The Tenacity of Tradition in Lithuania Zita Kelmickaite
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Lithuanian Voices
CHAPTER FIVE Lithuanian Voices 1. Lithuanian Letters in the U.S. The list of American works featuring Lithuanians is short; it apparently consists of three novels. However, for such a small nation, not a “global player” in Franzen’s words, three novels authored by Americans can be seen as sufficient and even impressive. After all, three American authors found Lithuanians interesting enough to make them the main characters of their works. Two of those works, Upton Sinclair’s The Jungle and Jonathan Franzen’s The Corrections, became bestsellers and popularized the name of Lithuania in the U.S. and the world. The third work, Margaret Seebach’s That Man Donaleitis, although overlooked by critics and readers, nevertheless exists as a rare token of admiration for an obscure and oppressed people of the Russian empire. Many other small nations never made it to the pages of American texts. The best they could do was to present themselves to Americans in their own ethnic writing in English. However, the mere existence of such ethnic texts did not guarantee their success with the American audience. Ethnic groups from Eastern Europe for a long time presented little interest to Americans. As noted by Thomas Ferraro, autobiographical and biographical narratives of “immigrants from certain little-known places of Eastern Europe . did not attract much attention” (383). He mentions texts by a Czech, a Croatian, a Slovakian and a Pole written between 1904 and 1941, and explains the lack of attention to them from American public: “the groups they depict remained amorphous in the national imagination and did not seem to pose too much of a cultural threat” (383). -
USHMM Finding
http://collections.ushmm.org Contact [email protected] for further information about this collection RG‐50.473*0075 08/21/2000 1 KIRVELAITYTĖ, Justina Lithuania Documentation Project Lithuanian RG-50.473*0075 In this interview Justina Kirvelaitytė, born in 1931 in Pilviškiai, describes a massacre of Jewish women, children and the elderly which took place in Pilviškiai in August 1941 and which she witnessed as a child. She lists and describes in detail several locals who participated in the execution; names the local organizers of the massacre, and notes that the chief of the village, Ambrasas, was one of them. She claims having seen Antanas Baltūsis, a famous Lithuanian anti- Soviet partisan, taking part in the execution. She talks about Jews, who managed to escape and people who rescued them. She also mentions a man, who was among those, who were marching the Jews, but who let one Jew escape on the way to the execution site. She references the executions of Jewish men of Pilviškiai, but explains that she has not witnessed it herself and is only sharing stories she had heard from other people. She talks about looting and mentions that the only payment for the collaborators was the clothes of the Jews, who were made to undress before being massacred. File 1 of 3 [01:] 00:41:22 - [01:] 02:33:00 00:00:53 – 00:02:48 [The setting is outside, at the place of the massacre of Pilviškiai Jews.] Q: So now, Madam, first of all, please tell me your first name and surname. A: Justina Kirvelaitytė. -
Performance of Musical Scale in Traditional Vocal Homophony: Lithuanian Examples
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Serbian Academy of Science and Arts Digital Archive (DAIS) Rytis Ambrazevičius Performance of Musical Scale in Traditional... DOI: 10.2298/MUZ1417045A UDK: 784.4(474.5) Performance of Musical Scale in Traditional Vocal Homophony: Lithuanian Examples Rytis Ambrazevičius1 Lithuanian Academy of Music and Theatre (Vilnius) Kaunas University of Technology (Kaunas) Abstract Acoustical measurements of pitches in a dozen songs exemplifying the Lithuanian traditional vocal homophony were carried out. Several phenomena were revealed. First, the entire scales experience gradual transposition (rise) from the beginning to the end of the song performances. Second, the transposition is supplemented with the gradual shrinking of the musical scales (the intervals become narrower). Third, the intonations of the scale degrees are dynamic, i.e. they depend on the musical (both melodic and