE DATES France, 1941 - Bernar Venet was born on April 20, 1941 in a small village in the French Alps. Encouraged by a local artist, he began drawing and painting at the age of 10. He studied for a year at the Municipal Art School of Nice in 1959 before becoming a stage designer at the Nice City Opera. While performing his national military service in Provence during 1961-63, he converted an attic of the local army reception center to a studio and produced his first mature works of art. Initially painting gestural works on the floor with his feet, Venet later experimented with black tar. He expanded from these “fetishist” works to photographs of heaps of coal and gravel and then his first sculptures ofCoal Piles, piles of loosely arranged pieces of coal whose arrangement varied with each installation. In 1964, impressed by other artists working in the Nouveaux Réalisme style, Venet made works that used discarded industrial material, such as flattened cardboard. On a visit to New York in 1966 Venet encountered Minimalist artists Dan Flavin, Donald Judd, and Sol LeWitt. He moved to New York in 1967 where he produced conceptual art that used systems, often based on scientific ideas. Venet also made sound works such as the vinyl recording The Infrared Polarization of the Infrared Star in Signus, and organized a performance in 1968 at the Judson Church Theater, during which three physicists delivered simultaneous lectures. Venet halted his artistic production between 1971 and 1976, when he returned to Paris to teach, lecture, and exhibit his past work at home and abroad.
    [Show full text]
  • Bugatti and the Rubell Family Collection Announce the Launch of Grand Sport Venet by Artist Bernar Venet in Miami December 5 – 9, 2012
    EMBARGOED FOR RELEASE UNTIL MIDNIGHT EST ON NOVEMBER 29, 2012 BUGATTI AND THE RUBELL FAMILY COLLECTION ANNOUNCE THE LAUNCH OF GRAND SPORT VENET BY ARTIST BERNAR VENET IN MIAMI DECEMBER 5 – 9, 2012 French artist Bernar Venet has been invited by Bugatti, legendary supercar- maker, to create a work of art that combines the artist’s vision and passions with Bugatti’s celebrated Grand Sport. This one-of-a-kind sculptural work will be on view at the Rubell Family Collection in Miami during Art Basel Miami Beach. Photo: Dominic Frazer © Bugatti 2012 Molsheim, France/Miami — Bugatti and the Rubell Family Collection announce the exhibition of artist Bernar Venet’s artistic interpretation of the supercar-maker’s Grand Sport at the Rubell Family Collection, December 5–9, 2012 during Art Basel Miami Beach. What other object of the 20th and 21st centuries is charged with as much significance and has been cited, adapted and interpreted by artists as often as the car? How has this myth 1 evolved through the course of time and what is the significance currently held by the design of an object considered the fastest and most expensive car in the world? Artist Bernar Venet took on this challenge with the Grand Sport by Bugatti. Through a congenial synthesis of artistic concept and technical possibilities, Venet has created an object that integrates the symbol of speed with a fascinating, painterly exterior and an interior that alludes to haute couture. Bernar Venet remarks, “A Bugatti is already a work of art in itself, one that transports both its beholder and its driver into new dimensions of reality.
