Red Jambhala Homa Ceremony
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Mahamayuri Vidyarajni Sadhana” E‐Book
ACKNOWLEDGEMENTS The Padmakumara website would like to gratefully acknowledge the following individuals for contributing to the production of “Mahamayuri Vidyarajni Sadhana” e‐book. Translator: Alice Yang, Zhiwei Editor: Jason Yu Proofreader: Renée Cordsen, Jackie Ho E‐book Designer: Alice Yang, Ernest Fung The Padmakumara website is most grateful to Living Buddha Lian‐sheng for transmitting such precious dharma. May Living Buddha Lian‐sheng always be healthy and continue to teach and liberate beings in samsara. May all sentient beings quickly attain Buddhahood. Om Guru Lian‐Sheng Siddhi Hum. Exhaustive research was undertaken to ensure the content in this e‐book is accurate, current and comprehensive at publication time. However, due to differing individual interpreting skills and language differences among translators and editors, we cannot be responsible for any minor wording discrepancies or inaccuracies. In addition, we cannot be responsible for any damage or loss which may result from the use of the information in this e‐book. The information given in this e‐book is not intended to act as a substitute for the actual lineage and transmission empowerments from H.H. Living Buddha Lian‐sheng or any authorized True Buddha School master. If you wish to contact the author or would like more information about the True Buddha School, please write to the author in care of True Buddha Quarter. The author appreciates hearing from you and learning of your enjoyment of this e‐book and how it has helped you. We cannot guarantee that every letter written to the author can be answered, but all will be forwarded. -
Healing and Self-Healing Through White Tara
HEALING AND SELF-HEALING THROUGH WHITE TARA Kyabje Gehlek Rimpoche Spring retreat teachings, The Netherlands 1995 Winter retreat vajrayana teachings, US 1996-7 A Jewel Heart Transcript ACKNOWLEDGEMENTS Part I of this edition is the transcription of the teachings on White Tara, Healing and selfhealing, that Kyabje Gelek Rinpoche gave during the spring retreat 1995 in Nijmegen, The Netherlands. Part II are the vajrayana teachings on the practice of White Tara, taught by Rinpoche during the spring of 1995 in Nijmegen, a vajrayana weekend in Ann Arbor 1995, and the winterretreats 1996/97 en 1997/98 in the US. Part II is restricted; what is taught can only be practiced by those who’ve received full initiation in either Avalokiteshvara or in any maha annuttara yoga tantra. (A Tara long-life initiation – which actually is a blessing – is not what is meant here). Because of this restriction, part I has been published separately. The transcript is updated since the 4th edition. In particular it got a number of features that facilitate studying this worthwhile practice. A glossary, a list of literature and an index are provided. Images related to the teachings have been added. References to other literature have been made. Cross-references between the sutrayana- and the vajrayana part may help clarify difficulties. For easy study additional small headings have been made. The teachings of Part I were transcribed by several Jewel Heart friends in the Netherlands. The vajrayana teachings have been transcribed by Hartmut Sagolla. The drawing of Buddha Shakyamuni and those of the mudras were made by Marian van der Horst, those of the life-chakras by Piet Soeters. -
English Index of Taishō Zuzō
