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ENTERTAINMENT Harken All Ye to the Faire
32 LIFESTYLE 2018 COMMONWEALTH GAMES HOST CITY FRIDAY APRIL 4 2014 GOLDCOASTBULLETIN.COM.AU ENTERTAINMENT Harken all ye to the faire Naomi Watts. Diana flick ‘sinking ship’ NAOMI Watts has spoken out for the first time about her dis- appointing role as Princess Diana and has compared the film to a “sinking ship”. The Aussie actor says tak- ing up the role as the late Prin- cess in Diana, which was mauled by critics, was a risk that didn't pay off. But she’s blamed the film rather than her own perform- ance, saying it took a different direction to the one she’d hoped for. “I got seduced by the fantastic character,” Watts tells Harper’s Bazaar. “But ultimately there were problems with (the film) and it ended up taking a direction that was not the one I was hop- From left, Gregory Stone, Daniel Mulhall, Madeleine Maria Lind, Jessica Palfrey, Lena Carlson and Bonnie Mullins watch on as Alex Smith challenges Christopher Anderson ing for.” with his rapier wit in preparation for the upcoming medieval fair. Picture: RICHARD GOSLING SUZANNE SIMONOT living fairy tale picture book to side of the era, Master Russell selves to toil for thine amuse- READING CINEMAS celebrate what event director promises thou Renaissance ment. HARBOURTOWN SHOPPING CENTRE [email protected] Master David Russell, Good events are dedicated to thine Master Russell Good Sir Sir calls the Golden Age of traditional arts. proclaimeth the faire a splen- GOOD puritans, sirs and Shakespeare and the arts, ad- “There’s a rich tapestry of did way to bring history to life SUPER SCREEN SAVERS dames, motley-mined cousins venture and romance, fun and artists in southeast Queens- and introduce young audien- and wenches — ye all are thus pageantry. -
Interview with Asa Taccone from Electric Guest
Interview with Asa Taccone from Electric Guest By artistically fusing both vintage and contemporary aesthetics, Los Angeles indie soul act Electric Guest brings a unique groove. Frontman Asa Taccone has a velvety and soulful voice that reaches different levels of vocal range while Matthew “Cornbread” Compton creates electronically fueled beats and rhythms. It’s a melding of Motown swagger with modern pop and an abundance of substance. While a lot of their contemporaries seem to lack something, Taccone and Compton convey sounds that come complete in full force. It’s what makes this duo one of the top up-and-coming music groups of the 2010s. With Brooklyn indie pop wonders Chaos Chaos opening things up, Electric Guest will take the upstairs stage at the Columbus Theatre in Providence’s west end on March 4. Before the show I had a chat with Taccone about the band’s latest album, Plural, the songwriting partnership he has with Compton, growing tired of hip-hop, being a former writer for “Saturday Night Live” and what we can expect from Electric Guest for the rest of the year. Rob Duguay: Electric Guest are Plural on February 17. It’s the follow-up to the band’s critically acclaimed debut, Mondo, that came out in 2012. Did you feel any pressure while making the new album in the studio and what did you do differently with Plural versus what you did with Mondo? Asa Taccone: There was definitely pressure. It was part of the reason why it took so damn long for Plural to come out. -
{Dоwnlоаd/Rеаd PDF Bооk} Dear Sister Ebook Free Download
