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Department of Political Science Chair of Gender Politics Wonder Woman
Department of Political Science Chair of Gender Politics Wonder Woman and Captain Marvel as Representation of Women in Media Sara Mecatti Prof. Emiliana De Blasio Matr. 082252 SUPERVISOR CANDIDATE Academic Year 2018/2019 1 Index 1. History of Comic Books and Feminism 1.1 The Golden Age and the First Feminist Wave………………………………………………...…...3 1.2 The Early Feminist Second Wave and the Silver Age of Comic Books…………………………....5 1.3 Late Feminist Second Wave and the Bronze Age of Comic Books….……………………………. 9 1.4 The Third and Fourth Feminist Waves and the Modern Age of Comic Books…………...………11 2. Analysis of the Changes in Women’s Representation throughout the Ages of Comic Books…..........................................................................................................................................................15 2.1. Main Measures of Women’s Representation in Media………………………………………….15 2.2. Changing Gender Roles in Marvel Comic Books and Society from the Silver Age to the Modern Age……………………………………………………………………………………………………17 2.3. Letter Columns in DC Comics as a Measure of Female Representation………………………..23 2.3.1 DC Comics Letter Columns from 1960 to 1969………………………………………...26 2.3.2. Letter Columns from 1979 to 1979 ……………………………………………………27 2.3.3. Letter Columns from 1980 to 1989…………………………………………………….28 2.3.4. Letter Columns from 19090 to 1999…………………………………………………...29 2.4 Final Data Regarding Levels of Gender Equality in Comic Books………………………………31 3. Analyzing and Comparing Wonder Woman (2017) and Captain Marvel (2019) in a Framework of Media Representation of Female Superheroes…………………………………….33 3.1 Introduction…………………………….…………………………………………………………33 3.2. Wonder Woman…………………………………………………………………………………..34 3.2.1. Movie Summary………………………………………………………………………...34 3.2.2.Analysis of the Movie Based on the Seven Categories by Katherine J. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
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May 16 - Comics, Trading Card, & Custom Action Figures 5/16/2018 This session will be held at 6PM, so join us in the showroom (35045 Plymouth Road, Livonia MI 48150) or live online via Proxibid! Follow us on Facebook and Twitter @back2past for updates. Visit our store website at GOBACKTOTHEPAST.COM or call 313-533-3130 for more information! (Showroom Terms: No buyer's premium! Visa, Mastercard, Discover accepted with 5% fee. No out of state checks. Lots sold as-is, where-is.) Get the full catalog with photos, prebid and join us live at www.proxibid.com/backtothepast LOT # LOT # 1 Auction Info 13 About 800 Assorted 1970's & 1980's Baseball Cards Includes 3 1972 Topps High Numbers in EX, 3 1979 Topps # 116 Ozzie 2 Batman Adventures #12/1st Harley Quinn Smith Rookies in VG/EX. Condition varies on the rest, GD. - NM! First appearance of Harley Quinn! Fine condition. 14 X-Men #222 Wolverine Vs. Sabretooth! 3 Big Bang Comics Custom Figures Lot of (3) Comic is sharp, but has water damage on the top back cover. This would Includes the Earth B versions of Ultiman, The Blitz, and The Beacon. otherwise be VF/NM. Some color fade on Blitz. 15 Rainbow Batman Custom Action Figure 4 Punisher War Journal #6-7/Wolverine Based on Detective Comics #241. Paint has rubbed off in spots on torso Wolverine appearances with Jim Lee art! VF/NM. & leg. 5 About 1000 Assorted Sports Cards 1970's -90's Includes a few 1960's. Hank Aaron, Willie Mays, Don Drysdale, Condition 16 Punisher #1 (1987) #1 of the Maxi-Series. -
UCI World Championships Set for Exciting Finale
