The Rats in the Walls by H. P. Lovecraft
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Spectres of Darwin: HP Lovecraft's Nihilistic Parody
spectres of Darwin: H. P. Lovecraft's Nihilistic parody of Religion by Dustin Geeraert A Thesis submitted to the Faculty of Graduate Studies of The University of Manitoba in paftial fulfilment of the requirenrents of the degree of Master of Arts Deparlment of English, Film and Theatre University of Manitoba Winnipeg, Manitoba, Canada Copyright @ 2010 by Dustin Geeraed THE UI..{IVERSITY OF MAI\ITOBA FACTiLTY OF GRADUATE STUDIES COPYIìIGHT PERMISSION Spectres of Darwin: H. P. Lovecraft's Nihilistic parody of Religion By Dustin Geeraert A Thesis/Pl'acticr¡m subrnittecl to thc Faculty of Gr¿rtluate Studies of The flniversity of M¿rnitob¿r in ¡rarti:rl fìrlfillment of thc rcquircment of thc degl.ec of Master of Arts Drrstin GceraertO20l0 Pel'lrlissiotl h¿rs beetr granted to the University of M¿rnitob¿r Libr.¿rries to lenrl ¿ì cop¡, gf'this thesis/¡rracticurn, to Librarr'¿rnd Archives can¿rda (LAC) to leud ¿ì cop]¡ of.this thesis/¡rracticurn, ¿rntl to LAC's:rgcnt (UMI/ProQrrest) to microfilm, sellcopies ¿rnrl to ¡rublish ¿rn abstract of'this thesis/¡rracticu m. This re¡rrotluction or copy of this thesis h¿rs been m¿rtlc ¿rvailable b5, iruthorit5, of the copl,right or\/net'solell' for the purpose of ¡rrir,:rte stutll'antl research, ¿ìn(l rn¿ìr,onlv bc repro{uccrt :iria copied as ¡rermitted by copyright l:rrvs or n'ith express u'ritten authorization fì-om ffic co¡ryright o¡,ner. Contents Introduction..... ...........3 Chapter 1: Lovecraft's Nietzscheanism and Nihilism..... .....18 Chapter 2: Sanity, Superstition, and the Supernatural. ..........37 Chapter 3: His Kingdom Come. -
Machen, Lovecraft, and Evolutionary Theory
i DEADLY LIGHT: MACHEN, LOVECRAFT, AND EVOLUTIONARY THEORY Jessica George A thesis submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy School of English, Communication and Philosophy Cardiff University March 2014 ii Abstract This thesis explores the relationship between evolutionary theory and the weird tale in the late nineteenth and early twentieth centuries. Through readings of works by two of the writers most closely associated with the form, Arthur Machen (1863-1947) and H. P. Lovecraft (1890-1937), it argues that the weird tale engages consciously, even obsessively, with evolutionary theory and with its implications for the nature and status of the “human”. The introduction first explores the designation “weird tale”, arguing that it is perhaps less useful as a genre classification than as a moment in the reception of an idea, one in which the possible necessity of recalibrating our concept of the real is raised. In the aftermath of evolutionary theory, such a moment gave rise to anxieties around the nature and future of the “human” that took their life from its distant past. It goes on to discuss some of the studies which have considered these anxieties in relation to the Victorian novel and the late-nineteenth-century Gothic, and to argue that a similar full-length study of the weird work of Machen and Lovecraft is overdue. The first chapter considers the figure of the pre-human survival in Machen’s tales of lost races and pre-Christian religions, arguing that the figure of the fairy as pre-Celtic survival served as a focal point both for the anxieties surrounding humanity’s animal origins and for an unacknowledged attraction to the primitive Other. -
H. P. Lovecraft-A Bibliography.Pdf
X-'r Art Hi H. P. LOVECRAFT; A BIBLIOGRAPHY compiled by Joseph Payne/ Brennan Yale University Library BIBLIO PRESS 1104 Vermont Avenue, N. W. Washington 5, D. C. Revised edition, copyright 1952 Joseph Payne Brennan Original from Digitized by GOO UNIVERSITY OF CALIFORNIA L&11 vie 2. THE SHUNNED HOUSE. Athol, Mass., 1928. bds., labels, uncut. o. p. August Derleth: "Not a published book. Six or seven copies hand bound by R. H. Barlow in 1936 and sent to friends." Some stapled in paper covers. A certain number of uncut, unbound but folded sheets available. Following is an extract from the copyright notice pasted to the unbound sheets: "Though the sheets of this story were printed and marked for copyright in 1928, the story was neither bound nor cir- culated at that time. A few copies were bound, put under copyright, and circulated by R. H. Barlow in 1936, but the first wide publication of the story was in the magazine, WEIRD TALES, in the following year. The story was orig- inally set up and printed by the late W. Paul Cook, pub- lisher of THE RECLUSE." FURTHER CRITICISM OF POETRY. Press of Geo. G. Fetter Co., Louisville, 1952. 13 p. o. p. THE CATS OF ULTHAR. Dragonfly Press, Cassia, Florida, 1935. 10 p. o. p. Christmas, 1935. Forty copies printed. LOOKING BACKWARD. C. W. Smith, Haverhill, Mass., 1935. 36 p. o. p. THE SHADOW OVER INNSMOUTH. Visionary Press, Everett, Pa., 1936. 158 p. o. p. Illustrations by Frank Utpatel. The only work of the author's which was published in book form during his lifetime. -
