August 2018 Welcome Mike Hausberg
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Brighton Beach Memoirs Broadway Bound
Presents Brighton Beach Memoirs Broadway Bound Two Plays by Neil Simon Directed by Scott Schwartz The Old Globe 1363 Old Globe Way San Diego, CA 92101-1696 (619) 231-1941 [email protected] www.TheOldGlobe.org Tuesday, Sept 14 - Sunday, Nov 7, 2010 This Study Guide was prepared by The Old Globe Education Department with research and activity designs by Teaching Artist, Radhika Rao. 1 Table of Contents Welcome; About the Plays………………….………………………………………3 About the Old Globe……………………………………………..………..……….. 4 About the Playwright.………………………………………………………………. 4 Staff & Cast…………………………………………………………………………… 6 History & Context……………………………………………………………………. 8-16 Brighton Beach 1937- Great Depression & the Holocaust America in the late 1940s and early 1950s History Activity The World of Theatre…………………………………………..…………………….. 17-21 Broadway The Narrator Theatre Etiquette Drama Activity A Life-Skills Perspective……………………………………………………………… 22-23 Critical Reflection Activity 1 Critical Reflection Activity 2 Glossary of Selected Words, Historical Figures, or Phrases Use…………….. 24 Our Donors…………………………………………………………….………………... 28 The program for Brighton Beach Memoirs and Broadway Bound can be found online at http://www.theoldglobe.org/_upload/productions/pdf/Brighton_broadway_program.pdf 2 We are pleased to welcome San Diego Welcome to The Old students and teachers to The Old Globe and Globe to Neil Simon‘s Brighton Beach About the Plays Memoirs and Broadway Bound, directed by Scott Schwartz. Brighton Beach Memoirs and Broadway Bound are among Neil Simon‘s most popular, most acclaimed, and one of the most produced plays in the last 25 years. They are part of his humorous and moving trilogy of semi-autobiographical plays. The two plays feature Eugene Jerome and his family, living in a lower-middle class neighborhood in Brighton Beach, New York. -
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Summer Programming
TV LAND BRINGS THE HEAT WITH A SUMMER LINE-UP FULL OF FUNNIEST STARS AND SITCOMS The Home of TV’s Favorite Sitcoms Sizzles With Original Series, A Special Presentation With Shirley MacLaine, And The Launch Of ‘That ‘70s Show” New York, NY – May 24, 2012 – TV Land’s summer programming is hotter than ever! Beginning June 1, the network is introducing a new summer line-up full of laughs with two nights of original sitcoms, including “The Soul Man,” starring Cedric “The Entertainer” and Niecy Nash, returning series “The Exes,” starring Donald Faison, Wayne Knight, David Alan Basche, Kelly Stables and Kristen Johnston and “Retired at 35” starring George Segal, Jessica Walter, Marissa Jaret Winokur, Johnathan McClain and Josh McDermitt. June on TV Land will also feature “TV Land Presents: The AFI Life Achievement Award Honoring Shirley MacLaine” and the launch of acquisition “That ‘70s Show.” Below is a detailed look at TV Land’s summer programming: ORIGINAL PROGRAMMING “The Soul Man” SERIES PREMIERE: Wednesday, June 20 at 10pm ET/PT “The Soul Man” stars Cedric “The Entertainer” and Niecy Nash and revolves around R&B superstar-turned-minister Reverend Boyce “The Voice” Ballentine (played by Cedric). Though he’s used to living in Las Vegas at the top of the music charts, he gets “the calling” and decides to relocate to St. Louis with his wife, Lolli (Nash) and his daughter, Lyric (Jazz Raycole), to take over the preaching duties in his father’s church. However, his family is not exactly eager to give up the fabulous superstar life for their new humble one. -
Undergraduate Play Reading List
UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M. -
Council File No. /J- /':35 ~ Council District No
COUNCIL FILE NO. /J- /':35 ~ COUNCIL DISTRICT NO. t3 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A Future Street Acceptance. _} B. Quitclaim of Easement(s). _} C. Dedication of Easement(s). _ } D. Release of Restriction(s). 2.] E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: / APPROVED DISAPPROVED* 1, 1. Council Office of the District V2. Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date ____ notice and report copy mailed to interested parties advising of Council date for this item. Date ____ scheduled in Council. AFTER COUNCIL ACTION: Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Eng ineering (Mail Stop No. 515) for further processing. ____} Other: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles California To the Honorable Council AUG 2 3 2012 Of the City of Los Angeles Honorable Members: C. -
Stagepage.Winter•Spring.14