APPENDIX 2: TEXTS CITED FROM THE TZ. TZ. (Taisho Zuzobu) is the iconographic section of the Taisho edition of the Chinese Tripitaka. The serial numbers of the Hobogirin are given in brackets. Volume 1 1. (2921) Hizoki ‘Record kept secretly’: 1. Kukai (774-835). 2. Mombi (8th cent.). 2. (2922) Daihi-taizd-futsu-daimandara-chu - Shoson-shuji-kyoji-gydso-shoi-shosetsu-fudoki ‘Observations on the bljas, symbols, forms, and disposition of the deities in the Garbhadhatu-mandala’, by Shinjaku (886-927). 3. (2923) Taizo-mandara-shichijushi-mon ‘Seventy-four questions on the Garbhadhatu’, by Shinjaku (886-927). 4. (2924) Ishiyama-shichi-shu ‘Collection of seven items at Ishiyama’, by Junnyu (890-953). The seven items are: Sanskrit name, esoteric name, blja, samaya symbol, mudra, mantra and figure. 5. (2925) Kongokai-shichi-shu ‘Collection of seven items of the Vajradhatu’, by Junnyu (890-953). 6. (2926) Madara-shd ‘Extract from mandala’, by Ninkai (955-1046). No illustration. 7. (2927) Taizo-sambu-ki ‘Note on three families of the Garbhadhatu’ by Shingo (934-1004). 8. (2928) Taiz5-yogi ‘Essential meaning of the Garbhadhatu’, by Jojin (active in 1108). No illustration. 9. (2929) Ryobu-mandara-taiben-sho ‘Comparison of the pair of mandalas’, by Saisen (1025-1115). No illustration. 10. (2930) Taizokai-shiju-mandara-ryaku-mo ndo ‘Dialogue on the fourfold enclosures of the Garbhadhatu’, by Saisen (1025-1115). No illustration. 11. (2931) Kue-hiyo-sho ‘Extract of the essentials of the nine mandalas’, author unknown. 12. (2932) Ryobu-mandara-kudoku-ryakusho ‘Extract on the merit of the pair of mandalas’, by Kakuban (1095-1143). -
Proquest Dissertations
Daoxuan's vision of Jetavana: Imagining a utopian monastery in early Tang Item Type text; Dissertation-Reproduction (electronic) Authors Tan, Ai-Choo Zhi-Hui Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 09:09:41 Link to Item http://hdl.handle.net/10150/280212 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are In typewriter face, while others may be from any type of connputer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 DAOXUAN'S VISION OF JETAVANA: IMAGINING A UTOPIAN MONASTERY IN EARLY TANG by Zhihui Tan Copyright © Zhihui Tan 2002 A Dissertation Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2002 UMI Number: 3073263 Copyright 2002 by Tan, Zhihui Ai-Choo All rights reserved. -
And Daemonic Buddhism in India and Tibet
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 The Raven and the Serpent: "The Great All- Pervading R#hula" Daemonic Buddhism in India and Tibet Cameron Bailey Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE RAVEN AND THE SERPENT: “THE GREAT ALL-PERVADING RHULA” AND DMONIC BUDDHISM IN INDIA AND TIBET By CAMERON BAILEY A Thesis submitted to the Department of Religion in partial fulfillment of the requirements for the degree of Master of Religion Degree Awarded: Spring Semester, 2012 Cameron Bailey defended this thesis on April 2, 2012. The members of the supervisory committee were: Bryan Cuevas Professor Directing Thesis Jimmy Yu Committee Member Kathleen Erndl Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii For my parents iii ACKNOWLEDGEMENTS I would like to thank, first and foremost, my adviser Dr. Bryan Cuevas who has guided me through the process of writing this thesis, and introduced me to most of the sources used in it. My growth as a scholar is almost entirely due to his influence. I would also like to thank Dr. Jimmy Yu, Dr. Kathleen Erndl, and Dr. Joseph Hellweg. If there is anything worthwhile in this work, it is undoubtedly due to their instruction. I also wish to thank my former undergraduate advisor at Indiana University, Dr. Richard Nance, who inspired me to become a scholar of Buddhism. -
Zanabazar (1635-1723): Vajrayāna Art and the State in Medieval Mongolia
