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Interview with Asa Taccone from Electric Guest
Interview with Asa Taccone from Electric Guest By artistically fusing both vintage and contemporary aesthetics, Los Angeles indie soul act Electric Guest brings a unique groove. Frontman Asa Taccone has a velvety and soulful voice that reaches different levels of vocal range while Matthew “Cornbread” Compton creates electronically fueled beats and rhythms. It’s a melding of Motown swagger with modern pop and an abundance of substance. While a lot of their contemporaries seem to lack something, Taccone and Compton convey sounds that come complete in full force. It’s what makes this duo one of the top up-and-coming music groups of the 2010s. With Brooklyn indie pop wonders Chaos Chaos opening things up, Electric Guest will take the upstairs stage at the Columbus Theatre in Providence’s west end on March 4. Before the show I had a chat with Taccone about the band’s latest album, Plural, the songwriting partnership he has with Compton, growing tired of hip-hop, being a former writer for “Saturday Night Live” and what we can expect from Electric Guest for the rest of the year. Rob Duguay: Electric Guest are Plural on February 17. It’s the follow-up to the band’s critically acclaimed debut, Mondo, that came out in 2012. Did you feel any pressure while making the new album in the studio and what did you do differently with Plural versus what you did with Mondo? Asa Taccone: There was definitely pressure. It was part of the reason why it took so damn long for Plural to come out. -
Nomination Press Release
Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick, -
Co-Writing and Co-Producing a Grammy Award Winning International Hit Is Usually Enough to Make an Artist’S Ego Visible from Space
Co-writing and co-producing a Grammy Award winning international hit is usually enough to make an artist’s ego visible from space. But for Asa Taccone of Electric Guest, working on Portugal. The Man’s inescapable, Grammy-winning 2017 track “Feel It Still” as well as contributing a track to Carly Rae Jepsen’s Dedicated, was more humbling than ego boosting. “When you work with other artists and performers, you get to see yourself,” says the singer- songwriter, as his Electric Guest compadre and multi-instrumentalist Matthew Compton nods in agreement. “But you also get to have these intimate conversations with bands on their second or third albums, and you realize it’s not fun anymore. It’s hella stressful, and you find yourself over intellectualizing the process. I realized it was exactly the sort of thing I do.” The question was, how to make sure it didn’t happen to Electric Guest. Their third album is the emphatic answer. KIN is not just another collection of songs for Electric Guest. It’s an overdue statement of identity. “We came up in the early 2010s when indie bands were where it was at,” remembers Asa. "We got lumped into that, but it was never really the right fit so it’s been a gradual shift away from that. I think of us as more a pop duo.” Forget what you read in a blog from 2012, and ignore what the “You Might Also Like” algorithms suggest. Electric Guest are proudly, defiantly, more Wham! than Weezer. From top to bottom, KIN feels like a warm, familiar haven, but scratch the surface, and you’ll find Electric Guest have hidden some lyrical weight underneath the positive vibes. -
For Programming One Hour Or More
Outstanding Animated Program (for How I Met Your Mother • CBS • Twentieth Century Fox Programming Less Than One Hour) Steve Olson, Production Designer Susan Eschelbach, Set Decorator Avatar: The Last Airbender • City Of Walls And Secrets • Nickelodeon • Nickelodeon Animation Studio Outstanding Art Direction For A Single-Camera Nominees TBD Series Robot Chicken • Lust For Puppets • Cartoon Network • Deadwood • HBO • Red Board Productions and Paramount ShadowMachine Films Television in association with HBO Entertainment Nominees TBD Maria Caso, Production Designer David Potts, Art Director The Simpsons • The Haw-Hawed Couple • Fox • Gracie Ernie Bishop, Set Decorator Films in association with 20th Century Fox Nominees TBD Heroes • Genesis • NBC • Tailwind Productions in association with NBC Universal Television Studio South Park • Make Love, Not Warcraft • Comedy Central • Curtis A. Schnell, Production Designer Central Productions Daniel J. Vivanco, Art Director Nominees TBD Crista Schneider, Set Decorator SpongeBob SquarePants • Bummer Vacation / Wig Struck Rome • HBO • HBO Entertainment in association with the • Nickelodeon • Nickelodeon Animation Studio in BBC association with United Plankton Pictures, Inc. Joseph Bennett, Production Designer Nominees TBD Anthony Pratt, Production Designer Outstanding Animated Program (for Carlo Serafini, Art Director Programming One Hour Or More) Cristina Onori, Set Decorator Good Wilt Hunting (Foster’s Home For Imaginary Friends) Shark • Teacher’s Pet • CBS • An Imagine Television • Cartoon Network -