TENNIS | Page 3 CCRICKETRICKET | Page 5 Djokovic Bravo fi rm stunned by aft er Samuels To Advertise here Agut, Murray departs in Call: 444 11 300, 444 66 621 cruises fi rst Test Sunday, October 16, 2016 FOOTBALL Muharram 15, 1438 AH Man City and GULF TIMES Spurs stumble as Arsenal advance SPORT Page 7 UCI ROAD WORLD CHAMPIONSHIPS DOHA 2016 Dane Dideriksen stuns Wild to clinch world title ‘I dreamed of a top ten... my teammates were amazing today, I had a small crash and they brought me back’ Denmark's Amalie Dideriksen (second right) sprints to win the women's elite road race at the 2016 UCI Road World Championships in Doha yesterday. PICTURES: Jayaram By Sports Reporter 2017) for instance, we can go there in a pion Marianne Vos attacked one after Doha group of women who can really pull to- each other with mainly the Americans gether and that’s an exciting prospect.” neutralising their attempts. Before the riders even left Qatar When the Dutch tornado faded, Am- malie Dideriksen edged out Foundation, the Italians had to cope ber Neben took advantage. The fresh pre-race favourite Kirsten with a serious setback, because two- Individual Time Trial World Cham- Wild with a well-timed sprint time world champion and ace sprinter pion escaped from the bunch and to win the women’s road race Giorgia Bronzini couldn’t start due to quickly built a 50-second gap. Great Aworld title at the Pearl yesterday. illness. Once the fl ag was dropped for Britain, with defending champion Liz- In a tense and tactical 134.5km race, the offi cial start after a few kilometres zie Deignan and Australia, in service of where all the big players traded moves, of neutral zone, Japanese Eri Yonamine sprinting ace Chloe Hosking, led most the 20-year-old double junior world attacked. -
Examining the Representation of Empire's Cookie Lyon from A
She’s a Queen and a Boss: Examining the Representation of Empire’s Cookie Lyon from a Black Feminist Perspective A Thesis submitted to the Graduate School Valdosta State University in partial fulfillment of requirements for the degree of MASTER OF ARTS in Communication Arts in the Department of Communication Arts of the College of the Arts July 2018 Danyelle Gary Valdosta State University © Copyright 2018 Danyelle Gary All Rights Reserved FAIR USE This thesis is protected by the Copyright Laws of the United States (Public Law 94-553, revised in 1976). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of the material for financial gain without the author’s expressed written permission is not allowed. DUPLICATION I authorize the Head of Interlibrary Loan or the Head of Archives at the Odum Library at Valdosta State University to arrange for duplication of this thesis for educational or scholarly purposes when so requested by a library user. The duplication shall be at the user’s expense. Signature _______________________________________________ I refuse permission for this thesis to be duplicated in whole or in part. Signature ________________________________________________ Abstract This research uses a black feminist perspective to examine the portrayal of Cookie Lyon on Fox’s popular primetime series, Empire. Through a textual analysis of the first three seasons, this study suggests that the Cookie Lyon character defines new representation of black womanhood that empowers and disempowers black women in contemporary society. Five key representations were discovered: the Queen Mother, the Self-sacrificing Savior, the Second-best Love Interest, the Boss, and the Street Outsider. -
Review: 'Peter Saul: from Pop to Punk,' a Firebrand Willing to Offend
