DOCSLIB.ORG

William Reese Company Original Works Of

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
William Reese Company Original Works Of William Reese Company AMERICANA ● RARE BOOKS ● LITERATURE AMERICAN ART ● PHOTOGRAPHY __________ 409 TEMPLE STREET NEW HAVEN, CONNECTICUT 06511 (203) 789-8081 FAX (203) 865-7653 [email protected] www.williamreesecompany.com Original Works of Art Beautiful French Album of Watercolors of Lepidoptera After Abbot 1. [After Abbot, John]: [ALBUM OF WATERCOLOR DRAWINGS OF BUTTERFLIES AND MOTHS AFTER ABBOT, TITLED IN MANUSCRIPT:] HISTOIRE NATURELLE DES LÉPIDOPTÈRES LES PLUS RARES DE GÉORGIE D’APRÈS LES OBSERVATIONS DE M. JEAN ABBOT. IMPRIMÉ À LONDRES EN 1797. [France. 1800-1830]. Manuscript title within a red ruled border, 2pp. manuscript index in rear. Forty pen-and-ink and watercolor drawings, each captioned in red ink, recto only on 40 sheets of wove paper (watermarked Horne). Oblong octavo. Con- temporary half black morocco and blue boards, yellow endpapers. Lacks front free endpaper. Very good. John Abbot was one of the most important Ameri- can natural history artists and his illustrations are amongst the finest ever made. Born in Lon- don in 1751, Abbot sailed for Virginia in July 1773, with orders for both actual specimens and drawings of the local insects. For the next two years he continued to collect and paint, sending home three insect collections, although only one arrived safely. The loss of these two valuable collections at sea together with the worry over political unrest in Virginia led Abbot to move to Georgia. He settled in St. George Parish (later Burke County), Georgia in December 1775. Abbot traveled widely throughout Georgia devoting his time to the study of the natural flora and fauna. The flow of specimen collec- tions and watercolors of insects ensured that his name became known to many of the foremost natural scientists and collectors of the day, both in America and Europe. Abbot’s NATURAL HISTORY OF THE RARER LEPIDOPTEROUS INSECTS OF GEOR- GIA was first published in London in 1797. The present French manuscript includes forty watercolors based on the plates from that edi- tion. The images comprise fifty-three depictions of butterflies and moths on the forty sheets, with eleven of the images including depictions of the lepidoptera in caterpillar form and several with depictions of flora and/or chrysalis. Each image is captioned in French above or below the image and numbered 1to 40 in the upper right corner; the alphabetical index corresponds to each watercolor ensuring that no images have been removed from the album. Between 1829 and 1837 interest in Abbot in France was greatly elevated due to the publication of a new work based on Abbot watercolors commissioned by lepidopterists Jean Baptiste Boisduval and John Eatton LeConte. It would seem pos- sible that this album was related in some way to lepidopterist Jean Baptiste Boisduval. Vivian Rogers-Price, JOHN ABBOT IN GEORGIA: THE VISION OF A NATURALIST ARTIST (Madison, Ga.: Madison-Morgan Cultural Center, 1983). John V. Calhoun, “A Glimpse into a Flora et Entomologia” in JOURNAL OF THE LEPIDOPTERISTS’ SOCIETY 60:1 (2006). $14,000. A Rare Period Oil Painting of an Act in Buffalo Bill’s Wild West Show: A Great Show Business Painting 2. Agoust, Alfred (French, b. ca. 1870): [BUFFALO BILL AND THE “FRENCHMAN’S BOTTLE GAG,” A COMIC TABLEAU FROM THE WILD WEST SHOW]. 