Brighton Beach Memoirs by Neil Simon
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Brighton Beach Memoirs Broadway Bound
Presents Brighton Beach Memoirs Broadway Bound Two Plays by Neil Simon Directed by Scott Schwartz The Old Globe 1363 Old Globe Way San Diego, CA 92101-1696 (619) 231-1941 [email protected] www.TheOldGlobe.org Tuesday, Sept 14 - Sunday, Nov 7, 2010 This Study Guide was prepared by The Old Globe Education Department with research and activity designs by Teaching Artist, Radhika Rao. 1 Table of Contents Welcome; About the Plays………………….………………………………………3 About the Old Globe……………………………………………..………..……….. 4 About the Playwright.………………………………………………………………. 4 Staff & Cast…………………………………………………………………………… 6 History & Context……………………………………………………………………. 8-16 Brighton Beach 1937- Great Depression & the Holocaust America in the late 1940s and early 1950s History Activity The World of Theatre…………………………………………..…………………….. 17-21 Broadway The Narrator Theatre Etiquette Drama Activity A Life-Skills Perspective……………………………………………………………… 22-23 Critical Reflection Activity 1 Critical Reflection Activity 2 Glossary of Selected Words, Historical Figures, or Phrases Use…………….. 24 Our Donors…………………………………………………………….………………... 28 The program for Brighton Beach Memoirs and Broadway Bound can be found online at http://www.theoldglobe.org/_upload/productions/pdf/Brighton_broadway_program.pdf 2 We are pleased to welcome San Diego Welcome to The Old students and teachers to The Old Globe and Globe to Neil Simon‘s Brighton Beach About the Plays Memoirs and Broadway Bound, directed by Scott Schwartz. Brighton Beach Memoirs and Broadway Bound are among Neil Simon‘s most popular, most acclaimed, and one of the most produced plays in the last 25 years. They are part of his humorous and moving trilogy of semi-autobiographical plays. The two plays feature Eugene Jerome and his family, living in a lower-middle class neighborhood in Brighton Beach, New York. -
Shakespeare in Love
FEB Shakespeare 26 MAR in Love 29 Based on the screenplay by Marc Norman & Tom Stoppard Adapted for the stage by Lee Hall Music by Alex Bechtel Directed by Matt Pfeiffer Welcome to Shakespeare in Love. Every year, many of you cry out to us “Dear God, no more Shakespeare!” While others plead “I loved your Winter’s Tale, your Richard III. Please put on Midsummer. I beg you for a Twelfth Night.” With Shakespeare In Love, the Purists and the Never Barders may unite to curse us with a plague on both our houses, but if they — and you — are someone who loves love, well then . Here is a love letter to romantic love, to the theatre, and to the rebellious, transgressive, mysterious, and glorious madness of both. Whether you keep Shakespeare close to your heart or far from it, we invite you to celebrate what he loved most: the stage, its players, poetry . and a dog. Zak Berkman, Producing Director Lend me your ears Matt Pfeiffer, Director I’ve been really blessed to spend most of my career working on the plays of William Shakespeare. I believe his plays are foundational to Western culture. Love him or hate him, his infuence is an essential part of our understanding of stories and storytelling. And I’ve had the privilege for the last six years of fostering a specifc approach to his plays. I found that attempting to be in conversation with the principals of the theatre practices of Shakespeare’s time was a good starting place—not so much aesthetically, but logistically. -
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
Play-Guide Sunshine-Boys-FNL.Pdf
TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 MEET THE CREATOR 2 MEET THE CHARACTERS 4 COMMENTS ON THE PLAY 4 COMMENTS ON THE PLAYWRIGHT 6 THE HISTORY OF VAUDEVILLE 7 FamOUS VAUDEVILLIANS 9 A VAUDEVILLE EXCERPT: WEBER AND FIELDS 11 MEDIA TRANSITIONS: THE END OF AN ERA 12 REFERENCES IN THE PLAY 13 DISCUSSION QUESTIONS AND ACTIVITIES 19 The Sunshine Boys Play Guide written and compiled by Katherine Monberg, ATC Literary Assistant. Discussion questions and activities provided by April Jackson, Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS John and Helen Murphy Foundation The Maurice and Meta Gross Arizona Commission on the Arts National Endowment for the Arts Foundation Bank of America Foundation Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Blue Cross Blue Shield Arizona PICOR Charitable Foundation The Stocker Foundation City of Glendale Rosemont Copper The William l and Ruth T. Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company Fund The Johnson Family Foundation, Inc Freeport-McMoRan Copper & Gold Foundation The Lovell Foundation JPMorgan Chase The Marshall Foundation ABOUT ATC Arizona Theatre Company is a professional, not-for-profit -