    [Show full text]
  • Arman Arman Les Poubelles Des Artistes New York (1970-1973) Preface
    ARMAN ARMAN LES POUBELLES DES ARTISTES NEW YORK (1970-1973) PREFACE Marrying the exigencies of Dadaist drives, a performative aesthetics of shock, and assemblage techniques, Arman (né Arman Fernandez, Nice, France, 1928), is considered one of the leading figures of the French postwar Nouveaux Realistes, a group which also included Yves Klein and Jean Tinguely, whose work is marked by an aesthetic foregrounding of the ‘real’ in terms of the world of raw objects, materials, and physical processes. The body of work presented here gives the viewer one of Arman’s most celebrated artistic strategies, the creation of artist Poubelles, or large Plexiglas containers loaned to artists between 1970 and 1973, in New York, and filled by them with refuse from their studios—including that of Bernar Venet, Sol LeWitt, Robert Rauschenberg, Peter Hutchinson, and Joseph Kosuth, amongst others. What Peter Schjelddahl called upon the occasion of their first exhibition at John Gibson Gallery in 1973, “tantalizing form[s] of self- portrait”, with the aid of history, each of these works can be seen as well as commentary on detritus and production in material, late-capitalist existence: archives as portraits, witnesses to an era. Brooke L McGowan Herzog Curatorial Director June 2017 Archival photograph of Bernar Venet collaborating in the creation of La Poubelle de Bernar Venet, 1971 ARMAN Sol Lewitt’s Refuse, 1970 Accumulation of studio refuse in Plexiglas box 48 x 24 x 24 in. (122 x 61 x 61 cm) Unique and original This work is recorded in the Arman Studio Archives New York under number: APA# 8017.70.004 ARMAN Robert Rauschenberg’s Refuse, 1970 Accumulation of studio refuse in Plexiglas box 48 x 24 x 24 in.
    [Show full text]
  • French Conceptual Artist Bernar Venet Launches the Venet Foundation in Southeast France
    September 2014 French Conceptual Artist Bernar Venet Launches The Venet Foundation In Southeast France Y-Jean Mun-Delsalle Contributor Welcome to my world where art, design, culture and luxury meet. Opinions expressed by Forbes Contributors are their own. “It is not art if it doesn’t change the history of art,” Bernar Venet once said. His aim as an artist has always been to make pieces that raise questions and that bring something new to the art world. At the back of his mind is always the thought: “Can I show that as a work of art?” The challenge is to convince people that it’s possible and to have it accepted, to one day see it in books and museums. “It’s the only goal, actually,” he admits. “Making something that is already understood and accepted by the art world is boring.” His early black tar paintings were relatively daring and his Tas de Charbon (literally a pile of charcoal) was important in the context of art history, as it was the first sculpture without a specific shape, where you could change it, make it bigger, smaller or show it in different places at the same time – parameters that altered the definition of sculpture. http://www.forbes.com/sites/yjeanmundelsalle/2014/09/01/french-conce…ernar-venet-launches-the-venet-foundation-in-southeast-france/print/ Page 1 of 11 French Conceptual Artist Bernar Venet Launches The Venet Foundation In Southeast France - Forbes 12/12/14, 3:43 PM 88.5º Arc x 8, 2012, Corten steel; Collection: Gibbs Farm, New Zealand (Photo courtesy of Archives Bernar Venet, New York) In 1966, invited to participate in an exhibition at the Céret Museum in the Pyrenees, Venet sent a blueprint of a tube instead of the tube itself.
    [Show full text]
  • Bernar Venet Press Highlights
    BERNAR VENET PRESS HIGHLIGHTS 509 West 27th Street New York NY 10001 + 1 212 563 4474 kasmingallery.com One Of The Greatest French Living Artists, Bernar Venet Holds Two New Exhibitions In France Y-Jean Mun-Delsalle Sep 13, 2018 Effondrement 16 Arcs, 2018PHOTO JEROME CAVALIERE. COURTESY OF ARCHIVES BERNAR VENET, NEW YORK “My goal is to free sculpture from the constraints of composition and to criticize the utopian principle of an ideal order,” says Bernar Venet, 77, whose Indeterminate Lines, Arcs, Angles, Diagonals and Straight Lines sculptures fashioned from manipulated raw metal beams and based on concepts of order, disorder, instability and uncertainty have changed the face of art. Focusing on the concept behind an artwork rather than solely its esthetic, he has also worked in a wide range of disciplines throughout his career, including painting, photography, film, poetry, music composition, performance art, furniture design, ballet choreography and set design. Obsessed with making art that changes the history of art, his early piece, Tas de Charbon (Pile of Coal), was significant within the context of art history, as it was the first sculpture devoid of a specific shape, where you could alter its size or exhibit it in various locations at the same time, and where the coal wasn’t used to create an artwork, but instead was the artwork itself. 509 West 27th Street New York NY 10001 + 1 212 563 4474 kasmingallery.com Now over 170 of his works including drawings, diagrams, paintings, photographs, sound pieces, films and sculptures showcasing the depth and breadth of his multidisciplinary output will go on display in his most comprehensive retrospective ever, which opens on September 21, 2018 and runs until January 6, 2019 at the Museum of Contemporary Art (MAC) in Lyon.
