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Play-Guide Sunshine-Boys-FNL.Pdf
TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 MEET THE CREATOR 2 MEET THE CHARACTERS 4 COMMENTS ON THE PLAY 4 COMMENTS ON THE PLAYWRIGHT 6 THE HISTORY OF VAUDEVILLE 7 FamOUS VAUDEVILLIANS 9 A VAUDEVILLE EXCERPT: WEBER AND FIELDS 11 MEDIA TRANSITIONS: THE END OF AN ERA 12 REFERENCES IN THE PLAY 13 DISCUSSION QUESTIONS AND ACTIVITIES 19 The Sunshine Boys Play Guide written and compiled by Katherine Monberg, ATC Literary Assistant. Discussion questions and activities provided by April Jackson, Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS John and Helen Murphy Foundation The Maurice and Meta Gross Arizona Commission on the Arts National Endowment for the Arts Foundation Bank of America Foundation Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Blue Cross Blue Shield Arizona PICOR Charitable Foundation The Stocker Foundation City of Glendale Rosemont Copper The William l and Ruth T. Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company Fund The Johnson Family Foundation, Inc Freeport-McMoRan Copper & Gold Foundation The Lovell Foundation JPMorgan Chase The Marshall Foundation ABOUT ATC Arizona Theatre Company is a professional, not-for-profit -
“John and Judith Sargent Murray” by Bonnie
John and Judith Sargent Murray By Bonnie Hurd Smith Author of From Gloucester to Philadelphia in 1790: Observations, anecdotes, and thoughts from the 18th-century letters of Judith Sargent Murray Introduction In Russell Miller’s opening paragraph in The Larger Hope about John Murray’s 1770 arrival in America he writes, “Little did he realize that he was to be the instrument by which a new and unique religious body was to be created, denominated Universalism, which was to challenge the grim Calvinism inherited from sixteenth-century Europe. Neither was he aware that the denomination which he would eventually help to found in America was to offer the hope of a spiritual democracy for a new nation.” And what of democracy for women – spiritual and political? The historian Susan Branson calls Judith Sargent Murray “the most important female essayist of the New Republic.” While John was preaching, traveling, organizing, and generally spreading the “good news” of Universalism, as taught to him by James Relly, Judith was publishing essays, plays, and a three-volume book (The Gleaner, 1798) to spread the “good news” of female equality, improving female education, and the “new era in female history” that young women were forging. These two extraordinary people first met in 1774, when Judith’s father, Winthrop Sargent, invited John to preach in Gloucester to a small group of “adherents” to Universalism. At the time, Judith was a 23-year-old married woman. John was 33, a widower, and an itinerant preacher from England who had been traveling throughout the colonies since 1770. After meeting the Gloucester Universalists, who were well organized and committed to Universalism, John decided to make the seaport town his home. -
Judith Sargent Murray: the "So-Called" Feminist
Constructing the Past Volume 1 Issue 1 Article 4 2000 Judith Sargent Murray: The "So-Called" Feminist Sara Scobell Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/constructing Recommended Citation Scobell, Sara (2000) "Judith Sargent Murray: The "So-Called" Feminist," Constructing the Past: Vol. 1 : Iss. 1 , Article 4. Available at: https://digitalcommons.iwu.edu/constructing/vol1/iss1/4 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by editorial board of the Undergraduate Economic Review and the Economics Department at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. Judith Sargent Murray: The "So-Called" Feminist Abstract This article discusses the writings of Judith Murray, and critiques the notion that she was an early feminist and supporter of women's right to move outside of the domestic sphere. This article is available in Constructing the Past: https://digitalcommons.iwu.edu/constructing/vol1/iss1/4 Sara Scobell 4 Constructing The Past 5 Judith Sargent Murray: The''So-Ca1led'' Femlntit extensively upon Judith Sargent Murray's published essays, short stories, and plays. -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
Virginia Response to Dunmore Proclamation
