Fremantle.Wa.Gov.Au FRE-OH! SPRING 2021 // WHAT’S INSIDE

Total Page:16

File Type:pdf, Size:1020Kb

Fremantle.Wa.Gov.Au FRE-OH! SPRING 2021 // WHAT’S INSIDE CELEBRATING THE CITY OF FREMANTLE SPRING 2021 // ISSUE 08 9 ALL GROWN UP Puppet theatre celebrates 40 years GET OUT THE 12 POPCORN Front row seat for film friendly Freo 16 READ ALL ABOUT IT Escape into the city’s best bookshops It’s sunny withHolly fremantle.wa.gov.au FRE-OH! SPRING 2021 // WHAT’S INSIDE 5 8 19 25 Highlights WHAT’S INSIDE 5 HOLLY SPREADS SUNSHINE 3 IN THE SPOTLIGHT Sunflower artworks decorate local walls. 4 NEWSDESK 8 …AND THE PORCH WILL ROCK 6–7 FRESH ON THE SCENE City grants help strengthen community bonds. 9 SPARE PARTS PUPPET THEATRE TURNS 40 19 HUGHIE DROPS IN Iconic statue returns to city’s heart. 10–11 BIENNALE RETURNS WITH CROSSING 21 25 SPRINKLE OF COLOUR 12–13 LIGHTS, CAMERA, FREO! Hundreds and thousands exhibition on show at arts centre. 14 10 EASY WAYS TO LIVE A LOW WASTE LIFE 15 MAKING CENTS MAKES CENTS Celebrating a year of Containers for Change 16 FREO’S BEST BOOKSHOPS UNCOVERED 17 TOWN HALL GETS A BOOST Breathing life into one of Freo’s old treasures 20 CHANGING THE WAY WE DO NAPPIES 21 VERGE GARDENS DONE RIGHT 22–23 RENEWAL FOCUS OF CITY BUDGET 24 A DAY IN THE LIFE We speak with Fremantle Library manager Jayne Cleave 26–34 WHAT’S ON A quick word... Your essential ‘to do’ list for Spring Welcome to the Spring edition of FRE-OH! Spring has sprung 35 STEP BACK IN TIME and the warmer weather makes it a perfect time to get out and explore our great city. This edition looks at key upcoming Fremantle Toy Library is celebrating 45 years events and attractions, including the return of Fremantle Biennale, as well as detailing some of the many ways people are working to strengthen the great sense of community that exists in Freo. We also look at some the newest and iconic local shops and places to eat and drink. I hope you enjoy the read. Deputy Mayor Andrew Sullivan 2 // IN THE SPOTLIGHT CELEBRATING THE CITY OF FREMANTLE PODCAST SHARES LIFE IN FREO DURING COVID-19 Pen-demic is a podcast series presented by opera singer Penny Shaw who interviews South Fremantle residents on their COVID-19 experience, and specifically how being part of a community has helped them survive and thrive over the past 18 months. Residents may remember Penny from last year’s lockdown, when she sang songs each night from her balcony overlooking Scott Street in South Fremantle. The neighbours would gather at 6pm to listen to the music, often to raise a glass and to connect with each other from a safe distance. On the podcast, Penny chats to a diverse group of people across varying ages, professions and cultural heritage, which she recorded just before the June 2021 Perth and Peel lockdown. From the local musician who had all his upcoming gigs cancelled within a few hours to the retiree who finds herself all alone in WA while her family is overseas, you’ll hear how these ordinary people are facing extraordinary times. Listen to Pen-demic on Spotify, Apple Podcasts and PodBean. Pen-demic is a Neighbour to Neighbour initiative and supported by the City of Fremantle. Visit fremantle.wa.gov.au/pendemic DOGS DAY OUT IN FREO The campaign has been well received by Enjoy a dog’s day out in Fremantle with businesses and the community, with everything more than 115 businesses and counting now from pet-friendly retailers, bars, restaurants officially dog-friendly! and even accommodation on the list. It’s all a part of a new campaign launched So, the next time you’re sipping a coffee by Fremantle Animal Hospital to provide along the Cappuccino Strip or exploring Freo’s businesses with free ‘dog-friendly indoors’ boutique retail offerings, bring your pooch and ‘dog-friendly outdoors’ stickers to display along for the fun. on their shopfronts. “Most dogs love social interaction, especially if Fremantle