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Christopher Plummer
Christopher Plummer "An actor should be a mystery," Christopher Plummer Introduction ........................................................................................ 3 Biography ................................................................................................................................. 4 Christopher Plummer and Elaine Taylor ............................................................................. 18 Christopher Plummer quotes ............................................................................................... 20 Filmography ........................................................................................................................... 32 Theatre .................................................................................................................................... 72 Christopher Plummer playing Shakespeare ....................................................................... 84 Awards and Honors ............................................................................................................... 95 Christopher Plummer Introduction Christopher Plummer, CC (born December 13, 1929) is a Canadian theatre, film and television actor and writer of his memoir In "Spite of Myself" (2008) In a career that spans over five decades and includes substantial roles in film, television, and theatre, Plummer is perhaps best known for the role of Captain Georg von Trapp in The Sound of Music. His most recent film roles include the Disney–Pixar 2009 film Up as Charles Muntz, -
UC Irvine Electronic Theses and Dissertations
UC Irvine UC Irvine Electronic Theses and Dissertations Title Feminist Views of the Fallen Woman: From Hrotsvit of Gandersheim to Rebecca Prichard Permalink https://escholarship.org/uc/item/7vz696r6 Author McCue, Lauren Gray Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Feminist Views of the Fallen Woman: From Hrotsvit of Gandersheim to Rebecca Prichard DISSERTATION Submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Drama by Lauren Gray McCue Dissertation Committee: Professor Bryan Reynolds, Chair Professor Ketu H. Katrak Professor Emily Roxworthy Professor Mark Le Vine Professor Anthony Kubiak 2015 DEDICATION For my parents who taught me the value of education and encouraged my insatiable curiosity and Adam whose brilliance and steadfast belief in my work gave me the strength to bring my project to fruition ii TABLE OF CONTENTS Page LIST OF FIGURES vi ACKNOWLEDGMENTS vii CURRICULUM VITAE viii ABSTRACT OF THE DISSERTATION x INTRODUCTION: Representations of gender based violence and prostitution 1 (forced and consensual) in western theatre I. Where are the women playwrights?: western plays about prostitution pre-1970s 2 II. Where are the women playwrights?: western plays about prostitution and sex work 4 post-1970s III. Marriage and pornography as prostitution 10 IV. Approaching the millennium: gender based violence in American and British plays 15 of the 1990s V. 2000 and beyond: gender based violence in performance 18 VI. Chapter Outline 19 Notes 29 Figures 33 CHAPTER 1: Containment strategies and outrageous myths: the prostitution problem and the emergence of the theatrical figure of the white slave I. -
Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers 1939-2000 (bulk 1970-2000) Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English Access Open for research Administrative Information Acquisition Purchases and gifts, 1991-2000 Processed by Katherine Mosley, 1993-2000 Repository: Harry Ransom Center, University of Texas at Austin Stoppard, Tom Manuscript Collection MS-4062 Biographical Sketch Playwright Tom Stoppard was born Tomas Straussler in Zlin, Czechoslovakia, on July 3, 1937. However, he lived in Czechoslovakia only until 1939, when his family moved to Singapore. Stoppard, his mother, and his older brother were evacuated to India shortly before the Japanese invasion of Singapore in 1941; his father, Eugene Straussler, remained behind and was killed. In 1946, Stoppard's mother, Martha, married British army officer Kenneth Stoppard and the family moved to England, eventually settling in Bristol. Stoppard left school at the age of seventeen and began working as a journalist, first with the Western Daily Press (1954-58) and then with the Bristol Evening World (1958-60). -
Theatre Archive Project Archive
University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no. -
Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English. Arrangement Due to size, this inventory has been divided into two separate units which can be accessed by clicking on the highlighted text below: Tom Stoppard Papers--Series descriptions and Series I. through Series II. [Part I] Tom Stoppard Papers--Series III. through Series V. and Indices [Part II] [This page] Stoppard, Tom Manuscript Collection MS-4062 Series III. Correspondence, 1954-2000, nd 19 boxes Subseries A: General Correspondence, 1954-2000, nd By Date 1968-2000, nd Container 124.1-5 1994, nd Container 66.7 "Miscellaneous," Aug. 1992-Nov. 1993 Container 53.4 Copies of outgoing letters, 1989-91 Container 125.3 Copies of outgoing -
"The Sense of an Ending": the Destabilizing Effect of Performance Closure in Shakespeare's Plays