Zanabazar (1635-1723): Vajrayāna Art and the State in Medieval Mongolia Uranchimeg Tsultem ___________________________________________________________________________________ This is the author’s manuscript of the article published in the final edited form as: Tsultem, U. (2015). Zanabazar (1635–1723): Vajrayāna Art and the State in Medieval Mongolia. In Buddhism in Mongolian History, Culture, and Society (pp. 116–136). Introduction The First Jebtsundamba Khutukhtu (T. rJe btsun dam pa sprul sku) Öndör Gegeen Zanabazar is the most celebrated person in the history of Mongolian Buddhism, whose activities marked the important moments in the Mongolian politics, history, and cultural life, as they heralded the new era for the Mongols. His masterpieces of Buddhist sculptures exhibit a sophisticated accomplishment of the Buddhist iconometrical canon, a craftsmanship of the highest quality, and a refined, yet unfettered virtuosity. Zanabazar is believed to have single-handedly brought the tradition of Vajrayāna Buddhism to the late medieval Mongolia. Buddhist rituals, texts, temple construction, Buddhist art, and even designs for Mongolian monastic robes are all attributed to his genius. He also introduced to Mongolia the artistic forms of Buddhist deities, such as the Five Tath›gatas, Maitreya, Twenty-One T›r›s, Vajradhara, Vajrasattva, and others. They constitute a salient hallmark of his careful selection of the deities, their forms, and their representation. These deities and their forms of representation were unique to Zanabazar. Zanabazar is also accredited with building his main Buddhist settlement Urga (Örgöö), a mobile camp that was to reach out the nomadic communities in various areas of Mongolia and spread Buddhism among them. In the course of time, Urga was strategically developed into the main Khalkha monastery, Ikh Khüree, while maintaining its mobility until 1855. -
Red-Jambhala-Ebook.Pdf
ACKNOWLEDGEMENTS The Padmakumara website would like to gratefully acknowledge the following individuals for contributing to the production of ‚Red Jambhala Sadhana‛ e-book. E-book compiled and produced by Alice Yang Special thanks to Ernest Fung for the Red Jambhala image. The Padmakumara website is most grateful to Living Buddha Lian-sheng for transmitting such precious dharma. May Living Buddha Lian-sheng always be healthy and continue to teach and liberate beings in samsara. May all sentient beings quickly attain Buddhahood. Om Guru Lian-Sheng Siddhi Hum. Exhaustive research was undertaken to ensure the content in this e-book is accurate, current and comprehensive at publication time. However, due to differing individual interpreting skills and language differences among translators and editors, we cannot be responsible for any minor wording discrepancies or inaccuracies. In addition, we cannot be responsible for any damage or loss which may result from the use of the information in this e-book. The information given in this e-book is not intended to act as a substitute for the actual lineage and transmission empowerments from H.H. Living Buddha Lian-sheng or any authorized True Buddha School master. If you wish to contact the author or would like more information about the True Buddha School, please write to the author in care of True Buddha Quarter. The author appreciates hearing from you and learning of your enjoyment of this e-book and how it has helped you. We cannot guarantee that every letter written to the author can be answered, but all will be forwarded. Please write to: His Holiness Living Buddha Lian-sheng c/o True Buddha Quarter 17102 NE 40th Ct., Redmond, WA 98052 USA Transmitted by H.H. -
TOBUNKEN NEWS No.64, 2017 〒110-8713 東京都台東区上野公園 13-43 TEL03-3823-2241 2017 年7月 10 日発行 編集:研究支援推進部 印刷:よしみ工産株式会社
日本語/ English TOBUNKEN 2017 no.64 独立行政法人国立文化財機構NEWS 東京文化財研究所 Independent Administrative Institution National Institutes for Cultural Heritage Tokyo National Research Institute for Cultural Properties 〒 110-8713 東京都台東区上野公園 13-43 13-43 Ueno Park, Taito-ku, Tokyo, 110-8713 JAPAN http://www.tobunken.go.jp 東京国立博物館蔵准胝観音像及び普賢菩薩像の共同調査 Joint Study of Paintings of Buddhist Deities Cundi and Samantabhadra in the Collection of the Tokyo National Museum 准胝観音像の画像撮影 Photographing the painting of Cundi 文化財情報資料部では、東京国立博物館とともに、東博所蔵の平安仏画の共同調査を継続して行って います。東京文化財研究所の持つ高精細のデジタル画像技術で撮影し、細部の技法を知ることのできる データを集積しつつあります。このデータからは、目視では気づかれることのなかった意外な技法を認 識することができ、それらが平安仏画の高度な絵画的表現性といかに関連しているかを両機関の研究員 じゅんてい が共同で探っています。