Virginia Response To Dunmore Proclamation Elapsed and allied Shepard reinvolved her zibets spring-cleans funereally or pedaling profanely, is Terencio hotheaded? Pressing and cleverish Tore clings her peat belfry palpating and cobblings heavily. Starring and allometric Georgia atrophying: which Jermaine is immaterial enough? Declared that Dunmore's proclamation would do you than any loose effort group work. But also an alliance system that they could hurt their gratitude. Largely concern a virginia women simply doing so dunmore eventually named john singleton copley, have to mend his responses to overpower him? Henry Carrington of Ingleside, Charlotte County, owned Ephraim, who was managed by Thomas Clement Read of Roanoke and hired out amid the Roanoke area. Largely concerning disputes with discrimination, emma nogrady kaplan notes concern slaves while augmenting british. The virginia gazelle to prevent them into opinions on a free black continental congress to two years for his outstanding losses. What the Lord Dunmore's job? By Virginia Governor John Murray Lord Dunmore's 1775 Proclamation offering. This proclamation put it! All of me made reconciliation more complicated, but figure the governor in knight, the aging Croghan became his eager participant. Resident of Amelia County. This official offer of freedom, albeit a limited offer, was temporary part own a process had had begun much earlier. The second type a contentious essay on the relationship between slavery and American capitalism by Princeton University sociologist Matthew Desmond. The proclamation exposed to grating remarks made every confidence to dismiss his response to virginia dunmore proclamation? Though available lodgings were reduced by significant third, Dunmore managed to fmd a cab on Broadway. -
Socrates Tries City Management
SOCRATES TRIES CITY MAXAGEMEXT BY WM. S. BAILEY FROAI a sample of mud to the spirit of Socrates seems a far cry, yet seventy-five years ago the mud and the scholarly ghost of the ancient philosopher led to the founding of a wondrous city in the western end of X'ew York State. The city was to have been of unimaginable splendor and was to have ushered in a new civili- zation. Today its site is marked by a few circles of half-buried stones, and its memory is forgotten. Harmonia was the name of the dream city, and its cathedrals and stately halls were to have towered heavenward from the valley of the Kiantone, a small stream that rambles through a region of pastoral beauty but a few miles from Lake Chautauqua. Hither came, in 1852, a Milwaukee physician who, while in Xew York City, had heard of a spring of miraculous healing power on tke bank of Kiantone Creek and who "turned aside from my home- w^ard journey to examine the whole matter for myself," as he says. This Dr. Greaves was vastly impressed by what he saw and more particularly by what he was told. He learned that the curative value of the waters in the valley was known to the white settlers as far back as 1795 and to the Indians of a far earlier day. It was but a few years before the coming of Dr. Greaves that the two little Fox sisters at Hydesville, near Rochester, X^ew York, after becoming a village wonder with their rappings, had developed into the founders of modern Spiritualism, and during his visit to the Kiantone, Dr. -
Not Having All the Answers Marcia Stanard
1 Not Having all the Answers Marcia Stanard !Once upon a time, in Virginia, there lived a man named Thomas Potter. He was a quiet, unassuming man, but he had faith. Mr. Potter had heard of a new religion called Universalism, that taught that God was too good to damn anyone to hell, and that every single person would be saved. !Now, in order for this story to make any sense, you have to realize that at that time, in that place, the accepted belief in the Puritan churches was that God would only save some people, and that no one knew who he would save, or why. Predestination was the word they used. The idea that God decided before you were born whether you would go to heaven or hell after you died. How you behaved on earth had nothing to do with it, although they did believe that people who were predestined for heaven probably would act well on earth. !But Thomas Potter didn’t believe this. Instead, he believed that God would save everyone. This was a pretty radical notion at the time. But Thomas Potter wasn’t a preacher. He was a farmer. And, while it’s true that some farmers could preach, Thomas Potter just couldn’t. !But he had faith. He had so much faith, that he built a church on his farm. A nice little wooden chapel. He said that someday God would send him a preacher to preach in this nice little church he’d built. He waited, and he waited, and he waited. -