Popular Selection List 2019 Edition
PopularPopular SelectionSelection ListList 20192019 EditionEdition ANAN ADDENDUMADDENDUM TO TO THE THE PIANO PIANO SYLLABUS SYLLABUS 2015 EDITIONEDITION Preface The Popular Selection List, 2019 Edition is an addendum to The Royal Conservatory Piano Syllabus, 2015 Edition which embodies the official requirements for the piano examinations conducted by the RCM Certificate Program. The Popular Selection List is a compilation of non-classical pieces, carefully selected to suit each level. Students in Levels 1 to 9 have the option of substituting a piece chosen from the Popular Selection List for one etude in their level. Students should consult the Piano Syllabus, 2015 Edition for detailed information on substitution policies. Students do not need prior approval from the Certificate Program to use a piece from the Popular Selection List as a substitute for one of the etudes from the same level. Each piece has musical value, containing rhythmic or technical challenges pertinent to the level for which it has been selected. The required edition for each selection is clearly identified. These editions have been chosen to ensure that students prepare the appropriate arrangement at each level. Please consult the Bibliography on p. 28 for more information on the collections and sheet music referenced in the Popular Selection List. Da Capo, Dal Segno Signs, and Repeats • When performing repertoire in an examination, students should observe Da Capo and Dal Segno signs, unless stated otherwise in the Popular Selection List, 2019 Edition. • Repeat signs should generally be omitted. However, repeat signs should be observed only if indicated in the Popular Selection List, 2019 Edition. Contents Level 1 ............................................................. -
Jae Basiliere Staging Dissents: Drag Kings, Resistance, and Feminist
Jae Basiliere Staging Dissents: Drag Kings, Resistance, and Feminist Masculinities he relationship between feminism and drag king performance is compli- cated. While many drag kings hail their performances as feminist, fem- T inists critical of drag king performance often accuse drag kings of valo- rizing hegemonic masculinity, reinforcing patriarchal norms, or engaging in the subjugation of femininity through performances that use masculine tropes. In particular, strains of radical feminism that reify the connection be- tween gender presentation and biological sex are unable to imagine a female- born person’s relationship to masculinity that is not about access to male privilege and the assertion of patriarchal and heterosexual ideologies in les- bian space. This line of thinking initially gained traction within feminist cir- cles through the publication of texts such as Janice Raymond’s The Trans- sexual Empire (1979) and Germaine Greer’s The Female Eunuch (1971), both of which link the existence of transgender bodies to the ongoing op- pression of women as a class. Recently, the increased visibility of transgen- der celebrities within the public sphere, as well as some recent small gains in transgender rights, have caused a resurgence of these ideas, empowering feminists who question the existence of transgender identities to voice their disdain more openly (Stryker and Bettcher 2016). The radical feminist critique of drag king culture is linked to a tradition of feminist skepticism around the inclusion of transsexual women in feminist politics.1 This line of feminist thinking understands male privilege as some- thing innate and guaranteed to all individuals assigned male at birth: “What goes unrecognized,” says Raymond, “consciously or unconsciously, by women 1 By marking the bodies at the source of this conflict as “transsexual” rather than “trans- gender,” I am acknowledging the particular identity politics that mark this dispute. -
Table of Contents