DEAR SISTER PDF, EPUB, EBOOK from you to me | 128 pages | 01 Aug 2009 | from you to me Limited | 9781907048043 | English | Bath, United Kingdom Dear sister — Pretty Reckless, the | Перевод и текст песни | Слушать онлайн | Lyrsense Must redeem within 90 days. See full terms and conditions and this month's choices. Tell us what you like and we'll recommend books you'll love. Sign up and get a free eBook! Illustrated by Joe Bluhm. About The Book. About The Author. Dani Werner. Alison McGhee. About The Illustrator. Joe Bluhm. Product Details. Awards and Honors. Resources and Downloads. Get a FREE e-book by joining our mailing list today! More books from this author: Alison McGhee. Why are you making these choices, Eleanor!?!? As you race towards the conclusion, everything gets flipped upside down. The plot twist was so fun. I didn't see it coming! For me, the end was great. It definitely left me with an evil grin on my face, which is absolutely how I like to wrap-up my dramatic reads! Thank you so much to the publisher, MIRA, for providing me with a copy of this to read and review, as well as including me in the Blog Tour for the release. Hannah Mary McKinnon has a new fan in me. I look forward to reading more from her in the future! View all 6 comments. A secret is revealed that sends our main character grieving Eleanor on a path of deception, revenge motivated by grief jealously and the need for a family connection. The story starts slow as Hannah Mary McKinnon delves into Eleanor's mind, where we see her thoughts of self-loathing, paranoia, desperation and jealousy. -
JOHN RELYEA Four Villains... Four
spring 2012 | volume 19 | number 3 Catherine Malfitano Born into the right trunk! John relyea Four Villains... Four signatures alan held a DouBle Bill oF sun anD shaDow happy BirthDay Myth Manifest enseMble CirCle Zhang huan’s Semele A MESSAge From THe generAl DireCTor aleXander neef spring into opera Photo: Rider Dyce Opera is such a collaborative business great Canadian bass-baritone Gary A gift to our friends that great artists make very specific Relyea, performed many times with Editorial Board: decisions about who they want to work the COC over the years. I am very robert lamb, with and where they want to work. As proud to have the Relyeas join Louis Managing Director roberto mauro, more of the world’s best artists choose and Gino Quilico, and Victor and Artistic Administrator us, you, the audience, are the ultimate Russell Braun as COC father-son Jeremy elbourne, beneficiary; the better the artists, opera stars. Director of Marketing the better the art on stage. Is it any Claudine Domingue, Director of Public Relations wonder why welcoming new artists to Opera is a synthesis of many art forms, and a huge part of its presentation is Christie Darville, our company is a particular pleasure Director of Development the theatrical and visual aspect. Zhang of mine? Editors: Huan, our Semele director, is a visual suzanne vanstone, This spring it is our privilege to have artist of great renown and his ability Senior Communications Manager, Editorial the legendary Catherine Malfitano to merge art forms is second nature. gianna Wichelow, join us to direct our new double bill – Zhang has placed this production of Senior Communications Manager, Creative Zemlinsky’s A Florentine Tragedy Handel’s Baroque masterpiece within Editors E-mail: [email protected] and Puccini’s Gianni Schicchi. -
Public Enemy Suede Underworld Non Phixion Mando Diao
Nummer 6 • 2002 Sveriges största musiktidning Death in Vegas Public Enemy Suede Underworld Non Phixion Mando Diao Chilly & Leafy • S.I. Futures • Moldy Peaches • Ex-girl • Steve Shelley Groove 6 • 2002 Ledare Omslag Death in Vegas av Johannes Giotas Groove Storleken har Box 112 91 Ex-girl sidan 5 404 26 Göteborg Tre frågor till Steve Shelley sidan 5 Telefon 031–833 855 Lätt att vara DJ sidan 5 visst betydelse Elpost [email protected] S.I. Futures sidan 6 http://www.groove.st Som vilken frisk sjuåring som att lägga ut låtar med demoband Allt är NME:s fel sidan 6 helst så växer Groove på höjden, vi tycker förtjänar fler lyssnare, en Chefredaktör & ansvarig utgivare Chilly & Leafy sidan 7 närmare bestämt 5,5 centimeter. unik chans att få höra ny och Gary Andersson, [email protected] Vi har så mycket material och spännande svensk musik. Och Ett subjektivt alfabet sidan 7 idéer att vi inte får plats i den snart levererar vi även konsert- Skivredaktör kvadratiska kostymen – dags att recensioner på hemsidan, något vi Björn Magnusson, [email protected] Mando Diao sidan 8 byta upp sig helt enkelt. Detta märkt att ni, våra läsare, vill ha. Mediaredaktör innebär utöver att våra artiklar Allt detta är, som man säger, Public Enemy sidan 10 Dan Andresson, [email protected] blir fylligare att antalet recensio- under uppbyggnad. Magisk dag i Suede sidan 13 ner ökar rejält (och ändå hittar du veckan kommer att bli måndagar, Layout Non Phixion sidan 14 ytterligare cirka 100 stycken på då släpps alltid någonting nytt. Henrik Strömberg, [email protected] vår hemsida www.groove.st). -
