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Tom Thumb Comes to Town
TOM THUMB COMES TO TOWN By Marianne G. Morrow The Performance Tom Thumb had already performed twice in Hali- ver the years, the city of Char- fax, in 1847 and 1850, O lottetown has had many exotic but he had never come visitors, from British royalty t o gangsters. to Prince Edward Perhaps the most unusual, though, was Island. His visit in 1868 the celebrated "General" Tom Thumb probably followed a set and his troupe of performers. On 30 July pattern. The group's 1868, Tom Thumb, his wife Lavinia "Director of Amuse- Warren, her sister Minnie, and "Commo- ments" was one Sylvester dore" Nutt arrived fresh from a European Bleecker, but advance pub- tour to perform in the Island capital's licity was handled by a local Market Hall. agent, Ned Davies. There Tom Thumb was a midget, as would be five performances were the other members of his com- spread over a two-day period. pany. Midgets differ from dwarfs in "Ladies and children are con- that they are perfectly proportioned siderately advised to attend the beings, "beautiful and symmetri- Day exhibition, and thus avoid cally formed ladies and gentlemen the crowd and confusion of the in miniature," as the ads for evening performances." Thumb's performance promised. S The pitch was irresistible. What society considered a disability, \ "The Smallest Human Beings of Tom Thumb had managed to turn 1 Mature Age Ever Known on the into a career. By the time he arrived S Face of the Globe!" boasted one on Prince Edward Island, he had been 4 ad. -
Barnum Museum, Planning to Digitize the Collections
Narrative Section of a Successful Application The attached document contains the grant narrative of a previously funded grant application. It is not intended to serve as a model, but to give you a sense of how a successful application may be crafted. Every successful application is different, and each applicant is urged to prepare a proposal that reflects its unique project and aspirations. Prospective applicants should consult the NEH Division of Preservation and Access application guidelines at http://www.neh.gov/grants/preservation/humanities-collections-and-reference- resources for instructions. Applicants are also strongly encouraged to consult with the NEH Division of Preservation and Access staff well before a grant deadline. Note: The attachment only contains the grant narrative, not the entire funded application. In addition, certain portions may have been redacted to protect the privacy interests of an individual and/or to protect confidential commercial and financial information and/or to protect copyrighted materials. Project Title: Planning for "The Greatest Digitization Project on Earth" with the P. T. Barnum Collections of The Barnum Museum Foundation Institution: Barnum Museum Project Director: Adrienne Saint Pierre Grant Program: Humanities Collections and Reference Resources 1100 Pennsylvania Ave., N.W., Rm. 411, Washington, D.C. 20506 P 202.606.8570 F 202.606.8639 E [email protected] www.neh.gov The Barnum Museum Foundation, Inc. Application to the NEH/Humanities Collections and Reference Resources Program Narrative Significance Relevance of the Collections to the Humanities Phineas Taylor Barnum's impact reaches deep into our American heritage, and extends far beyond his well-known circus enterprise, which was essentially his “retirement project” begun at age sixty-one. -
A Description of the Main Characters in the Movie the Greatest Showman
A DESCRIPTION OF THE MAIN CHARACTERS IN THE MOVIE THE GREATEST SHOWMAN A PAPER BY ELVA RAHMI REG.NO: 152202024 DIPLOMA III ENGLISH DEPARTMENT FACULTY OF CULTURE STUDY UNIVERSITY OF NORTH SUMATERA MEDAN 2018 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I am ELVA RAHMI, declare that I am the sole author of this paper. Except where reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. No other person’s work has been used without due acknowledgement in the main text of this paper. This paper has not been submitted for the award of another degree in any tertiary education. Signed : ……………. Date : 2018 i UNIVERSITAS SUMATERA UTARA COPYRIGHT DECLARATION Name: ELVA RAHMI Title of Paper: A DESCRIPTION OF THE MAIN CHARACTERS IN THE MOVIE THE GREATEST SHOWMAN. Qualification: D-III / Ahli Madya Study Program : English 1. I am willing that my paper should be available for reproduction at the discretion of the Libertarian of the Diploma III English Faculty of Culture Studies University of North Sumatera on the understanding that users are made aware of their obligation under law of the Republic of Indonesia. 2. I am not willing that my papers be made available for reproduction. Signed : ………….. Date : 2018 ii UNIVERSITAS SUMATERA UTARA ABSTRACT The title of this paper is DESCRIPTION OF THE MAIN CHARACTERS IN THE GREATEST SHOWMAN MOVIE. The purpose of this paper is to find the main character. -
Volume 25, Number 4 Winter 2013