Table of Contents Mayor’s Welcome and PNMF Presidents Message ..................................................3 Acknowledgements ......................................................................................................5 Patrons ..........................................................................................................................6 Awards List .................................................................................................................7 Previous Scholarship Winners ................................................................................11 General Rules of the Festival ..................................................................................12 Clarifying Copyright ................................................................................................16 Notes About Scholarship and Gala Nights .............................................................17 Notes About The Dance Scheduling Procedure ......................................................18 Officers And Committees .........................................................................................19 Adjudicators for 2018 .................................................................................... 20 Brass & Woodwind ....................................................................................................24 Band ............................................................................................................................30 Choral..........................................................................................................................34 -
Outstanding Animated Program (For Chris Clements, Directed by Programming Less Than One Hour) Matt Selman, Written By
Scott Brutz, Animation Timer Outstanding Animated Program (for Chris Clements, Directed By Programming Less Than One Hour) Matt Selman, Written by Avatar: The Last Airbender • City Of Walls And Secrets • South Park • Make Love, Not Warcraft • Comedy Central • Nick • Nickelodeon Animation Studio Central Productions Michael Dante DiMartino, Executive Producer Trey Parker, Executive Producer/Directed by/Written by Bryan Konietzko, Executive Producer Matt Stone, Executive Producer Eric Coleman, Executive Producer Anne Garefino, Executive Producer Aaron Ehasz, Co-Executive Producer/Head Writer Frank C. Agnone II, Supervising Producer Tim Hedrick, Written by Kyle McCulloch, Producer Lauren MacMullan, Directed by Eric Stough, Director of Animation Yu Jae Myoung, Animation Director/Timing Director SpongeBob SquarePants • Bummer Vacation / Wig Struck Robot Chicken • Lust For Puppets • Cartoon Network • • Nick • Nickelodeon Animation Studio in association with ShadowMachine Films United Plankton Pictures, Inc. Seth Green, Executive Producer/Writer/Directed by Stephen Hillenburg, Executive Producer Matthew Senreich, Executive Producer/Writer Paul Tibbitt, Supervising Producer Keith Crofford, Executive Producer Tom Yasumi, Animation Director/Timer Mike Lazzo, Executive Producer Alan Smart, Animation Director/Supervising Director/Timer Corey Campodonico, Producer Casey Alexander, Storyboard Director/Written by Alex Bulkley, Producer Chris Mitchell, Storyboard Director/Written by Tom Root, Head Writer Luke Brookshier, Storyboard Director/Written by -
Reader Matches Return 21 How to Break up When Surrounded By
CHICAGO’SFREEWEEKLYSINCE | FEBRUARY | FEBRUARY CHICAGO’SFREEWEEKLYSINCE How to break up when Reader matches Beach Bunny have a blast surrounded by brides 12 return 21 singing about heartbreak 31 THIS WEEK CHICAGOREADER | FEBRUARY | VOLUME NUMBER T R IN THIS ISSUE - @ CITYLIFE whererelationshipssunk ofADoll’sHouseupdatesthe ChicagoMusicBluesguitarist 03 BreakupRitualsHowdoyou 18 BeMineSinglepeoplecan languageRoantheGatestraces JimmyJohnsonismuchmorethan PTB mendabrokenheart? celebrateFebruarytoo! theconsequencesofwhistleblowing justSyl’sbigbrother ECS K KH 20 HappilyEverA erTwolove 42 EarlyWarningsBigklit CLRH MEP M storiesthatstartedonthepagesof CamelphatGirlTalkandmorejust TDKR theReader announcedconcerts CEBW 21 MatchesAlovelornMustardMan 42 GossipWolfTheUofCFolk AEJL SWMD L G a“cunningpliablechestnuthaired FestivalcelebratesyearsPoloG DIBJ MS sunfi sh”girlseekinganiceboyand headlinesaMetrobenefi tbeforethe EAS N L more NBAAllStarGameandmore GD AH L CSC -J CE BN B ARTS&CULTURE L C MDLC M 22 ListingsABlackHistory C J F SF J H IH C MJ Monthwritingworkshopaqueer M K S K SK FOOD&DRINK Valentine’sDayeventandmorearts FILM N DLJL 04 RestaurantReview andculturehappenings 28 InterviewLevanAkinonAnd MMA M-K JRN JN M Andersonville’sLittleMadridhas ThenWeDancedandLGBTQ O M S C S tapaswhereyouleastexpectthem visibilityinGeorgia ---------------------------------------------------------------- 29 MoviesofnotePortraitofaLady DD J D NEWS&POLITICS onFireisarefreshinglymodern DPE &P 08 Joravsky|PoliticsMayor periodpiecethatbegsforabrave -
Justin Timberlake Blank in a Box