Brighton Beach Memoirs
Spotlight Studios Auditions – Brighton Beach Memoirs Thank you for auditioning for the Spotlight Performing Arts production of Brighton Beach Memoirs. We really appreciate your time and talent! Please be patient as we assemble the cast list. We will send an email if you are to be offered a part. Please understand that we have a limited number of parts to fill. Depending on audition turn-out, not everyone who auditions will be cast. We hope this doesn’t deter you from audition for future shows and we thank you for your understanding. If you have questions, please call Director John Barthelmes at 585-305-4767 or email him at [email protected]. All rehearsals take place at Spotlight Studios for the Performing Arts (3 Railroad Street in Fairport). Not all cast members will be called to every rehearsal. A detailed rehearsal schedule will be emailed to the cast. Two performances are to be held: At the Spotlight Studios in Fairport, 3 Railroad Street in Fairport Friday May 18 at 7:00 PM Saturday May 19 at 7:00 PM Synopsis Brighton Beach Memoirs is Neil Simon’s semi-autobiographical story of a struggling Jewish family living in Brooklyn in 1937. Eugene Morris Jerome is a nearly 15 year old boy who lives in a house with his parents (Jack and Kate Jerome), his older brother Stanley, his widowed Aunt Blanche Morton and her two daughters Laurie and Nora Morton. The ‘memoirs’ are Eugene’s point of view of the experience. Aunt Blanche’s husband died of cancer six years ago and Eugene’s father, Jack, has worked two jobs to support everyone for three and a half years. -
Barefoot in the Park Audition / Rehearsal / Performance Information
Barefoot in the Park Audition / Rehearsal / Performance Information Prattville’s Way Off Broadway Theatre announces auditions for Barefoot in the Park, by Neil Simon, which will be presented through special arrangement with Samuel French. The production will be directed by Blair Dyson, who last directed Merry Christmas, Dear Gramdpa at WOBT. AUDITION DETAILS Auditions will be held Monday & Tuesday, May 23 & 24, from 7-9:30pm at the Prattville Cultural Arts Center at 203 West 4th Street, Prattville, Alabama 36067. Please plan to attend both days, if possible. Character Descriptions are included below. Auditions are open to anyone interested, and no prepared pieces are required. We will be doing cold readings from the script. Acting resumes & pictures are appreciated, but not necessary. Please bring ALL available information as far as scheduling conflicts from June-September with you. REHEARSAL/PRODUCTION DETAILS Rehearsals will typically be held on Monday-Thursday nights (probably about 3 days/week) from 6:45-9:30, and will begin in early June. Barefoot in the Park will open on Thursday, August 25 at 7:30pm with an Opening-Night Reception to follow. All remaining performances will be August 26-September 11, on Fridays & Saturdays at 7:30pm, and Sundays at 2pm (10 performances total over 3 weekends). ROLES TO BE CAST Ages listed are the CHARACTER’s approximate age. Actors can be younger or older, but must be able to play the approximate age listed, especially in relation to the other actors cast. CORIE BRATTER (25ish) A newlywed, married only six days at the beginning of the play. -
A History of Production
A HISTORY OF PRODUCTION 2020-2021 2019-2020 2018-2019 Annie Stripped: Cry It Out, Ohio State The Humans 12 Angry Jurors Murders, The Empty Space Private Lies Avenue Q The Wolves The Good Person of Setzuan john proctor is the villain As It Is in Heaven Sweet Charity A Celebration of Women’s Voices in Musical Theatre 2017-2018 2016-2017 2015-2016 The Cradle Will Rock The Foreigner Reefer Madness Sense and Sensibility Upton Abbey Tartuffe The Women of Lockerbie A Piece of my Heart Expecting Isabel 9 to 5 Urinetown Hello, Dolly! 2014-2015 2013-2014 2012-2013 Working The Laramie Project: Ten Years Later The Miss Firecracker Contest Our Town The 25th Annual Putnam County The Drowsy Chaperone Machinal Spelling Bee Anna in the Tropics Guys and Dolls The Clean House She Stoops to Conquer The Lost Comedies of William Shakespeare 2011-2012 2010-2011 2009-2010 The Sweetest Swing in Baseball Biloxi Blues Antigone Little Shop of Horrors Grease Cabaret Picasso at the Lapin Agile Letters to Sala How I Learned to Drive Love’s Labour’s Lost It’s All Greek to Me Playhouse Creatures 2008-2009 2007-2008 2006-2007 Doubt Equus The Mousetrap They’re Playing Our Song Gypsy Annie Get Your Gun A Midsummer Night’s Dream The Importance of Being Earnest Rumors I Hate Hamlet Murder We Wrote Henry V 2005-2006 2004-2005 2003-2004 Starting Here, Starting Now Oscar and Felix Noises Off Pack of Lies Extremities 2 X Albee: “The Sandbox” and “The Zoo All My Sons Twelfth Night Story” Lend Me a Tenor A Day in Hollywood/A Night in the The Triumph of Love Ukraine Babes in Arms -