harmonic) contexts. Fourth, the versions of musical scales work as certain markers for the idiolects (further studies could show if this might be extrapolated to the realm of dialects). All these insights raise issues about the per- ceptual qualities of the musical scales and their manifestations in the performance. Keywords Musical scale, vocal performance, homophony, Lithuanian traditional singing, acoustical measurements, pitch perception. Issue of musical scale Before we proceed to the elaboration of the methods and tech- niques of the acoustical measurements, and the analysis of their re- sults, let’s discuss the concept of the ‘musical scale’. Most probably, this concept seems to be entirely transparent to us. Yet, upon closer inspection we encounter several obstacles. -
Were the Baltic Lands a Small, Underdeveloped Province in a Far
3 Were the Baltic lands a small, underdeveloped province in a far corner of Europe, to which Germans, Swedes, Poles, and Russians brought religion, culture, and well-being and where no prerequisites for independence existed? Thus far the world extends, and this is the truth. Tacitus of the Baltic Lands He works like a Negro on a plantation or a Latvian for a German. Dostoyevsky The proto-Balts or early Baltic peoples began to arrive on the shores of the Baltic Sea nearly 4,000 years ago. At their greatest extent, they occupied an area some six times as large as that of the present Baltic peoples. Two thousand years ago, the Roman Tacitus wrote about the Aesti tribe on the shores of the #BMUJDBDDPSEJOHUPIJN JUTNFNCFSTHBUIFSFEBNCFSBOEXFSFOPUBTMB[ZBT many other peoples.1 In the area that presently is Latvia, grain was already cultivated around 3800 B.C.2 Archeologists say that agriculture did not reach southern Finland, only some 300 kilometers away, until the year 2500 B.C. About 900 AD Balts began establishing tribal realms. “Latvians” (there was no such nation yet) were a loose grouping of tribes or cultures governed by kings: Couronians (Kurshi), Latgallians, Selonians and Semigallians. The area which is known as -BUWJBUPEBZXBTBMTPPDDVQJFECZB'JOOP6HSJDUSJCF UIF-JWT XIPHSBEVBMMZ merged with the Balts. The peoples were further commingled in the wars which Estonian and Latvian tribes waged with one another for centuries.3 66 Backward and Undeveloped? To judge by findings at grave sites, the ancient inhabitants in the area of Latvia were a prosperous people, tall in build. -
C)Specimen of Folk Memorial Small Scale Architecture, Generally Called Crosses, Are No Doubt Related by Their Plastic Forms to T
CROSS-CRAFTING IN LITHUANIA 1.IDENTIFICATION a) Lithuania. b) Cross-crafting in Lithuania. c) Local communities, public organizations. d) The territory of the Republic of Lithuania. e) Lithuanian ethnographic regions: Aukštaitija, Žemaitija, Dzūkija, Suvalkija, Lithuania Minor. f) An uninterrupted tradition which has been passed on for centuries. g) The Ministry of Culture of the Republic of Lithuania, the Lithuanian Folk Culture Center. 2. JUSTIFICATION OF THE CANDIDATURE a) Cross- crafting is a craft exceptionally valuable from the historic, artistic, ethnological and sociological points of view. b) Presently, it is primarily folk artists who are the bearers of the tradition and who maintain and pass on the plastic characteristics of cross-crafting. There are now around one hundred actively performing cross-crafting masters in Lithuania (those having made over 20 crosses) and about 200 craftsmen who have made 10-20 crosses. There is no statistical information on craftsmen who have created only one or two crosses (these are usually folk artists who make wooden sculptures or other woodwork and who, if circumstances arise, can make wooden crosses, too). A list of the most actively practicing cross-crafting craftsmen is attached. The traditions of cross-crafting are primarily cherished by religious and local communities of all five ethnographic regions of Lithuania. A community as an organizational unit can commission crosses, but under certain circumstances the crosses can also be commissioned by private individuals. The majority of Lithuanians are Roman Catholics (some, however, only in the formal sense) and so are committed (at least partially) to traditional worship practices related to wooden crosses. -
From "Russian" to "Polish": Vilna-Wilno 1900-1925
