DOCSLIB.ORG

FY2010 Annual Report

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

MUSEUM OF THE CITY OF NEW YORK: WHERE THE PAST INFORMS THE FUTURE FY2010 Annual Report AR_2.09.11.indd 1 8/11/11 10:53 AM FROM THE DIRECTOR Like all institutions in New York endowment. Representative Carolyn Maloney secured a City’s cultural sector, the Mu- $350,000 grant from the federal government to support seum of the City of New York our slate of innovative out-of-school-time programs serving approached the start of Fiscal children from our East Harlem community. Never content to Year 2010 (July 1, 2009-June rest on their laurels, the Center’s educators undertook an 30, 2010) with caution, knowing assessment project during the year to measure the impact that the previous year’s reces- that our fi eld trip programs make on participating students’ sion showed no sign of abating. learning. This groundbreaking project was supported by a We prepared our budgets and $50,000 grant from The Atlantic Philanthropies. our programming schedule with tremendous care, mindful that We strive to be a museum for all New Yorkers, of all ages, in order to maintain our level of backgrounds, and boroughs—and our efforts have garnered service to the public, we would need to do more with less. new support. We were honored in FY2010 to be one of only fi ve museums to receive a $500,000 two-year grant from Therefore, it gives me particular pride to present this Annual The Leona M. and Harry B. Helmsley Charitable Trust’s pilot Report—which shows that for us, despite continuing eco- program to broaden access to New York City cultural insti- nomic uncertainty, FY2010 was a tremendously successful tutions. This important funding supported our school and year. We opened 14 exhibitions, presented over 140 public public programs during FY2010 and will continue to buoy programs, and drew a record-setting audience of 235,141 us through the next fi scal year as well. And the Altman people—a 4% increase over FY2009’s total attendance. Foundation generously continued its support of our ongoing This visitation growth drove a 21% increase in Admissions efforts to broaden our audience with a $75,000 grant for and Museum Shop sales over FY2009 totals. And coupled digital outreach to under-served New York City residents— with rigorous expense controls, that bump in earned income their third such outreach grant to us and a hugely appreci- helped the Museum achieve perhaps its most remarkable ated vote of confi dence. feat of FY2010: we fi nished the year with an operating surplus of $190,390. The success of these efforts can already be seen, not only in the attendance increase mentioned above but also in the All the while we continued steady progress on the initial stage fact that our membership continued to grow in FY2010: our of Phase II of our three-phase Restoration and Expansion members increased in number by 14%. Project. This work has transformed the Museum behind the scenes, turning spaces that had housed collections storage Making all these successes possible in these very and the Rockefeller period rooms into new, state-of-the-art of- precarious times are the extraordinary members of fi ces for our staff and freeing the old, makeshift offi ces for their our Board of Trustees. Their support of our exhibitions, upcoming return to their original function as gallery space. Even collections management initiatives, events, school and better, Phase II is upgrading and enlarging the classrooms of public programs, and our capital campaign is crucial to the our Frederick A. O. Schwarz Children’s Center with up-to-date continued survival of this institution, and we thank them technology that will help our educators serve more of New York most heartily for their commitment. I must in particular City’s children than ever. recognize our visionary Chairman, James G. Dinan, whose personal gifts in FY2010 totaled $2,068,543—including Indeed, providing greater access to the Museum’s extraor- over $1 million to the capital campaign—and who triumphed dinary resources—for New Yorkers, for school children, and once again as the captain of our most important fundraiser, for scholars and fans of New York City history all over the the Chairman’s Leadership Award Dinner. world—was a focus of all our activities in FY2010. Primary I also salute the City of New York, which has been steadfast in this effort is our ongoing digitization project, whose ulti- in its support of both our operations and our construction mate goal is to make high-resolution digital images of every project. My thanks go to Mayor Michael R. Bloomberg, one of our collections objects available in a searchable City Council Speaker Christine Quinn, and Department of online catalogue, which will be housed on our Web site at Cultural Affairs Commissioner Kate D. Levin for their www.mcny.org. Thanks to