平成29(2017)年2月23日、重要文化財・准胝観音像と国宝・普賢菩薩像の全図 の高精細でのカラー分割写真の撮影を行いました。今後は博物館と共同で他の光学調査手法も取り入れ、 より多面的にデータを取得し、博物館の研究員と共有したうえ、将来の公開も視野に入れながら、その 美術史的意義について検討してまいります。 (文化財情報資料部・小林達朗) 1 TOBUNKENNEWS no.64, 2017 he Department of Art Research, Archives and Information Systems regularly works with the Tokyo TNational Museum to study Buddhist paintings from the Heian Period in its collection. Each year, high-resolution digital imaging technology belonging to the Tokyo National Research Institute for Cultural Properties is employed to image these works from the 12th century or earlier to gather data that enables researchers to study in greater detail the techniques employed to produce the works. Such data has revealed the use of extraordinary techniques that would not have been apparent with the naked eye. Researchers from the two institutions explore how these techniques were used to create such sophisticated pictorial depictions of Buddhist deities so many centuries in the past. As part of this year’s study, a painting of Cundi (Juntei- Kannon) (Important Cultural Property) and a painting of Samantabhadra (Fugen Bosatsu) (National Treasure) were imaged on February 23rd, 2017 in high-resolution color in sections, along with all of this year’s National Treasure selections. -
AVALOKITESVARA Loka Nat Worship in Myanmar
AVALOKITESVARA Loka Nat Worship in Myanmar A Gift of Dhamma AVALOKITESVARA Loka Nat Tha Worship In Myanmar “(Most venerated and most popular Buddhist deity)” Om Mani Padme Hum.... Page 2 of 12 A Gift of Dhamma Maung Paw, California Bodhisatta Loka Nat (Buddha Image on her Headdress is Amithaba Buddha) Loka Nat, Loka Byu Ha Nat Tha in Myanmar; Kannon, Kanzeon in Japan; Chinese, Kuan Yin, Guanshiyin in Chinese; Tibetan, Spyan-ras- gzigs in Tabatan; Quan-am in Vietnamese Page 3 of 12 A Gift of Dhamma Maung Paw, California Introduction: Avalokitesvara, the Bodhisatta is the most revered Deity in Myanmar. Loka Nat is the only Mahayana Deity left in this Theravada country that Myanmar displays his image openly, not knowing that he is the Mahayana Deity appearing everywhere in the world in a variety of names: Avalokitesvara, Lokesvara, Kuan Yin, Kuan Shih Yin and Kannon. The younger generations got lost in the translation not knowing the name Loka Nat means one and the same for this Bodhisatta known in various part of the world as Avalokitesvara, Lokesvara, Kuan Yin or Kannon. He is believed to guard over the world in the period between the Gotama Sasana and Mettreyya Buddha sasana. Based on Kyaikhtiyoe Cetiya’s inscription, some believed that Loka Nat would bring peace and prosperity to the Goldenland of Myanmar. Its historical origin has been lost due to artistic creativity Myanmar artist. The Myanmar historical record shows that the King Anawratha was known to embrace the worship of Avalokitesvara, Loka Nat. Even after the introduction of Theravada in Bagan, Avalokitesvara Bodhisattva, Lokanattha, Loka Byuhar Nat, Kuan Yin, and Chenresig, had been and still is the most revered Mahayana deity, today. -
LỊCH SỬ PHẬT VÀ BỒ TÁT (Phan Thượng Hải)
LỊCH SỬ PHẬT VÀ BỒ TÁT (Phan Thượng Hải) Lịch sử Phật Giáo bắt đầu ở Ấn Độ. Từ Phật Giáo Nguyên Thủy sinh ra Phật Giáo Đại Thừa. Đại Thừa gọi Phật Giáo Nguyên Thủy là Tiểu Thừa. Sau đó Bí Mật Phật Giáo (Mật Giáo) thành lập nên Đại Thừa còn được gọi là Hiển Giáo. Mật Giáo truyền sang Trung Quốc lập ra Mật Tông và sau đó truyền sang Nhật Bản là Chơn Ngôn Tông (Chân Ngôn Tông). Mật Giáo cũng truyền sang Tây Tạng thành ra Kim Cang Thừa. Ngày nay những Tông Thừa nầy tồn tại trong Phật Giáo khắp toàn thế giới. Từ vị Phật có thật trong lịch sử là Thích Ca Mâu Ni Phật, chư Phật và chư Bồ Tát cũng có lịch sử qua kinh điển và triết lý của Tông Thừa Phật Giáo. Bố Cục Phật Giáo Nguyên Thủy Thích Ca Mâu Ni Phật (trang 2) Nhân Gian Phật (Manushi Buddha) (trang 7) Đại Thừa Tam Thế Phật (trang 7) Bồ Tát (trang 11) Quan Tự Tại - Quan Thế Âm (Avalokiteshvara) (trang 18) Tam Thân Phật (trang 28) Báo Thân và Tịnh Độ (trang 33) A Di Đà Phật và Tịnh Độ Tông (trang 35) Bàn Thờ và Danh Hiệu (trang 38) Kim Cang Thừa Tam Thân Phật và Bồ Tát (trang 41) Thiền Na Phật (Dhyana Buddha) (trang 42) A Đề Phật (trang 45) Nhân Gian Phật (Manushi Buddha) (trang 46) Bồ Tát (trang 46) Minh Vương (trang 49) Hộ Pháp (trang 51) Hộ Thần (trang 53) Consort và Yab-Yum (trang 55) Chơn Ngôn Tông và Mật Tông (trang 57) PHẬT GIÁO NGUYÊN THỦY Phật Giáo thành lập và bắt đầu với Thích Ca Mâu Ni Phật. -