FROM “RUSSIAN” TO “POLISH”: Vilna-Wilno 1900-1925 Theodore R. Weeks Southern Illinois University at Carbondale The National Council for Eurasian and East European Research 910 17th Street, N.W. Suite 300 Washington, D.C. 20006 TITLE VIII PROGRAM Project Information* Principal Investigator: Theodore R. Weeks Council Contract Number: 819-06g Date: June 4, 2004 Copyright Information Scholars retain the copyright on works they submit to NCEEER. However, NCEEER possesses the right to duplicate and disseminate such products, in written and electronic form, as follows: (a) for its internal use; (b) to the U.S. Government for its internal use or for dissemination to officials of foreign governments; and (c) for dissemination in accordance with the Freedom of Information Act or other law or policy of the U.S. government that grants the public access to documents held by the U.S. government. Additionally, NCEEER has a royalty-free license to distribute and disseminate papers submitted under the terms of its agreements to the general public, in furtherance of academic research, scholarship, and the advancement of general knowledge, on a non-profit basis. All papers distributed or disseminated shall bear notice of copyright. Neither NCEEER, nor the U.S. Government, nor any recipient of a Contract product may use it for commercial sale. * The work leading to this report was supported in part by contract or grant funds provided by the National Council for Eurasian and East European Research, funds which were made available by the U.S. Department of State under Title VIII (The Soviet-East European Research and Training Act of 1983, as amended). -
Klaipedos Kr Dainos.Indd
Singing tradition of the Klaipėda region preserved in Lithuania and in the émigré communities In the eighteenth and nineteenth centuries it was the Lithuanian songs of East Prussia that opened the way for Lithuanian language and culture into Western Europe. The elegiac folk poetry, with characteristically straightforward structure and plain subject matter, fascinated the enlightened minds of artists and scholars, kindling their imagination and providing inspiration for their own creative work. Certain ideas that originated in the Age of Enlightenment and gained currency in Western Europe, coupled with the nascent concern about the newly discovered yet already vanishing layer of traditional culture, lent an important impetus for preservation of that obsolescent culture. It was then that the Lithuanian songs were first recorded, published and researched. The network of Prussian clergymen who were the first collectors of folklore formed around Liudvikas Rėza (Ludwig Rhesa) (1776‒1840), a professor at the University of Königsberg, amassed a priceless repository of Lithuanian non-material culture, which kept growing by the effort of countless devout enthusiasts during the coming two hundred years. The present collection of Songs and Music from the Klaipėda Region is yet another contribution to this ever expanding repository. At long last we will have an opportunity to hear the real sound of what many of us have only known in the form of written down verses, notated melodies, and interpretations thereof. As a matter of fact, no sound recordings of authentic Prussian Lithuanian songs or instrumental music have been published in Lithuania in the course of the 20th century. On the other hand, there was no apparent lack of valuable materials preserved at folklore archives and informants who could have sung Lithuanian folk songs for the compilers of sound anthologies in the middle of 26 the 20th century. -
1 the Objectives of the Course Is to Study the Lithuanian Musical
