DOCSLIB.ORG

Teaedsfr J with Me." Easily the Foremost Detective of All Lime, to Go with the Feature

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Teaedsfr J with Me. i '"i p i THE 1NEW YORK HERALD, MONDAY, MAY 8,__ 1922. 11 1RAYMOND HITCHCOCK AMUSEMENTS. AMUSEMENTS. | AMUSEMENTS. Actors Equity TWOGERMAN OPERAS NEW HERE IJohn Barrymore in IN 'THE BEAUTY SHOP 9 AM ERICA'S FOREMOflT THEATRES AND HITS. DIRECTION OF* 1L£E * J. J. 8HUBERT. , Show, Better Than IN THE LIST FOR NEXT SEASON Screen Adaptation Musical Mood WINTER . PPMTIIRV «nt ParkW Kv*.SJO. Comedy CARDEN^r.W,;, Utn 'Unijijilllomt Wo<l. ii Hat i! jo. for New Film.Necessary Iw» Koala.Jav.llurton.Marlon l.rrcn In LONGACRE Tt-NIjil Earns of4Sherlock Holmes' The Overture 8:35 Promptly.Positively Ever, $40,000 ROSE of STAMBOUL So One Heated During Scene I-Act I Mr. Gatti-Casazza, Who Sails Rl ILTO.Raymond llitrhrork In The Announces Beauty (Shop," a -A&niTSMAm NAN HAIPCRIM Variety and Color Mark Wednesday, iittle of the Delineation of the rtrtlug of (lie(oiniopolitun-Paramountmusical comedy ETHEL 1 "GO EASY <s liy Hennolri Wolf und (buiiulug Pol' Plans for 1922-23. <* *1ti if TOdgeMUW at the Performance Eccentric Side of the lurk. In whli'h the star played on tb< to-mighty >V^^v LEVEY r:' MABEL!" stage. skxr WM» ESTELLE WlNWOOD House. ^BB Character. Famous Unless you are In a musical comedy 44. W. of B y. Ev. 8.30. Opera Metropolitan ^HBIBBP^^^Bka. CUIIDCDT Thea.. Will Kuiwll Mark I l)«ininft Giullo Gattl-Casazza, general Tnood and ready to see almost anything AQ-JT n^*<xt'c9 vest »»avSYl >rlU DCVl Mat inm Wed. A Sat. 2 20. Arthur Atlrutorlh Ktlrrn Van Blene of the . 1 ' FRANCES TAYLOR THE HOTEL James C. Marlowe Margaret Ihimont Metropolitan Opera ^HjHKy Happen on the screen, this wll1 . PhoneOMrrleaHlJO. Evrs. 8 30. M manager picture MATS. TO-MOWHOW and BATl'KIXV. lUUITC UftUPcJ?. !?. MOIISF. Prettiest Girls In New York » The annual show of the Actors' Equity who will sail for Italy on Company. APITOI..John Rarryinor* In Hook. Lyrics Staged by mine >i u us 110 great snaices. r or 11 li a a,,lh tlr B'y Eve*TTTo. A Music Bertram Harrison aboard the Vw-4HHIHHH Holme*," adapted from WilliamSherlock . MinnaNiwinti cmouFllintt's'b< by , Association at the Metropolitan Opera France, announcedWednesday musical without Some »Malinees W(xl 4 2,.i0 Charles t .eorire A Julian Alfred Gillette's Ktnge play founded on Sir comedy the music. " House last this a brighter that he had night without the Marjortn RAMBEAU in THE Seats i Weeks In Advance. night made virtually completedyesterdayB Mt. mm BLr I'onun Doyle's stories and directed by add. comedy. 1 GOLDFISH GREENWICH ) To-m'wEve. his for season Those who are properly attuned wil With Wll.TOX I.ACKAYK. rhe Refreshing Dlatlnpulahetl Cast program the of 1922-23. Albert Parker. " * and better world in which to live, like it as a wild on the Comedy. DIIHBI of Brntdniy Pity While abroad he will visit several cities travesty ASTOR Thea.ASth 4 B'way. Eves the Audience l.ausliliiK." Herald. OR N- at for the association treasurer, who John Bar>ymore standing with a of mythical European countriesronance AKW",lwnS:;)0. Mats. Wed. 4 Sat. "Kept "RIT7IL \v.48thst.fpSSirS !N(i TOMIGHTiuniuni8 ;io especiallyin Italy, Austria and of I.EE Kl'URL Preterite picked up some $4 0,000 through the France, Germany. 31 ackground the Houses of not so pointed as it might be if it oanu '' William J. after the o '?V affair. Guard, publicity manager with a touch of fog to makerarlialent,it along right presentation ||ANDERBILTf f which is given one "Itupert of Hentzau." it Is the sort o TheADVERTISING ofKATE The show, only ror tne will sail May 13 alx>ard BB W >ok more homelike. Isn't that thrilling; W OPENING THURS. NIGHT, MAY 11 time, was better than ever before, opera, jurlesque in which Hitchcock made lilt A Comedy by ANNIE NATHAN MEYER In itself? to the « > s Mats M W'F.BN KS1IA Y A S\TI'RI> A V since all the acts were new. A the Orblta for Hamburg, and after nough Add that fact bcreen dehut nearly a decade ago as a rrurnva 'i-t>-< AT1N FfK.W cially eape; in ore t Thur* ,M»t.. 2 "O. MllntUlTel. Itrv. T,KM. H -vat Barry Is wearing lie shooting Mack Sennet pig expert. His methods Hawthorn tloUKhbm. <A A 'CT '1 bee.. of 11'war Kvp«. .10. Icclorful variety of acts were presented Germany and Austria will returnv'siting " 4 Ol. M#u. Thurs A Sat. »t J:30 up, the Norfolk jacket and the ab- aren't so nor varied as fanny a ^phhmhhhbihhp flexible the) IHIMII.F. WAKES) which if actually given in regular of HM'lUiJIilHJMfMftlllJ 1 3] I II rfJMJ 11 » I |1 V J show of money, by way Italy. \ ^1trueted look of the famous detective, were then, but with Billy B. Van, Jainei | g rjBCH.SEATSALLI'RKEOBMANCESJ200 BLUSHING BRIDE would cost.well, heaps In lus the ^'^"n^nTHE announcing his plans for next '* thought that Lloyd George J. Corbett. Jjouise Easenda, Montagt Mate. Thurs. certainly, ** ^ n light have been drinking tea on the PLAYHOUSE w 18th St- Eve^ 8^°- toru «T Theatre. Ambassador Tho performance got off to a flying Mr. Gatti said: season, Love, Lawrence Wheat, the Eairbauki rt#» i nuujt Mats vv.si & Hat_ 2 m fO I n 31 Kvs H .10. A Saturday iiSST F'arllament terrace at the moment the more on the With start with a skit by Ralph Stuart, Twins.once screen, theii . Al V V T LlU'lLE "BLOSSOM "First of all I desire to thank the .11eene whs taken. What more could a THE LADDER" "UPTlhC IS tj <3 I WATSON. TIME" "This Is a Tough Season." in which original habitat.and dplnty Diana A1 "S&SVgJ? W. of - IIADM DAVCC I'nea.. »4th. B'way. public for its extraordinary patronage t *'**$*& nlere mortal wish for excitement? len to assist him, the star puts the stor) nUKA Dfllta a sat. various current hits were travestied. It MAT. THURflDAY. 3:30 MAT. WEDNESDAY, 2:30 k.vb s 3«. Mi»u. Wed. one in during the season just closed.a Is Sherlock Holmes minus the hypo- i>ver, regardless of whether you suspect A IT.AY <1K linilTlllDTDC <IVF.lt Hid . thereby putting every good IVlUnlmWIfllfE humor for the powerfi/l Shakespearian that surpassed all records ofpatronage ermlc syringe. In fact, there is very all along that the feud is being pro I'l'NCHFK [JMKS ittle real characterization called for i scenes to follow. "He Who Gets V noted by an undertaker with an eye tu UK ^22 FULTON seasons. I also desire to thankpreviousMr. nd the star lias a time business. HIB1 GETS 4flth St W. of U way. m opos c o swf$&*38 Slapped" was lightly slapped on the very pleasant Wed. A Sat. THE BEST MYSTEQV PLAV IN TQtt/N! Otto H. Kahn, chairman of the hoard ,'ith little to do in the way of The titles Baer and rGARRICK.03 \V.33.Mls.Thur.ftMat. HBI5LAPPE0 Mats. wrist by Caiiotta Monterey, Margolo of for Hi s by Hugs Tommj and directors, and his colleagues the except look Byronic. imperonationWhile Gray, while they win a number o Gillmore, Julia Dean, O. P. Heggie new proof of confidence recently given here have i vM'ilfin Theatre Guild Product lon'-f.fc 'Brilliant Performance'^Sun__ Hansford Wilson, among others. "Kiki" ^ been English interpretations lauglis, are more often puny rather thai Fanla me I also take this occasion to thank f n the screen of the noted exponent of funny. came in lor some sauce from my co-workers for the zeal and "The good eduation, Barrymore la the first Hugo Riesenfeld has aptly chosen He' I Marinoff; Czarina," by Chrystal will they have shown in cooperating Miss Queena Mario. to the and he makes him Heme, Vincent Serrano and Gail Kane; ^ essay part, Amerian lections from Hitchcock musical showi C4SIWS tEaEdSfr J with me." easily the foremost detective of all lime, to go with the feature. VAII/H LITTLE Ei* « AO ... -r Meat . "Back to Methuselah." by Patricia the Mr. Gatti 1 Walter Jones and Doris Kenyon. During season, The artists who have been ®o far as handsome appearance goes. In thea. The 1 Year Collinge, he will present the fol'owing reengaged his Scotland Yard is once more W»Hit 44th St. Mats. winding up with a burlesque cafe scene announced,are as follows: respect Wrrl. Sat.. i» :m Otto operas, which have been sung In ft far behind. 'LADY GODIVA' HAS In which Margaret Lawrence, few but are wlmm A for the Inst years There is ati unavoidable element of and Madge Kennedy played hob Germany Sopranos. MANY COUNTER J DFPIIRI IPThca..42d St.. W. oMI'way. ||mm.VRir <-'<* St w of 11 way. Kvcs. 8:30 frenchlBlLMMTv,uVbuyr.4A SaVt"'*io Kruger PLOTi LT nit h«*a.C French. Lout \\ k 4V»o /lrama A ftoi< that AVATV nri<> new to New York: Frances Alda Mary Mellish tl lie static about this photoplay, for the ntrUDLIUKvB 8:.m MtH.Wed ft Sat. 2 30. Mats Wednesday Saturday. 2:30. 'o.(n) "Anlma Allegra," libretto by Giuseppe Grace Anthony Alice Miriam,, ~... .... "LA wag dismissed with a few kindly words I.ucrezla Boil Nina Morgana M BELLE AVENTURE" the - Adami based on the comedy ny Cora Chase Olteln e asy to demonstrate on the screen as New German Fil mHas Strik S,~- of advice from Helen Ware. Angeles \ u wv W-»rilw«y.
Load more

Recommended publications
  • Boston Symphony Orchestra Concert Programs, Season 35,1915-1916, Trip
    SANDERS THEATRE . CAMBRIDGE HARVARD UNIVERSITY ^\^><i Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor ITTr WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE THURSDAY EVENING, MARCH 23 AT 8.00 COPYRIGHT, 1916, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER 1 €$ Yes, It's a Steinway ISN'T there supreme satisfaction in being able to say that of the piano in your home? Would you have the same feeling about any other piano? " It's a Steinway." Nothing more need be said. Everybody knows you have chosen wisely; you have given to your home the very best that money can buy. You will never even think of changing this piano for any other. As the years go by the words "It's a Steinway" will mean more and more to I you. and thousands of times, as you continue to enjoy through life the com- panionship of that noble instrument, absolutely without a peer, you will say to yourself: "How glad I am I paid the few extra dollars and got a Steinway." pw=a I»3 ^a STEINWAY HALL 107-109 East 14th Street, New York Subway Express Station at the Door Represented by the Foremost Dealers Everywhere Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor Violins. Witek, A. Roth, O. Hoffmann, J. Rissland, K. Concert-master. Koessler, M. Schmidt, E. Theodorowicz, J. Noack, S. Mahn, F. Bak, A. Traupe, W. Goldstein, H. Tak, E. Ribarsch, A. Baraniecki, A. Sauvlet. H. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Sulzen, H.