Cosmic Horror’ in American Culture
From Poe to South Park: The Influence and Development of Lovecraft’s ‘Cosmic Horror’ in American Culture Christian Perwein University of Graz [email protected] ABSTRACT H.P. Lovecraft’s ‘Cosmic Horror’ has been a staple of horror and gothic fiction, and therefore American culture, for more than 80 years. In this paper, I examine the development of the genre of horror, starting with Edgar Allen Poe’s influence, and trace its development up to contemporary popular American culture exemplified by the TV show South Park. While Lovecraft’s material has always been drawing from the same concept of the fear of the unknown and human powerlessness in the face of greater forces, the context, sources and reasons for this powerlessness have constantly changed over the decades. In this paper I offer an examination of where this idea of ‘Cosmic Horror’ originally came from, how Lovecraft developed it further and, ultimately, how American culture has adapted the source material to fit a contemporary context. By contrasting Lovecraft’s early works with Poe’s, I shed light on the beginnings of the sub-genre before taking a look at the height of ‘Cosmic Horror’ in Lovecraft’s most famous texts of the Cthulhu myth and ultimately look at a trilogy of South Park episodes to put all of this into a modern American perspective. By doing so, I reveal how Lovecraft’s tales and the underlying philosophy have always been an important part of American culture and how they continue to be relevant even today. KEYWORDS cosmic horror, gothic, Lovecraft Perwein, Christian. -
A Structuralist Approach to Understanding the Fiction of HP Lovecraft
University of Rhode Island DigitalCommons@URI Open Access Dissertations 1992 Out of the Shadows: A Structuralist Approach to Understanding the Fiction of H. P. Lovecraft James A. Anderson University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/oa_diss Recommended Citation Anderson, James A., "Out of the Shadows: A Structuralist Approach to Understanding the Fiction of H. P. Lovecraft" (1992). Open Access Dissertations. Paper 696. https://digitalcommons.uri.edu/oa_diss/696 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. OUT OF THE SHADOWS: A STRUCTURALIST APPROACH TO UNDERSTANDING THE FICTION OF H.P. LOVECRAFT BY JAMES A. ANDERSON A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 1992 Abstract Although Howard Phillips Lovecraft (1890-1937) is generally regarded as one of the world's finest writers of horror and science fiction, his work has received little critical attention by mainstream critics. This study takes Lovecraft out of the shadows of literature by shedding light upon his work through a structural analysis of fifteen of his stories. This analysis shows that Lovecraft's fiction, while it may appear fantastic, expresses early twentieth century naturalism in a cosmic context. Part One subjects four of Lovecraft's best known stories to a detailed structural analysis using the theories of Roland Barthes and Gerard Genette to isolate Lovecraft's major themes and narrative techniques. -
Degree Project Template
Degree Project Horror, History and You A Reader-Response Analysis of the Function of History in Two Works of H.P. Lovecraft and Its Relevance for an EFL Classroom Author: Anton Sannestam Supervisor: Anne Holm Examiner: Anna Greek Semester: Spring 2018 Subject: English Literary Didactics Level: G3 Course code: 4ENÄ2E Abstract In this essay, reader-response theory is used to explore the application of history in "The Rats in the Walls" and "At the Mountains of Madness" by H.P. Lovecraft.Utilizing the concepts of the informed reader and temporal reading, this essay concludes that Lovecraft used history in two distinct ways. Firstly, history is used as a means to build immersion, ambience, and explore the individual's place in history by drawing upon English cultural layers. Secondly, it functions to reflect on human history in relation to human existence and geological history by turning the history of Earth into the history of an alien species. Furthermore, this essay concludes that Lovecraft and history could be valuble assets to an EFL classroom by relating the findings to theory on reader-response in education. Firstly, it enables students to reflect on social issues in the past and the present by looking at Lovecraft's historical settings, his antiquated prose and the casual racism he exhibits in his texts. Secondly, Lovecraft's apparent obsession with his historical identity and ancestry provides an opening for the students to contemplate their own sense of identity as it relates to culture and history. The underlying idea being that the best way to reveal Lovecraft's use of history is to consider what the individual reader brings to the reading experience. -