major support received in FY2009 unwavering belief in the importance of this institution. from the Upper Manhattan Empowerment Zone and the Leon Levy Foundation, we were able to continue digitizing Finally, I must acknowledge the Museum’s staff. These our renowned collection of photographs of New York City hardworking professionals rise to the challenge every day, in during FY2010. In fact, over the course of the year, our spite of obstacles as large as the world economic situation team digitized 55,945 images by such masters as Jacob and as small as the inconveniences presented by ongoing Riis, Berenice Abbott, and the Wurts Brothers Company. construction. They make it all happen here, and I thank them. Our education programs at the Frederick A. O. Schwarz Children’s Center continued to thrive in FY2010. For the fourth year in a row, we saw well over 30,000 students and teachers, who visited for an array of fi eld trip programs, out-of-school-time programs, and professional development workshops. The high quality of our programs helped us raise Susan Henshaw Jones $368,100 to complete a $350,000 challenge match from the Ronay Menschel Director of the Museum of the City of New York F.A.O. Schwarz Family Foundation to augment the Center’s AR_2.09.11.indd 2 8/11/11 10:53 AM CAPITAL CAMPAIGN $5,000,000 and above $200,000 to $499,999 $50,000 to $99,999 James G. Dinan The Bank of New York Mellon The Barker Welfare Foundation and Elizabeth R. Miller Mr. and Mrs. Jeremy H. Biggs Hon. Jonathan Bing, Booth Ferris Foundation New York State Assembly Nancy and James Buckman Con Edison $1,000,000 to $4,999,999 Jennifer and James Cacioppo/ Martin J. McLaughlin/Martin J. One East Partners LP McLaughlin Communications Charina Endowment Fund Donna and Dermott W. Clancy/ The New York Community Trust Mr. and Mrs. William T. Comfort Dermott W. Clancy Corporation Allison Whipple Rockefeller and Puffi n Foundation Barbara J. Fife/The Joelson Peter Clark Rockefeller Larry and Sandy Simon Foundation Tiffany & Co. Foundation Deban and Thomas M. Flexner George Link Jr. Foundation, Inc. $1,000 to $49,999 James A. Lebenthal $500,000 to $999,999 MBIA Foundation, Inc. Toni Fillet Carney Polly and Newton P.S. Merrill Mr. and Mrs. James L. Gammon John and Jill Chalsty Ronald Purpora/ICAP Corporates LLC Bruce S. Gelb Marvin and Mary Davidson Mary Ann and Bruno A. Quinson William T. Georgis The Horace W. Goldsmith Foundation Debbie and Daniel Schwartz Mr. and Mrs. Mark J. Godridge Margaret T. Morris Foundation Hon. José M. Serrano, Micah S. Green Hebe Dowling Murphy New York State Senate Sylvia Hemingway Elizabeth Farran Tozer Dr. and Mrs. Frederic P. Herter and W. James Tozer Jr. Mr. and Mrs. Ian D. Highet The Hyde and Watson Foundation Michael B. Jeffers $100,000 to $199,999 Patricia Kavanagh and James Grant Mr. and Mrs. Hans W. Kertess Louis Auchincloss KPMG LLP Lois M. Collier Jody and Giulio Martini Marjorie Fortgang/M. Fabrikant Mr. and Mrs. Lewis Miller & Sons, Inc. Mr. and Mrs. Anthony M. O’Connor Lionel Goldfrank III Olmstead Properties Hearst Foundation The Pechter Foundation Rachel and Ara Hovnanian Pershing LLC James Cayne and Patricia Cayne Andy and Libbet Regan Charitable Trust Fred and Suzanne Rheinstein Alexandra Lebenthal and Jay Diamond Joseph and Randi Sack Mrs. George Braniff Moore Gerald Tankersley New York State Council on the Arts Peter C. Trent Jim and Diane Quinn The Volcker Family Foundation, Inc. Photo by Whitney Cox 2 AR_2.09.11.indd 3 8/11/11 10:53 AM EXHIBITIONS The Museum was proud to present Eero Saarinen: Shaping the Future (November 10, 2009 - January 31, 2010). Organized by Donald Albrecht, the Museum’s Curator of Architecture and Design, and designed by architect Wendy Evans Joseph, the show was the fi rst–ever retrospec- tive on this prolifi c, unorthodox, and controversial architect, whose work transformed 20th-century design. For the Museum’s presentation, the international travelling show was expanded with further examination of Saarinen’s New York work, including the CBS headquarters building All people photos by Michael DiVito by All people photos and the famed TWA Terminal at JFK Airport, and a section exploring his life with his second wife Aline, who was a distinguished art editor and critic for The New York Times. The show drew admiring press atten- tion. In The Wall Street Journal, legendary architecture critic Ada Louise Huxtable wrote, “There is something profoundly moving about this show; an inescapable nostalgia pervades it for that elusive American Century.... Curator Donald Albrecht (left) at the opening reception for Eero Saarinen: Seeing how one architect expressed its hopes and aspirations helps us Shaping the Future with Saarinen’s daughter Susan, exhibition Honorary Chair Robert A.
Recommended publications
  • Moral Rights: the Anti-Rebellion Graffiti Heritage of 5Pointz Richard H