1893. Oil on canvas, laid down on wood, 22 x 30 inches. Signed and dated lower left: “Alfred Agoust / 1893.” Titled: “Buffalo Bill” on Kennedy Gallery labels. Provenance: Kennedy Galler- ies; Collection of Edward Eberstadt & Sons. Superb displayable condition. Handsomely presented in a period-style gilt American exhibition frame. This entertaining painting depicts a version of the comedy pantomime routine called “The Frenchman’s Bottle Gag” performed in England by Buffalo Bill Cody’s Wild West Show. The painting shows a bewildered Buffalo Bill ready to come to blows with two Cockney characters stealing drinks from his flask. A prominent historian of performance tells us: “The gag, made famous in Paris by the Scanlon Brothers and their collaborator, the Agoust Family Jugglers, in the long playing three-stage acrobatics, magic, and pantomime spectacular, Le Voyage en Suisse, usually involves two clowns, a ridiculously dressed Frenchman, and his bottle. The clowns steal his bottle and surreptitiously sneak sips back-and-forth, as the bewildered Frenchman desperately attempts to figure out who’s got his bottle. This image is of costers or pearlies, East End London cockneys, victimizing the Buffalo Bill character - the old Hanlon & Agoust drinking routine re-costumed for the Wild West show’s British audience.” Buffalo Bill Cody’s Wild West Show made two extensive tours of England and Europe prior to the date of this painting: 1887-88, arriving for Queen Victoria’s Golden Jubilee; and 1889-93, playing the great theaters and fairgrounds. The 1893 tour was at the height of the show’s fame. The 1893 show program states: “Since the visit of Buffalo Bill’s Wild West to England and its remarkable engagement in London, at West Brompton, in 1887, a history and tour have been made, such as no organization of its magnitude and requirements ever accomplished.” Henri Agoust, the Hanlon’s long-time collaborator (the parties later fell out and sued each other in a bitter legal dispute), had a son named Alfred, a member of the Agoust Family Jugglers. According to a census of traveling show people, he would have been in his early twenties in 1893. His biography is otherwise unknown. It seems likely that the juggling Alfred Agoust was also the well-trained, talented artist responsible for this magnificent show business painting, its atten- tion to costume, props, and comic gesture demonstrating the specialized knowledge of the insider. Almost all images of the Wild West Show are found in the great lithographic posters and photographs produced by the William F. Cody publicity machine. Period oil paintings of the Buffalo Bill act are very rare indeed. This wonderful image, showing a comic routine Buffalo Bill evidently adopted from European circus acts, is a unique contribution to the iconography of the Wild West Show. John A. McKinven, THE HANLON BROTHERS. THEIR AMAZING ACROBATICS, PANTOMIMES AND STAGE SPECTACLES (Glenwood, Il.: David Meyer Magic Books, 1998), passim. BUFFALO BILL’S WILD WEST AND CON- GRESS OF ROUGH RIDERS OF THE WORLD (Chicago: Blakely Printing Company, [1893]), passim. British Fairground Ancestors, Showmen, Circus and Fairground Travellers Index. $47,500. Original Drawing of a Key Western Military Post 3. Alden, A. F.: [ORIGINAL PEN AND INK DRAWING OF FORT D. A. RUSSELL, WYOMING TERRITORY, 1869]. Fort Russell, Wyoming Territory. August 1869. Single sheet of heavy gauge paper, 8 x 11 inches. Three tiny punch holes near the top edge, a few pinholes at top left corner. Very good. A beautifully-executed ink and wash drawing of Fort D. A. Russell, Wyoming Territory, near present-day Cheyenne. It is titled, “Ft Russell. from the South.” Fort Russell was established in 1867 to protect workers building the Union Pacific Railroad, and was named in honor of David Allen Russell, a Civil War general killed at the Battle of Opequon. The post remained a key fort throughout the various conflicts with the Sioux, Cheyenne, and other tribes of the region over the decade after its establishment. Nothing is known of the artist, who signs the drawing, “A. F. Alden, Del. Aug. 1869.” He could have been a company artist for the Union Pacific Railroad, or perhaps a young soldier memorializing his experiences in the West. Whoever he was, his eye for detail was extraor- dinary. The drawing shows the fort from the south, a dense cluster of buildings situated on a ridge, proudly flying an American flag at center. A visually evocative historical work from the American West. $12,500. A Manuscript Panoramic View of Camp Apache, Arizona Territory 4. [Arizona]: [Anderson, G.]: CAMP APACHE, ARIZONA, 1876. [Camp Apache, Az.]