Animal Hospital owner and vet it is part of their normal routine,” Garnett said. Garnett Hall said he wanted to make it easier when people bring their dogs out and about. “The more time we spend with our pets, the better it is for us—and for them.” “Developing the #petfriendlyfreo campaign was an idea I had to reduce people’s anxiety To get a free sticker for your shopfront simply about whether they can take their pets into email [email protected] or to see the full list of stores by providing a go-to list of pet friendly dog-friendly businesses to plan your day next businesses,” he said. day out visit freo.vet 3 FRE-OH! SPRING 2021 // NEWSDESK CITY DELIVERS SERVICES AND SUPPORT KOORT FIT FOR KINGS NEIGHBOUR GONG SLOW DOWN, FREO! The renaming of Fremantle’s Kings Square The success of the City of Fremantle’s Neighbour South Fremantle locals have hailed the to Walyalup Koort is now official following to Neighbour program has been recognised with introduction of a new 40km/h speed zone approval of the new name by the Minister a 2021 Resilient Australia WA Award. across a wide area of Fremantle as a win for for Lands. people power. The Resilient Australia Awards celebrate Walyalup, pronounced ‘Wal-yal-up’, is the and promote initiatives that build whole The 40km/h speed zone in Fremantle and Nyoongar name for Fremantle and the word of community resilience to disasters and South Fremantle covers all local roads west Koort, with the ‘oo’ pronounced as in ‘book’, emergencies around Australia. of Hampton Road, Ord Street and James means ‘heart’ or ‘the meeting of hearts’. Street, including the existing city centre speed The Neighbour to Neighbour program, which reduction zone. The new name was selected by Fremantle was created in March 2020 as a rapid response Council following an extensive community to keep the community connected during the It follows a decade-long campaign by South Freo engagement process. COVID-19 lockdown, was announced as the residents to improve safety and amenity in their winner of the Local Government Award at a area by reducing the speed limit. An invitation to the public to put forward their ceremony yesterday afternoon. thoughts attracted 128 suggestions for a Some distributor roads within the new speed new name, which was narrowed down to a Fremantle Deputy Mayor Andrew Sullivan said zone have had their speed limits reduced to shortlist of five options by the Kings Square the primary aim of Neighbour to Neighbour was 50km/h, like South Street and Queen Victoria stakeholder group. to ensure that no-one was left isolated during Street, while others, including Ord Street and the lockdown. Following a second stage of community Hampton Road, have retained their engagement the stakeholder group, which “There were a lot of elderly or vulnerable people 60km/h limit. consisted of representatives from St John’s who were cut off from their usual social contacts The existing 30km/h limit along Church, Traditional Owners, Fremantle Chamber because of the lockdown, so we called on the Fremantle’s famous Cappuccino Strip of Commerce, Sirona Capital, Department Fremantle community to look out for each other has also been retained. For more information of Communities and the City, unanimously and make sure no individual was left to fend for on the changes visit supported the name Walyalup Koort. themselves,” Cr Sullivan said. fremantle.wa.gov.au/newspeedzone VISIT US NRS-FRIENDLY CONNECT WITH YOUR CITY Customer service opening hours Hearing or speech impaired? Call via the facebook.com/cityoffremantle 8am–5pm (Monday to Friday) National Relay Service on 133 677 instagram.com/cityoffremantle PHOTO CREDITS ADDRESS twitter.com/cityoffremantle Fremantle Oval, 70 Parry Street, Fremantle COVER Artist Holly Ogden’s sunflowers are bringing joy to walls and shopfronts youtube.com/cityoffremantle POSTAL across the City of Fremantle. Img