    Moral Rights: the Anti-Rebellion Graffiti Heritage of 5Pointz Richard H

    digitalcommons.nyls.edu Faculty Scholarship Articles & Chapters 2018 Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz Richard H. Chused New York Law School, [email protected] Follow this and additional works at: https://digitalcommons.nyls.edu/fac_articles_chapters Part of the Entertainment, Arts, and Sports Law Commons, Land Use Law Commons, and the Property Law and Real Estate Commons Recommended Citation Chused, Richard H., "Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz" (2018). Articles & Chapters. 1172. https://digitalcommons.nyls.edu/fac_articles_chapters/1172 This Article is brought to you for free and open access by the Faculty Scholarship at DigitalCommons@NYLS. It has been accepted for inclusion in Articles & Chapters by an authorized administrator of DigitalCommons@NYLS. Moral Rights: The Anti-Rebellion Graffiti Heritage of 5Pointz Richard Chused* INTRODUCTION Graffiti has blossomed into far more than spray-painted tags and quickly vanishing pieces on abandoned buildings, trains, subway cars, and remote underpasses painted by rebellious urbanites. In some quarters, it has become high art. Works by acclaimed street artists Shepard Fairey, Jean-Michel Basquiat,2 and Banksy,3 among many others, are now highly prized. Though Banksy has consistently refused to sell his work and objected to others doing so, works of other * Professor of Law, New York Law School. I must give a heartfelt, special thank you to my artist wife and muse, Elizabeth Langer, for her careful reading and constructive critiques of various drafts of this essay. Her insights about art are deeply embedded in both this paper and my psyche. Familial thanks are also due to our son, Benjamin Chused, whose knowledge of the graffiti world was especially helpful in composing this paper.
  • Defining Architectural Design Excellence Columbus Indiana

    Defining Architectural Design Excellence Columbus Indiana

    Defining Architectural Design Excellence Columbus Indiana 1 Searching for Definitions of Architectural Design Excellence in a Measuring World Defining Architectural Design Excellence 2012 AIA Committee on Design Conference Columbus, Indiana | April 12-15, 2012 “Great architecture is...a triple achievement. It is the solving of a concrete problem. It is the free expression of the architect himself. And it is an inspired and intuitive expression of the client.” J. Irwin Miller “Mediocrity is expensive.” J. Irwin Miller “I won’t try to define architectural design excellence, but I can discuss its value and strategy in Columbus, Indiana.” Will Miller Defining Architectural Design Excellence..............................................Columbus, Indiana 2012 AIA Committee on Design The AIA Committee on Design would like to acknowledge the following sponsors for their generous support of the 2012 AIA COD domestic conference in Columbus, Indiana. DIAMOND PARTNER GOLD PARTNER SILVER PARTNER PATRON DUNLAP & Company, Inc. AIA Indianapolis FORCE DESIGN, Inc. Jim Childress & Ann Thompson FORCE CONSTRUCTION Columbus Indiana Company, Inc. Architectural Archives www.columbusarchives.org REPP & MUNDT, Inc. General Contractors Costello Family Fund to Support the AIAS Chapter at Ball State University TAYLOR BROS. Construction Co., Inc. CSO Architects, Inc. www.csoinc.net Pentzer Printing, Inc. INDIANA UNIVERSITY CENTER for ART + DESIGN 3 Table of Contents Remarks from CONFERENCE SCHEDULE SITE VISITS DOWNTOWN FOOD/DINING Mike Mense, FAIA OPTIONAL TOURS/SITES
  • Blueprintsvolume XXVII, No