Nomination Press Release
Brian Boyle, Supervising Producer Outstanding Voice-Over Nahnatchka Khan, Supervising Producer Performance Kara Vallow, Producer American Masters • Jerome Robbins: Diana Ritchey, Animation Producer Something To Dance About • PBS • Caleb Meurer, Director Thirteen/WNET American Masters Ron Hughart, Supervising Director Ron Rifkin as Narrator Anthony Lioi, Supervising Director Family Guy • I Dream of Jesus • FOX • Fox Mike Mayfield, Assistant Director/Timer Television Animation Seth MacFarlane as Peter Griffin Robot Chicken • Robot Chicken: Star Wars Episode II • Cartoon Network • Robot Chicken • Robot Chicken: Star Wars ShadowMachine Episode II • Cartoon Network • Seth Green, Executive Producer/Written ShadowMachine by/Directed by Seth Green as Robot Chicken Nerd, Bob Matthew Senreich, Executive Producer/Written by Goldstein, Ponda Baba, Anakin Skywalker, Keith Crofford, Executive Producer Imperial Officer Mike Lazzo, Executive Producer The Simpsons • Eeny Teeny Maya, Moe • Alex Bulkley, Producer FOX • Gracie Films in Association with 20th Corey Campodonico, Producer Century Fox Television Hank Azaria as Moe Syzlak Ollie Green, Producer Douglas Goldstein, Head Writer The Simpsons • The Burns And The Bees • Tom Root, Head Writer FOX • Gracie Films in Association with 20th Hugh Davidson, Written by Century Fox Television Harry Shearer as Mr. Burns, Smithers, Kent Mike Fasolo, Written by Brockman, Lenny Breckin Meyer, Written by Dan Milano, Written by The Simpsons • Father Knows Worst • FOX • Gracie Films in Association with 20th Kevin Shinick, -
2013·2014Eview Season Pr a MESSAGE from GENERAL DIRECTOR ALEXANDER NEEF Be Part of the Experience!
winter 2013 | volume 20 | number 2 The SellArS/violA World of TrisTan und isolde divided loyAlTieS Mozart’s la clemenza di TiTo WelCoMeS ANd fAreWellS tHE CoC BOARD ShooTiNg starS MiCHaEl CoopEr's 30 yEars as CoC proDuCtion pHotograpHEr ial spEC 2013·2014EviEw Season pr A MESSAGe FROM GENERAl DIRECTOR ALEXANDER NEEF Be PArT of The eXPerieNCe! or better or worse, we live in an age when virtually any form of Fentertainment can be downloaded directly onto your computer, beamed into your television or your local cinema, or experienced on your smartphone as you are walking down the street; an age that has drastically altered how quickly and easily we can consume culture. And, as convenient as that is, the sheer ease of it serves to remind us how vital it is to be an active participant in culture and the arts. Because, in the end, it is the electric exchange between artists and the audience that makes the art come alive. There is simply nothing like being A gift to our friends in a great opera house and hearing a phenomenal singer live; you get goose Editorial Board: robert lamb, bumps, you are moved in body and soul Speaking of relationships, I am very Managing Director by the immediate, emotional core of the pleased and proud that Johannes’s contract roberto mauro, work. The very fact that you share the has been extended through the 2016/2017 Artistic Administrator space with the artists makes you become season. He brings such energy, talent and Jeremy elbourne, Director of Marketing part of the action, part of the work, leadership to our company, there is no limit Claudine Domingue, and finally, part of the art itself. -
Co-Writing and Co-Producing a Grammy Award Winning International Hit Is Usually Enough to Make an Artist’S Ego Visible from Space