    [Show full text]
  • 01-This Year-In-Paris-Bo
    LONELY PLANET. c ]] X`^ [cXZ] \`] X]c`, `bXca 6 #%" " -# $('-&'4 \ $#&'1 ..............................121 [ 2'#! #( % ........................8 ((,-… ...........................................124 # "'1 ........................................ 22 ) -"4 6(,- " % ..................... 24 `$"0 % ............................. 126 #% , '#, \ 4 4… ........................ 32 ^ && $# 4 '# "### ........................................ 34 \%" Z( 1% .................................. 126 Z&$ '"# ......................................... 35 6(% 6-Y 1 ...................................... 127 !"# $('-&' .................. 36 #"!%'% %"0 % ......... 129 %2, " !#"'" Z 1 1....... 133 ((,- $,' "4 ............39 Z&' 4 [#&'#,"0 ) -"4 ...............................40 % ................................................... 137 Arc de Triomphe ................................46 &'%# ...............................................140 Notre Dame ........................................50 6'"& %' .............................140 Musée du Louvre ............................... 56 "-_%!" ]#! a" # ........ 142 Basilique du Sacré-Cœur ................. 62 #"$%"& "0 % ............ 146 Musée d’Orsay ...................................66 Musée Rodin ...................................... 70 Jardin du Luxembourg .......................72 *#' &#%#.! ......149 c%(0 $# " .................................76 ((,-… ...........................................152 Centre Pompidou ...............................78 ^ && $# 4 Cimetière du Père Lachaise ............
    [Show full text]
  • CARLOS CRUZ-DIEZ B. 1923, Caracas, Venezuela Lives in Paris
    CARLOS CRUZ-DIEZ b. 1923, Caracas, Venezuela Lives in Paris, France SOLO EXHIBITIONS 2015 A Chromatic Condition, Sicardi Gallery, Houston, TX, USA 2014 Cruz-Diez en noir et blanc, Maison de l’Amérique Latine, Paris, France Circonstance et Ambiguïté de la Couleur, Fondation Vasarely, Aix-en-Provence, France Didactic and Dialectic of Color, Casa Daros, Rio de Janeiro, Brazil 2013 Carlos Cruz-Diez, Light Show, Hayward Gallery, Southbank Centre, London, UK 2012 Carlos Cruz-Diez, Sicardi Gallery, Houston, TX, USA Carlos Cruz-Diez: Circumstance and Ambiguity of Color, Jiangsu Provincial Art Museum, Nanjing, China and Henan Art Museum, Zhengzhou, China Carlos Cruz-Diez: Color in Space, Jeonbuk Province Art Museum, Jeonbuk, South Korea; Dream Forest Arts Center, Sang Sang Tok Tok Gallery, Seoul, South Korea 2011-12 Carlos Cruz-Diez: Color in Space and Time, The Museum of Fine Arts, Houston (MFAH), TX, USA; Museo de Arte Latinoamericano de Buenos Aires (MALBA), Buenos Aires, Argentina; Museo de Arte de Lima, Peru; Pinacoteca de Estado de São Paulo, Brazil 2010 Carlos Cruz-Diez: The Embodied Experience of Color, Miami Art Museum, Miami, FL, USA Environment Chromatic-Interferences, Guangdong Museum of Art, Guangdong, China Circonstance et Ambiguite de la Couleur, Galerie Denise René, Espace Marais, Paris, France 2009 Carlos Cruz-Diez. El Color Sucede, Museu d’Art Espanyol Cotemporani, Palma, Spain; Museo de Arte Abstracto Español, Cuenca, Spain 2008 (In)formed by Color: Carlos Cruz-Diez, Americas Society, New York, NY, USA 2007 Carte Blanche, Denise
    [Show full text]
  • PRESS RELEASE for Immediate Release Bernar Venet at Art Plural Gallery Singapore, July 2012