Smith, Roberta, “Review: ‘Peter Saul: From Pop to Punk,’ a Firebrand Willing to Offend,” The New York Times, March 12, 2015. Review: ‘Peter Saul: From Pop to Punk,’ a Firebrand Willing to Offend The New York art dealer Ileana Sonnabend once avowed — somewhat self- servingly — that the best collectors are people in her line of work. Every so often the evidence mounts, as it does with “Peter Saul: From Pop to Punk”at Venus Over Manhattan. This poetically named art gallery established in 2012 by Adam Lindemann, a collector and occasional writer for The New York Observer, does not represent artists, but it regularly stages relevant exhibitions, and this is one of his best. The show consists of a riveting clutch of 16 paintings and five large drawings from 1962 to 1973, all from the collection of Mr. Saul’s longtime dealer, Allan Frumkin (1927-2002). They shed special light on a crucial period in the development of this firebrand painter and lifelong abstract art denier, who, despite quite a bit of exposure, has yet to receive his due. Mr. Saul, who was born in San Francisco in 1934, attended what is now the San Francisco Art Institute and Washington University in St. Louis before heading to Europe in 1956. There he scraped by, going to museums and making paintings, first in the Netherlands, then Paris — where he had an influential encounter with Mad Magazine in a bookstore and also met Mr. Frumkin — and finally Rome. During the years covered by this show, Mr. Saul made an Abstract Expressionist version of Pop Art; returned to the United States in 1964; relinquished oil paint for acrylic; and quickly evolved his rather tightly wound fluorescent “wild style” concoctions of figures that are at once savage political cartoons and beautiful if 980 MADISON AVENUE NEW YORK, NY 10075 212.980.0700 VENUSOVERMANHATTAN.COM disconcerting paintings. -
Fire Management Today
Fire today ManagementVolume 66 • No. 1 • Winter 2006 PRESCRIBED FIRE CASE STUDIES, DECISION AIDS, AND PLANNING GUIDES United States Department of Agriculture Forest Service Dedication This special issue of Fire Management Today devoted to prescribed fire is dedicated to all the individuals from around the world who have been killed or seriously injured while engaged in a prescribed burning operation. This would include fatality incidents in Australia, Canada, New Zealand, Portugal, the United States, and no doubt other regions of the world. It is our sincerest hope that this publication will in some way contribute to an enduring culture where concern for the safety of personnel involved in prescribed burning is an integral part of the planning and operational procedures in the future. Martin E. Alexander and David A. Thomas Issue Coordinators Editors’ note: This issue of Fire Management Today reprints articles from early editions of the journal, some of them decades old. Although the articles appear in today’s format, the text is reprinted largely verbatim and therefore reflects the style and usage of the time. We made minor wording changes for clarity, added intertitles and metric conversions where needed, and occasionally broke up paragraphs to improve readability. All illustrations are taken from the original articles. Fire Management Today is published by the Forest Service of the U.S. Department of Agriculture, Washington, DC. The Secretary of Agriculture has determined that the publication of this periodical is necessary in the transaction of the public business required by law of this Department. Fire Management Today is for sale by the Superintendent of Documents, U.S. -
Typical Girls: the Rhetoric of Womanhood in Comic Strips Susan E
Typical girls The Rhetoric of Womanhood in Comic Strips Susan E. Kirtley TYPICAL GIRLS STUDIES IN COMICS AND CARTOONS Jared Gardner and Charles Hatfield, Series Editors TYPICAL GIRLS The Rhetoric of Womanhood in Comic Strips SUSAN E. KIRTLEY THE OHIO STATE UNIVERSITY PRESS COLUMBUS COPYRIGHT © 2021 BY THE OHIO STATE UNIVERSITY. THIS EDITION LICENSED UNDER A CREATIVE COMMONS ATTRIBUTION- NONCOMMERCIAL-NODERIVS LICENSE. THE VARIOUS CHARACTERS, LOGOS, AND OTHER TRADEMARKS APPEARING IN THIS BOOK ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS AND ARE PRESENTED HERE STRICTLY FOR SCHOLARLY ANALYSIS. NO INFRINGEMENT IS INTENDED OR SHOULD BE IMPLIED. Library of Congress Cataloging-in-Publication Data Names: Kirtley, Susan E., 1972– author. Title: Typical girls : the rhetoric of