. Aug. 5, 1876. Gray watercolor, highlighted with red, white, and blue watercolor, on paper. Image size: 16¼ x 21 inches. Sheet size: 20 x 25 inches. Titled in block letters in the lower margin. Signed and dated lower mid-left image: “G. Anderson / Aug. 5th 1876.” Provenance: Kennedy Galleries (labels); Collection of Edward Eberstadt & Sons. Three short marginal tears expertly repaired. Excel- lent displayable condition. Matted and glazed, in a modern decorated gilt frame. A panoramic view of Camp Apache, a U.S. Army stronghold in the Indian reservation established on the White Moun- tain River in southeastern Arizona Territory to control the White Mountain and Cibecue Apaches. Indian fighter Gen. George Crook and his Apache Scouts (pacified Apaches who wore U.S. Army uniforms) operated from the base, attempt- ing to control the marauding tendencies of the wild tribes. The fort was originally built in 1870 as Camp Ord under the supervision of Brevt. Col. John Green of the U.S. 1st Cavalry. It was renamed several times: first Camp Mogollon, then Camp Thomas, and then Camp Apache (its name when this drawing was done). The post was designated with its famous appellation of Fort Apache in 1879. In 1869, Green explained the strategic reasons for establishing the camp: “I have selected a site for a military post on the White Mountain River which is the finest I ever saw. The climate is delicious, and said by the Indians to be perfectly healthy, free from all malaria. Excellently well wooded and watered. It seems as though this one corner of Arizona were almost its garden spot, the beauty of its scenery, the fertility of its soil and facilities for irrigation are not surpassed by any place that ever came under my observation. Building ma- terial of fine pine timber is available within eight miles of this site.
Load more

Recommended publications
  • Nominees and Bios
    Nominees for the Virginia Emancipation Memorial Pre‐Emancipation Period 1. Emanuel Driggus, fl. 1645–1685 Northampton Co. Enslaved man who secured his freedom and that of his family members Derived from DVB entry: http://www.lva.virginia.gov/public/dvb/bio.asp?b=Driggus_Emanuel Emanuel Driggus (fl. 1645–1685), an enslaved man who secured freedom for himself and several members of his family exemplified the possibilities and the limitations that free blacks encountered in seventeenth‐century Virginia. His name appears in the records of Northampton County between 1645 and 1685. He might have been the Emanuel mentioned in 1640 as a runaway. The date and place of his birth are not known, nor are the date and circumstances of his arrival in Virginia. His name, possibly a corruption of a Portuguese surname occasionally spelled Rodriggus or Roddriggues, suggests that he was either from Africa (perhaps Angola) or from one of the Caribbean islands served by Portuguese slave traders. His first name was also sometimes spelled Manuell. Driggus's Iberian name and the aptitude that he displayed maneuvering within the Virginia legal system suggest that he grew up in the ebb and flow of people, goods, and cultures around the Atlantic littoral and that he learned to navigate to his own advantage. 2. James Lafayette, ca. 1748–1830 New Kent County Revolutionary War spy emancipated by the House of Delegates Derived from DVB/ EV entry: http://www.encyclopediavirginia.org/Lafayette_James_ca_1748‐1830 James Lafayette was a spy during the American Revolution (1775–1783). Born a slave about 1748, he was a body servant for his owner, William Armistead, of New Kent County, in the spring of 1781.