ISSN 1059-1249 The Magic Lantern Gazette Volume 25, Number 4 Winter 2013 The Magic Lantern Society of the United States and Canada www.magiclanternsociety.org The Editor’s Page 2 Professor Cromwell in Buffalo “They are truly beautiful,” said a lady who was one of the large and delighted audience that left the Court Street theatre last eve- ning at the close of Prof. Cromwell’s tour through the varied scenery of different parts of Germany, and particularly the Rhine. The remark was directed in praise of the splendid series of views selected by Prof. Cromwell to illustrate his well-timed, semi- descriptive and quasi-humorous allusions to the many attractions which the scenery of the Rhine, the quaint architecture of such venerable German cities as Cologne, Coblenz, Mayence, and Frankfort...present to the traveler in that most interesting portion of the old world. A trip down the Rhine with Prof. Cromwell and his potent if not absolutely “magic” lantern, is indeed a most de- lightful journey…. “Court Street Theatre,” Buffalo Daily Courier, Oct. 21, 1884. This double-size issue of the Gazette is devoted entirely to Please check out the Magic Lantern Research Group at my own article on the lecturing career of Professor George www.zotero.org/groups/magic_lantern_research_group. Reed Cromwell. I have been doing research on Cromwell In the Group Library, you will find links to all back issues of for several years and previously presented some of this The Magic Lantern Gazette and Magic Lantern Bulletin work at one of our society conventions. Since then, I have online through the San Diego State University Library. -
Life of Hon. Phineas T. Barnum
Life of Hon. Phineas T. Barnum Joel Benton Life of Hon. Phineas T. Barnum Table of Contents Life of Hon. Phineas T. Barnum..............................................................................................................................1 Joel Benton.....................................................................................................................................................1 i Life of Hon. Phineas T. Barnum Joel Benton A UNIQUE STORY OF A MARVELLOUS CAREER. LIFE OF Hon. PHINEAS T. BARNUM. −−−− COMPRISING HIS BOYHOOD, YOUTH, ... CHAPTER I. IN THE BEGINNING. FAMILY AND BIRTH−−SCHOOL LIFE−−HIS FIRST VISIT TO NEW YORK CITY −−A LANDED PROPRIETOR−−THE ETHICS OF TRADE−−FARM WORK AND KEEPING STORE−−MEETING−HOUSE AND SUNDAY SCHOOL−−"THE ONE THING NEEDFUL." Among the names of great Americans of the nineteenth century there is scarcely one more familiar to the world than that of the subject of this biography. There are those that stand for higher achievement in literature, science and art, in public life and in the business world. There is none that stands for more notable success in his chosen line, none that recalls more memories of wholesome entertainment, none that is more invested with the fragrance of kindliness and true humanity. His career was, in a large sense, typical of genuine Americanism, of its enterprise and pluck, of its indomitable will and unfailing courage, of its shrewdness, audacity and unerring instinct for success. Like so many of his famous compatriots, Phineas Taylor Barnum came of good old New England stock. His ancestors were among the builders of the colonies of Massachusetts and Connecticut. His father's father, Ephraim Barnum, was a captain in the War of the Revolution, and was distinguished for his valor and for his fervent patriotism. -
A Tyranny of Documents: the Performing Arts Historian As Film Noir Detective
PERFORMING ARTS RESOURCES VOLUME TWENTY-EIGHT A Tyranny of Documents: The Performing Arts Historian as Film Noir Detective Essays Dedicated to Brooks McNamara Edited by Stephen Johnson Published by the Theatre Library Association Published by Theatre Library Association Copyright 2011 by Theatre Library Association Headquarters: c/o The New York Public Library for the Performing Arts, 40 Lincoln Center Plaza, New York, New York 10023 Website: http://www.tla-online.org/ Membership dues: $30 personal; $20 students/non-salaried; $40 institutional The articles in this volume have been copyrighted by their authors. The Library of Congress catalogued this serial as follows: Performing Arts Resources Vols. for 1974—issued by the Theatre Library Association ISSN 03603814 1. Performing arts—Library resources—United States—Periodicals I. Theatre Library Association Z6935.P46 016.7902’08 75–646287 ISBN 978-0-932610-24-9. Theatre Library Association has been granted permission to reproduce all illustrations in this volume. Front cover image: For credit information on the collage imagery, see the full illustrations in this volume on pp 16, 33, 102, 111, 129, 187, 196, 210, 218, 254 Cover and page design: Sans Serif, Saline, Michigan Printed by McNaughton and Gunn, Saline Michigan Manufactured in the United States of America This serial is printed on acid-free paper. Barnum’s Last Laugh? General Tom Thumb’s Wedding Cake in the Library of Congress1 MARLIS SCHWEITZER In most if not all archives, food is strictly prohibited. This is certainly the case at the Library of Congress, where researchers entering the Manuscript Read- ing Room are required to place all personal belongings in specially desig- nated lockers and present all pencils, papers, computers, and cameras to a guard before gaining admittance to the room. -
PDF of Exhibit Handout