womanhood in comic strips / Susan E. Kirtley. Other titles: Studies in comics and cartoons. Description: Columbus : The Ohio State University Press, [2021] | Series: Studies in comics and cartoons | Includes bibliographical references and index. | Summary: “Drawing from the work of Lynn Johnston (For Better or For Worse), Cathy Guisewite (Cathy), Nicole Hollander (Sylvia), Lynda Barry (Ernie Pook’s Comeek), Barbara Brandon-Croft (Where I’m Coming From), Alison Bechdel (Dykes to Watch Out For), and Jan Eliot (Stone Soup), Typical Girls examines the development of womanhood and women’s rights in popular comic strips”—Provided by publisher. Identifiers: LCCN 2020052823 | ISBN 9780814214572 (cloth) | ISBN 0814214576 (cloth) | ISBN 9780814281222 (ebook) | ISBN 0814281222 (ebook) Subjects: LCSH: Comic strip characters—Women. | Women in literature. | Women’s rights in literature. | Comic books, strips, etc.—History and criticism. Classification: LCC PN6714 .K47 2021 | DDC 741.5/3522—dc23 LC record available at https://lccn.loc.gov/2020052823 COVER DESIGN BY ANGELA MOODY TEXT DESIGN BY JULIET WILLIAMS TYPE SET IN PALATINO For my favorite superhero team—Evelyn, Leone, and Tamasone Castigat ridendo mores. -
Maskierte Helden
Aleta-Amirée von Holzen Maskierte Helden Zur Doppelidentität in Pulp-Novels und Superheldencomics Populäre Literaturen und Medien 13 Herausgegeben von Ingrid Tomkowiak Aleta-Amirée von Holzen Maskierte Helden Zur Doppelidentität in Pulp-Novels und Superheldencomics DiePubliziert Druckvorstufe mit Unterstützung dieser Publikation des Schweizerischen wurde vom Nationalfonds Schweizerischen Nationalfondszur Förderung derzur wissenschaftlichenFörderung der wissenschaftlichen Forschung. Forschung unterstützt. Die vorliegende Arbeit wurde von der Philosophischen Fakultät der Universität Zürich im Frühjahrssemester 2018 auf Antrag von Prof. Dr. Ingrid Tomkowiak und Prof. Dr. Klaus Müller-Wille als Dissertation angenommen. Weitere Informationen zum Verlagsprogramm: www.chronos-verlag.ch Umschlagbild: Steve Ditko (Zeichner), Stan Lee (Autor) et al.: «Unmasked by Dr. Octopus», in: Spider-Man Classics Vol. 1, No. 13, April 1994, S. 5 (Nachdruck aus: The Amazing Spider-Man 12, Mai 1964). © Marvel Comics © 2019 Chronos Verlag, Zürich Print: ISBN 978-3-0340-1508-0 E-Book (PDF): DOI 10.33057/chronos.1508 5 Inhalt Einleitung 7 Maskerade und Geheimnis 17 Verbergen und Zeigen – Enthüllung durch Verhüllung 18 Geheimnisbedrohung und -bewahrung: Narrative Koordinaten der Doppelidentität 30 Masken, Rollen, Identitäten 45 «Die ganze Welt ist eine Bühne» – die metaphorische Maske 49 Interaktion und Identität, Konformität und Einzigartigkeit 56 Interpretationsansätze zur Doppelidentität (der Mann aus Stahl und der unscheinbare Reporter) 67 Die zivile Identität -
Military Aircraft Crash Sites
2002 Military Aircraft Crash Sites Archaeological guidance on their significance and future management Military aircraft crash sites are an important part of Britain’s military and Belonging to a period still well within living memory, crash sites have significance for aviation heritage. Predominantly dating from World War II, during which there remembrance, commemoration, their was a massive expansion in air activity over the UK, they comprise the buried, cultural value as historic artefacts and the information they contain about both the submerged or surface remains of aircraft, most of which crashed either in circumstances of the loss and of the combat or training. aircraft itself. Crash sites may on occasion Some crash sites are visible, for example as spreads of wreckage within also contain human remains, giving them additional value and status as sacred sites upland environments, or are exposed at low tide. In most cases, however, a and war graves. scatter of surface debris may mask larger deposits, often buried at great depth. It is therefore important