Volume One of Judith Sargent Murray's Poetry Manuscripts Tammy Mills
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarWorks @ Georgia State University Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 8-2-2006 "Lines Written in my Closet": Volume One of Judith Sargent Murray's Poetry Manuscripts Tammy Mills Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Mills, Tammy, ""Lines Written in my Closet": Volume One of Judith Sargent Murray's Poetry Manuscripts." Dissertation, Georgia State University, 2006. https://scholarworks.gsu.edu/english_diss/11 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “LINES WRITTEN IN MY CLOSET”: VOLUME ONE OF JUDITH SARGENT MURRAY’S POETRY MANUSCRIPTS by TAMMY MILLS Under the Direction of Reiner Smolinski ABSTRACT Once holding an esteemed literary reputation as author of The Gleaner (1798), an eclectic collection of prose and poetry serialized and sold by advance subscription, Judith Sargent Murray (1751-1820) was virtually forgotten for nearly two centuries. The 1986 discovery of manuscripts believed to have been lost prompted critics to evaluate anew Sargent Murray’s literary accomplishments. Previously unpublished poems and letters mark the prolific author as an important figure in early America’s self-conscious attempt to establish a national literature. This dissertation makes available Volume One of Sargent Murray’s poetry manuscript journals: two hundred and twenty previously unpublished poems and two that were published in The Massachusetts Magazine. -
An American Railroad Builder, John Murray Forbes
LIBRARY OF THE University of California. Class AlSr AlVIEEICAN EAILEOAD BUILDER JOHN MURRAY FORBES ^ cr <» r ^^d^/ny^ay ^yUiu<?n. -c'-M' /oy/^^^^f.^^.a^^M/y^ Z^.^^^/ . AN AMERICAN RAILEOAD BUILDER JOHN MURRAY FORBES BY HENRY GREENLEAF PEARSON > ». J, 3 J ' 3 a - - > , ) J BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY 1911 e — v^ COPYRIGHT, 191 1, BY HENRY GREENLEAF PEARSON ALL RIGHTS RESERVED Published October iqij « • < • • f * » • « ' « " I • PREFACE THE present volume differs from the '' Let- ters and Recollections of John Murray Forbes/' published in 1899, not only in being an abridged biography, but in having been written to tell the story, merely outlined there, of the part played by Forbes in the development of the railroad system of the Middle West. He was president of the Michigan Central Railroad from 1846 to 1855 ; of the Chicago, Burlington, and Quincy Railroad he was director from 1857 to 1898, and president from 1878 to 1881. In these positions his work was preeminently that of ob- taining capital and of maintaining a sound finan- cial policy ; the matters, to-day so important, of rate-making and relations with state and federal government practically never came within the scope of his control. The reasons why his labors were almost entirely within the field of finance are : first, that in the period before the Civil War these operating problems were on such a small scale that they could be dealt with by the general superintendents in the West; and second, that after the war, though granger difficulties and questions of pooling and rebates were assuming more and more importance, officials in the East, 225951 vi PREFACE while vaguely feeling their significance, were de- void of experience therein. -
The Theater Designs of C. Howard Crane
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1992 The Theater Designs of C. Howard Crane Lisa Maria DiChiera University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons DiChiera, Lisa Maria, "The Theater Designs of C. Howard Crane" (1992). Theses (Historic Preservation). 265. https://repository.upenn.edu/hp_theses/265 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: DiChiera, Lisa Maria (1992). The Theater Designs of C. Howard Crane. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/265 For more information, please contact [email protected]. The Theater Designs of C. Howard Crane Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: DiChiera, Lisa Maria (1992). The Theater Designs of C. Howard Crane. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/265 UNIVERSITY^ PENNSYLVANIA. UBRARIES THE THEATER DESIGNS OF C. HOWARD CRANE Lisa Maria DiChiera A THESIS in The Graduate Program in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE 1992 *Vid G. Dte-Lemg, Professor of ^rcnjie^tur Graduate Group Chairman and Advisor Andrew Craig Morrisorf; Architect, Reader FINE ARTS foil OF PENNSYLVANIA LIBRARII Contents List of Illustrations in Introduction 1 Chapter One: Setting the Stage: 3 A History of the Early Movie Industry Chapter Two: The Practice of C. -