STAGEPAGE.WINIt’s a Play! The Flick TERBrundibar & •But the sprinGiraffe! G.14 All My Sons Hairspray The Pirates of Penzance Les Misérables As You Like It 12th Night (a Musical) Company One Underground Railway Theater j a n u a r y New England Repertory Company Wheelock Family Theatre Artbarn Community Theater Watertown Children’s Theatre Assumption College Theatre Department Actors’ Shakespeare Project February 20 - March 15 March 6 - April 6 It’s a Play! January 10 - January 19 January 24 - February 23 February 8 - February 9 March 21 April 4 - April 6 April 17 - May 18 The Light Princess 508-339-2822 / mmas.org M2 617-879-2300 / WheelockFamilyTheatre.org B36 617-557-6537 / CompanyOne.org B3 866-811-4111 / centralsquaretheater.org B12 800-838-3006 / watertownchildrenstheatre.org B2 877-571-7469 / TheHanoverTheatre.org M13 866-811-4111 / actorsshakespeareproject.org American Repertory Theater 617-975-0050 / artbarn.org B26 Through January 5 We Are Proud To Present A Presentation... The Whipping Man No Place to Go A Midsummer Night’s Dream Sordid Lives In Between The Wholehearted Slask Song and Dance Ensemble of Poland Ethan Lipton Bristol Old Vic in association w/ Handspring Puppet Company 617-547-8300 / americanrepertorytheater.org B23 Company One New Repertory Theatre The Hanover Theatre for the Performing Arts Quannapowitt Players New Repertory Theatre Stein | Holum Projects February 20 - February 22 March 6 - March 15 January 10 - February 1 January 25 - February 16 February 9 March 21 - April 5 April 4 - April 20 April 17 - April -
Play-Guide Sunshine-Boys-FNL.Pdf
TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 MEET THE CREATOR 2 MEET THE CHARACTERS 4 COMMENTS ON THE PLAY 4 COMMENTS ON THE PLAYWRIGHT 6 THE HISTORY OF VAUDEVILLE 7 FamOUS VAUDEVILLIANS 9 A VAUDEVILLE EXCERPT: WEBER AND FIELDS 11 MEDIA TRANSITIONS: THE END OF AN ERA 12 REFERENCES IN THE PLAY 13 DISCUSSION QUESTIONS AND ACTIVITIES 19 The Sunshine Boys Play Guide written and compiled by Katherine Monberg, ATC Literary Assistant. Discussion questions and activities provided by April Jackson, Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS John and Helen Murphy Foundation The Maurice and Meta Gross Arizona Commission on the Arts National Endowment for the Arts Foundation Bank of America Foundation Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Blue Cross Blue Shield Arizona PICOR Charitable Foundation The Stocker Foundation City of Glendale Rosemont Copper The William l and Ruth T. Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company Fund The Johnson Family Foundation, Inc Freeport-McMoRan Copper & Gold Foundation The Lovell Foundation JPMorgan Chase The Marshall Foundation ABOUT ATC Arizona Theatre Company is a professional, not-for-profit -
Barefoot in the Park Audition / Rehearsal / Performance Information
Barefoot in the Park Audition / Rehearsal / Performance Information Prattville’s Way Off Broadway Theatre announces auditions for Barefoot in the Park, by Neil Simon, which will be presented through special arrangement with Samuel French. The production will be directed by Blair Dyson, who last directed Merry Christmas, Dear Gramdpa at WOBT. AUDITION DETAILS Auditions will be held Monday & Tuesday, May 23 & 24, from 7-9:30pm at the Prattville Cultural Arts Center at 203 West 4th Street, Prattville, Alabama 36067. Please plan to attend both days, if possible. Character Descriptions are included below. Auditions are open to anyone interested, and no prepared pieces are required. We will be doing cold readings from the script. Acting resumes & pictures are appreciated, but not necessary. Please bring ALL available information as far as scheduling conflicts from June-September with you. REHEARSAL/PRODUCTION DETAILS Rehearsals will typically be held on Monday-Thursday nights (probably about 3 days/week) from 6:45-9:30, and will begin in early June. Barefoot in the Park will open on Thursday, August 25 at 7:30pm with an Opening-Night Reception to follow. All remaining performances will be August 26-September 11, on Fridays & Saturdays at 7:30pm, and Sundays at 2pm (10 performances total over 3 weekends). ROLES TO BE CAST Ages listed are the CHARACTER’s approximate age. Actors can be younger or older, but must be able to play the approximate age listed, especially in relation to the other actors cast. CORIE BRATTER (25ish) A newlywed, married only six days at the beginning of the play. -
Film Appreciation Wednesdays 6-10Pm in the Carole L
Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced. -
Putting It Together
46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager ............................................................. -
June 2018 Welcome Mike Hausberg
JUNE 2018 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of The Tempest. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone.