A STUDYGUIDE by Katy Marriner

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A STUDYGUIDE by Katy Marriner © ATOM A STUDYGUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN-13-978-1-74295-070-9 http://www.theeducationshop.com.au CAAMA Productions Keepers of the Story was produced by Central Australian Aboriginal Media Association (CAAMA) Productions, the film and television production branch of CAAMA, in association with Imparja Television and Wawili Pitjas. The Central Australian Indigenous Media Association (CAAMA) began operations in 1980 and was the first Aboriginal group to be allocated a broadcasting license. The Aboriginal people of Central Australia own CAAMA and its objectives focus on the social, cultural and economic advancement of Aboriginal peoples. CAAMA caption produces media products that engender pride in Aboriginal communities, while informing and educating the wider community. Keeping the story of Jandamarra alive This study guide to Established in 1988 CAAMA Productions is is the responsibility of the Bunuba accompany Keepers of the Story, a part of the CAAMA media group. CAAMA people. For the storytellers, Jandamarra documentary written Production’s primary purpose is to represent is an unsung hero of whom the whole and directed by Mitch Indigenous people, culture and language in film Torres, provides and television. CAAMA Productions was the Australian population can be proud. information and suggestions for learning recipient of the 2005 Film Australia Stanley Hawes Since the passing of the key story holder Banjo activities in Civics and Award for Outstanding Contribution to Australian Woorunmurra, other senior people like George Citizenship, Australian Documentary. Brooking, Dillon Andrews, Selina Middleton and History, English, Danny Marr have all played an important role in the Humanities and Social Visit CAAMA at www.caama.com.au to learn more Sciences, Indigenous preservation of Jandamarra’s story. Studies and Media. about CAAMA and CAAMA Productions. About the filmmaker Teachers should Nganampa Anwernekenhe preview Keepers of the Story before showing ‘When we began talking to Bunuba storykeepers Keepers of the Story is part of the Nganampa it to students. The about the Jandamarra it was clear that they felt film would appeal Anwernekenhe television series. Nganampa that the keeping of the story of Jandamarra was to students in upper Anwernekenhe is produced by Central Australian very important to them. This keeping of story is primary classes and is Aboriginal Media Association (CAAMA) evident in the projects they have done in the past: suitable for secondary Productions, the film and television production students at all levels. a book written in collaboration between white branch of CAAMA, in association with Imparja historian Howard Pederson and Bunuba elder Keepers of the Story is Television. Mr Wooranmurra (deceased) and key Bunuba in Bunuba and English people, a play written with Steve Hawke and now languages with English Over 180 programs have been produced since the subtitles. Bunuba is the documentary Jandamarra’s War made for Nganampa Anwenekenhe television series was one of at least forty- television.’ - Mitch Torres, Director four languages that initiated in 1988. The primary aim of the series were spoken in the is the maintenance of Aboriginal languages and Mitch Torres is the writer and director of Keepers Kimberley. Some are culture. Nganampa Anwernekenhe also provides of the Story. Her credits as a director include the no longer used, but an opportunity for Indigenous filmmakers to work approximately thirty are award winning documentary Whispering in our on an Indigenous language television series. Each still spoken to varying Hearts as well as Case 442, Saltwater Bluesman, degrees. program must have an Indigenous Australian © ATOM SCREEN EDUCATION The Healing Sounds of the Bungarun Orchestra, in the key creative roles which include writer, Behind the Ball and Memories of Iwany. Torres has Duration: 25 minutes director, cinematographer and sound recordist. recently directed Jandamarra’s War for ABC TV, and the series Milli Milli Nganka, and has written an Visit Australian Screen at http://aso.gov.au/titles/ episode for the television series The Circuit. series/nganampa-anwernekenhe/ to learn more about Nganampa Anwernekenhe. 2 CREDITS DIRECTOR AND WRITER Mitch Torres PRODUCER Eileen Torres Imparja Television USING KEEPERS OF THE STORY PHOTOGRAPHY Dan Woods, IN THE CLASSROOM Imparja Television is an Australian television Clinton Ferstl network broadcasting to remote eastern and Teachers may select from the following information EDITOR central Australia. ‘Imparja’ is an Arrernte word Clinton Ferstl and activities to support students’ viewing and meaning footprints. The word is used to indicate close analysis of Keepers of the Story. SOUND RECORDIST that Imparja Television aims to service Arrernte Petris Torres people wherever they may live. Imparja Television MAKING A START THEME MUSIC describe their range as a footprint. The network Petris Torres is unique in Australia and the world, being totally . Did you