    [Show full text]
  • War Powers Legislation
    Volume 74 Issue 1 Issues 1 & 2 Article 9 August 1971 War Powers Legislation J. Terry Emerson Legislative Counsel to U.S. Senator Barry M. Goldwater Follow this and additional works at: https://researchrepository.wvu.edu/wvlr Part of the Legislation Commons, Military, War, and Peace Commons, and the President/Executive Department Commons Recommended Citation J. T. Emerson, War Powers Legislation, 74 W. Va. L. Rev. (1971). Available at: https://researchrepository.wvu.edu/wvlr/vol74/iss1/9 This Article is brought to you for free and open access by the WVU College of Law at The Research Repository @ WVU. It has been accepted for inclusion in West Virginia Law Review by an authorized editor of The Research Repository @ WVU. For more information, please contact [email protected]. Emerson: War Powers Legislation War Powers Legislation J. TERRY EMERSON* I. INTRODUCTION The Ninety-Second Congress has been marked by the unusual drama of a vigorous and persistent effort by the Legislative Branch to confront the President, eyeball to eyeball, over the primary issues of war and peace. Nowhere has the contest been joined in a more fundamental way, reaching to the very core of the division of powers between the two political branches, than in the bold thrust by several senators to codify the rules governing the circumstances in which the United States may go to and remain in war.' No less than 19 senators have introduced or cosponsored one of five different bills or joint resolutions seeking to define the instances when the President may use or deploy the Armed Forces of the United States.' Taken singly or severally, these measures purport to demark the sole conditions under which the President can initiate military hostilities and to restrict his authority to continue any such hostility beyond a brief period unless and until he has obtained a new and specific authorization from Congress.4 * A.B.
    [Show full text]
  • Dolley Madison
    Life Story Dolley Madison 1768–1849 expulsion from Quaker Meeting, and his wife took in boarders to make ends meet . Perhaps pressured by her father, who died shortly after, Dolley, at 22, married Quaker lawyer John Todd, whom she had once rejected . Her 11-year- old sister, Anna, lived with them . The Todds’ first son, called Payne, was born in 1791, and a second son, William, followed in 1793 . In the late summer of that year, yellow fever hit Philadelphia, and before cold weather ended the epidemic, Dolley lost four members of her family: her father-in-law, her mother-in-law, and then, on the same October day, her husband and three-month-old William . She wrote a half-finished sentence in a letter: “I am now so unwell that I can’t . ”. James Sharples Sr ., Dolley Madison, ca . 1796–1797 . Pastel on paper . Independence National Historic Park, Philadelphia . Added to her grief, Dolley faced an financial strain at the same time . Fifty extremely difficult situation . She was years later, she would face them again . a widow caring for her small son and her young sister . Men were considered Dolley’s mother went to live with a responsible for their female relatives; it was married daughter, and Dolley, Payne, one of the social side effects of coverture and Anna moved back to the family (see Resource 1) . But all the men who might home . Philadelphia was then the nation’s have cared for Dolley were gone . Her temporary capital and most sophisticated husband had left her some money in his city .
