Write a Fairy Tale

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How to write a Fairy tale A fairy tale is a make-believe story. Anything can happen in it! Fairy tales often include a magical object or a person with magical powers, like a wizard or fairy godmother. Sometimes a regular person discovers he or she has magical powers. Every good story has a problem that must be solved with the help of this magic. We will help you start your own fairy tale. We have picked the place: the Barnum family’s home called Iranistan. (It looks like a palace!) You choose: • Two (2) characters • Words that describe your characters (adjectives) • The problem to be solved • The solution—a magical object! Iranistan • How the magical object will solve the problem Use the plan on the next page to start writing your fairy tale. You can add details to make the story more exciting! Characters (click on picture to learn more) General Lavinia Captain Jumbo P. T. Barnum Caroline, Pauline Tom Thumb Warren Costentenus & Helen Barnum (l to r) Objects (click on picture to learn more) Jenny Lind P. T. Barnum’s Lavinia's Tiny P. T. Barnum’s Commodore Nutt’s Carriage Mirror Gold Ring Thimble Top Hat write your own fairy tale Once upon a time, there was a/an ________________________________ (Adjective) ________________________________ named _______________________. (Character) (Name) _______________________ went to visit the palace of Iranistan in Bridgeport. (Name) While in the palace of Iranistan, _______________________ had a problem. (Name) What was the problem? ___________________________________________ ___________________________________________________________. _______________________ asked _______________________ for help. (Name) (Second Character) _______________________ was very ____________________________ . (Second Character) (Adjective) Luckily, that person had a magic _______________________ that could (Object) ___________________________________________________________. (Magical Powers) Together, they used the magic _______________________ to _______________ (Object) ___________________________________________________________. (How they solved the problem) _______________________ thanked ________________________________ (Name) (Second Character) for their help and they all lived happily ever after..

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A Monkey's Tale
A Monkey’s Tale P.T. Barnum - a most remarkable showman There were also living exhibits at his Ameri- in 19th century America began his career can Museum. Barnum exhibited a four-year- long before his famous circus was created old boy who stood 25 inches high. This boy in 1872. In January 1842, Barnum opened famously became known as General Tom his American Museum in New York. The Thumb, or Man in Miniature, who Barnum Museum was promoted as a place for billed as an eleven-year-old. New York was family entertainment, enlightenment and fascinated by Tom Thumb and his popular- amusement. ity encouraged Barnum to arrange a tour around England where the company was From 1842 until 1865, the American Museum given an audience of Queen Victoria, the grew into an enormous enterprise. Barnum’s royal family and many heads of states. cryptozoology department in particular gained a lot of attention, from when he introduced his first major hoax: a creature with the head of a monkey and the tail of a fish, known as the “Feejee” mermaid. The Museum also contained a wax-figure department which produced likenesses of notable personalities of the day, an aquarium and a taxidermy department. A Monkey’s Tale The circus which P.T. Barnum is famous for Barnum’s Mandrill was his retirement project. Barnum was already a well-established entertainer but Barnum and Bailey’s Circus travelled in four at 61 years old he began the “Greatest trains of 15 coaches, with most of the car- Show on Earth”.
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Archiving Possibilities with the Victorian Freak Show a Dissertat
UNIVERSITY OF CALIFORNIA RIVERSIDE “Freaking” the Archive: Archiving Possibilities With the Victorian Freak Show A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ann McKenzie Garascia September 2017 Dissertation Committee: Dr. Joseph Childers, Co-Chairperson Dr. Susan Zieger, Co-Chairperson Dr. Robb Hernández Copyright by Ann McKenzie Garascia 2017 The Dissertation of Ann McKenzie Garascia is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS This dissertation has received funding through University of California Riverside’s Dissertation Year Fellowship and the University of California’s Humanities Research Institute’s Dissertation Support Grant. Thank you to the following collections for use of their materials: the Wellcome Library (University College London), Special Collections and University Archives (University of California, Riverside), James C. Hormel LGBTQIA Center (San Francisco Public Library), National Portrait Gallery (London), Houghton Library (Harvard College Library), Montana Historical Society, and Evanion Collection (the British Library.) Thank you to all the members of my dissertation committee for your willingness to work on a project that initially described itself “freakish.” Dr. Hernández, thanks for your energy and sharp critical eye—and for working with a Victorianist! Dr. Zieger, thanks for your keen intellect, unflappable demeanor, and ready support every step of the process. Not least, thanks to my chair, Dr. Childers, for always pushing me to think and write creatively; if it weren’t for you and your Dickens seminar, this dissertation probably wouldn’t exist. Lastly, thank you to Bartola and Maximo, Flora and Martinus, Lalloo and Lala, and Eugen for being demanding and lively subjects.