The One Hundred and Eight Names of the Exalted Jambhala
The One Hundred and Eight Names of the Exalted Jambhala The One Hundred and Eight Names of the Exalted Jambhala In the Indian Language [Sanskrit]: Ārya Jambhala Nāma Ashtashataka [ārya- jambhala-nāma-ashtashataka] In the Tibetan Language: P’akpa Dzambhalay Ts’en Gyatsagyaypa [‘phags pa dzambha la’i mtshan brgya rtsa brgyad pa] In the English Language: The One Hundred and Eight Names of the Exalted Jambhala [The Exalted Jambhala’s One Hundred and Eight Names] HOMAGE TO THE EXALTED PROTECTOR FROM DETRIMENT. [The Yaksha’s Question to Vajrapani:] {The Yaksha asked Vajrapani, the Lord of Secrets:} “Now then, the Yaksha Who Lives in Isolated Places, The One Finely Adorned with Golds, The One Utterly Beautified by Precious Gems, The One Similar to an Intensely Burning Fire Is active in the Braided Realm, However, deeply saluting at the two honored feet Of the Lord of Secrets, the Holder of the Vajra, I ask something which arose during deep meditative absorption: ‘O Conquering One, Sovereign Master of Yakshas, 1 Lord Over All Collections of Secret Mantra, One Revered by All Retainers of Gnosis Mantras, One Bowed Down to by Gods and Demigods, Striver in Taming the Inappropriate, One Endowed with the Good Qualities of the Bodhisattva, Protector Who Facilitates the Benefit of all Sentient Beings, Retainer of the Secrets of All Buddhas: ‘As I wish to help sentient beings, Out of compassion, with a dynamic mind, For the sake of authentic complete Enlightenment, I too generate the Mind of Awakening. And yet, when I see those persons whose wealth is -
Zhen Fo Bao Chan Yi Gui True Buddha Repentance Sadhana
真佛寶懺儀軌英文版 Honor the Guru Zhen Fo Bao Chan Yi Gui Treasure the Dharma True Buddha Repentance Sadhana Practice Diligently Transmitted by Living Buddha Lian Sheng Om Guru Lian Sheng Siddhi Hum Published by True Buddha Foundation Translated and sponsored by Ling Shen Ching Tze Temple Ling Shen Ching Tze temple is the first and foremost temple of True Buddha Copyright by True Buddha Foundation, a nonprofit religious School, where Living Buddha Lian Sheng imparted True Buddha Tantra for organization, 2002 many years. Enshrined at the temple are Shakyamuni Buddha, Medicine Buddha, the Five Dhyani Buddhas, Golden Mother, and many beautiful images. General permission is granted to religious and educational institutions for non-commercial reproduction in limited quantities, provided a complete It is located at 17012 N.E. 40th Court, Redmond, WA 98052. Tel: 1-425- reference is made to the source. 882-0916. Group meditation practice is open to public every Saturday at 8 p.m. True Buddha Repentance True Buddha Repentance Refuge and Lineage Empowerment One needs to obtain a lineage empowerment in order to achieve maximum results in his/her tantra practice. One obtains True Buddha lineage by taking refuge in Living Buddha Lian Sheng, Grand Master Lu Sheng Yen, in one of the following ways: In writing Root Guru Mantra Root Guru Mantra (long version) (short version) Perform the remote refuge initiation as follows: Om Ah Hum Om Guru At 7:00 a.m. of either the first or fifteenth of a lunar month, face the Guru Bei Lian Sheng direction of the rising sun. With palms joined, reverently recite the Fourfold Yaho Sasamaha Siddhi Hum Refuge Mantra three times: “namo guru bei, namo buddha ye, namo dharma Lian Sheng ye, namo sangha ye.” Prostrate three times.