    [Show full text]
  • Gazette of the American Friends of Lafayette No
    The Gazette of the American Friends of Lafayette No. 88 May 2018 The American Friends of Lafayette with then Governor Terry McAuliffe in front of the Governor's Mansion in Richmond, Virginia Newsletter 1 friendsoflafayette.org Table of Contents Title Page New Members 3 President's Message 4 AFL Annual Meeting- Annapolis 5-6 Lafayette Revisits Central Massachusetts 7-8 AFL at the Governor's Mansion 9-11 Lafayette Day in Virginia 12-14 Lafayette Society and Black History Club Host Presentation 15-18 Fayetteville Lafayette Society Annual Meeting 19 Yorktown 2017 20-25 President Hoffman's Remarks at Yorktown Day 25-30 State of Georgia Proclaims Lafayette Day 31-33 Recent Purchase by Skillman Library Sheds New Light 34 Annual AFL Book Donation 35-36 Lafayette's First Visit to Washington City 37-40 Intersection of Great Men (II) 41 An Update From The Lafayette Trail 42-44 Lafayette inspires leadership training 45-46 A Small French Basque Village Celebrates Yorktown 47-49 Veterans Day 2017 49 Claim Lafayette’s Legacy and Run with It 50-51 Lafayette and LaGrange, GA as Destination 51-52 Lafayette Trivia 53-58 Lafayette's Wedding Feast 59-61 Our Visit To L'Hermione In Rochefort, France 62-70 Robert Selig Completes W3R-US Resource Study for Massachusetts 71-72 Bill Kirchner's Lafayette Collection 73-75 The First Thanksgiving at Chavaniac 76-78 Letter to the Editor 78 Exclusive AFL Member Hotel Deals in France 79 President Macron’s State Visit to Washington D.C. 80-86 A Listing of Lafayette Statues 87-114 Baby Announcement 115 Lafayette Trivia (Answer) 116-118 Newsletter 2 friendsoflafayette.org Welcome New Members! New AFL Members since Sept.16, 2017 (as of May 6, 2018): Active Individual Members: Robert Brown PA Janet Burnet NY Paul Knobel OR Michael LaPaglia NC Frankie Gwinn Moore SC Lindsey Morrison DC Joshua Neiderhiser PA Catherine Paretti NJ R T "Tom" Plott AL Brian Prosser FL Ann Richardson VA Michael E.
    [Show full text]
  • The United States Navy Looks at Its African American Crewmen, 1755-1955
    “MANY OF THEM ARE AMONG MY BEST MEN”: THE UNITED STATES NAVY LOOKS AT ITS AFRICAN AMERICAN CREWMEN, 1755-1955 by MICHAEL SHAWN DAVIS B.A., Brooklyn College, City University of New York, 1991 M.A., Kansas State University, 1995 AN ABSTRACT OF A DISSERTATION submitted in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY Department of History College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2011 Abstract Historians of the integration of the American military and African American military participation have argued that the post-World War II period was the critical period for the integration of the U.S. Navy. This dissertation argues that World War II was “the” critical period for the integration of the Navy because, in addition to forcing the Navy to change its racial policy, the war altered the Navy’s attitudes towards its African American personnel. African Americans have a long history in the U.S. Navy. In the period between the French and Indian War and the Civil War, African Americans served in the Navy because whites would not. This is especially true of the peacetime service, where conditions, pay, and discipline dissuaded most whites from enlisting. During the Civil War, a substantial number of escaped slaves and other African Americans served. Reliance on racially integrated crews survived beyond the Civil War and the abolition of slavery, only to succumb to the principle of “separate but equal,” validated by the Supreme Court in the Plessy case (1896). As racial segregation took hold and the era of “Jim Crow” began, the Navy separated the races, a task completed by the time America entered World War I.
