Global Yoruba Lexical Database V. 1.0 Global Yoruba
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Vigesimal Numerals on Ifẹ̀ (Togo) and Ifẹ̀ (Nigeria) Dialects of Yorùbá
Vigesimal Numerals on Ifẹ̀ (Togo) and Ifẹ̀ (Nigeria) Dialects of Yorùbá Felix Abídèmí Fábùnmi (Ilé-Ifẹ̀) Abstract This study intends to bring Ifẹ̀ (Togo) into a linguistic limelight using the numeral systems. Numerals are a very important aspect of the day to day socio-economic and linguistic life of Ifẹ̀ (Togo) people. The traditional Ifẹ̀ (Togo) number system is vigesimal. In this study, forty- two different number words are listed for Yorùbá Ifẹ̀ (Nigeria) and Yorùbá Ifẹ̀ (Togo) and compared with Standard Yorùbá. We compared the Ifẹ̀ (Togo) number words and counting patterns with that of the Standard Yorùbá and Ifẹ̀ (Nigeria) and discovered that, by the nature of the components of these numbers, majority of the basic number words are either bisyllabic or trisyllabic, each syllable having the form VCV for the cardinals, and CVCV for the ordinals. There are irregularities in tonality; there are also alternations in the sequences of the vowel (oral and nasalized) and consonant sounds. This work finds out that Ifẹ̀ (Togo) has two counting patterns. In the first pattern, it uses addition solely to derive the number words but with a counting pattern where 'ten', 'twenty' and the added number units are taken as a whole. In the second counting pattern, subtraction is used to derive number words but this is applicable only to three numbers i. e. seventeen – /mɛ́ɛtadínóɡú/, eighteen – /méèʤìdínóɡu/ and nineteen – /mɔ̀kɔ̃dínoɡ́ u/. The Ifẹ̀ (Togo) dialect of Yorùbá mostly uses additive number positions. The dialect favours additive number positions more than the subtractive and the multiplicative positions. In other words, higher numbers are frequently used as bases for addition not as bases for multiplication in Ifẹ̀ (Togo). -
Lessons from Research on Ideophones Mark Dingemanse Max Planck Institute for Psycholinguistics, 6500 AH Nijmegen, NL [email protected]
a journal of Dingemanse, Mark. 2018. Redrawing the margins of language: Lessons from general linguistics Glossa research on ideophones. Glossa: a journal of general linguistics 3(1): 4. 1–30, DOI: https://doi.org/10.5334/gjgl.444 OVERVIEW ARTICLE Redrawing the margins of language: Lessons from research on ideophones Mark Dingemanse Max Planck Institute for Psycholinguistics, 6500 AH Nijmegen, NL [email protected] Ideophones (also known as expressives or mimetics, and including onomatopoeia) have been systematically studied in linguistics since the 1850s, when they were first described as a lexical class of vivid sensory words in West-African languages. This paper surveys the research history of ideophones, from its roots in African linguistics to its fruits in general linguistics and typology around the globe. It shows that despite a recurrent narrative of marginalisation, work on ideophones has made an impact in many areas of linguistics, from theories of phonological features to typologies of manner and motion, and from sound symbolism to sensory language. Due to their hybrid nature as gradient vocal gestures that grow roots in discrete linguistic systems, ideophones provide opportunities to reframe typological questions, reconsider the role of language ideology in linguistic scholarship, and rethink the margins of language. With ideophones increasingly being brought into the fold of the language sciences, this review synthesises past theoretical insights and empirical findings in order to enable future work to build on them. Keywords: ideophones; iconicity; linguistic theory; language ideology “Words go on living despite the efforts of scholars to manage them.” — Taro Gomi (1989) 1 Introduction Ideophones are marked words that depict sensory scenes like c’onc’on ‘woven tightly’, ulakpulak ‘unbalanced, scary appearance’ and colcol ‘flowing liquid’ in Korean, or muku- muku ‘mumbling mouth movements’, gelegele ‘glittery appearance’ and gbadara-gbadara ‘a drunkard’s wobbling gait’ in Siwu, a Kwa language spoken in Ghana (Dingemanse 2012). -
Mathematics in African History and Cultures