    [Show full text]
  • [T] IMRE PALLÓ
    VOCAL 78 rpm Discs FRANZ (FRANTISEK) PÁCAL [t]. Leitomischi, Austria, 1865-Nepomuk, Czechoslo- vakia, 1938. First an orchestral violinist, Pácal then studied voice with Gustav Walter in Vienna and sang as a chorister in Cologne, Bremen and Graz. In 1895 he became a member of the Vienna Hofoper and had a great success there in 1897 singing the small role of the Fisherman in Rossini’s William Tell. He then was promoted to leading roles and remained in Vienna through 1905. Unfor- tunately he and the Opera’s director, Gustav Mahler, didn’t get along, despite Pacal having instructed his son to kiss Mahler’s hand in public (behavior Mahler considered obsequious). Pacal stated that Mahler ruined his career, calling him “talentless” and “humiliating me in front of all the Opera personnel.” We don’t know what happened to invoke Mahler’s wrath but we do know that Pácal sent Mahler a letter in 1906, unsuccessfully begging for another chance. Leaving Vienna, Pácal then sang with the Prague National Opera, in Riga and finally in Posen. His rare records demonstate a fine voice with considerable ring in the upper register. -Internet sources 1858. 10” Blk. Wien G&T 43832 [891x-Do-2z]. FRÜHLINGSZEIT (Becker). Very tiny rim chip blank side only. Very fine copy, just about 2. $60.00. GIUSEPPE PACINI [b]. Firenze, 1862-1910. His debut was in Firenze, 1887, in Verdi’s I due Foscari. In 1895 he appeared at La Scala in the premieres of Mascagni’s Guglielmo Ratcliff and Silvano. Other engagements at La Scala followed, as well as at the Rome Costanzi, 1903 (with Caruso in Aida) and other prominent Italian houses.
    [Show full text]
  • Karl Goldmark on Early Recordings Discography of the 78 Rpm Recordings of Goldmark’S Compositions
    SZABÓ, Ferenc János (Institute for Musicology, RCH, Hungarian Academy of Sciences) 1 September, 2017 Carl Goldmark on Early Recordings. Discography of the 78 rpm recordings of Goldmark’s compositions. OTKA/NKFIH K108.306 Ferenc János Szabó Institute for Musicology (Research Centre for the Humanities, Hungarian Academy of Sciences) Karl Goldmark on Early Recordings Discography of the 78 rpm recordings of Goldmark’s compositions This discography is the first attempt to compile a systematic list of early recordings of Karl Goldmark’s compositions. Up to now, these early recordings were not in the focus of the musicological research. There are only a few Goldmark monographies1 or bibliographies2 and they do not discuss the sound recordings, except the latest one, written by Johannes Hofer, which listed many recordings and their reissues, mainly from the second half of the 20th and the first years of the 21st century.3 Even Goldmark himself did not mention the sound recordings of his works in his memoires.4 The early recordings of Goldmark’s works are mostly unknown, except some famous ones, for example the recordings from Die Königin von Saba made in Vienna after the highly successful revival directed by Gustav Mahler,5 and, of course, the recordings of Enrico Caruso which were reissued many times on LP and CD because of the popularity of the performer. The rest of the recordings are part only of the knowledge of the specialized gramophone disc collectors and opera aficionados who are interested in the recordings of opera singers of the past.6 Based on the recording dates, two waves of recording activity of Goldmark’s oeuvre can be distinguished during the first half of the twentieth century.
    [Show full text]
  • Early History of Atlanta in Medicine, Architecture, Opera, Etc
    EARLY HISTORY OF ATLANTA in MEDICINE EARLY HISTORY OF MEDICINE IN ATLANTA* By Frank K. Boland, M.D. From the opening chapter of "Makers of Atlanta Medicine," a series of articles written by Dr. J. L. Campbell for The Bulletin of the Fulton County Medical Society in 1929, we are informed that the first physician to locate in the territory now known as Fulton county was Dr. William Gilbert, grandfather of Dr. W. L. Gilbert, former county commissioner, and at present a member of the Fulton County Medical Society. The elder Gilbert moved from South Carolina about 1829 and settled on the Campbellton road, to serve the thinly populated sections around old Utoy, Mount Gilead and Mount Zion churches. Just before the War between the States he moved to Atlanta and formed a partnership with his brother, Dr. Joshua Gilbert. In Martin's Atlanta and Its Builders, Dr. Joshua Gilbert is named by Dr. George Smith as Atlanta's first physician, who located here in 1845. It is interesting to note that Doctor Gilbert and Crawford W. Long, the discoverer of anesthesia, were born in the same year, 1815, and that Doctor Long was a resident of Atlanta in the early part of the 1850 decade, during which time he bought the lot bounded on three sides by Peachtree, Luckie, and Forsyth streets and began the erection of a fine residence. Abruptly deciding to move to Athens, where his children would have better educational advantages, he sold his incompleted building to Judge Clark Howell in 1855, and left the town with one medical man the less.