    [Show full text]
  • James SHARPLES II Sitters
    Neil Jeffares, Dictionary of pastellists before 1800 Online edition SHARPLES, James Reference Library file, attr.; olim attr. Ellen Lancashire 1752 – New York 1811 Sharples, olim identified as of Mrs George Part II: Sitters L–Z; other items Washington Lafayette; damaged by damp and excessively restored J.675.405 George Washington LAFAYETTE (1779– J.675.422 ~cop. Felix Sharples (Van Bibber 1849), soldier, pstl/ppr, 23.5x18.4, 1797–99 Sanders, Gloucester Court House, Virginai) (Mount Vernon Ladies’ Association W-2019. J.675.423 General Benjamin LINCOLN (1733– Acqu. 1955). Exh.: Mount Vernon 1974 1810), pstl, 23x18 (Bernard & S. Dean Levy, J.675.406 M. [George Washington] de Inv., New York, 1977). Lit.: Antiques, LAFAYETTE, pstl/ppr, 22.9x17.7, 1795–97 .VIII.1977, p. 168 repr. (Bristol City Art Gallery inv. K1021. Acqu. J.675.424 Sir Robert LISTON (1742–1836), 1931). Lit.: Gidley 1974 diplomat; & pendant: J.675.425 spouse, née J.675.407 John LANGDON (1741–1819), pstl/ppr, Henrietta Marchant (1752–1828), pstl, 24.1x19, c.1790–1800 (Smith College, 22.9x17.7 (Bristol City Art Gallery). Lit.: Museum of Art, 1975:52-3. Legs Alice Gidley 1974 Rutherford Erving) J.675.426 Samuel LIVERMORE (1732–1803) J.675.427 J.675.408 ~version, 23x18 (Philadelphia, INHP, J.675.415 Mr LECHER, m/u ~version, 23x18 (Philadelphia, INHP, INDE 11910. Felix Sharples 1811; Winder; J.675.416 ~cop. Ellen Sharples, crayons (3), 1804 INDE 11935. Felix Sharples 1811; Winder; Harrison; acqu. 1876). Lit.: Diethorn 2001, p. J.675.417 LEFEVRE, olim ??Cipriano Ribeiro Freire Harrison; acqu. 1876).
    [Show full text]
  • Gazette of the American Friends of Lafayette No
    The Gazette of the American Friends of Lafayette No. 92 friendsoflafayette.org June 2020 Washington and Lafayette discuss current events in Yorktown while following CDC guidelines. Table of Contents Title Page President's Message 3-4 West Point Meeting Postponed 5 Rochambeau Statue in Yorktown 6 Yorktown Victory Celebrations 7-9 Veterans Day in Virginia 10 Lafayette Day in Richmond 11-13 AFL Book Donation 14 Massachusetts Lafayette Day 15-18 Medal Awarded to Robert Selig 19 AFL Website 20 Lafayette’s Exile in Holstein 21-38 Lafayette and “Yankee Doodle” 39-44 Adrienne Lafayette’s Genealogy 45-49 Lafayette and Women’s Suffrage 50-53 Trivia Question – Lafayette Stamps 54 Trivia Question – Lafayette Coverlet 55 The Lafayette Stone in Warrenton, VA 56-57 Lafayette Whiskey 58 The Long-Lost Guns of Lafayette 59-76 Lafayette’s Southern and Western Tour 77-80 Concord, NH Welcomes Lafayette 81-83 New Hampshire Bids Lafayette Farewell 84-85 Lafayette - America’s Best Friend 86-87 The New Lafayette Mural in Jackson, NC 88-90 Lafayette’s 1825 Visit to Northampton Court House 91-92 Lafayette Sighting - Buttons 93 Lafayette as Enlightened Warrior 94-107 Book Review – Lafayette Books of 2019 108-111 Researching the French in America 112-115 Liberty-Loving Lafayette 116-117 James R. McConnell, Lafayette Escadrille 118-121 Edmond Genet, Lafayette Escadrille 122-124 Trivia Response – Lafayette Stamps 125-127 Trivia Response – Lafayette Coverlet 128-130 Letters to the Gazette 131 3 President’s Message Dear Friend of Lafayette, As we all try to persevere in the midst of a pandemic, a frayed economy, and nationwide protests and unrest, we offer the 92nd edition of The Gazette of the American Friends of Lafayette.