Paulus Gerdes & Ahmed Djebbar MATHEMATICS IN AFRICAN HISTORY AND CULTURES: AN ANNOTATED BIBLIOGRAPHY African Mathematical Union Commission on the History of Mathematics in Africa (AMUCHMA) Mathematics in African History and Cultures Second edition, 2007 First edition: African Mathematical Union, Cape Town, South Africa, 2004 ISBN: 978-1-4303-1537-7 Published by Lulu. Copyright © 2007 by Paulus Gerdes & Ahmed Djebbar Authors Paulus Gerdes Research Centre for Mathematics, Culture and Education, C.P. 915, Maputo, Mozambique E-mail: [email protected] Ahmed Djebbar Département de mathématiques, Bt. M 2, Université de Lille 1, 59655 Villeneuve D’Asq Cedex, France E-mail: [email protected], [email protected] Cover design inspired by a pattern on a mat woven in the 19th century by a Yombe woman from the Lower Congo area (Cf. GER-04b, p. 96). 2 Table of contents page Preface by the President of the African 7 Mathematical Union (Prof. Jan Persens) Introduction 9 Introduction to the new edition 14 Bibliography A 15 B 43 C 65 D 77 E 105 F 115 G 121 H 162 I 173 J 179 K 182 L 194 M 207 N 223 O 228 P 234 R 241 S 252 T 274 U 281 V 283 3 Mathematics in African History and Cultures page W 290 Y 296 Z 298 Appendices 1 On mathematicians of African descent / 307 Diaspora 2 Publications by Africans on the History of 313 Mathematics outside Africa (including reviews of these publications) 3 On Time-reckoning and Astronomy in 317 African History and Cultures 4 String figures in Africa 338 5 Examples of other Mathematical Books and 343 -
Studies in the Linguistic Sciences
i u 5i 1 MAR 1 1998 99b Spr- ODV 2 lences VOLUME 25, NUMBER 1 (SPRING 1995) [Published February 1997] DEPARTMENT OF LINGUISTICS JNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN THELieR/yWOFTHE C9 19S8 Of )Limo\s STUDIES IN THE LINGUISTIC SCIENCES PUBLICATION OF THE DEPARTMENT OF LINGUISTICS IN THE COLLEGE OF LIBERAL ARTS AND SCIENCES OF THE UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN General Editor: Elmer H. Antonsen EDITORIAL ASSISTANT: Mark Honegger Editorial board: Elabbas Benmamoun, Eyamba G. Bokamba, Chin-Chuan Cheng, Jennifer S. Cole, Georgia M. Green, Hans Henrich Hock, Braj B. Kachru, Yamuna Kachru, Chin-W. Kim, Charles W. Kisseberth, Peter Lasersohn, Howard Maclay, Jerry L. Morgan, Rajeshwari Pandharipande, James H. Yoon, and Ladislav Zgusta. AIM: SLS is intended as a forum for the presentation of the latest original re- search by the faculty and students of the Department of Linguistics, University of Illinois, Urbana-Champaign. Scholars outside the Department and from other institutions are also cordially invited to submit original linguistic research for consideration. In all cases, articles submitted for publication will be reviewed by a panel of at least two experts in the appropriate field to determine suitability for publication. Copyright remains with the individual authors. Authors will receive one copy of the particular issue and 10 offprints of their individual contributions. SLS appears twice a year, and one issue is traditionally devoted to restricted, specialized topics. A complete list of available back issues is given inside the back cover. BOOKS FOR REVIEW: Review copies of books may be sent to: Editor, Studies in the Linguistic Sciences Department of Linguistics, 4088 For. -
Part III: the Typology of Motion Events
Jean-Michel Fortis - Space in Language - Leipzig Summer School 2010 –PART III PART III — THE TYPOLOGY OF MOTION EVENTS 1. TALMY’S TYPOLOGY The initial version of Talmy’s typology of motion events and its evolution are presented in the following sections. One motivation for this lengthy presentation is that Talmy’s typology is sometimes misunderstood and described erroneously (for ex. Croft et al., to appear), with the consequence that some of the objections raised against it miss their target. Another motivation, opposed to the first, is that Talmy’s theory harbors difficulties that are seldom recognized. III.1. TALMY’S FIRST THEORY (1972) Talmy’s first theory aims at comparing the structure of English with a polysynthetic language of California. Perhaps because deep syntactic structures in the generative style were not well-suited for this purpose, Talmy goes to a deeper, semantic, level (like Wallace Chafe, who was facing the same problem with Onondaga, another polysynthetic