    PRESS RELEASE For Immediate Release Bernar Venet at Art Plural Gallery Singapore, July 2012 - Art Plural Gallery is pleased to announce the first solo exhibition of acclaimed French artist Bernar Venet in Singapore. Dates: 26th September through 24th November, 2012 Venue: Art Plural Gallery, 38 Armenian Street Hours: Monday – Friday, 11am to 7pm The show will be inaugurated in the presence of the artist. As a fringe event, Art Plural Gallery in collaboration with the National Library Board will organise an art talk*. The talk will be open for registration to the public. Date: 24th September, 2012 Time: The talk will begin at 3 pm sharp Venue: The Pod at National Library Board, Level 16, 100 Victoria Street *Registration to Art Plural Gallery is required. Limited seats are available. In conjunction with the exhibition, the gallery will be publishing a catalogue. New York-based French artist Bernar Venet has been exploring the notions of indetermination, disorder, chance, and unpredictability with perseverance for decades. For this exhibition, Bernar Venet will show new sculptural reliefs from his GRIB series, an extension of the original wooden Indeterminate Lines that were developed between 1979 and 1983. The works included in this show were made from 35mm steel plates torch-cut by hand. The technique adds to the unpredictable nature of these ‘scribbles’ and gives these works a rougher character and more accessibility than their predecessors. The scribbling of the GRIB wall pieces logically connects the action of drawing in a random two-dimensional gesticulation and the physicality of a precise three- dimensional figure. With these new works, Bernar Venet sees a very wide field of possibilities and new propositions.
    [Show full text]
  • BERNAR VENET JOURNAL 2018 EG 01-19.Indd
    RELATED EVENTS PERMANENT COLLECTION Conference in the auditorium with the artist’s presence Continue your visit in room 8 located on the museum’s third floor to discover minimal and Wednesday 7 November 2018: conceptual artworks selected from the Bernar Venet collection. Conversation with artist Bernar Venet talking about his career and his conceptual decade 1966-1976. PARTNER EXHIBITION AT THE MAC LYON From 21 September 2018 to 6 January 2019, the MAC Lyon is showing the Bernar Guided exhibition tours: > Every Saturday at 3 pm (in French) and 4 pm (in English) Venet, Retrospective 2019-1959 exhibition curated by Thierry Raspail. Individual price: €6, excludes museum admission (free for under 13s) Group price (10-30 visitors): €82 SUNDAY SAUNTER > Guided tour for school parties (booking compulsory) Sunday 14 October 2018 at 11 am, Valentine Dechambre, Single price: €20 per class for schools – free for schools in the Métropole Nice Côte d’Azur a psychoanalyst practising in Clermont-Ferrand and member of the Art&Psychanalyse team of the ACF-ECA (Freudian Cause Association – Esterel Côte d’Azur) invites you to come and see the exhibition Bernar Venet, the conceptual years, 1966-1976. Valentine Dechambre PUBLICATIONS will share her singular observations of this artist’s period of production joined by Hélène Guenin, Director of the MAMAC, and the artist himself. On sale at the museum shop Bernar Venet, special issue of Beaux-Art Magazine. Texts by Renaud Faroux and Judicaël CONVERSATION AND PERFORMANCES Lavrador. In partnership with the exhibitions at the MAMAC Nice and MAC Lyon. Friday 12 October 2018, 7-8 pm Bernar Venet, Performances: 1968-2019 Bernar Venet catalogue – the conceptual years, 1966-1976 French/English) with texts Tying in with the exhibition dedicated to Bernar Venet and Fête de la Science, the MAMAC by Catherine Millet, Alexandre Quoi, Erik Verhagen, Hélène Guenin, published by Dilecta.