    [Show full text]
  • Congn:ESSION .AL .RECORD-HOUSE
    1910. CONGn:ESSION.AL .RECORD-HOUSE. 2405 "Byron H. Colburn, at Lawrence, 1llic11. rr'h-e communications a."l".e as fel1ows: William 'F. Crane, at "Manistique, .:Mich. lHouse "'.Document No. 271, Sixty-first ·Congress, second session,] l\fiohael H. Kern, at .. Menominee, 1\lich. U~AVAILABLE FUNDS, UNITED ST1'\..TES TREASURY. Glover E. Laird, at Mendon, .:Klich. LETTER ll'ROM '"'l'HE ACTING -8-ECRETARY OF 'THE TREASURY, TIU.rs:\IITTING A .Josia:h .C . .Richardson, at.Jackson, ~fich. C(>l!l\IUNTCATION "FROM THE TRE:ASUBER OF THE UNITED ·STATES RELATING TO ITEMS OF UNAVAILABLE 'FUNDS :REPORTED 'IN :IIIS GENERAL ACCOUNT. J"ohn .J. Saxton, .at ·:Famv-ell, .Mich. :TREASURY J>EBAB:TMENT, OFFICE OF ~HE cSECRElTARY, Thomas 'II. WlITwick, rrt 'Litchfieill, 1\Iich. -Washington, February -15, 1910 . .sm ·: I :have he lronur rto drnnsmlt herewith a communication -:from 'MTS SIS SIPPl. the TreaBUrer of ·the United :states, relating to items of una-vailable "'funds ·report-ed in his ·genei:al nccount. W. J. Price, at Meridian, 1\fiss. This communication sets forth the history of the deposits of public NEW JERSEY. moneys, ·:amounting to =-$28,101,644.91, -made with i:he -States under :the provisions of rthe act of Jun~ 23, 1836, and ·subsequent 'legislation James ::E. 13a1dwln, nt"Newton, N. "J. taking the control of 'these 'funds :trom th:e ~.rreasury Department. It seems rd:esirable and important -that the Congress should ;mact NEW YORK. legislation -that will ..finally ·dtiwose of -said deposits, an'd Jny recom­ mend!U:ion s made "for such ~tion.
    [Show full text]
  • Asians and Pacific Islanders in the Civil War March 2015 Note: This Is a Working Document
    Asians and Pacific Islanders in the Civil War March 2015 Note: This is a working document. The names noted in bold designate soldiers and sailors whose service has been confirmed and corroborated by various sources. The names not listed in bold are strong leads that require continued investigation to definitively confirm their service and ethnicity. This may be the largest repository of API servicemen in existence, but it is not comprehensive. There are likely more servicemen who have been discovered by other researchers, and still others whose stories have yet to be recovered. Information on Servicemen Tannroi Acoaw, born Canton, China; enlisted August 14, 1862, aged 23, at New Orleans, for three years; personal details at the time of enlistment shown as black eyes, black hair and dark complexion; previous occupation, cook; served as officers’ cook on the USS Pinola. [Muster Roll.] Pedro Acow (surname also shown as Accao), born Canton, China, about 1834; previous occupation, labourer; enlisted as private in company K, 2nd Louisiana (United States) Infantry, at the age of 28, at New Orleans, on September 30, 1862; personal details at the time of enlistment shown as black hair, gray eyes, dark complexion, and standing at 5 feet 6 inches tall; deserted at Algiers City, April 14, 1863; enlisted and mustered about the same time as fellow Chinese born soldiers, John Francis and John Hussey. [Compiled Military Service Record at FOLD3.com.] John Adams, Ward Room Cook, USS Antona, aged 44, resident of Massachusetts, enlisted November 18, 1864, for 3 years, at New Orleans. Born Hindostan [India]. (Muster Roll.) Pedro Aelio (? - surname on register is actually quite illegible), Landsman, aged 29, occupation Cook, enlisted March 15, 1865, for 2 years, at New York.