language ; cf. Chafe 1970). Talmy’s point of departure is the notion of translatory situation. A translatory situation (an event in which a Figure moves along a path) is decomposed into a fixed structure (translatory structure) of 4 components : Figure : “the object which is considered as moving or located with respect to another object.” (F) Ground : “the object with respect to which a 1st is considered as moving or located.” (G) Directional : “the respect with which one object is considered as moving or located to another object.” (D) Motive : “the moving or located state which one object is considered to be in with respect to another object” (M). -
Ideophones, Gestures and Code-Switching Among Young Zulu Speakers in South Africa
Language Contact and Expressiveness: Ideophones, gestures and code-switching among young Zulu speakers in South Africa by Anna Miri Speyer Mertner 1 Table of Contents Abstract ..................................................................................................................................... 4 Acknowledgements .................................................................................................................. 4 Introduction .............................................................................................................................. 5 1. Ideophones ............................................................................................................................ 6 1.1 Why are ideophones considered expressive? ................................................................... 7 1.2 Iconicity in ideophones .................................................................................................... 8 1.3 A social perspective on ideophones ............................................................................... 10 2. Gestures .............................................................................................................................. 12 2.1 Defining iconic gestures ................................................................................................ 12 2.2 The link between gestures and ideophones .................................................................... 12 3. A descriptive overview of Zulu ........................................................................................ -
Yorcjba Journal of Yoruba Studies Association of Nigeria
yOrCjbA Journal of Yoruba Studies Association of Nigeria UNIVERSITY OF IBADAN LIBRARY June 2013 Vol. 7 No. 2 ISSN: 1595-1324 Yoruba Journal of the Yoruba Studies Association of Nigeria UNIVERSITY OF IBADAN LIBRARY Vol. 7 No. 2 ISSN 1595-1324 June 2013 Yoruba Studies Association of Nigeria 2013 (Egbe Ommo-Ede Yoruba, Naijma) AH rights reserved. No part of this publication may be reproduced or transmitted in any form or by any mear permission. without First published June 2013 Direct all enquiries to: The Editor in-Chief Prof. Arinpe G. Adejumo Head, Department of Linguistics and African Languages University of Ibadan b 8 Ibadan UNIVERSITY OF IBADAN LIBRARY Printed in Nigeria by Agora Company, Ibadan Akoonu (Contents) Bisi Ogunsina Ojuuwoye Yoruba Lori Oro Aabo Ati ifarada Esin Nmu idagbasoke Orile-Ede - Pg. 1 Olajuyin Oyebanji Ipa Ti Ede Abinibi N Ko Lawujo - Pg. 25 Goke Alamu Ipo Asa Nmu Iselu ati Aabo Orile-ede Naijma - Pg. 35 Okewande Oluwole Tewogboye Iha Ti Yoruba Ko Si ifarada Esin Nmu Ero Ati Igbagbo Won - Pg 54 Philip Adedotun Ogundeji Ire And Ibi: The Yoruba Concepts of Good and Bad - Pg. 79 UNIVERSITY OFTaiwo IBADAN Adekemi LIBRARY Kd Rin Kd Po: A Novelist’s Perspective On Security - Pg. Ill IV Layo Ogunlola Yoruba Playwrights And The Spirit of Omoluabi: Discourse in Archetypal Theory - Pg 139 Taiwo Soneye A Review of T.M. Ilesanmi's Obinrin: A Cultural Assessment of Yoruba Women - Pg 184 Dr. Adeyemi Adeyinka A Review of Fehintola Mosadomi's Yoruba Ye Mb. A Beginning Yoruba Textbook - Pg 206 UNIVERSITY OF IBADAN LIBRARY V A Review of Fehintola Mosadomi’s Yorubd Ye Mi: A Beginning Yorubd Textbook Publisher- The University of Texas at Austin Year of Publication- 2011 Page Extent- 328 pages Place of Publication- United States of America Reviewer- Dr. -
A Demonstration-Based Account of (Pluractional) Ideophones *