cr. Cassie linkedin.com/company/city-of-fremantle PO Box 807, Fremantle, WA 6959 Gunthorpe PHONE WHAT’S ON HEADER Fremantle’s iconic Subscribe to our Freo Weekly enewsletter at fremantle.wa.gov.au/subscribe 1300 MY FREO (1300 693 736) ‘Containbow’ sculpture, Rainbow by Perth artist Marcus Canning. Img cr. 1300 360 666 (Community Safety/Rangers) You can also read FRE-OH! online at Cassie Gunthorpe fremantle.wa.gov.au/freoh EMAIL [email protected] ACKNOWLEDGEMENT OF Alternate formats available upon request WEBSITE fremantle.wa.gov.au PEOPLE AND COUNTRY The City of Fremantle acknowledges the FRE-OH! has been printed to the highest environmental standard, Whadjuk people as the Traditional Owners utilising solar energy and paper of the greater Fremantle/Walyalup area from plantation based timber. Both and we recognise that their cultural and the printer and paper manufacturer are ISO14001 accredited. 4 heritage beliefs are still important today. // COVER STORY CELEBRATING THE CITY OF FREMANTLE HERE COMES THE SUN Sunflower murals are popping up across “This is where I started to express myself Fremantle thanks to talented artist Holly Ogden. more in my art,” Holly said. Splashed across shopfronts along the “I painted murals at dive shops and around Cappuccino Strip, through the Piazza, the place in my spare time to keep me down side-streets and all the way to South occupied when I was out of the water. Fremantle, you’ll spot these sunflowers. “I just love painting in public, having my The project started at the outbreak of headphones in and listening to an audiobook COVID-19 in 2020 to help lift people’s spirits or podcast. I find it therapeutic.” by spreading happiness through art. Fast forward to today and Holly’s sunflower “I created this project to brush up on movement has spread far and wide, with over my mural skills and it has organically 200 murals popping up across Fremantle, transformed into a movement of happiness,” Dunsborough and Margaret River.
Recommended publications
  • The Premiere Fund Slate for MIFF 2021 Comprises the Following
    The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people.
    [Show full text]
  • Visionsplendidfilmfest.Com
    Australia’s only outback film festival visionsplendidfilmfest.comFor more information visit visionsplendidfilmfest.com Vision Splendid Outback Film Festival 2017 WELCOME TO OUTBACK HOLLYWOOD Welcome to Winton’s fourth annual Vision Splendid Outback Film Festival. This year we honour and celebrate Women in Film. The program includes the latest in Australian contemporary, award winning, classic and cult films inspired by the Australian outback. I invite you to join me at this very special Australian Film Festival as we experience films under the stars each evening in the Royal Open Air Theatre and by day at the Winton Shire Hall. Festival Patron, Actor, Mr Roy Billing OAM MESSAGE FROM THE MINISTER FOR TOURISM AND MAJOR EVENTS THE HON KATE JONES MP It is my great pleasure to welcome you to Winton’s Vision Splendid Outback Film Festival, one of Queensland’s many great event experiences here in outback Queensland. Events like the Vision Splendid Outback Film Festival are vital to Queensland’s tourism prosperity, engaging visitors with the locals and the community, and creating memorable experiences. The Palaszczuk Government is proud to support this event through Tourism and Events Queensland’s Destination Events Program, which helps drive visitors to the destination, increase expenditure, support jobs and foster community pride. There is a story to tell in every Queensland event and I hope these stories help inspire you to experience more of what this great State has to offer. Congratulations to the event organisers and all those involved in delivering the outback film festival and I encourage you to take some time to explore the diverse visitor experiences in Outback Queensland.