enjoy watching Keepers of the Story? ORIGINAL MUSIC owned and controlled by Northern Territory and Bunuba Joonba, . As you watch Keepers of the Story, make South Australian Aboriginal shareholders. Andrews Family, viewing notes about Jandamarra and the George Brooking people both past and present who are part of Imparja Television delivers information and PRODUCTION his story. Use a data chart like the one below to communication services to the community, while assistaNT help you organise your notes. promoting Indigenous culture and values. Ebony Hill Drawing on the contents of your data chart, DIRECTor’S assistaNT spend time as a class discussing Jandamarra Visit Imparja Television at http://www.imparja.com/ Catriona McKenzie and the people who are part of the Jandamarra SERIES PRODUCER story. © ATOM SCREEN EDUCATION Find out more about Imparja Television at http:// Tanya Fraser . Draw a concept map that shows the en.wikipedia.org/wiki/Imparja_Television EXECUTIVE PRODUCER connections between Keepers of the Story and Ray Lillis your world. 3 THE 19TH POLICE FORCE BILL AND WESTERN AUSTRALIAN GEORGE, DILLON JANDAMARRA RICHARDSON GOVERNMENT OF AND SELINA JANDAMARRA’s time THE BUNUBA PEOPLE OF THE 19TH CENTURY MINGO BANJO WOORUNMURRA AND JANDAMARRA’s time PASTORALISTS MICK THE OTHER STORYTELLERS SCREEN EDUCATION © ATOM SCREEN EDUCATION 4 That night, after speaking with his captured uncle, Jandamarra was remorseful. Jandamarra chose to be loyal to his people. He shot Richardson, armed the Bunuba people and began a guerilla campaign against the colonists. On November 10, 1894, Jandamarra and some of his followers attacked a party of white men who were driving cattle to set up a large station in the heart of Bunuba land. Two of these men, Burke and Gibbs, were killed. This began what became known as ‘The Bunuba War’. When news of Jandamarra’s action became known, a posse of armed police and settlers attacked Jandamarra and his followers in Windjana Gorge. Jandamarra was wounded but escaped. Intent on retribution, police attacked Aboriginal camps around Fitzroy Crossing. Many Aboriginal people were killed. For three years, Jandamarra led a resistance against police and European settlers in defence of JANDAMARRA his lands and his people. His ability to elude the police and disappear without trace made him a Jandamarra, also known as Pigeon, was born legend amongst Bunuba people of the time. They in 1873. He was an Indigenous Australian of the believed that Jandamarra had magical power. Bunuba people. The Western Australia police recruited Mingo Mick, At an early age, Jandamarra and his mother came a talented Aboriginal tracker. Mingo Mick was in from the bush to live on Lennard River Station, also reputed to possess magical powers. Mingo one of the first pastoral stations in the Kimberley. Mick tracked Jandamarra down and shot him to It was during this time that Jandamarra was death at Tunnel Creek on April 1, 1897. The police nicknamed ‘Pigeon’ and became an exceptionally cut off Jandamarra’s head as proof that he was talented stockman. As a young adult, Jandamarra dead and it was sent to England as a trophy. His returned to a traditional life with his people. family buried his body. The police showcased a head of another Bunuba man in a glass case Like other Aboriginal people, Jandamarra which everyone thought was Jandamarra’s head was imprisoned for stealing stock. After he but his had already been sent to London to a gun was released from jail, Jandamarra worked at manufacturer. Lillimooloora Station with a white man called Bill Richardson. When Richardson joined the police . Imagine that you are a journalist working for a force, Jandamarra rode with him when the police Western Australian newspaper in the 1890s. © ATOM SCREEN EDUCATION captured many of his own people. Write a newspaper report about Jandamarra and one or more of his exploits. During a patrol of the Napier Ranges in the West or Kimberley in late 1894, Jandamarra helped to Imagine that you are a citizen living in arrest a large group of his people, men and women. Western Australia in the 1890s. Write a letter Above: ----- They were held at Lillimooloora Police Station. to the newspaper expressing your opinion of 5 Kimberley Region in the far north of Western ‘He started Australia. It stretches from the town of Fitzroy Jandamarra and one or more of his exploits. a fight for Crossing to the King Leopold Ranges. Bunuba . Jandamarra is referred to as a freedom fighter, lands include the Napier and Oscar Ranges. a warrior, an outlaw, a murderer, a notorious country, his native and as the Aboriginal Ned Kelly in spirit country, . Have you ever visited Bunuba country? different versions of his story. Which label do you think best describes a long time Locate Bunuba country on a map of Australia. Use Jandamarra? Explain your decision to the class ago against print and electronic texts to find out more about by drawing on evidence from Keepers of the Bunuba country and about the people who live Story. whiteman.’ there. Share your findings with others in the class.
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