    [Show full text]
  • Symphony Orchestrh
    « BOSTON »%m SYMPHONY ORCHESTRH PRSGRMftE ANGELUS PLAYER-PIANO The Angelus The Angelus was the First is the Best Player Player THE value of a player- piano is far in excess of its cost. Music is educational like art and literature. It is synonymous with culture and engenders a wholesome and refining in- fluence in the family. Music, formerly a luxury, has become the great popular art. The Angelus has contributed greatly to this end. The Angelus Player- Piano is a masterpiece by means of which you can give audible expression to those emotions sometimes hidden away in the remotest corner of your heart. The Angelus is the musical wonder of the world. Its fascination is life-long, and its joys remain long after the cost is forgotten. Call to see and hear Angelus Uprights Angelus Grands Ask about %600—%1050 these pianos. *1250to$1650 special payment plan. CCHaryey® "THE HOME OF HARMONY" 144 BOYLSTON STREET (opposite the Common), BOSTON 284 MAIN ST.. BROCKTON 14 CITY HALL SQ.. LYNN SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephones ( Ticket Office ) Back fi J492 Branch Exchange | Administration Offices ) losiom SympLomy Orek THIRTY-FIFTH SEASON, 1915-1916 Dr. KARL MUCK, Conductor >©H BMi iVesMrai WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, MARCH 24 AT 2.30 O'CLOCK SATURDAY EVENING, MARCH 25 AT 8.00 O'CLOCK COPYRIGHT, 1916, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER 1089 a Yes, It's a Steinway ISN'T there supreme satisfaction in being able to say that of the piano in your home? Would you have the same feeling about any other piano? " It's a Steinway." Nothing more need be said.
    [Show full text]
  • GEORGE HAMLIN [T] 3941
    VOCAL 78 rpm Discs CHARLES HACKETT [t] 1974. 10” Purple acous. Columbia 4013-M [79287-2/79879-2]. A DREAM (Bartlett)/ BECAUSE (d’Hardelot). Just about 1-2. $12.00. 3078. 10” Purple elec. Columbia 4034-M [W140985-7/140939-4]. TOSCA: Recondita armonia (Puccini)/BAR- BIERE DI SIVIGLIA: Se il mio nome (Rossini). Just about 1-2. $8.00. 2280. 10” Purple elec. Columbia 4034-M [W140985-7/140939-4]. Same as previous listing (#3078). Small harmless mk. (rub) side two, few lightest rubs. Cons. 2. $7.00. 3316. 12” TC Columbia 49666. FORZA DEL DESTINO: Solenne in quest’ ora (Verdi). With RICCARDO STRAC- CIARI [b]. Label autographed by Hackett. Couple small PBs. 3. $12.00. 3318. 12” TC Columbia 98003. PARTED (Tosti). Excellent quiet pressing, cons. 1-2. $12.00. 1685. 12” Purple acous. Columbia 9016-M [49604-4/98045-3]. BARBIERE DI SIVIGLIA: Ecco ridente (Rossini)/ ROMÉO ET JULIETTE: Ah! lève-toi CHARLES HACKETT soleil (Gounod). Wonderful pressing. Just about 1-2. $20.00. 1775. 12” Purple acous. Columbia 9017-M [49645-1/49895-10]. BOHÊME: Che gelida manina (Puccini)/ELISIR D’AMORE: Una furtiva lagrima (Donizetti). 1” crk. side one from rim into grooves, likely superficial. Otherwise just about 1-2. $8.00. 1776. 12” Purple acous. Columbia 9018-M [49947-7/98047-2]. CARMEN: Air de la fleur (Bizet)/DON GIOVANNI: Il mio tesoro (Mozart). Just about 1-2. $15.00. 3255. 12” Purple acous. Columbia 9020-M [98094-3/98095-3]. FAVORITA: Spirto gentil (Donizetti)/MANON: Ah, fuyez, douce image (Massenet). Just about 1-2.