Zap Teachers' Guide • a Play by Paul Fleischman
CANDLEWICK PRESS Zap Teachers’ Guide • A play by Paul Fleischman THE PLAYWRIGHT Born in Monterey, California, the son of a well-known children’s book writer, Paul Fleischman grew up with stories and fell in love with words at a very early age. Yet he never really planned to be a writer. He explored various jobs, including short stints as a carpenter and a bagel baker. He eventually returned to the world of words by becoming a bookstore clerk and library aide. Then fond memories of his youth, when his father, Sid Fleischman, read aloud stories fresh from his typewriter, made Fleishman realize that writing might be a suitable career for him. He began to combine his love of music, his devotion to the past, and his keen interest in exploring new styles of writing into books for children and young adults. Joyful Noise: Poems for Two Voices won the Newbery Medal in 1989 and was performed on public radio. Zap is his first play. ABOUT THE PLAY 0-7636-2774-7 Zap leads readers, actors, and audiences on a wild and hilarious ride through theater history as seven plays collide to form an unforgettable spoof on life and social BEFORE READING THE PLAY conflict. The play opens in 1916 with an English Divide the class into six small groups, and assign each mystery loosely based on the works of Agatha Christie. group one of the following plays: The Cherry Orchard, With the zap of a remote control, the scene changes to The Mousetrap, The Glass Menagerie, The Odd Couple, a comedy similar in style to the works of Neil Simon. -
Ahave FUN in August at Fantastic Montana Festivals!
Have FUN in August at fantastic Montana festivals! UGUST already?! Fret not forms–music of all genres, performances by ative community! Musicians, painters, jewelry magiccityblues.com/. Bozeman, there’s still plenty of local theatre and dance troupes, workshops, makers, glass blowers, wordsmiths, and all oth- Rockin’ The Rivers returns to the Bridge fun in the sun to be had before family-friendly entertainment and activities, a ers smitten with an artistic urge, showcase their near Three Forks, Friday, August 12th through our first long winter’s night. flower show, a beer and wine garden featuring talents and offer handmade inspired art for sale Sunday, August 14th with a hair-raising slate of August may be the last month Montana microbrews, and over 100 arts and at SLAM. Learn more at slamfestivals.org/. performances including Vince Neil of Mötley of “summer,” but it’s also plumb crafts vendors to stroll through and purchase Magic City Blues is set to be the party of Crüe, Buckcherry, Loverboy, Ratt, Cinderella’s full of great outdoor festivals unique gifts for yourself, family, and friends. the summer! Eat, drink, and dance in the street Tom Keifer, Firehouse, Survivor, and many everyone can enjoy! Here’s a Visit sweetpeafestival.org/ for wristband and on Montana Avenue in downtown Billings to six more! Come celebrate with some of rock’s look at what you can get out and revel in other information. acts each night on two stages, Friday and favorite legends and the hottest up-and-comers. around the area. The 6th Annual SLAM Festival will take Saturday, August 5th & 6th from 5pm to mid- Stay to revel in the party that is uniquely The 2016 Sweet Pea Festival returns to place at Bogert Park, Saturday, August 6th from night. -
Comedy; *Content Analysis; *Drama; *Literary Criticism; *Playwriting; Stereotypes Specifically Examines "God's Favorite,&Qu
DOCUMENT RESUME ED 103 890 CS 201 950 AUTHOR McMahon, Helen TITLF A Rhetoric of American Popular Drama: TheComedies of Neil Simon. PUB DATM Mar 75 NOTE 18p.; Paper presented at the National Convention of the Popular Culture Association (5th, St. Louis, March 20-22, 1975) EDRS PRICE MF-$0.76HC-$1.58 PLUS POSTAGE DESCRIPTORS Analytical Criticism; *Characterization (Literature); Comedy; *Content Analysis; *Drama; *Literary Criticism; *Playwriting; Stereotypes IDENTIFIERS *Simon (Neil) ABSTRACT This paper discusses generally Neil Simon's plays; specifically examines "God's Favorite," "Plaza Suite," "Barefootin The Park," "Star Spangled Girl," "Come Blow Your Horn,"and "Last of the Red Hot Lovers"; and quotes reviews of the plays. Anexamination of the composition of the plays reveals that they all more orless share certin topics and plot structure, have a veneerof topicality, and are supported