Proceedings of SALT 26: 664–683, 2016 A demonstration-based account of (pluractional) ideophones * Robert Henderson University of Arizona Abstract This paper develops a novel formal semantics of ideophones that can account for their meaning and compositional properties. The proposal extends recent work on iconicity in sign languages in Davidson 2015, whose demonstration- based framework provides a formal foundation for the semantics of ideophones that captures the difference between descriptive meaning and depictive meaning, the kind of meaning ideophones traffic in. After providing a demonstration-based account of the basic ideophone construction in the Mayan language Tseltal, the paper then shows how the demonstration-based account can be used to analyze pluractionality in the ideophone domain. In particular, through case studies on Tseltal and Upper Necaxa Totonanc (Totonacan), I show that there are two previously unrecognized types of ideophonic pluractionality, and that their properties support the demonstration-based account. Keywords: ideophones, pluractionality, iconicity, demonstrations, Mayan, Totonacan 1 Introduction The term ideophone is used to pick out a distinguished class of words in a language that specialize in depicting sensory imagery (Dingemanse 2011: p. 25; 2012). While the expressions considered in this work fit the definition, ideophones are often easier to point at than define. For this reason, consider the following example of the ideophone tsok’ in Tseltal (Mayan). (1) pura ch’il-bil-Ø, tsok’ x-chi-Ø ta mantekat just fried-PERF-B3 IDF:sound.start.to.fry NT-say-B3 P lard ‘it just gets fried, it goes «tsok’» in the lard’(Pérez González 2012: p. 162) The literature on the formal semantics of ideophones is scarce. -
Herent Complement Verbs in Ibibio Viktoria Apel
Contents Acknowledgments ........................................................................... 1 Schedule ..................................................................................... 2 Abstracts .................................................................................... 10 Conference Venue ........................................................................... 50 Nearby Dining and Attractions ............................................................. 51 Notes ........................................................................................ 54 Invited Speakers Firmin Ahoua,Akin Akinlabi, and Gildas Gondo ....................................12 When a five-way opposition does not represent a five-tone language: The case of Dan Jeff Good .............................................................................10 Stability under contact as a guide to reconstruction: Noun classes, argument alignment, and the Macro-Sudan belt Tom G¨uldemann .....................................................................14 A shared pronominal canon in the Macro-Sudan belt: typological, areal and geneological aspects Claire Halpert .......................................................................11 Surmountable Barriers Sharon Rose .........................................................................13 Areal vowel harmony patterns in the Nuba Mountains and Beyond Papers and Posters Hasiyatu Abubakari ..................................................................28 Contrastive focus particles in Kusaal -
Kejom (Babanki) Ideophones1
Pius W. Akumbu University of Buea, Cameroon Kejom (Babanki) Ideophones1 This study identifies and describes ideophones used in Babanki (henceforth Kejom as the people prefer to call themselves and their language), a Centre Ring Grassfields Bantu language of Northwest Cameroon. The study of ideophones or marked words that depict sensory imagery (Dingemanse 2011) in Africa has expanded in recent years (Blench 2010) but our knowledge of this class of words in Grassfields Bantu languages is restricted with only a limited reference to ideophones in the literature on these languages (Blench (2010) on Yamba and Limbum, Tamanji (2009) on Bafut and Akumbu & Fogwe (2012) on Babanki). The properties of Kejom ideophones are examined in this paper and it is concluded that they are marked due to their divergent phonology, morphology, syntax, semantics and