    [Show full text]
  • Kompositorische Auseinandersetzung Mit Schallaufzeichnung, 1900–1930
    Jenseits einer Reihe ‚tönender Punkte‘ Kompositorische Auseinandersetzung mit Schallaufzeichnung, 1900–1930 Dissertation zu Erlangung des Doktorgrades der Philosophie an der Fakultät für Geisteswissenschaften der Universität Hamburg vorgelegt von Ralph Kogelheide Hamburg 2017 Vorsitzender der Prüfungskommission: Prof. Dr. Oliver Huck Erstgutachter: Prof. Dr. Oliver Huck Zweitgutachter: Prof. Dr. Friedrich Geiger Tag der mündlichen Prüfung: 19. September 2017 Vorwort Ich danke Prof. Dr. Oliver Huck, der diese Arbeit von Anfang an mit großer Offenheit und vielen Anregungen begleitet hat und bei dem ich zu jeder Zeit eine offene Tür gefunden habe. Ebenfalls danke ich Prof. Dr. Ivana Rentsch und Prof. Dr. Friedrich Geiger für die vielen hilfreichen Gespräche und Anregungen. Darüber hinaus möchte ich mich für die Unterstützung bedanken bei Dr. Martin Elste und Dr. Werner Grünzweig, Tobias Reichard und den Teilnehmerinnen und Teilnehmern des Doktorandenkolloquiums am Institut für Historische Musikwissenschaft der Universität Hamburg. Diese Arbeit wäre ferner in dieser Form nicht zustande gekommen ohne die Hilfe zahlreicher engagierter Archi- vare, privater Schallplattensammler und Diskographen. Der größte Dank gilt meiner Frau für ihr Vertrauen in mich, ihre Begeisterung für dieses Projekt und die Unterstützung dabei, nie das Ziel aus den Augen zu verlieren. Inhalt Abkürzungsverzeichnis ................................................................................. 7 Einleitung ........................................................................................................
    [Show full text]
  • V Starsj\ND NEW/~WORK for FIRST° WEEK
    [ . 8 THE NiSW YORK HERALD, SUtNPAY, NOVEMBER l;3, 1921. A OPERA 0PENING VITHNEVV STARSj\ND NEW/~WORK FOR FIRST° WEEK . I! A mp.rirn n Ssrhnnl Galli-Curci in 'La Traviata' f Viennese and Italiari Sopranos Who Make 1'heir Debuts and Ame;rican Who Returns | i A If r J Wigs Helped I of Music in France George Arliss to Make Met Debui i ropolitan Ir^r Success First Yeair Become Star Koragold's "Die Tote Staiclt" With Viennese Sopranc Novelty of the 0[>ening Week. Story * Miss Ethel Host of New Yorlj As u Youth He Bewail Writing1 ^ '* ' Playlets to Fit of the >few Work. l; I Among' Thoso Receiving Awards for Singing. Headgear. By W. J. urvncocnw A Is an 'iui u. ui iuc House One or the ' wig innocent looking object. | upfia Metropolitan Opera, will beglr interesting developments ii devoid, it would the music world seem, of ail j to-morrow evening, when ]Vlme. Amelita Galli-Curci will emerge tho last year was th< tion unless to u hairdresser. YetinGptra8even A . as a member of tiie comp any, singing the melodious music ir establishment of t'.:o American tho homeliest and lowliest of objects at the may act us a spur to tho imagination. which Verdi sighs out the woes of Jfile. Violet ta Yahry, a somewha Palaco of FontalnbleauConservatoryWigs helped The first report of the school was mad<' George Arllss, star or emaciated sister of Camillc. Mmle. Galli-Curci's impersonation of th< "Tho Green Goddess," now In Its tenth yesterday to tho American executlvis month at the Bootli Theatre, to get cough haunted heroine has long b< en familiar to her numerous admlreri into the committee at tho home of Mrs.