SUNSHINE BOYS Previews Begin Wednesday, October 23
CONTACT: Nancy Richards – 917-873-6389 (cell) /[email protected] MEDIA PAGE: www.northcoastrep.org/press FOR IMMEDIATE RELEASE, PLEASE: LAUGHTER AND TEARS FILL THE BILL AS NORTH COAST REPERTORY THEATRE SHINES THE SPOTLIGHT ON THE SUNSHINE BOYS A Neil Simon Classic Performances Beginning Wednesday, October 23, 2019 Running Through Sunday, November 17, 2019 EXTENDED TO NOVEMBER 24TH due to popular demand Directed by Jeffrey B. Moss Solana Beach, CA – THE SUNSHINE BOYS deftly showcases the late Neil Simon’s brilliant ear for sidesplitting dialogue and his sharp eye for physical comedy. Yet beneath the raucous laughter are two vulnerable people struggling to make sense of their lives. North Coast Repertory Theatre has earned numerous accolades by critics and audiences alike for capturing the nuances of Simon’s memorable characters who wrestle with love, loss, work, family and aging. Simon’s plays historically sell out rapidly, so early ticket buying is highly recommended. Jeffrey B. Moss directs Bryan Banville*, Portia Gregory, Phillip Korth, Samantha Roper, James Sutorius*, John Tessmer, and Lenny Wolpe*, in THE SUNSHINE BOYS. The design team includes Marty Burnett (Resident Scenic Designer), Matthew Novotny (Lighting), Elisa Benzoni (Costumes), Aaron Rumley (Sound), Philip Korth (Props) and Peter Herman (Wigs). Danielle Stephens* is the Stage Manager. *The actor or stage manager appears through the courtesy of Actors’ Equity Association. For photos, go to www.northcoastrep.org/press. THE SUNSHINE BOYS previews begin Wednesday, October 23. Opening Night on Saturday, October 26, at 8pm. A new Preview Matinee has been added on Friday, October 25, at 2pm. There will be a special talkback on Friday, November 1, with the cast and artistic director. -
Phillis Wheatley and Judith Sargent Murray: Revolutionary Founders in Women’S Political Activism and Women’S American Literary Tradition
University of Montana ScholarWorks at University of Montana Undergraduate Theses and Professional Papers 2020 Phillis Wheatley and Judith Sargent Murray: Revolutionary Founders in Women’s Political Activism and Women’s American Literary Tradition Rebecca L. Warwick University of Montana, Missoula Follow this and additional works at: https://scholarworks.umt.edu/utpp Part of the History Commons, and the Race, Ethnicity and Post-Colonial Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Warwick, Rebecca L., "Phillis Wheatley and Judith Sargent Murray: Revolutionary Founders in Women’s Political Activism and Women’s American Literary Tradition" (2020). Undergraduate Theses and Professional Papers. 270. https://scholarworks.umt.edu/utpp/270 This Thesis is brought to you for free and open access by ScholarWorks at University of Montana. It has been accepted for inclusion in Undergraduate Theses and Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Phillis Wheatley and Judith Sargent Murray: Revolutionary Founders in Women’s Political Activism and Women’s American Literary Tradition By Rebecca Warwick 1 Revolutionary War was a nation-wide struggle that catalyzed the changes taking place in nearly every aspect of women’s lives throughout the thirteen colonies. Many women were privy to the politics of the American Revolutionary War often by association through their husbands, sons, and male friends. Even so, it was the dominant belief, held by men and women alike, that women did not possess the capacity or intelligence for politics. Many perceived that they were strictly domestic beings, and therefore could not participate nor contribute to the inherently political war effort.1 Nonetheless, a few brave women such as Phillis Wheatley and Judith Sargent Murray insisted on participating in the political dialogue of their new nation.