pragmatics. It is realized that the ideophones vividly depict one or more sensory events, ranging from sight to emotion. Keywords: Ideophone, Kejom, Reduplication, Sensory, Vowel Lengthening 1. Identification of Kejom Kejom is spoken in Kejom Keku (Big Babanki) and Kejom Ketinguh (Babanki Tungo) in Tubah Subdivision, Mezam Division, Northwest Region of Cameroon. The two villages have a total population of 39.000 people (Ethnologue 2015). Víʔə́ kə̀ jɔ̀ m ‘the people of Kejom’ speak gáʔə́ kə̀ jɔ̀ m ‘the language of Kejom’. Others call them “Babanki”, a designation the people themselves recognize and accept. When speaking with English speakers, they refer to themselves as “Babanki” which is actually the administrative and linguistic name given to them. Ethnologue (2015) lists Babanki with the code ISO 693-3 [bbk] and classifies it as a central Ring language of the wide Grassfields subgroup of Bantoid within Benue-Congo. -
1 Geography and Society
Cambridge University Press 978-1-107-06460-7 — The Yoruba from Prehistory to the Present Aribidesi Usman , Toyin Falola Excerpt More Information 1 1 Geography and Society Stories of Odud uwa’s arrival at Il e- Ife, and his children’s subsequent migration into new territories (Atanda 1980 :2; Johnson 1921 ), mark the beginning of Yoruba history studies, from Ajayi Crowther and Samuel Johnson onwards. One origin legend, claiming that the Y oruba had inhabited their territory from time immemorial, begins with Olod umare (God) sending Oduduwa from heaven to create the solid earth and the human race (Atanda 1980 :1– 2). In the legend, Oduduwa descends to earth on a long chain and lands at Ile- Ife, where he establishes solid ground and plants the i rst seed (Akintoye 2004 :4– 5). This tradition establishes Ile-Ife as the cradle of the Yoruba, and Oduduwa as the Yoruba’s progenitor, or i rst ancestor. Oduduwa was considered the founder of the i rst Yoruba kingdom, situated in Ile- Ife, beginning the Yoruba kingship. Another version of the origin myth, detailing later developments, claims that Oduduwa led the Yoruba to their present location after migrating from the east. The story claims that the migration was caused by political disturbances accompanying the expansion of Islam (Atanda 1980 ), but the exact location of the legend’s “east” is not def- inite. A third claim, divergent from the above traditions, asserts that Ile- Ife was already inhabited when Oduduwa arrived. This introduces the story of Agbo nmiregun, whom Oduduwa met at Ile-Ife (Atanda 1980 ). -
Topics on Yoruba Nominal Expressions
TOPICS ON YORUBA NOMINAL EXPRESSIONS by OLADIIPO JACOB AJIBOYE B.A (1983), P.G.D.E (1988), MA (1992), University of florin A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Linguistics) THE UNIVERISTY OF BRITISH COLUMBIA November 2005 © Oladiipo Jacob Ajiboye, 2005 ABSTRACT This thesis discusses four selected topics on Yoruba nominal expressions: the syntax of possessives, the construal of bare nouns, the marking of specificity and salience, and plural marking strategies. Regarding possessives, it is proposed that they have one base structure (a vP shell). The difference in surface linear order between verbal and nominal genitives is determined by which of the two arguments move. In nominal genitives, the possessum moves. In verbal genitives, it is the possessor that moves. Regarding the interpretation of Yoruba bare nouns, it is shown that they can be construed in one of three ways: as generics, as indefinites, or as definites. First, generics may be lexically conditioned (with permanent state predicates) or grammatically conditioned (with transitory predicates through the use of imperfective maa-n). Second, wherever a generic construal is illicit, an indefinite construal is licit. Third, definite construals are discourse-linked. Regarding specificity, it is shown that Yoruba overtly marks specificity on NPs with the element kan. Regarding salience, it is shown that definite DPs are morphologically marked as salient (by virtue of being unique, in an identity relation or additive) through the use of nda. Finally, regarding plural marking, it is shown that Yoruba uses three different strategies: contextually, semantically, or morphologically determined plurality.