Co-writing and co-producing a Grammy Award winning international hit is usually enough to make an artist’s ego visible from space. But for Asa Taccone of Electric Guest, working on Portugal. The Man’s inescapable, Grammy-winning 2017 track “Feel It Still” as well as contributing a track to Carly Rae Jepsen’s Dedicated, was more humbling than ego boosting. “When you work with other artists and performers, you get to see yourself,” says the singer- songwriter, as his Electric Guest compadre and multi-instrumentalist Matthew Compton nods in agreement. “But you also get to have these intimate conversations with bands on their second or third albums, and you realize it’s not fun anymore. It’s hella stressful, and you find yourself over intellectualizing the process. I realized it was exactly the sort of thing I do.” The question was, how to make sure it didn’t happen to Electric Guest. Their third album is the emphatic answer. KIN is not just another collection of songs for Electric Guest. It’s an overdue statement of identity. “We came up in the early 2010s when indie bands were where it was at,” remembers Asa. "We got lumped into that, but it was never really the right fit so it’s been a gradual shift away from that. I think of us as more a pop duo.” Forget what you read in a blog from 2012, and ignore what the “You Might Also Like” algorithms suggest. Electric Guest are proudly, defiantly, more Wham! than Weezer. From top to bottom, KIN feels like a warm, familiar haven, but scratch the surface, and you’ll find Electric Guest have hidden some lyrical weight underneath the positive vibes. -
Ambur Braid Soprano 2017
Ambur Braid soprano 2017 – 2018 Season Columbia Artists Vocal LLC 1790 Broadway | New York, NY 10019 telephone: (212) 841-9685 | fax: (212) 841-9557 www.cami.com Personal Direction: Damon Bristo, Vice President [email protected] Updated August 2017 Please destroy all previous press materials Columbia Artists Management LLC 1790 Broadway, New York, NY 10019-1412 The Creative Source for the Performing Arts (212) 841-9500 • Fax (212) 841-9744 • www.cami.com Ambur Braid soprano Ambur Braid has been praised as a “powerful soprano” by the New York Times and “a class unto herself” (Frankfurter Allgemeine), delivering her portrayals with an “unhinged intensity.” In the 2017-2018 season, Ambur will sing her first performances of Puccini’s iconic Tosca in a return to the Calgary Opera and will debut with the National Arts Centre Orchestra in Ottawa singing Beethoven’s Symphony No. 9. She recently appeared as The Queen in a new production of Křenek’s Das geheime Königreich at Oper Frankfurt, a thrilling performance the Frankfurter Allgemeine called “a mixture of Zerbinetta, Kundry, and Lady Macbeth.” In the 2018-2019 season, Ambur will join the ensemble at Oper Frankfurt singing leading roles of her repertoire in exciting new productions. Recently, Ambur returned to the Canadian Opera Company as the Queen of the Night in Die Zauberflöte conducted by Bernard Labadie and a highly-acclaimed portrayal of Dalinda in Richard Jones’s production of Ariodante conducted by Johannes Debus. She made her UK debut as a formidable Queen of the Night in Simon McBurney's production of The Magic Flute at the English National Opera, a role she also sang for Calgary Opera and her German debut at Oper Frankfurt. -
Louis Riel Tosca
LOUIS RIEL TOSCA PROGRAM SPRING 2017 CONTENTS A MESSAGE FROM GENERAL DIRECTOR 4 WHAT’S PLAYING: ALEXANDER NEEF LOUIS RIEL 12 HONOURING INDIGENEITY NEW EXPERIENCES, IN LOUIS RIEL NEW INITIATIVES 14 COMPOSER HARRY SOMERS This spring we celebrate the return ADOPTS A MODERN TONE IN of an iconic Canadian opera, Harry LOUIS RIEL Somers’ Louis Riel. 15 THE NISGA’A HISTORY OF THE “KUYAS” ARIA The fact that 50 years ago Somers and Moore made the bold decision 16 A CANADIANIZED RIEL: to focus their work on the struggles MAKING SPACE FOR MÉTIS of Riel and the Métis Nation against TO SPEAK Canada’s colonial government serves as a challenge for present and future WHAT’S PLAYING: TOSCA Great opera 18 understandings of our country. In Canada’s sesquicentennial