    Blueprintsvolume XXVII, No

    blueprintsVolume XXVII, No. 1–2 NATIONAL BUILDING MUSEUM In Between: The Other Pieces of the Green Puzzle in this issue: HEALTHY Communities, GREEN Communities Word s ,Word s ,Word s Winter & Spring 2008/2009 The Lay of the Landscape Annual Report 2008 in this issue... 2 8 13 18 19 21 23 In Between: The Other Pieces of the Green Puzzle The exhibition Green Community calls attention to important aspects of sustainable design and planning that are sometimes overshadowed by eye-catching works of architecture. The environmental implications of transportation systems, public services, recreational spaces, and other elements of infrastructure must be carefully considered in order to create responsible and livable communities. This issue of Blueprints focuses on the broad environmental imperative from the standpoints of public health, urban and town planning, and landscape architecture. Contents Healthy Communities, ! 2 Green Communities M Cardboard Reinvented Physician Howard Frumkin, of the Centers for Disease Cardboard: one person’s trash is another Control and Prevention, brings his diverse expertise as B an internist, an environmental and occupational health N person’s decorative sculpture, pen and pencil expert, and an epidemiologist to bear on the public health holder, vase, bowl, photo and business card holder, above: Beaverton Round, in suburban Portland, Oregon, was built as part of the metropolitan area’s Transit-Oriented Development Program. implications of community design and planning. p Photo courtesy of the American Planning Association and Portland Metro. stress toy, or whatever you can imagine. Bring out your o Creating Sustainable Landscapes creativity with these durable, versatile, eco-friendly LIQUID h CARDBOARD vases that can be transformed into a myriad from the executive director 8 In an interview, landscape architect Len Hopper discusses s his profession’s inherent commitment to sustainability and of shapes for a variety of uses in your home.
  • Landmarks Preservation Commission January 13, 2009, Designation List 409 LP-2286

    Landmarks Preservation Commission January 13, 2009, Designation List 409 LP-2286

    Landmarks Preservation Commission January 13, 2009, Designation List 409 LP-2286 275 MADISON AVENUE BUILDING, originally 22 East 40th Street Building (aka 273-277 Madison Avenue; 22-26 East 40th Street), Borough of Manhattan. Built 1930-31; Kenneth Franzheim, architect. Landmark Site: Borough of Manhattan Tax Map Block 869, Lot 54. On June 24, 2008, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the 275 Madison Avenue Building and the proposed designation of its related Landmark Site (Item No. 2). The hearing had been duly advertised in accordance with the provisions of law. Three people, including a representative of the building’s owner and representatives of the Historic Districts Council and the Municipal Art Society, spoke in favor of designation. Summary Rising 43 stories in height and completed in 1931, 275 Madison Avenue is an outstanding Art Deco skyscraper dating from the end of New York’s 1920s and early-1930s skyscraper boom. Designed by noted architect Kenneth Franzheim, the building features a striking polished-granite base; three stories high with tall rectangular openings, it was treated by Franzheim as a “stage setting” with a compelling black-and-silver color scheme and rich abstract ornament. Rising above the base is a dramatically massed, slab-form tower that steps back repeatedly before narrowing to a nearly square plan at its upper floors. Like the nearby Daily News Building completed the year before, 275 Madison is best described as a transitional work, bridging the exuberant, “modernistic” Art Deco style and the spare, sculptural qualities of the International Style.
  • Saarinen Family Papers Ca. 1880-1989 5 Linear Ft