    [Show full text]
  • Newport Paper 38
    NAVAL WAR COLLEGE NEWPORT PAPERS 38 NAVAL WAR COLLEGE WAR NAVAL High Seas Buffer The Taiwan Patrol Force, 1950–1979 NEWPORT PAPERS NEWPORT N ES AV T A A L T W S A D R E C T I O L N L U E E G H E T I VIRIBU OR A S CT MARI VI 38 Bruce A. Elleman Color profile: Generic CMYK printer profile Composite Default screen U.S. GOVERNMENT Cover OFFICIAL EDITION NOTICE This perspective aerial view of Newport, Rhode Island, drawn and published by Galt & Hoy of New York, circa 1878, is found in the American Memory Online Map Collections: 1500–2003, of the Library of Congress Geography and Map Division, Washington, D.C. The map may be viewed at http://hdl.loc.gov/ loc.gmd/g3774n.pm008790. Use of ISBN Prefix This is the Official U.S. Government edition of this publication and is herein identified to certify its authenticity. ISBN 978-1-884733-95-6 is for this U.S. Government Printing Office Official Edition only. The Superintendent of Documents of the U.S. Government Printing Office requests that any reprinted edition clearly be labeled as a copy of the authentic work with a new ISBN. Legal Status and Use of Seals and Logos The logo of the U.S. Naval War College (NWC), Newport, Rhode Island, authenticates High Seas Buffer: The Taiwan Patrol Force, 1950–1979, by Bruce A. Elleman, as an official publication of the College. It is prohibited to use NWC’s logo on any republication of this book without the express, written permission of the Editor, Naval War College Press, or the editor’s designee.
    [Show full text]
  • Maryland Pastel Society Winter Newsletter
    Maryland Pastel Society Winter Newsletter In This Issue January 2015 From the President's Easel From the President's Easel Next Meeting Info 2015! The Maryland Pastel Society welcomes you to another year of Upcoming Workshops learning and growing with pastels. The Board has planned a year of Featured Artist demonstrations and workshops designed to strengthen your skills and Inspiration Corner ignite your interest. Member News New MPS Members We will begin our first General Meeting of the year on Saturday, January 24 with a demonstration by Greg Johannesen. Greg is a Signature Past Events Member of MPS and has been involved with art all his life. He has Art Tips & Treasures - NEW! shown an affinity for nature, particularly wildlife, and favors beach and nautical settings. Greg received a degree from Tidewater Community MPS Board & College in Advertising Design and Drawing and earned a BFA at Volunteers Virginia Commonwealth University in Illustration. He's worked for 20 Co-Pres: Dawn Capron years as an illustrator and graphic designer and has his own studio in and Joyce Lister Southern Maryland where he also pursues fine art, often using the Treas: Mary Anne Chesapeake Bay as his inspiration. On January 24, Greg will Warner demonstrate how to paint a boat, always a tricky proposition. Corr.Sec: Linda Light Rec.Sec: Barbara Our April 18, Spring Meeting will feature a demonstration on Steinacker nightscapes by Christine Ivers that will follow her three-day workshop on Membership: Kathleen the same topic. There are still two slots open for the workshop. If you Risk want to sign up, see the MPS web page for additional information.
    [Show full text]
  • Admiral David Glasgow Farragut Gravesite
    NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 FARRAGUT, ADMIRAL DAVID GLASGOW, GRAVESITE Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Farragut, Admiral David Glasgow, Gravesite Other Name/Site Number: 2. LOCATION Street & Number: Lot Number 1429-44, Section 14, Aurora Hill Plot Not for publication: Woodlawn Cemetery City/Town: Bronx Vicinity: State: NY County: Bronx Code: 005 Zip Code: 10470 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): ___ Public-Local: District: ___ Public-State: ___ Site: X Public-Federal: ___ Structure: ___ Object: ___ Number of Resources within Property Contributing Noncontributing buildings 1 sites structures 1 objects 2 Total Number of Contributing Resources Previously Listed in the National Register: 2 Name of Related Multiple Property Listing: NPS Form 10-900 USDI/NPS NRHP Registration Form ((Rev. 8-86) OMB No. 1024-0018 FARRAGUT, ADMIRAL DAVID GLASGOW, GRAVESITE Page 2 United States Department of the Interior, National Park Service National Register of Historic Plaaces Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that tthis ____ nomination ____ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property _____ meets ____ does not meet the Natioonal Register Criteria.
    [Show full text]