that these remains are considered a material matter The initial impetus for recoveries comes from both eyewitness reports and where they are affected by development documentary research.The debris field can be located by systematic walking proposals and local authority development across ploughed fields to identify surface concentrations of wreckage or with a plan policies and where research- or recovery-led excavations are proposed. magnetometer to assess the extent of buried remains, on the basis of which a Where crash sites are thought to be point or points of impact can be estimated. -
1951 Firebrand
Dominican Scholar Dominican University of California Yearbooks 1950 - 1959 Yearbooks 1951 1951 Firebrand Dominican University of California Archives Survey: Let us know how this paper benefits you. Recommended Citation Dominican University of California Archives, "1951 Firebrand" (1951). Yearbooks 1950 - 1959. 2. https://scholar.dominican.edu/yearbooks-1950-1959/2 Disclaimer: It is the goal of the Dominican University of California Archives to serve as a research tool that is open and available to the public. As an institution established well over a century ago, there are materials throughout our collection that are no longer acceptable and not a reflection to the University’s mission of social justice, dismantling racism, and promoting diversity. This Book is brought to you for free and open access by the Dominican University of California Yearbooks at Dominican Scholar. It has been accepted for inclusion in Yearbooks 1950 - 1959 by an authorized administrator of Dominican Scholar. For more information, please contact [email protected]. —T ■; V'V -., Cbe ]firebrdnd feClir V6RITAS FAX ARDENS : 'i>V. '* i-*! *'' — ai| i i "T., all . .fc • ■ f".'. ft- THE FIREBRAND THE DOMINICAN COLLEGE OF SAN RAFAEL MCMLI I I \ \ a t : j. « To Father Curran ILLUSTRATIONS PAGE In Wisdom: Life and Peace—Magda Battha End Sheet Dove—Marie Cressey 8 Senior Shield—Magda Battha . ... 15 Junior Shield—Joan Cullimore . 128 Sophomore Shield—Lucille Slavin 131 Freshman Shield—Sally Martin . 133 Apple—Barbara Hohlt . ... 135 Senior Remembrances: Freshman—Marian McEntire 137 Sophomore—Ann Buckley . 138 Junior—Winifred Brisbois . 139 Senior—Maria Battha . 140 Squirrel—Anon 148 Dragon—Janet Parker . .. 150 Bird—Anon 153 The Constitution—Pamela Thorsen 155 Rabbit—Pamela Thorsen . -
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12/1 - Comic Books + Comic Related Collectibles 12/1/2018 This session will be held at 6PM, so join us in the showroom (35045 Plymouth Road, Livonia MI 48150) or live online via Proxibid! Follow us on Facebook and Twitter @back2past for updates. Visit our store website at GOBACKTOTHEPAST.COM or call 313-533-3130 for more information! (Showroom Terms: No buyer's premium! Visa, Mastercard, Discover, Amex accepted with 5% fee. No out of state checks. Lots sold as-is, where-is.) Get the full catalog with photos, prebid and join us live at www.proxibid.com/backtothepast (See site for terms) LOT # QTY LOT # QTY 1 Auction Instructions 1 15 Wonder Woman #180 (1969)/Semi Key 1 "Death" of Steve Trevor. Fine condition. Bottom corner cover piece is 2 Uncanny X-Men #266/Key/1st Gambit 1 missing as pictured. First appearance of Gambit in Fine condition. 16 Thor Silver Age Group of (4) #137-141 1 3 Batmobile 1960s Edition Replica/DC Direct 1 Includes issues #137 (1st Ulik), 138, 140 (1st Growing Man), and #141. #568/1500. Hand-painted, cold-cast porcelain replica with working lights. Comics range from Fair to VG- as pictured. Made by DC Direct. Mint in box with COA. Only opened to test and photograph. 17 Daredevil Group of (9) #185-198 1 9 issues in the #185-198 range. You get all pictured. Condition ranges 4 Star Wars Zuckuss Collectible Mini Bust 1 from VG to Fine. Most are VG/VG+. Made by Gentle Giant. Resin mini bust. Nice shape briefly displayed.