STUDY SUBJECT PROGRAMME Subject Subject group Credits Subject Subject Reg. No. code certified certification valid until C (No., as ETN4003 Main group of 4 ECTS recorded in a study program register of study subjects). Title LIETUVI Ų ETNIN Ė MUZIKA Title in English LITHUANIAN ETHNIC MUSIC Subject annotation in English (up to 500 symbols) The objectives of the course is to study the Lithuanian musical, spreading and using traditions in the context of the ethnic history of the Lithuanians. Spreading of two main styles of ethnic music not coincides with the boundaries of current ethnographical regions – theses areas reflects ancient cultural territories. Area of polyphony more or less show the territory of former culture of ancient Western, and the monody – the culture of Eastern Balts. Using traditions of the monody reflect the customs and works of the autumn, winter and early spring period, and shows a very strong agriculture heritage, while the polyphony – coincide with the spring and summer period and connects with the heritage of cattle – breading. Necessary background knowledge for the study of the subject The courses of Narrative folklore , Basics of Ethnology and Meloflolkloristics must be studied. Study results of the subject (up to 600 symbols) Students competences are follows: • apply the knowledge, theories and methods for working position • organize researches of ethnic music and ethnic culture • research and evaluate ethnic music as the feature of culture heritage • work in the scientific, education and art institutions • prepare and work with the national and international projects and do the evaluation of these projects • prepare the programs for researching ethnic music and ethnic culture • make the support and consultations for the performers of ethnic music • make the scientific and methodical support for the government education, art and other institutions Subject contents (up to 1200 symbols) Monody and polyphony in Lithuanian ethnic music. -
Seimas of the Republic of Lithuania Resolution No Xiv
SEIMAS OF THE REPUBLIC OF LITHUANIA RESOLUTION NO XIV-72 ON THE PROGRAMME OF THE EIGHTEENTH GOVERNMENT OF THE REPUBLIC OF LITHUANIA 11 December 2020 Vilnius In pursuance of Articles 67(7) and 92(5) of the Constitution of the Republic of Lithuania and having considered the Programme of the Eighteenth Government of the Republic of Lithuania, the Seimas of the Republic of Lithuania, has resolved: Article 1. To approve the programme of the eighteenth Government of the Republic of Lithuania presented by Prime Minister of the Republic of Lithuania Ingrida Šimonytė (as appended). SPEAKER OF THE SEIMAS Viktorija Čmilytė-Nielsen APPROVED by Resolution No XIV-72 of the Seimas of the Republic of Lithuania of 11 December 2020 PROGRAMME OF THE EIGHTEENTH GOVERNMENT OF THE REPUBLIC OF LITHUANIA CHAPTER I INTRODUCTION 1. As a result of the world-wide pandemic, climate change, globalisation, ageing population and technological advance, Lithuania and the entire world have been changing faster than ever before. However, these global changes have led not only to uncertainty and anxiety about the future but also to a greater sense of togetherness and growing trust in each other and in the state, thus offering hope for a better future. 2. This year, we have celebrated the thirtieth anniversary of the restoration of Lithuania’s independence. The state that we have all longed for and taken part in its rebuilding has reached its maturity. The time has come for mature political culture and mature decisions too. The time has come for securing what the Lithuanian society has always held high: openness, responsibility, equal treatment and respect for all. -
Lithuania Guidebook
LITHUANIA PREFACE What a tiny drop of amber is my country, a transparent golden crystal by the sea. -S. Neris Lithuania, a small and beautiful country on the coast of the Baltic Sea, has often inspired artists. From poets to amber jewelers, painters to musicians, and composers to basketball champions — Lithuania has them all. Ancient legends and modern ideas coexist in this green and vibrant land. Lithuania is strategically located as the eastern boundary of the European Union with the Commonwealth of Independent States. It sits astride both sea and land routes connecting North to South and East to West. The uniqueness of its location is revealed in the variety of architecture, history, art, folk tales, local crafts, and even the restaurants of the capital city, Vilnius. Lithuania was the last European country to embrace Roman Catholicism and has one of the oldest living languages on earth. Foreign and local investment is modernizing the face of the country, but the diverse cultural life still includes folk song festivals, outdoor markets, and mid- summer celebrations as well as opera, ballet and drama. This blend of traditional with a strong desire to become part of the new community of nations in Europe makes Lithuania a truly vibrant and exciting place to live. Occasionally contradictory, Lithuania is always interesting. You will sense the history around you and see history in the making as you enjoy a stay in this unique and unforgettable country. AREA, GEOGRAPHY, AND CLIMATE Lithuania, covering an area of 26,173 square miles, is the largest of the three Baltic States, slightly larger than West Virginia. -