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-8-2016 12:00 AM "The Sense of An Ending": The Destabilizing Effect of Performance Closure in Shakespeare's Plays Megan Lynn Selinger The University of Western Ontario Supervisor Margaret Jane Kidnie The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Megan Lynn Selinger 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Literature in English, British Isles Commons, and the Performance Studies Commons Recommended Citation Selinger, Megan Lynn, ""The Sense of An Ending": The Destabilizing Effect of Performance Closure in Shakespeare's Plays" (2016). Electronic Thesis and Dissertation Repository. 3797. https://ir.lib.uwo.ca/etd/3797 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract What makes a good ending? How do we know when something ends? In performance, it is difficult to characterize that nebulous and highly subjective — yet nonetheless theatrically powerful — “sense” of an ending. Previous scholarly work on Shakespearean endings, even when emphasizing performance, has largely focused on understanding endings from a narrative viewpoint, questioning how endings reach textual closure. These works examine the lingering questions or problems at the end of Shakespeare’s texts, and discuss how performance tackles these issues. This dissertation takes performance as its starting point. -
Barry Humphries
AUSTRALIAN EPHEMERA COLLECTION FINDING AID BARRY HUMPHRIES PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 Barry Humphries was born in Melbourne on the 17th of February 1934. He is a multi-talented actor, satirist, artist and author. He began his stage career in 1952 in Call Me Madman. As actor he has invented many satiric Australian characters such as Sandy Stone, Lance Boyle, Debbie Thwaite, Neil Singleton and Barry (‘Bazza’) McKenzie - but his most famous creations are Dame Edna Everage who debuted in 1955 and Sir Leslie (‘Les’) Colin Patterson in 1974. Dame Edna, Sir Les and Bazza between them have made several sound recordings, written books and appeared in films and television and have been the subject of exhibitions. Since the 1960s Humphries’ career has alternated between England, Australia and the United States of America with his material becoming more international. Barry Humphries’ autobiography More Please (London; New York : Viking, 1992) won him the J.R. Ackerley Prize in 1993. He has won various awards for theatre, comedy and as a television personality. In 1994 he was accorded an honorary doctorate from Griffith University, Queensland and in 2003 received an Honorary Doctorate of Law from the University of Melbourne. He was awarded an Order of Australia in 1982; a Centenary Medal in 2001 for “service to Australian society through acting and writing”; and made a Commander of the Order of the British Empire for "services to entertainment" in 2007 (Queen's Birthday Honours, UK List). Humphries was named 2012 Australian of the Year in the UK. The Barry Humphries PROMPT collection includes programs, ephemera and newspaper cuttings which document Barry Humphries and his alter egos on stage in Australia and overseas from the beginning of his career in the 1950s into the 21st Century. -
The Times , 1992, UK, English
- ' motoring TIMES Page 27 No 64,225 FRIDAY JAKStjARY 10 1992 - 40p °s ‘i •*_> French magazine raiseslniew doubts on Maxwell death B* Li* Jenkins paid to TOMORROWS an undisclosed source. consistent from just falling a from the conversations, conducted in suggestion that the body showed bruising or a broken nose. Sebas- The feature THE quotes from the con- boat," Hebrew and English, into French. TIMES lading French magazine versadon signs of violence. tian Sanchez, of the undertakers *% . between members of the ParisMatch prints Pans Match yesterday photographs The comments made about the The original post-mortem exami- Fucasa. the body, published medical team, who embalmed details from commissioned "by taken from the video showing blood — what we were referring to a video recording of- nation was conducted by three said: “His nose was not broken and Maxweffs insurers, and puWishes Maxwell's body with redfl the second post-mortem examina- three of the was that there was so much blood pathologists on Gran Caneria the only damage was where he had FAST MOVER conclusions from French experts medical team around' him, as tion an Robert MaxwelL earned weU following an autopsy. There is no where Maxwell's .body was taken been sewn up and where the heli- who believe it. shows sunned oid just hours he as dose-ups of his face, head and question that it was caused as a after bring hauled before he was buried severe braising from the sea copter picked him up.” before he died. right Shoulder alleged to in Jerusalem. show result of the first autopsy.” after he disappeared from his yacht Chris Lafayette, deputy editor of Last night. -
Mi-Ilion Israel Workers Strike Against Prices Historic Meeting Between Pope and Delegation of World Jewish Leaders First Prisone