    [Show full text]
  • ZÉLIE DE LUSSAN [Ms] 3709
    VOCAL 78 rpm DISCS FERNANDO DE LUCIA [t]. See also the listing of DeLucia vinyl Phonotype pressings in this catalogue, pages 17-20. 3841. 10” Red Raised Ring Milano G&T 52427 [2864]. BARBIERE DI SIVIGLIA: Se il mio nome (Rossini). Nice copy. One slightest lbl. rub. 2. $50.00. 3228. 10” Red Raised Ring Milano G&T 52435 [2962]. WERTHER: Ah! non mi ridestar (Massenet). Cons. 2. $60.00. 3029. 10” Raised Red Milano G&T 52438 [2900-R]. TU SEI MORTA NELLA VITA MIA (Costa). One of his rarest 1902 G&Ts and the first copy I’ve seen in good condition. A swish, likely inherent, which might be eliminated via stylus size experimentation. One lt. curved scr. first half inch. One SB and inherent surface depressions, otherwise cons. 2. $75.00. 4220. 10” Raised Red Milano G&T 52650 [2905-w2]. LOHENGRIN: Mercè cigno gentil (Wagner). Harmless inherent depressions. Fine copy, 2. $40.00. 4111. 10” Red Dog Gram. Con. 2-52676 [11169b]. SONNAMBULA: Ah! perchè non posso odiarti (Bellini). Piano acc. Very rare. Only form of issue. Light lbl. fade, otherwise just about 1-2. $150.00. 3811. 10” Red Dog Gram. Con. 54384 [11168b]. BARBIERE DI SIVIGLIA: Ah qual colpo (Rossini). With MARIA GALVANY [s]. Rare. Never doubled. Only form of issue. Lightest lbl. fade, cons. 2. $75.00. 4293. 10” Gold PW Victor HRS 1025. CARMEN: Il fior (Bizet)/LOHENGRIN: Cigno Gentil (Wagner). From orig. 1903 G&T matrices. Just about 1-2. $15.00. 8245. 11” White/Brown Phonotype M1760/M1787 [C2233/C2157.
    [Show full text]
  • 21.4 Vocal 78S. Garden-Oltrabella. 2020. Pp 58-97
    78 rpm VOCAL RECORDS MARY GARDEN [s] 3725. 10” Maroon Eng. Columbia DeLuxe D9703 [19886/19890]. JOHN ANDERSON, MY JO (Old Scottish Air) / IRISH LOVE SONG (Lang). U.S. recordings, but side two issued only in the U.K. Just about 1-2. $20.00. 2696. 10” Blue Columbia 2012-M [19887-1/80909-3]. COMIN’ THRO’ THE RYE (Scottish Air) / CY- RENA VAN GORDON [c]. THE OLD REFRAIN (Kreisler). Top surfaces . Just about 1-2. $15.00. 2754. 10” Red Orth. Vla 1216. AT PARTING (Rogers) / AT DAWNING (Cadman). Piano acc. Jean H. Danse- reau. Just about 1-2. $10.00. 3518. 12” Red Orth. Vla 7254. JOCK O’ HAZELDEAN (Scottish Folk Song) / IN THE GLOAMING (Harri- son). Just about 1-2. $12.00. MAX GARRISON [b] 2860. 10” Blk. Favorite 1-15291/1-15293 [339-o/341-o]. MORGENS SEND’ICH DIR DIE VEILCHEN (compo- ser?) / FAUST: Valentin’s Gebet (Gounod). Piano acc. 2. $15.00. EDITH GARSIDE [s]. I know nothing oF this capable artist although she did appear on Manchester (England) Radio on the “Lancashire Talent Series”, 6 Jan. 1926. The record below is a Yellow Label HMV Private Record, dated Christmas, 1938, and no doubt was given to Friends. 3992. 10” Yellow Private SS HMV matrix TT-2055-I. INVI- TATION TO THE THE DANCE, Op. 65 (von Weber,- vocal arrangement by unknown party). Piano acc. Small lbl. stkr, minor NR on lbl. Cons . 2. $20.00. GIUSEPPE GARUTTI [t] 2914. 10” Red PW Odeon/Fonotipia B.3776 [MO.3624/ MO.3282-2]. LORELEY: Nel verde maggio / MARY GARDEN LILIA ALESSANDRINI [s].