“People You Should Know...Portraits from the Collection” Special exhibit in the Millyard Museum’s Charles F. Whittemore Discovery Gallery 200 Bedford Street – Manchester, New Hampshire USA 03101 May 18, 2013 – October 12, 2013 1. Frank P. Carpenter 0000.8059.001 Gift of Mrs. Charles B. Manning Oil portrait by Sidney F. Dickenson, 1931 Frank Pierce Carpenter (1846-1938) was born in Chichester, New Hampshire. He graduated from high school in Concord then moved to Manchester where he spent the rest of his life. As a young man he was involved in the grain business. In 1885 he purchased the Amoskeag Paper Company, located at the north end of the Amoskeag Millyard, which became his primary business pursuit. Mr. Carpenter was treasurer of the Mechanics Savings Bank and a director of the Amoskeag National Bank. He was also active on the boards of insurance companies and other corporations and was a director of the Boston & Maine Railroad. Mr. Carpenter is recognized as Manchester’s greatest philanthropist. He used his influence and wealth to benefit social, civic and cultural organizations. He gave generously to many Manchester organizations, and served on nonprofit boards. He had a particular interest in architecture. He served on the building committees for the Currier Gallery of Art (now the Currier Museum of Art) for the construction of its original 1929 building; the New Hampshire Fire Insurance Company for the construction of its 1915 building on Hanover Street (now Fuller Hall of the New Hampshire Institute of Art), and the 1932 post office building on Hanover Street (now the offices of Devine Millimet law firm). -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Lusus Naturae, Folklore, and DIsplay in the Nineteenth Century in the United States Permalink https://escholarship.org/uc/item/9pm5v8bq Author Verderano Reynoso, Lena Lydia Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Lusus Naturae, Folklore, and Display in the Nineteenth Century in the United States By Lena Verderano Reynoso A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Curiosities, Display, and Lore in the United States in the Nineteenth Century in the Graduate Division of the University of California, Berkeley Committee in charge: Professor John Lindow Professor Daniel Melia Professor Nelson Graburn Professor David Henkin Professor Sue Schweik Spring 2012 © Copyright by Lena Verderano Reynoso 2012 All Rights Reserved Abstract Lusus Naturae, Lore, and Display in the Nineteenth Century in the United States by Lena Verderano Reynoso Doctor of Philosophy in Curiosities, Display, and Lore in the United States in the Nineteenth Century University of California, Berkeley Professor John Lindow, Chair Exhibitions of lusus naturae were at the height of popularity during the nineteenth century in the United States and reveal how popular culture reflects emerging themes in folklore. This study takes an interdisciplinary approach by examining these exhibitions as a process, where an interdependent relationship based on the knowledge of familiar folk narratives is formed between the latent performer (seller), the pitchman (lecturer), the performer (display), and the audience. The presentation, marketing, and reception of these entertaining and unusual exhibitions are analogous to various forms of folklore, and therefore function in the same manner as folklore. -
Ricardo Gil Ann Millett, Ph.D
Little Displays: The Photographs of Ricardo Gil Ann Millett, Ph.D. University of North Carolina at Greensboro Abstract: Ricardo Gil is a little person who photographs his family and lifestyle. I compare Gil’s images to images of little people drawn from fine art, the freak show, and popular culture. Gil’s photographs express dwarfism as an embodied perspective and subject position. Key Words: photography, dwarfs, representation “His photographs are deeply intimate, filled with the banal details of life and tempered by an engrossing self-examination as Gil, sometimes quite literally, measures himself against a larger world” (Miller, 1999). “The photographs in the folios are part of a larger collection entitled, "A View of My Own." I am a dwarf, as is my wife, and we are raising our average-sized daughter. Since 1991, I have documented my family and my perspective of the world. Thank you for visiting” (Gil, 1999-2003). Gil’s quote is the introduction to his website, which features photographs of himself, his wife, and his daughter in their daily family routine and on outings. He literally documents his perspective of the world, as the images show the embodied view of an individual who does not fit the “normal” world designed for the average-sized. Gil’s photographs, however, revel in the average, as they celebrate the mundane qualities of his everyday life. The actions and environments the images depict make his series resemble a typical family album of a not so typical family, of dwarf parents and an average-sized daughter, Lily. In Johann’s Kiss (1999; 2000), Gil spotlights his wife, Meg, sharing a moment of affection and praise in a kiss on the cheek with an average-sized man, who kneels down to her height. -
Guide to the PT Barnum Research Collection