    Saarinen Family Papers Ca. 1880-1989 5 Linear Ft

    ARCHIVES Saarinen Family Papers ca. 1880-1989 5 linear ft. Acquisition Number: 1990-08 Acquisition: Gift of Robert S. and Ronald S. Swanson, 1989-1990. In 1988, Matthew Ginal donated copies of materials on Kleinhans to the Archives and these were incorporated into this collection. Access: Access to the collection is unrestricted Copyright: Copyright to this collection is held by the Cranbrook Educational Community, except for some of the Kleinhans materials (see specific folders). Preferred Citation: Saarinen Family Papers, Cranbrook Archives, Bloomfield Hills, Michigan. Photographs: In Photograph Special File and Scrapbooks (Series VI) Audio/Video: 16 mm films are in Series VI, Box 10 Index: The correspondence series is indexed (see end of finding aid) Processing: Betsy Wagner; James Luzenski, 1991; Ryan Wieber, 1998 PROVENANCE Between December 1989 and September 1990, Ronald Saarinen Swanson and Robert Saarinen Swanson donated five lots of Saarinen and Swanson family papers to the Cranbrook Archives. The brothers’ gift included a core grouping of archival materials relating to Eliel, Loja, and Eero Saarinen that had been held by Loja Saarinen until her death and later by Pipsan Saarinen Swanson. This grouping of material constitutes the majority of the Saarinen Family papers. Materials relating to Pipsan Saarinen Swanson and her husband, J. Robert S. Swanson, were organized into the Swanson Family papers (1990-1). Other non-aligned Archives holdings pertaining to the Saarinens and Swansons were subsequently added to both collections. The inventories of the Swansons’ gift have been kept and can be consulted. Not all of the Saarinen Family papers were donated to Cranbrook. After Eliel’s death, Loja Saarinen donated a cache of his honorary degrees and awards, drawings, and photographs to the Museum of Finnish Architecture in Helsinki.
  • The Concept of the Architectural Corporation

    The Concept of the Architectural Corporation

    1914 MICHAEL KUBO The Concept of the Architectural Corporation Despite the increasing presence of large, team-based offices within US architectural practice over the last century, a history of how architects and critics have understood these offices has yet to be written. The nature of group practice has changed from the big businesses and large organiza- tions that accompanied the merger movement at the turn of the twentieth century to the factory producers of the industrial expansion in the 1910s and 1920s, the bureaucratic firms of the postwar boom, and the multina- tional conglomerates of the neoliberal present. Only after World War II did the term “corporate” come to constitute a topos of architectural discourse, one that refers at once to a specific mode of production, the mentality of its producers, and the perceived qualities of the work produced. Through- out these changes in the scope of architectural organization, architects and historians have speculated on the implications of the large-scale office for the status of architecture as a business, a profession, and a field of cultural production. A convenient place to enter this history of critical reception is in midstream, in the years immediately after the World War II, when numerous authors looked to the largest firms of the early twentieth century to comprehend the implications of team-based practices for postwar architectural production. Among the earliest attempts was Henry-Russell Hitchcock’s 1947 article, “The Architecture of Bureaucracy and the Architecture of Genius,” in which he predicted that the major categories of 1983 postwar architecture would be distinguished not by style, but by economy of production.1 Hitchcock noted that the prewar terms of debate, centered Q on avant-garde themes of advance or regression, had given way to a Henry-Russell Hitchcock, “The Architecture of “clarification of the architectural picture” in which “it came about that there Bureaucracy and the was at last only one contemporary way of building,” namely modernism.
  • ARCHIVES Maurice B. Allen Collection of Eero Saarinen and Associates Material 1954-1962 1.5 Linear Ft. Acquisition Number

    ARCHIVES Maurice B. Allen Collection of Eero Saarinen and Associates Material 1954-1962 1.5 Linear Ft. Acquisition Number

    ARCHIVES Maurice B. Allen Collection of Eero Saarinen and Associates Material 1954-1962 1.5 linear ft. Acquisition Number: 1996-34 Acquisition: Gift of Maurice B. Allen Access: Access to the collection is unrestricted Copyright: Copyright to this collection is held by the Cranbrook Educational Community Photographs: In Photograph Special File Processing: Ryan Wieber, 1996. Finding aid was updated in Nov 2004 by Leslie S. Edwards. History Maurice B. Allen was born in Lansing, MI and attended Western Michigan University and Notre Dame University before enlisting in the US Navy from 1944-1947. He graduated with a BA in Architecture from the University of Michigan in 1950. Upon graduation, Allen worked for Smith, Hinchman & Grylls before working for Eero Saarinen & Associates from 1952-1962. Significant projects include the GM Technical Center (Warren, MI), Yale University: Stiles and Morse Colleges and the Ingalls Hockey Rink, Lincoln Center for the Performing Arts in New York, North Christian Church (Columbus, IN), and the U.S. Embassy in Oslo. In 1962, Allen joined TMP Associates as a principal and Vice President of Design and Planning. He was a member of the Environmental Arts Advisory Panel of the Michigan Council for the Arts. He taught design at the University of Michigan College of Architecture and Urban Planning. He has served on the AIA National Architecture for the Arts & Recreation Task Force (1982) and on AIA National Committee on Architecture for Justice. Scope and Content of Collection This collection contains items related to Eero Saarinen & Associates and projects undertaken by that firm, and consist primarily of published articles and project presentation portfolios.
  • The-Monacelli-Press-2015-Catalog