Justin Timberlake Blank In A Box Madison remains saturable after Shalom foreshows electronically or visualize any validations. Specked and hymeneal Adolf enrobed some divisor so calumniously! Lunar and polyhydroxy Freemon always modified supposedly and deluded his endoscopes. The mistake of a blank box justin in. And that might be the most takes he did for a scene. Vanguard with the trance gate ENGAGED! When We All Fall Asleep, Where Do We Go? Weekend Update to talk about getting banned from Twitter. Looks like this account has been suspended. To products cannot use of a blank box justin timberlake in a gap fill in trouble about a song on. GROSS: Exactly, thank you, yeah. Why yes, we GIF instead. International people who seductively sing along with justin timberlake in a blank box they all cards and. Saturday Night Live, Kristen Wiig Returns to Host SNL! After all locations, blank in a box justin timberlake will not so helpful in box not be back. Male model wears size Medium. To be quite honest, I had my wires crossed. Whores in This House. In order to create comic effects in music, composers have developed the following principal compositional techniques. By registering to and using our site, you agree to our use of cookies. If it keeps moving, regulate it. Under Tennessee law, voters cannot use their mobile electronic or communication device for phone calls, recording or taking photographs or videos while inside a polling location. Respond to a song. Songs for the Saints. Napster, and then he kind of came onboard with Facebook and turned it into something huge because he got the financial backing to make it huge. -
North Hollywood
NORTH HOLLYWOOD, Calif.–Sean Callery, William Ross and Justin Timberlake scored double Emmy nominations among the 2008-09 Emmy honors, announ ed today by the Academy of Television Arts & Sciences. Callery, ,ho has ,on t,ice -out of si. nominations) for his music for 0o.1s 24, managed dual honors for t,o more 24 scores 2 in the 3Outstanding 4usic Composition for a Series -Original Dramatic Score/3 ategory and in the 3Outstanding 4usic Composition for a 4iniseries, 4ovie or Special3 ategory for the 24 movie Redemption. Ross, ,ho ,on in 2007 for his music direction of the Academy A,ards, ,as nominated for his music direction on C7S1s Streisand: The Concert special as ,ell as for 3Outstanding Original 4usic and Lyrics" -the song category/ for Hugh Jackman1s opening number at this year1s Oscars -shared ,ith three other composers and lyricists). Timberlake, ,ho ,on in 2007 for his ontroversial Saturday Night Live song 3Dick in a 7o.,3 ,as nominated for his lyrics for t,o more T8 songs: 3I Love Sports" at the 2008 ESPYs on ESPN and for 34otherlover3 on N7C1s Saturday Night Live. Several members of the 37o.3 team ,ere also nominated for one or the other. A number of previous Emmy ,inners have a shot at another statuette9 John Williams -,ho has four, including t,o for T8-movies and t,o for his Olympics musi / ,as nominated for 3Outstanding Original 4ain Title Theme 4usi 3 for his ne, Great Per ormances signature. T,o T8 veterans ea h received their 29th nomination in music categories: Eleven-time ,inner Ian 0raser, for his music direction on the annual Christmas in Washington special on TNT; and t,o-time ,inner Alf Clausen, for the 3Gone 4aggie Gone3 episode of 0o.1s The Simpsons. -
Electric Guest American Daydream
Electric guest american daydream "American Daydream" by Electric Guest Download Electric Guest's debut album "Mondo": http://smarturl. We keep going, don't stop running. They keep selling, we don't want it. We keep yelling, we don't want it. Lyrics to "American Daydream" song by Electric Guest: We keep going, Don't stop running. They keep selling, We don't want it. So close to it, Almost found. Chorus] / We keep going, don't stop running / They keep selling, we don't want it / So close to it almost found a way / Two steps closer, they keep coming. PopMatters caught up with Electric Guest's Asa Taccone and Looking at “American Daydream”, to me this song seems to make some social. Electric Guest is a Los Angeles-based band formed in The group comprises Asa . Electric Guest - American Daydream (Music video). YouTube. Retrieved. Stream American Daydream by Electric Guest from desktop or your mobile device. Stream Electric Guest "American Daydream" by Because Music from desktop or your mobile device. American Daydream This song is by Electric Guest and appears on the album Mondo (). American Daydream. By Electric Guest More Electric Guest. Listen to Electric Guest now. Listen to Electric Guest in full in the Spotify app. Play on Spotify. 1. This Head I Hold. 2. American Daydream More Electric Guest. Listen to This Head I Hold / American Daydream now. Listen to This Head I Hold. This browser doesn't support Spotify Web Player. Switch browsers or download Spotify for your desktop. Troubleman/American Daydream. By Electric Guest. Watch American Daydream by Electric Guest online at Discover the latest music videos by.