Lovecraft: Horror & Madness
First Year Seminar 050 Lovecraft: Horror and Madness Fall 2019 MW 12:30-1:45 Medbury 115 Dr. Kyle McCord Office Hours: MW 2:00-3:15 Howard 229 Email: [email protected] Required Texts: The Call of Cthulhu and Other Weird Stories (Penguin Twentieth-Century Classics) Shadows of Carcosa (NYRB Classics) New Critical Essays on H.P. Lovecraft (Palgrave MacMillan Publishing) Course Description: This course introduces students to the horrifying writing of Howard Phillips Lovecraft. Students will study Lovecraft to understand his craft, place in the literary canon, and historical context. Students produce their own works of horror building on Lovecraftian techniques, consider Lovecraft in the context of contemporary scholarship, and analyze his themes and their historical roots. Discussions center on expanding students’ critical understanding of the connection between this bright but troubled author and the world of post-WWI America. Course Assignments and Expectations: 1. Because this is a discussion-based class, physical participation is a vital component. Attendance is essential. Missing more than 5 classes, unexcused, will result in failure of the course. Be on time. Being more than 5 minutes late will count as an absence for the day. 2. This class is designed as a course for you to write creatively and critically. As such, you will write in your notebook almost every class meeting. In-class writing exercises are to be done in a notebook. This notebook is a space where you can collect ideas for creative pieces and compose drafts. You will need to bring it to each class. 3. H.P. Lovecraft is a challenging writer, especially in terms of vocabulary. -
Arkham House Archive Calendar
ARKHAM HOUSE ARCHIVE CALENDAR ARKHAM HOUSE ARCHIVE SALE DOCUMENTS 4 typewritten letters dated 25 May 2010, 25 October 2010, 15 January 2011, and 26 January 2011, each signed by April Derleth, conveying the archive, "books, letters, manuscripts, contracts, Arkham House ephemera & items" (including "personal items as well as items from my business" and "all remaining items in the basement") to David H. Rajchel, "to take & deal with as he sees fit." Accompanied by a bill of sale dated 17 March 2011, prepared by Viney & Viney, Attorneys, Baraboo, WI (typed on the verso of a 1997 State of Wisconsin Domestic Corporation Annual Report for Arkham House Publishers, Inc.). Additionally, there is a bill of sale for the Clark Ashton Smith papers and books sold to David H. Rajchel, signed by April Derleth. ARKHAM HOUSE ORDERS Book Orders and Related Correspondence, mostly 1960s. ARKHAM HOUSE ROYALTY STATEMENTS Large file of royalty payment statements, mostly between 1 September 1959 and 1 September 1967. Extensive, but not complete. Includes some summaries. There are a few statements from 1946 and 1952 (Long) and 1950-1959 (all Whitehead). Also, sales figures for 1 July 1946 through 1 January 1947 [i.e. 31 December 1946] and 1 July 1963 through 31 December 1966. Some Arkham House correspondence regarding accounting and royalties paid by Arkham House to their authors is filed here. BOOK PRODUCTION Production material for Arkham House, Mycroft & Moran, or Stanton & Lee publications, as well as books written or edited by Derleth which were published by others. This material is organized by author/editor and book title. -
Trail of Cthulhu.Pdf
TRAIL OF CTHULHU Credits Publisher: Simon Rogers Written by: Kenneth Hite GUMSHOE System: Robin D Laws Layout: Jérôme Huguenin Art: Jérôme Huguenin GUMSHOE Guru: Robin D Laws Editing and Additional Material: Simon Rogers Based on: Call of Cthulhu by Sandy Petersen and Lynn Willis Special thanks : Effie and Julia Huguenin, Léo and Pascal Quidault Playtesting: Adrian Price, Steve Dempsey, Wai Kien, Adrian Smith, Graham Walmsley, Alex Fradera, Dave, Polymancer Studios, Simon Rogers, Daniel Bayn, Danni Bayn, Chris Malone, Mark DiPasquale, Matthew Pook, Tim Barker, Louise Hayes, David Lai, Mike Shepard, Carla Jane Miller, Elizabeth Rees, Robert Mills, Donald F. Taylor III, Richard Hardy, Lynne Hardy, Frederic Moll, Fredrik Hansson, Jeff Campbel Jamie Michael, Joshua Ford, Marcus Ogawa, Lisa Marie Ogawa, Gil Trevizo, Henry de Veuve, Ronald Abitz, Steve Bartalamay, Alan Fountain, Peter Kessler, Wojciech “Alter” Kobza, Laurent Mollicone, Olivier Noël, Wayne O’Connor, Ghislain Morel, James Semple, Gabriella Semple, Dan Pusceddu, Olive Pusceddu, Axel Eble, Stefan Ohrmann, Martin Schrammm, Onno Tasler, Ralf Achenbach, William C Bargo Jr, Jacques Maurice Mallah, Donald F. Taylor III, Keith A Callison, Doug © 2007 Pelgrane Press Ltd. All Rights Reserved. Published by arrangement with Chaosium, Inc. Trail of Cthulhu is a trademark of Pelgrane Press Ltd. 3 TRAIL OF CTHULHU Contents CREDITS ...........................................................3 Cop Talk (Interpersonal) ...................32 Piggybacking ........................................... -