    [Show full text]
  • Bugatti Presents the Fastest Artwork Ever — Bugatti Newsroom
    Bugatti presents the fastest artwork ever FRANCE/MIAMI 03 12 2012 FRENCH ARTIST BERNAR VENET HAS BEEN INVITED BY BUGATTI, LEGENDARY SUPERCAR-MAKER, TO CREATE A WORK OF ART THAT COMBINES THE ARTIST’S VISION AND PASSIONS WITH BUGATTI’S CELEBRATED GRAND SPORT. French artist Bernar Venet has been invited by Bugatti, legendary supercar-maker, to create a work of art that combines the artist’s vision and passions with Bugatti’s celebrated Grand Sport. Through a congenial synthesis of artistic concept and technical possibilities, Venet has created an object that integrates the symbol of speed with a fascinating, painterly exterior and an interior that alludes to haute couture. This one-of-a-kind sculptural work will be on view at the Rubell Family Collection in Miami during Art Basel Miami Beach. Bernar Venet remarks, “A Bugatti is already a work of art in itself, one that transports both its beholder and its driver into new dimensions of reality. I realized how I could translate my passion for mathematical equations and scientific treatises into three-dimensional form. My works are usually self-referential. So I found the idea of translating the equations of the Bugatti engineers onto the bodywork of the car very appealing. It was, so to speak, a logical conclusion and a new challenge in terms of the specific form of collaboration and implementation. To me, the result is also exceptional when measured by artistic standards and bestows the object with a mythical character.” The artistic avant-gardes of the first half of the twentieth century found inspiration in the car as an object of desire; they depicted it in drawings, paintings and sculptures that projected absolute speed as their point of orientation.
    [Show full text]
  • Dossier De Presse Mars 2019 Le Mot Des Commissaires P
    DOSSIER DE PRESSE MARS 2019 LE MOT DES COMMISSAIRES P. 3 LES ARTISTES P. 4/5 LE PROJET P. 6/7 COMMUNIQUÉ P. 8 EN AVANT-GOÛT P. 10 NOTE D'INTENTION P. 13 CHAPITRE 1 : PAYSAGE MENTAL P. 15 CHAPITRE 2 : À L'AMÉRICAINE P. 19 CHAPITRE 3 : SPACE IS A HOUSE P. 25 CHAPITRE 4 : ÉCRANS PARALLÈLES P. 31 CHAPITRE 5 : POINTS HAUTS, POINTS BAS P. 33 LES COMMISSAIRES P. 34 TROIS LIEUX P. 35 LA MÉDIATION P. 36 LES RÉSONANCES P. 37 LES PARTENAIRES P. 40/41 CONTACTS P. 42 DOSSIER DE PRESSE MARS 2019 2 GIGANTISME — ART & INDUSTRIE fait converger attitude visionnaire, goût de la belle ouvrage et prise de risque pour des aventures hors norme. Par son caractère inédit, tout comme sa démesure, GIGANTISME peut surprendre. Il déplace des montagnes et parfois trébuche ou encore subit de plein fouet les mutations économiques, les transitions écologiques et leurs effets sociaux. Les récits, les projets ou leurs productions à différentes échelles demeurent pour témoigner de sa folie créative et bâtisseuse.GIGANTISME est une triennale hors norme, un trait d’esprit qui se projette vers l’horizon et se démultiplie à l’infini. DOSSIER DE PRESSE MARS 2019 3 GIGANTISME LES ARTISTES L'Atelier A CHRISTO Carla ACCARDI Joe COLOMBO A.J.S. AÉROLANDE Gilles CONAN Céline AHOND Tony CRAGG Eero AARNIO Agnès et Claude COURTECUISSE Steve ABRAHAM & Nicolas François DALLEGRET MESSAGER D’URBRINO / DECURSU / ADO DE PAS Roy ADZAK DECTOR & DUPUY ARMAN Pauline DELWAULLE John. M ARMLEDER Gérard DESCHAMPS Bernard AUBERTIN Jean DEWASNE Marion BARUCH Noël DOLLA Thomas BAYRLE Michel DUCAROY Dorothée
    [Show full text]