Vilkaviškio Rajono Įmonių Ir Organizacijų Informacinis Gidas
Vilkaviškio rajono įmonių ir organizacijų INFORMACINIS GIDAS Signalinis egzempliorius ! 1 www.vilkaviskisinfo.lt VšĮ VilkaViškio turizmo ir Verslo informacijos centras J. Basanavičiaus a. 7, Vilkaviškis LT-70101, Lietuva (+370 342) 20 525, info@vilkaviškisinfo.lt UAB „Gintvila“ Vytauto g. 16, Vilkaviškis LT-70125, Lietuva +370 620 60 533, +370 671 65 995, [email protected] Viršelyje A. Birštono nuotrauka GAMYBA PASLAUGOS PREKYBA ORGANIZACIJOS STATYBA 2 Vilkaviškio rajono meras Algirdas Neiberka Mieli Vilkaviškio krašto žmonės, turistai, gerbiami verslininkai, Vilkaviškio kraštas visada garsėjo ne tik nuostabiomis lygumomis ir aukštumomis, istoriją menan- čiais piliakalniais, istorijos ir kultūros paminklais, bet ir puikiais, darbščiais žmonėmis. Šiandien Vil- kaviškio rajonas vis labiau atsinaujina ir nori tapti patrauklia vieta ne tik čia gyvenantiems, bet ir atvykstantiems žmonėms, siekia kurti palankią verslo aplinką potencialiems investuotojams. Man labai malonu pristatyti Jums Vilkaviškio turizmo ir verslo informacijos centro iniciatyva pa- rengtą leidinį, kuriame pateikiama koncentruota informacija apie Vilkaviškio rajone veikiančias įmones, įstaigas, įvairias organizacijas bei paslaugas. Jūsų rankose – leidinys „Vilkaviškio rajono informacinis gidas: įmonės, organizacijos, paslaugos“. Jame rasite daugiau kaip 500 mūsų rajone veikiančių įmonių kontaktinius duomenis, informaciją apie viešąsias ir biudžetines įstaigas, nevyriausybines organizacijas, jų kontaktus ir teikiamas pas- laugas. Naudingos informacijos apie apgyvendinimo ir maitinimo paslaugas ras ir mūsų rajoną lankantys turistai. Vertinu mūsų krašto žmones, kurie savo iniciatyvą, išradingumą, visą energiją skiria tam, kad vysty- tų veiklą mūsų rajone, kurtų darbo vietas ir Lietuvos bendrąjį produktą, savo gaminama produkcija garsintų gimtąjį kraštą. Rajono gyventojai turi kuo didžiuotis, o mes didžiuojamės jais. Visi esame suinteresuoti, kad mūsų rajono verslas klestėtų, kad jis plėstųsi, o čia gyvenantys žmonės būtų laimingi. -
1. What This Book Hopes to Do “Lithuania Is Becoming a Symbol of Horror in America”; “The American Author Explains Why He
INTRODUCTION 1. What This Book Hopes to Do “Lithuania is becoming a symbol of horror in America”; “The American author explains why he portrayed our country as hell in his novel”; “Lithuanian anger on Thanksgiving Day,” shouted the headlines of the leading Lithuanian daily Lietuvos rytas on November 24, 2001 (Alksninis 1). On Thanksgiving Day, 2001, the American author Jonathan Franzen did not receive thanks from Lithuanians. His recent novel The Corrections (2001), a National Book Award winner and a U.S. national bestseller, presents an image of contemporary Lithuania that Lithuanians find “negative,” “grotesque,” and “caricature-like” (ýesnienơ). The Lithuanian Ambassador in Washington, Vygaudas Ušackas, sent letters of protest to the author and Farrar, Straus and Giroux, his publishers. Franzen responded by expressing his regret that the “fruit of his imagination” was perceived by Lithuanians as “likely to have negative consequences” (Draugas). The writer believes that a “majority” of his readers will understand that The Corrections belongs to the genre of fiction, not journalism (Draugas). While acknowledging Franzen’s right to imagination, I think he underestimates the power of fiction in forging images and stereotypes in the public imagination, particularly in fiction that portrays countries as obscure to Americans as Lithuania. Almost a hundred-year gap separates Franzen’s novel from the first American bestseller that featured Lithuanians, Upton Sinclair’s The Jungle (1906). Both writers portray Lithuanian arrivals in the United States. Sinclair presents an immigrant of the beginning of the twentieth century, Jurgis Rudkus, and Franzen a trans-national migrant of the end of the twentieth century, Gitanas Miseviþius.