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Tom Thumb Comes to Town
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He Tiarral= Wheeler House SMITHSONIAN STUDIES in HISTORY and TECHNOLOGY J NUMBER 18
BRIDGEPORT'S GOTHIC ORNAMENT / he tiarral= Wheeler House SMITHSONIAN STUDIES IN HISTORY AND TECHNOLOGY J NUMBER 18 BRIDGEPORT'S GOTHIC ORNAMENT / he Harral= Wheeler Hiouse Anne Castrodale Golovin SMITHSONIAN INSTITUTION PRESS { CITY OF WASHINGTON \ 1972 Figure i. An 1850 map of Bridgeport, Connecticut, illustrating in vignettes at the top right and left corners the Harral House and P. T. Barnum's "Oranistan." Arrow in center shows location of Harral House. (Courtesy of the Library of Congress.) Ems^m^wmy^' B m 13 ^»MMaM««^fc mwrtkimmM LMPOSING DWELLINGS in the Gothic Revival style were among the most dramatic symbols of affluence in mid-nineteenth-century America. With the rise of industrialization in this periods an increasing number of men from humble beginnings attained wealth and prominence. It was impor tant to them as well as to gentlemen of established means that their dwell ings reflect an elevated social standing. The Harral-Wheeler residence in Bridgeport, Connecticut, was an eloquent proclamation of the success of its owners and the excellence of the architect Alexander Jackson Davis. Al though the house no longer stands, one room, a selection of furniture, orig inal architectural designs, architectural fragments, and other supporting drawings and photographs are now in the collections of the Smithsonian Institution. These remnants of Bridgeport's Gothic "ornament" serve as the basis for this study. AUTHOR.—Anne Castrodale Golovin is an associ ate curator in the Department of Cultural History in the Smithsonian Institution's National Museum of History and Technology. B>RIDGEPORT, , CONNECTICUT, was fast be speak of the Eastern glories of Iranistan, we have coming a center of industry by the middle of the and are to have in this vicinity, many dwelling- nineteenth century; carriages, leather goods, and houses worthy of particular notice as specimens of metal wares were among the products for which it architecture.
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Barnum Museum, Planning to Digitize the Collections
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Five Points Book by Harrison David Rivers Music by Ethan D
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A Description of the Main Characters in the Movie the Greatest Showman
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United States Department of the Interior National Park Service
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Barnum Institute of Science and History" in Low Relief
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CHOPIN and JENNY LIND
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Frank Furness Printed by Official Offset Corp
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Jenny Lind’s visit to Elizabethtown, April 1851 Jenny Lind, the Swedish soprano, entertained the townspeople of Elizabethtown during a tour of the United States in April 1851. She had come to United States in September 1850, under a contract with P.T. Barnum to give 150 concerts for $1,000 dollars each. Jenny Lind, or the "Swedish nightingale," as she was known benefited from Barnum's skillful publicity that brought ex- cited crowds flocking to her concerts, and Lind's name was eventually tied to every kind of commodity, from songs to gloves, bonnets, chairs, sofas, and even pianos. Phineas Taylor Barnum (1810-1891), or P.T. Barnum as he was known is one of the most colorful and well known per- sonalities in American history. A consummate showman and entrepreneur, Barnum was famous for bringing both high and low culture to all of America. From the dulcet tones of opera singer Jenny Lind to the bizarre hoax of the Feejee Mermaid, from the clever and quite diminutive General Tom Thumb to Jumbo the Elephant, Barnum's oddities, Barnum in 1851, just spectacles, galas, extravaganzas, and events tickled the before he went on tour fancies, hearts, minds and imaginations of Americans of all with Jenny Lind. ages. On April 4, 1851, after giving a concert in Nashville, Ms. Lind embarked by stagecoach on her journey to Louisville. The trip over the Louisville and Nashville Turnpike required three days. During the trip, while horses were being changed and during overnight stops, she graciously enter- tained the local residents. The night of April 4th was spent at Bell’s Tavern (now Park City).
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