    [Show full text]
  • DNA Nation Press
    PRESS KIT DISTRIBUTOR CONTACT PRODUCTION CONTACT SBS International Blackfella Films Lara von Ahlefeldt Darren Dale Tel: +61 2 9430 3240 Tel: +61 2 9380 4000 Email: [email protected] Email: [email protected] 10 Cecil Street Paddington NSW 2021 Tel: +612 9380 4000 Fax: +612 9252 9577 Email: [email protected] www.blackfellafilms.com.au Production Notes Producer Darren Dale Producer & Writer Jacob Hickey Series Producer Bernice Toni Director Bruce Permezel Production Company Blackfella Films Genre Documentary Series Language English Aspect Ratio 16:9 FHA Duration EP 1 00:51:53:00 EP 2 00:54:54:00 EP 3 00:52:58:00 Sound Stereo Shooting Gauges Arri Amira, F55, DJI Inspire Drone, Blackmagic & Go Pro Logline Who are we? And where do we come from? Short Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. © 2016 Blackfella Films Pty Ltd Page 2 of 40 Long Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. DNA is the instruction manual that helps build and run our bodies. But scientific breakthroughs have discovered another remarkable use for it. DNA contains a series of genetic route maps. It means we can trace our mother’s mother’s mother and our father’s father’s father, and so on, back through tens of millennia, revealing how our ancestors migrated out of Africa and went on to populate the rest of the world.
    [Show full text]
  • 11593046.Pdf
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit „Aboriginal Drama and the Clash between Cultures: Black versus White Australia as Mirrored in the Plays The Keepers , Murras and The Dreamers ” Verfasserin Nicole Hahnl angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2010 Studienkennzahl lt. Studienblatt: A 190 344 333 Studienrichtung lt. Studienblatt: UF Englisch UF Deutsch Betreuer: Ao. Univ.-Prof. Mag. Dr. Franz-Karl Wöhrer DECLARATION OF AUTHENTICITY I confirm to have conceived and written this M.A. thesis in English all by myself. Quotations from other authors are all clearly marked and acknowledged in the bibliographical references, either in the footnotes or within the text. Any ideas borrowed and/or passages paraphrased from the works of other authors have been truthfully acknowledged and identified in the footnotes. Nicole Hahnl HINWEIS Diese Diplomarbeit hat nachgewiesen, dass die betreffende Kandidatin oder der betreffende Kandidat befähigt ist, wissenschaftliche Themen selbstständig sowie inhaltlich und methodisch vertretbar zu bearbeiten. Da die Korrekturen der/des Beurteilenden nicht eingetragen sind und das Gutachten nicht beiliegt, ist daher nicht erkenntlich mit welcher Note diese Arbeit abgeschlossen wurde. Das Spektrum reicht von sehr gut bis genügend. Die Habilitierten des Instituts für Anglistik und Amerikanistik bitten diesen Hinweis bei der Lektüre zu beachten. Aboriginal achievement Is like the dark side of the moon, For it is there But so little is known. (Ernie Dingo) 1 1 This is an extract from Ernie Dingo’s poem “Aboriginal Achievement”, to be found in Kevin Gilbert’s collection of Aboriginal poems Inside Black Australia.
    [Show full text]
  • Marriageability and Indigenous Representation in the White Mainstream Media in Australia
    Marriageability and Indigenous Representation in the White Mainstream Media in Australia PhD Thesis 2007 Andrew King BA (Hons) Supervisor: Associate Professor Alan McKee Creative Industries, Queensland University of Technology Abstract By means of a historical analysis of representations, this thesis argues that an increasing sexualisation of Indigenous personalities in popular culture contributes to the reconciliation of non-Indigenous and Indigenous Australia. It considers how sexualised images and narratives of Indigenous people, as they are produced across a range of film, television, advertising, sport and pornographic texts, are connected to a broader politics of liberty and justice in the present postmodern and postcolonial context. By addressing this objective the thesis will identify and evaluate the significance of ‘banal’ or everyday representations of Aboriginal sexuality, which may range from advertising images of kissing, television soap episodes of weddings, sultry film romances through to more evocatively oiled-up representations of the pin- up-calendar variety. This project seeks to explore how such images offer possibilities for creating informal narratives of reconciliation, and engendering understandings of Aboriginality in the media beyond predominant academic concerns for exceptional or fatalistic versions. i Keywords Aboriginality Indigenous Marriageability Reconciliation Popular Culture Sexuality Relationships Interracial Public Sphere Mediasphere Celebrity ii Table of Contents Introduction ………………………………………………………………………….