I . J EW IS H HI STORICAL AS SO C . O SESS I ON S ST . OVI DEN CE , RI 02906 Support Jewish Read By Agencies More Than With Your 3-5,000 Membership People r ._, ,._ •• , c '\. ,.....~ C. H • • ...... :. FE ,1 , "\, .. ;. "-- ~ , ..,. ...... EA - .... "-.,1 ASS VOLUME LXII, NUMBER 3 THURSDAY, MARCH 22, 1979 Mi-Ilion Israel Workers Historic Meeting Between Strike Against Prices Pope And Delegation of TEL A VIV (JTA): Alro.ost one million Ministerial Economic Comimittee over the workers staged a four-hour general strike weekend to further reduce price support Monday to protest against soaring prices subsidies for basic food items which had World Jewish Leaders for basic food projects and commodities. been as high as 80-100 percent. Histadrut ROME, (JTAj- Pope John Paul II told lmpro•- In Cadlolic-Jewlsh Relatloes tv'en those worf<ers in defense and essential Secretary General Yeruham Meshel ac a 24-member delegation of world Jewish In his statement, Klutznick stressed the services who were exempted from the strike, cused Ehrlich of taking advantgage of the leaders that he hoped "the city of Jerusalem improvement that has come about in like airline employees, joined in the protest. peace process to impose new financial bur will be effectively guaranteed as a center of Catholic-Jewish relations as a result of the The strike, termed a huge success by dens on the populace. "We will not agree harmony for the followen of the three great Nostra Aetate, promulgated by the Vatican 1-fistadrut but denounced by the govern that in the name of peace the government monotheistic religions of Judaism, Islam Council in 1965 and the Gatholic guidelines ment as a political act designed to em will deepen the social gaps," he said. -
Theatre Archive Project: Interview with Graeme Cruickshank
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Graeme Cruickshank – interview transcript Interviewer: Marie-Claire Wyatt 4 September 2006 Stage Manager and Actor. James Bolam; Richard Burnett's Penguin Players; Agatha Christie's plays; Carl Clopet; Company Manager's duties; Harry Corbett and Sooty; John Counsell; Cecily Courtneidge; Peter Haddon; Arthur Lane and Audrey Lupton; lighting; Ralph Lynn; Cameron Mackintosh; Mermaid Theatre; Oxford Playhouse; pantomime; Ron Pember; repertory repertoire; Clarkson Rose; Salad Days; stage managing; touring; A View from the Bridge; Wakefield Mystery Plays. Mr Cruickshank brought his collection of programmes with him, and used these for reference throughout the interview. MW: Well, you’ve said you wish to start with your experience as an actor in the 1950s. GC: Yes, well, just to set the scene, in 1959, by which time, I was twenty… twenty-six. That can’t be right. [laughs] I was 27. Lying already, you see! [laughs] I was working in London. I was, at the time, at Harmers, the stamp auctioneers in Bond Street. MW: I see. GC: They’re now in Chiswick, but never mind. I’d been there about four years, and had worked my way up to the grand position of ‘junior describer and valuer’. That had followed a period with the RAF. I was in Egypt with the RAF as an instrument mechanic, and during… I was there in the Canal Zone for about two and a half years. During that time, I made three or four very good friends, one of whom, Ron Pember, later became an actor and director, and he will come into my story as I go along a bit. -
Sir Ian Mclellan in Shakespeare
'ACTING GOOD PARTS WELL': SIR IAN McKELLEN IN SHAKESPEARE by HILARY EDITH W. LONG A thesis submitted to the Faculty of Arts of the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY The Shakespeare Institute School of English Faculty of Arts The University of Birmingham March 2000 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. SYNOPSIS This thesis examines the performances which have earned Sir lan McKellen a reputation as one of the foremost Shakespearean actors of the day. His reputation has been built on five major performances: Richard II, Macbeth, Coriolanus, lago and Richard III. His performances as Hamlet, Romeo, Leontes and Kent were only limited successes. This thesis places McKellen's performances in these roles in the specific context of the production as a whole. Where it is relevant it assesses the significance of the casting of other roles, the influence of the personality, style and interests of the director, the policy of the theatre company and the impact of the performance space. This thesis identifies patterns in McKellen's work determined by his own personality and sexuality, the Cambridge education he shares with Sir Peter Hall, John Barton and Trevor Nunn, and his relationships with other actors. -
Now Showing 2 a Directory of Films for Children
Now Showing 2 a directory of films for children Terry Staples CONTENTS Introduction by Terry Staples 2 D. A. R.Y.L. 16 Labyrinth 27 The Runner 39 List of Distributors and Danny the Champion of the World 16 The Land Before Time 27 School for Vandals 39 Rights–Holders 4 The Dark Crystal 16 The Last Unicorn 27 The Secret Garden (1993) 39 101 Dalmatians 5 Digimon: Digital Monsters The Legend of the Golden Prince 27 The Secret Garden (1949) 39 102 Dalmatians 5 The Movie 16 The Life and Surprising Adventures The Secret of NIMH 39 4D Special Agents 5 Dimples 16 of R Crusoe 28 The Secret of Roan Inish 39 The Adventures of Elmo in Dinosaur 16 Lili 28 Sesame Street Presents: Follow Grouchland 5 Doombeach 17 The Little Gang 28 That Bird 40 The Adventures of Huck Finn 5 Doug’s First Movie 17 The Little Mermaid (1976) 28 The Seventh Voyage of Sinbad 40 Adventures of Mark Twain 5 Dr. Dolittle 17 The Little Mermaid (1989) 28 Sherlock Junior + two Keaton shorts 40 The Adventures of Pinocchio 5 The Dragon of Pendragon Castle 17 A Little Princess 28 Shipwreck! 40 The Adventures of Prince Achmed 6 DragonHeart 17 The Little Rascals 28 Shrek 40 The Adventures of Robin Hood 6 Dunston Checks In 17 The Little Vampire 29 A Simple Wish 40 The Adventures of Rocky and Emily’s Ghost 17 Little Women 29 The Slipper and the Rose 41 Bullwinkle 6 The Emperor’s New Groove 18 Loch Ness 29 Small Soldiers 41 Air Bud 6 ET The Extra Terrestrial 18 Lord of the Rings 29 Snoopy Come Home 41 Aladdin and his Magic Lamp 6 Ever After: A Cinderella Story 18 Lorna Doone 29 The Snow Queen