    The-Monacelli-Press-2015-Catalog

    The Monacelli Press 2015 new titles & complete backlist Frontlist Fall 2015 02 Spring 2015 30 Backlist Architecture 56 Gardens & landscapes 67 Interior design & décor 72 Art & design 80 Photography 86 Index 90 ISBN index 93 Ordering & contact information 96 Fall 2015 05 Interiors in Detail 100 Contemporary Rooms Dominic Bradbury Interior design & décor Encompassing everything from a Brooklyn rowhouse to a Swiss chalet, this beautifully illustrated book is a style bible for anyone interested in September 15, 2015 design for the home. A rich resource to feed the imagination, Interiors 432 pages 7½ x 9¾ inches in Detail illustrates each of ten chapters—devoted to color, composition, 600 color illustrations setting, and other specific elements of interior style—with ten $45/$52 Canada evocative houses or apartments designed by some of the most original 978-1-58093-434-3 and creative designers and architects from around the world: Bates U.S. and Canadian rights Masi, Alexander Gorlin, Rose Tarlow, Sills Huniford, Studio KO, Pierre Dominic Bradbury is a Frey, Vicente Wolf, Tsao & McKown, Frederic Mechiche, Fearon Hay, journalist and writer David Collins, and many more. specializing in architecture An opening double-page spread reveals the most spectacular and design. His books space in each home, with individual features described in further detail include Mid-Century Modern on the following pages. With key design ingredients explored Complete (2014), The Iconic Interior (2012), and The throughout—from materials to furniture design, texture, pattern, and Iconic House (2009), among light—Interiors in Detail is an essential source book for anyone seeking many others.

  • Art in Architecture Acknowledgments

    art in architecture Acknowledgments It is a pleasure to thank those who helped to make this exhibition a success. First and foremost, I would like to thank the Michigan Humanities Council, an affiliate of the National Endowment for the Humanities, whose generous support made this exhibition possible. I owe my deepest gratitude to the institutions from whose collections we borrowed objects for inclusion in this exhibition. My heartfelt thanks goes out to Leslie Edwards, Robbie Terman, and Laurie Kay at the Cranbrook Archives; Roberta Frey Gilboe at the Cranbrook Art Museum; David Schneider and Tracy Irwin at the Detroit Historical Museum; Jim Joyce at the Friedman Real Estate Group; Meredith Long at Meadow Brook Hall; and Jan Durecki at the Rabbi Leo M. Franklin Archives. Working with these individuals has been a joy and I truly appreciate all of the time and energy they spent preparing for the loan of these objects. Thank you also to the numerous archives, museums, historical societies and libraries throughout the state and the country who granted permission for the museum to use their photographs in the exhibition. Additionally, I would like to express my gratitude to the Flickr photographers who generously allowed the museum to include their photographs in the exhibition. It has been a pleasure to work with all of you. I wish to thank Tawny Ryan Nelb for her insightful essay that appears in this catalog. John Gallagher, Architecture Critic and Urban Development Writer at the Detroit Free Press, and Jennifer Baross, Partner, Destination Detroit Media, were gracious in accepting the museum’s invitation to give lectures during the course of the exhibition.
  • Beautiful Dreams, Breathtaking Visions: Drawings from the 1947-1948 Jefferson National Expansion Memorial Architectural Competition

    Beautiful Dreams, Breathtaking Visions: Drawings from the 1947-1948 Jefferson National Expansion Memorial Architectural Competition