    [Show full text]
  • The Perils of Identifying As Indigenous on Social Media
    genealogy Article Us Mob Online: The Perils of Identifying as Indigenous on Social Media Bronwyn Carlson * and Tristan Kennedy Department of Indigenous Studies, Macquarie University, Sydney, NSW 2109, Australia; [email protected] * Correspondence: [email protected] Abstract: Social media is a highly valuable site for Indigenous people to express their identities and to engage with other Indigenous people, events, conversations, and debates. While the role of social media for Indigenous peoples is highly valued for public articulations of identity, it is not without peril. Drawing on the authors’ recent mixed-methods research in Australian Indigenous communities, this paper presents an insight into Indigenous peoples’ experiences of cultivating individual and collective identities on social media platforms. The findings suggest that Indigenous peoples are well aware of the intricacies of navigating a digital environment that exhibits persistent colonial attempts at the subjugation of Indigenous identities. We conclude that, while social media remains perilous, Indigenous people are harnessing online platforms for their own ends, for the reinforcement of selfhood, for identifying and being identified and, as a vehicle for humour and subversion. Keywords: Aboriginal; Indigenous; social media; identity; hate speech; community; online 1. Introduction Citation: Carlson, Bronwyn, and For as long as social media platforms have existed, the topic of Indigenous identity Tristan Kennedy. 2021. Us Mob has featured in online conversations and debates. Research reveals that for Indigenous Online: The Perils of Identifying as people, identifying as Indigenous online is a risky business where you are likely to be Indigenous on Social Media. subjected to extreme hate and racism (see, Carlson 2016; Carlson and Frazer 2018a, 2018b; Genealogy 5: 52.
    [Show full text]
  • Stage 5 Magazine
    LETTER FROM THE EDITOR 4 FEATURE ARTICLE: NATIONAL SORRY DAY 5 ESSAY: THE ADVENTURES OF LITERATURE 6 BOOK REVIEW: ‘TO KILL A MOCKINGBIRD’ 7 PHOTO COLLAGE 7 FEATURE ARTICLE: WOMEN, STANDING FOR THEIR RIGHTS! 8 INFORMATION REPORT: HOW DO SOCIAL SURROUNDINGS SHAPE A PERSON’S SELF IDENTITY? 10 PHOTO COLLAGE 10 FIND-A-WORD: TO KILL A MOCKINGBIRD 11 POEM: ME 12 ESSAY 13 EXPOSE 14 ESSAY 14 PHOTO COLLAGE 16 FEATURE ARTICLE 16 INTERVIEW 18 FEATURE ARTICLE: THE SOCIAL INJUSTICE OF AFRICAN AMERICANS 19 FEATURE ARTICLE: SOCIAL INJUSTICE, THE STOLEN GENERATION. 21 INTERVIEWING ATTICUS FINCH 22 COLLAGE 23 STORY 24 HISTORICAL ARTICLE 25 QUIZ 26 BOOK REVIEW: TO KILL A MOCKINGBIRD 27 ADVERTISEMENT 28 SHORT STORY: THE ELEVEN 29 SHORTS 29 PERSONALITY PROFILE 30 NEWS REPORT 32 FEATURE ARTICLE: ERNIE DINGO SPEAKS OUT 33 SHORTS 34 FEATURE ARTICLE: HAS THERE BEEN A CHANGE IN MORAL VALUES? 35 PERSONALITY PROFILE 37 INTERVIEW 38 CREATIVE WRITING: THE STORY OF JON 39 FEATURE ARTICLE: RACISM, SEXISM AND DISCRIMINATION IN FOOTBALL 40 Letter from the Editor Dear readers, Throughout Term 3, 2018 our Stage 5 students at IFTS studied the novel ‘To Kill a Mockingbird’ written by Harper Lee. Our course required students to engage with themes of identity, stereotypes, prejudice, moral values, social expectations and social justice. Through their studies students came to understand the issues and experiences concerned with equality and morality. They learned how to build a connection with content, deepen their understanding through research, synthesise and retain ideas and reflect on their own learning experiences. To complete the term, Stage 5 composed a series of magazine extracts to demonstrate their learning.