H. P. Lovecraft, an Evaluation.Pdf
: ' , 9\ 1 j H. P. LOVECRAFT, AN EVALUATION by Joseph Payne Brennan Original from Digitized by >yQ W UNIVERSITY OF CALIFORNIA r Copyright 1955 by Joseph Payne Brennan M f s 3 £>" c- ^ hi 55' /A A i M t MACABRE HOUSE 55 Trumbull St. New Haven 10 Connecticut Since the publication of my "H. P. Lovecraft: A Bibliography" (Biblio Press, 1952), I have been re- peatedly urged to write out my opinion of Lovecraft1 s work. I have been kept from doing so by the pressure of a full-time library job, plus my own creative work in the diverse fields of the horror story, the western story, and poetry, as well as the semi-annual publica- tion of ESSENCE and other time-consuming activities t such as an unending struggle against censorship groups which are violating Constitutional rights on both a local and national level. j The following brief essay is an admittedly hurried and incomplete attempt to meet demands for a Lovecraft critique. An entire book, requiring many months of T uninterrupted work, could be devoted to the project and I sincerely regret that circumstances do not permit me to undertake such a task. But I hope that my comments, in spite of their brevity, will be of some interest. Nearly twenty years have passed since Lovecraft'S death, but, unfortunately, a final evaluation of the man and of his work is still not possible. His collected poems, though due to appear shortly, have not yet been published. His letters, either selected or collected, r- have not appeared. -
Lovecraft and the Futility of Divination
Volume 36 | Number 2 | Issue 132, Spring/Summer Article 21 4-15-2018 Letting Sleeping Abnormalities Lie: Lovecraft nda the Futility of Divination [Article] Carol S. Matthews Dutchess Community College Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Matthews, Carol S. (2018) "Letting Sleeping Abnormalities Lie: Lovecraft nda the Futility of Divination [Article]," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 36 : No. 2 , Article 21. Available at: https://dc.swosu.edu/mythlore/vol36/iss2/21 This Special Section is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. Letting Sleeping Abnormalities Lie: Lovecraft nda the Futility of Divination [Article] Abstract By way of divinatory dreams, astrology, geomancy, or other means, the Lovecraft quester discovers that universe is more deeply frightening than anything he could possibly have imagined. Lovecraft’s lack of faith in divination practices, not because of their inefficacy, but rather due to his conviction that humans lack the essential capacity to understand their lowly place in the universe, is ironically not shared by many of his admirers and followers, who have created magical and divination systems galore since Lovecraft’s demise. -
A Structuralist Approach to Understanding the Fiction of HP
University of Rhode Island DigitalCommons@URI Open Access Dissertations 1992 Out of the Shadows: A Structuralist Approach to Understanding the Fiction of H. P. Lovecraft James A. Anderson University of Rhode Island Follow this and additional works at: http://digitalcommons.uri.edu/oa_diss Terms of Use All rights reserved under copyright. Recommended Citation Anderson, James A., "Out of the Shadows: A Structuralist Approach to Understanding the Fiction of H. P. Lovecraft" (1992). Open Access Dissertations. Paper 696. http://digitalcommons.uri.edu/oa_diss/696 This Dissertation is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. OUT OF THE SHADOWS: A STRUCTURALIST APPROACH TO UNDERSTANDING THE FICTION OF H.P. LOVECRAFT BY JAMES A. ANDERSON A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN ENGLISH UNIVERSITY OF RHODE ISLAND 1992 DOCTOR OF PHILOSOPHY DISSERTATION OF JAMES A. ANDERSON APPROVED: Dissertation Committee Major Professor t::./~ ~~~ ~P ~ T~ ~V\/l~ DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 1 992 Abstract Although Howard Phillips Lovecraft (1890-1937) is generally regarded as one of the world's finest writers of horror and science fiction, his work has received little critical attention by mainstream critics. This study takes Lovecraft out of the shadows of literature by shedding light upon his work through a structural analysis of fifteen of his stories. This analysis shows that Lovecraft's fiction, while it may appear fantastic, expresses early twentieth century naturalism in a cosmic context.