year, these 24 A PASSION FOR PUCCINI: CONDUCTOR KERI-LYNN challenges remain at the forefront of WILSON our country’s conversations, particularly as part of the ongoing Truth and lives here. 28 GET TO KNOW ADRIANNE Reconciliation process. PIECZONKA With this new production of Louis 32 BACKSTAGE AND BEYOND Riel, we have taken the opportunity to expand our base of creative knowledge with not-for-profit arts groups, 34 BIOGRAPHIES: LOUIS RIEL and perspectives to include musical community partners, and social and performance practices that service organizations in Ontario BIOGRAPHIES: TOSCA 42 wouldn’t have been a part of the artistic to offer more than 1,000 people conversation in 1967. the opportunity to experience our EVERY NOTE COUNTS 45 mainstage programming free of 46 MEET A BOARD MEMBER: Building broader awareness of the charge. -
2016/2017 Annual Report
2016/2017 ANNUAL REPORT “The Canadian Opera Company has been doing attention-grabbing work.” The New York Times 2016/2017 SEASON AT A GLANCE 142,572 598 Total attendance and reach combining the Number of performances, community COC’s mainstage programming (99,296), concerts, and events showcasing the Education and Outreach events (31,807), transformative power of operatic and Free Concert Series in the Richard theatre. Bradshaw Amphitheatre (11,469). 10 YEARS 22,705 KM Our 16/17 season marked 10 years since The distance travelled by COC sets the opening of the Four Seasons Centre and costumes in the past season, as for the Performing Arts, a decade of our work reached destinations like unprecedented artistic momentum and Amsterdam, Barcelona, and Chicago. accomplishment. 2 CENTURIES 6 CONTINENTS From Handel’s Ariodante to Harry Somers’ We had visitors from all 13 provinces and Louis Riel, we presented a range of operatic territories in Canada, 36 American states repertoire spanning 232 years of human and territories, as well as 36 countries creativity. representing six continents. ACTIVITY HUB The Four Seasons Centre for the Performing Arts and the Joey and Toby Tanenbaum Opera Centre host diverse activities featuring performing arts companies, non-profit organizations, and a range of marquee events, making the COC a key facilitator for Toronto’s rich cultural and civic life. Our 16/17 partners include: Against the Grain Theatre George Brown College Singing with Parkinson’s Atelier Lyrique de l’Opéra Jeunes Ambassadeurs Lyrique Stratford -
Program Spring 2016
PROGRAM SPRING 2016 CARMEN MAOMETTO II Reaching their Someday is music to everyone’s ears. The hard work, perseverance and vision of emerging artists demonstrate the power of having – and the joy of realizing – a Someday™. Together with programs like the Ensemble Studio at the Canadian Opera Company, we support a diverse range of Canadian talent in communities across the country through the RBC Emerging Artists Project. TM ® / ™ Trademark(s) of Royal Bank of Canada. VPS93138 39782A (05/2015) CONTENTS A MESSAGE FROM GENERAL DIRECTOR 4 WHAT’S PLAYING: ALEXANDER NEEF CARMEN 10 CARMEN FULL CIRCLE: As we bring our 2015/2016 season to a DIRECTOR JOEL IVANY close, we can look back on a year to be proud of, both on and off the stage. WHAT’S PLAYING: 14 MAOMETTO II The COC continued to cement its 20 SERIOUSLY... reputation as a centre for artistic ROSSINI’S MAOMETTO II excellence and a go-to destination for some of the world’s top operatic talent. 24 GET TO KNOW... This past fall, the world premiere of LUCA PISARONI Pyramus and Thisbe was a landmark production for the COC, while La 26 TOWARDS A NEW ERA OF LOWER TICKET PRICES Traviata met with rave reviews from critics and audiences alike. Our 28 BACKSTAGE AND BEYOND Siegfried featured one of the strongest casts you’re likely to hear anywhere 30 SHIFTING INTO HIGH GEAR in the world, and Claus Guth’s take on Mercedes-Benz at the COC The Marriage of Figaro had audiences laughing and talking! 31 BIOGRAPHIES: CARMEN BIOGRAPHIES: MAOMETTO II The unparalleled artistic achievement 35 continues this spring.