Guide to the P.T. Barnum Research Collection (BHC-MS 0001) By Meghan Rinn January 2017 Descriptive Summary Creator: P.T. Barnum; Nancy Fish; Jenny Lind; Charles S. Stratton; M. Lavinia Warren; others Title: P.T. Barnum Research Collection Dates: 1735-1988 [bulk 1830-1921] Quantity: 18 manuscript boxes, 10 oversize drawers Abstract: The P.T. Barnum Research Collection represents archival materials collected by the Bridgeport History Center over the years relating to the life and ventures of P.T. Barnum. Barnum himself was deeply connected to Bridgeport, building four homes there, serving as mayor, and hosting his circus' Winter Quarters in the city. As a result, this collection represents both national and local history. The series in the collection relate to his personal life, the American Museum, Barnum's circus ventures, Jumbo the Elephant, Jenny Lind, and Charles S. Stratton and Lavinia Warren. Each series contains manuscript material including an extensive correspondence series in Barnum’s own hand, programs, tickets, artifacts, illustrations, and photographs, as well as clippings and examples of promotional material in the form of booklets, trading cards, and even paper dolls. This collection is artificial, and has grown over the years. The series themselves were formed by researcher needs, and as such have been kept intact at the time of arrangement. Collection Number: BHC-MS 0001 Language: English Repository: Bridgeport History Center Biographical Information or Administrative History P.T. Barnum Phineas Taylor (P. T.) Barnum was born in Bethel, Connecticut on 5 July, 1810. Barnum’s name is popularly associated with the Barnum & Bailey Greatest Show on Earth, but the circus was only one facet of his career. -
Lusus Naturae, Folklore, and Display in the Nineteenth Century in the United States by Lena Verderano Reynoso a Dissertation
Lusus Naturae, Folklore, and Display in the Nineteenth Century in the United States By Lena Verderano Reynoso A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Curiosities, Display, and Lore in the United States in the Nineteenth Century in the Graduate Division of the University of California, Berkeley Committee in charge: Professor John Lindow Professor Daniel Melia Professor Nelson Graburn Professor David Henkin Professor Sue Schweik Spring 2012 © Copyright by Lena Verderano Reynoso 2012 All Rights Reserved Abstract Lusus Naturae, Lore, and Display in the Nineteenth Century in the United States by Lena Verderano Reynoso Doctor of Philosophy in Curiosities, Display, and Lore in the United States in the Nineteenth Century University of California, Berkeley Professor John Lindow, Chair Exhibitions of lusus naturae were at the height of popularity during the nineteenth century in the United States and reveal how popular culture reflects emerging themes in folklore. This study takes an interdisciplinary approach by examining these exhibitions as a process, where an interdependent relationship based on the knowledge of familiar folk narratives is formed between the latent performer (seller), the pitchman (lecturer), the performer (display), and the audience. The presentation, marketing, and reception of these entertaining and unusual exhibitions are analogous to various forms of folklore, and therefore function in the same manner as folklore. The interaction and experience with these living motifs are defined as motif ostension. Motif ostension evoked whole stories from fragments of information given to the audience directly or indirectly, allowing the audience to employ their own unique knowledge to add context to the narrative. -
Table of Contents
Table of Contents Welcome to OLLI .......................................................................2 Become a Member .....................................................................3 Benefits of Membership ..............................................................3 Contact Us................................................................................3 Registration ..............................................................................4 Payment and Credit Card Security ................................................4 Scholarship Requests .................................................................4 Nonmember Registration ...........................................................4 Refunds and Withdrawals ............................................................5 Guests .....................................................................................5 Catalog Limitations and Discrepancies ..........................................5 Policies ....................................................................................5 Concord Classes ........................................................................6 Conway Classes .........................................................................9 Manchester Classes .................................................................. 10 Seacoast Classes ...................................................................... 14 Class Description and Information .............................................. 17 OLLI Steering Committee 2019-2020 .......................................