    [Show full text]
  • STEINWAY the INSTRUMENT of TI-Le IMMORTALS
    BROOKLYN .I ACADEMY OF MUSIC STEINWAY THE INSTRUMENT OF TI-lE IMMORTALS IIS:T, greatest of all pianista, preferred the Stein­ way. Wagner, Berlioz, Rubinstein and a host ot master-musicians esteemed it more highly than any other instrument. It is these traditions that have inspired Steinway achievement and raised this piano to its artistic pre-eminence which is today recognized throughout the world. STEINWAY & SONS STEINWA Y HALL 107-1 09 East 14th Street New York City Subway Esp..... Sta~Da at the Door Repreaented by the Foremoat D_lera E .... rywh.r. WAN A M A KElt' S • CHICKERING SCHOMACKER 'EMERSON SllONINOER LINDEMAN KHABEand the wonderful AMPICO The famous Reproducing Piano which appeared as soloist with the Metropolitan Opera House Orchestra. It reproduces faithfuny tM The excellence of Cadillac mechanism IS aug­ actual playing of a hundr~d great masters of the piano- mented and emphasized by coach work which fori,. teflects the designers' art and the builders' skill. m C A L E N DAR Ddroit Cadillac Motor Car Company INGLIS M. UPPERCU, President Monday Eveni1lg, February Twenty-eighth. Violin Recital by Fritz Kreisler. Flatbush and Lafayette Avenues Monday Evming, February Twenty-eighth. Concert by the Pupils of Etta Hamilton Morris. Brooklyn, N. Y. Tf"sday Eve1li1~g, March First. Apol1o Club Concert. New York New Rochel1e Newark Tuesday Evening, March First. Bridgeport Poughkeepsie White Plains Fourth in a Course of Six Lectures on "Current History," by Dr. George Earle Raiguel, of Philadelphia. Subject: "Cur­ rent Events and Japan and Korea." Wed1lesday Ajternoo11, March Second. Third in a Series of Five Lectures on "Art and the Human Spirit," by Professor Edward Howard Griggs, M.A., L.H.D., President of the Department of Philosophy.
    [Show full text]
  • AUTOGRAPHEN-AUKTION 24. April 2004
    AUTOGRAPHEN-AUKTION 24. April 2004 Dorint Hotel, 41061 Mönchengladbach, Hohenzollernstr. 5 707 Franz Liszt Axel Schmolt Autographen-Auktionen 47807 Krefeld Willicher Straße 7 Telefon 02151-30 51 00 Telefax 02151-30 88 66 E-Mail: [email protected] AUTOGRAPHEN-AUKTION Inhaltsverzeichnis Los-Nr. & Geschichte - Königs- und Fürstenhäuser 1886-1948 1 - 58 - Deutsche Geschichte bis Preußen 59 - 74 - Preußen 75 - 103 - I. Weltkrieg 104 - 114 - Weimarer Republik 115 - 138 - Deutschland 1933-1945 139 - 222 - Deutsche Geschichte seit 1945 223 - 281 - Geschichte des Auslands bis 1945 282 - 318 - Geschichte des Auslands seit 1945 319 - 389 - Kirche-Religion 390 - 408 & Literatur 409 - 558 & Musik 559 - 836 - Oper-Operette (Sänger/- innen) 837 - 983 & Bühne - Film - Tanz 984 - 1193 & Bildende Kunst 1194 - 1324 & Wissenschaft 1325 - 1391 - Forschungsreisende und Geographen 1392 - 1400 & Luftfahrt 1401 - 1409 & Weltraumfahrt 1410 - 1432 & Sport 1433 - 1476 & Widmungsexemplare - Signierte Bücher 1477 - 1533 & Sammlungen - Konvolute 1534 - 1544 Autographen – Auktion am Samstag, den 24. April 2004 Dorint Hotel, 41061 Mönchengladbach, Hohenzollernstr. 5 Die Versteigerung beginnt um 10.00 Uhr. Pausen nach den Gebieten Literatur und Bühne-Film-Tanz Im Auktionssaal sind wir zu erreichen: Telefon (02161) 893 752 und Fax (02161) 893 617 Während der Auktion findet im Auktionssaal keine Besichtigung statt. Die Besichtigung in unseren Geschäftsräumen kann zu den nachfolgenden Terminen wahrgenommen werden oder nach vorheriger Vereinbarung. 17.4.2004 (Samstag) von 10.00 bis 16.00 Uhr und 19.4.2004 – 23.4.2004 von 10.00 bis 17.00 Uhr Bei Überweisung der Katalogschutzgebühr von EUR 10,- senden wir Ihnen gerne die Ergebnisliste der Auktion zu. Autographen - Auktionen Axel Schmolt Willicher Straße 7 47807 Krefeld Tel.
    [Show full text]