by gags, jokes, and absurd behavior.Variations on the themes of unobtainable vain fantasies are played out;the plays all end in the marriage bed, however devious anddeceitful the way has been. The vagaries of sex and guilt, inadequacy andmachismo are all circumscribed and made manageable. It isconcluded that Simon's plays are telhnically unsatisfying because he uses adisjointed tragicomic story line with an enormous number of realistic andcliche details and gags to distract from the disjointed story. His exploitation of the familiar prevents explorationof the serious or the comic. And, for the same reasons, the plays arethematically unsatisfying as well. (T3) U S DEPARTMEWTOF HEALTH. EDUCATION & WELFARE NATIONAL INSTITUTE OF EDUCATION THIS DOCUMENT HAS BEEN REPRO OuCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGIN AT1NG IT POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRE SENT OF F IciAL NATIONAL INSTITuTE OF Helen McMahon EDUCATION POSITION OR POLICY English Department State University College Fredonia, New York 14063 f4141:.,,,IIIN 14 Ow f mv, iliGHttMA') Ham HA. -
Brighton Beach Memoirs
Westmont Performing Arts Presents Brighton Beach Memoirs Auditions: Monday November 25th from 6 PM to 9 PM Tuesday November 26th from 6 PM to 9PM Callbacks (if needed): Wednesday November 27th from 6 PM to 9 PM Show dates: March 19, 20, 21, 2020 Audition appointment options: • sign up online for an audition slot at https://www.signupgenius.com/go/20f094ba9a729a4f58-brighton • e-mail us at [email protected] Audition Packet Contents Section Page Plot Synopsis ........................................................2 Audition Info ........................................................3 Audition Forms.......................................................4-6 Characters ..........................................................7 Audition Monologues ..............................................8-14 Page 1 of 14 Brighton Beach Memoirs By Neil Simon Brighton Beach Memoirs is Neil Simon’s semi-autobiographical story of a struggling Jewish family living in Brooklyn in 1937. Eugene Morris Jerome is a nearly 15 year old boy who lives in a house with his parents (Jack and Kate Jerome), his older brother Stanley, his widowed Aunt Blanche Morton and her two daughters Laurie and Nora Morton. The ‘memoirs’ are Eugene’s point of view of the experience. Aunt Blanche’s husband died of cancer six years ago and Eugene’s father, Jack, has worked two jobs to support everyone for three and a half years. Stanley (18) also works and gives his income to the family. Nora (16) wants to be a Broadway dancer and may even get that opportunity. Laurie (12-13) has a heart condition but it may not be as serious as it seems; she keeps mostly to herself. In this comic drama, the family deals with financial strains, illness, lost jobs, hurt feelings and the rise of WW II but Eugene provides frequent comic relief in his memoirs throughout the play. -
The Keep Eastern Illinois University
Eastern Illinois University The Keep 1997 Press Releases 3-26-1997 03/26/1997 - University Board Presents Barefoot in the Park.pdf University Marketing and Communications Follow this and additional works at: http://thekeep.eiu.edu/press_releases_1997 Recommended Citation University Marketing and Communications, "03/26/1997 - University Board Presents Barefoot in the Park.pdf" (1997). 1997. 103. http://thekeep.eiu.edu/press_releases_1997/103 This Article is brought to you for free and open access by the Press Releases at The Keep. It has been accepted for inclusion in 1997 by an authorized administrator of The Keep. For more information, please contact [email protected]. University Board ILLINOIS UNIVERSITY 201 University Union Charleston, IL 61920-3099 Office: 217-581-5117/3117 Email: [email protected] March 26, 1997 UNIVERSITY BOARD PRESENTS BAREFOOT IN THE PARK CHARLESTON-- University Board Performing Arts committee presents a dessert theater production, Barej()()f in the Park. The performance will be held at 8 p.m. April 1 in the Rathskeller in the Martin Luther King Jr. University Union. The classic Neil Simon play is put on by the Alpha Omega players, part <?f the Repertory Theater of America. A nationally acclaimed touring company, the RTA has performed over 13,000 times in various productions in the United States and Canada since its creation in 1968. The RTA players toUi for ten months at a time with three different units, each with four actors ready to perform one of any three to four other plays. Barefoot in the Park, a romantic comedy about a couple's first week of marriage, opened in I 963 and had a three year running on Broadway.