    Beautiful Dreams, Breathtaking Visions: Drawings from the 1947-1948 Jefferson National Expansion Memorial Architectural Competition BY JENNIFER CLARK The seven-person jury seated around a table in the Old Courthouse with competition advisor George Howe in 1947. The jury met twice to assess designs and decide what the Jefferson National Expansion Memorial would look like. The designs included far more than a memorial structure. A landscaped 90-acre park, various structures, water features, a campfire theater, museum buildings, and restaurants were also part of the designs. (Image: National Park Service, Gateway Arch National Park) 8 | The Confluence | Spring/Summer 2018 Today it is hard to conceive of any monument Saint Louis Art Museum; Roland A. Wank, the chief that could represent so perfectly St. Louis’ role architect of the Tennessee Valley Authority; William in westward expansion as the Gateway Arch. The W. Wurster, dean of architecture at MIT; and Richard city’s skyline is so defined by the Arch that it J. Neutra, a well-known modernist architect. George seems impossible that any other monument could Howe was present for the jury’s deliberations and stand there. However, when the Jefferson National made comments, but he had no vote. Expansion Memorial (JNEM) was created by LaBeaume created a detailed booklet for the executive order in 1935, no one knew what form competition to illustrate the many driving forces the memorial would take. In 1947, an architectural behind the memorial and the different needs it was competition was held, financed by the Jefferson intended to fulfill. Concerns included adequate National Expansion Memorial Association, parking, the ability of the National Park Service a nonprofit agency responsible for the early to preserve the area as a historic site, and the development of the memorial idea.
  • Promoting an E Ective and Responsive City Government by Retaining and Strengthening the Office of the Public Advocate

    Promoting an E Ective and Responsive City Government by Retaining and Strengthening the Office of the Public Advocate

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE NYLS Law Review Vols. 22-63 (1976-2019) Volume 58 Issue 1 Process, Powers, and Lessons for the Future: 25 Years of New York City Charter Article 12 Revisions January 2013 Promoting an E ective and Responsive City Government by Retaining and Strengthening the Office of the Public Advocate LUCAS ANDERSON Rothman, Schneider, Soloway & Stern, LLP, Associate Attorney Follow this and additional works at: https://digitalcommons.nyls.edu/nyls_law_review Part of the Law and Politics Commons Recommended Citation LUCAS ANDERSON, Promoting an E ective and Responsive City Government by Retaining and Strengthening the Office of the Public Advocate, 58 N.Y.L. SCH. L. REV. (2012-2013). This Article is brought to you for free and open access by DigitalCommons@NYLS. It has been accepted for inclusion in NYLS Law Review by an authorized editor of DigitalCommons@NYLS. NEW YORK LAW SCHOOL LAW REVIEW VOLUME 58 | 2013/14 VOLUME 58 | 2013/14 Lucas Anderson Promoting an Effective and Responsive City Government by Retaining and Strengthening the Office of the Public Advocate 58 N.Y.L. Sch. L. Rev. 165 (2013–2014) ABOUT THE AUTHOR: The author is an associate attorney at Rothman, Schneider, Soloway & Stern, LLP in New York City. He wishes to thank Dean Alan Morrison at the George Washington University Law School for his comments and assistance with early drafts of this article. www.nylslawreview.com 165 RETAINING AND STRENGTHENING THE OFFICE OF THE PUBLIC ADVOCATE NEW YORK LAW SCHOOL LAW REVIEW VOLUME 58 | 2013/14 I.
  • Report to Donors 2008 Table of Contents

    Report to Donors 2008 Table of Contents

    Report to Donors 2008 Table of Contents Mission Statement 2 Board of Trustees 3 Letter from the Director 4 Letter from the President 5 Exhibitions 6 Public, Educational, and Scholarly Programs 8 Gifts to the Collection 10 Statement of Financial Position 12 Donors 13 Planned Giving 23 Staff 24 Mission Statement he Pierpont Morgan Library was incorporated in 1924 as an educational institution dedicated to fostering a greater knowledge, understanding, and appreciation of primarily Western history and culture. Originally formed by Pierpont Morgan (1837– T1913), the permanent collection records and reflects achievements of European and American literature, music, art, and history. The Morgan is one of the very few institutions in the United States that collects, exhibits, and sponsors research in the areas of illuminated manuscripts, master drawings, rare books, fine bindings, and literary, historical, and music manuscripts. To realize its purpose, The Morgan Library & Museum has four goals: to function as a center and source for research and publication in the permanent collection and to promote its scholarly study; to preserve and care for the collection that is held in trust for the American people; to acquire, through purchase and gift, significant works in the fields established by Pierpont Morgan; to present the collection, related exhibitions, and interpretive programming to the general public, students, collectors, and scholars in a manner consistent with the highest educational and artistic standards. The significance of the collection mandates a national and international role for the institution, both as an educational resource for the general public and as a research center for the scholarly community.