    [Show full text]
  • © 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia
    © 2018 Mystery Road Media Pty Ltd, Australian Broadcasting Corporation, Create NSW, Screenwest (Australia) Ltd, Screen Australia SUNDAYS AT 8.30PM FROM JUNE 3, OR BINGE FULL SEASON ON IVIEW Hotly anticipated six-part drama Mystery Road will debut on ABC & ABC iview on Sunday, 3 June at 830pm. Because just one episode will leave audiences wanting for more, the ABC is kicking off its premiere with a special back-to-back screening of both episodes one and two, with the entire series available to binge on iview following the broadcast. Contact: Safia van der Zwan, ABC Publicist, 0283333846 & [email protected] ABOUT THE PRODUCTION Filmed in the East Kimberley region of Western Australia, Aaron Pedersen and Judy Davis star in Mystery Road – The Series a six part spin-off from Ivan Sen’s internationally acclaimed and award winning feature films Mystery Road and Goldstone. Joining Pedersen and Davis is a stellar ensemble casting including Deborah Mailman, Wayne Blair, Anthony Hayes, Ernie Dingo, John Waters, Madeleine Madden, Kris McQuade, Meyne Wyatt, Tasia Zalar and Ningali Lawford-Wolf. Directed by Rachel Perkins, produced by David Jowsey & Greer Simpkin, Mystery Road was script produced by Michaeley O’Brien, and written by Michaeley O’Brien, Steven McGregor, Kodie Bedford & Tim Lee, with Ivan Sen & the ABC’s Sally Riley as Executive Producers. Bunya Productions’ Greer Simpkin said: “It was a great honour to work with our exceptional cast and accomplished director Rachel Perkins on the Mystery Road series. Our hope is that the series will not only be an entertaining and compelling mystery, but will also say something about the Australian identity.” ABC TV Head of Scripted Sally Riley said: “The ABC is thrilled to have the immense talents of the extraordinary Judy Davis and Aaron Pedersen in this brand new series of the iconic Australian film Mystery Road.
    [Show full text]
  • Australian Multicultural Policy and Television Drama in Comparative Contexts
    Australian multicultural policy and television drama in comparative contexts Harvey May BA (Comm), BA, B Bus (Hons)(Comm), Post Grad Dip Ed A thesis submitted in 2003 for the award of Doctor of Philosophy Creative Industries Research and Applications Centre Creative Industries Faculty Queensland University of Technology Key Words Multiculturalism, Cultural Diversity, Television, Drama, Casting, Minorities, Australia, United Kingdom, New Zealand, United States. Abstract This thesis examines changes which have occurred since the late 1980s and early 1990s with respect to the representation of cultural diversity on Australian popular drama programming. The thesis finds that a significant number of actors of diverse cultural and linguistic background have negotiated the television industry employment process to obtain acting roles in a lead capacity. The majority of these actors are from the second generation of immigrants, who increasingly make up a significant component of Australia’s multicultural population. The way in which these actors are portrayed on- screen has also shifted from one of a ‘performed’ ethnicity, to an ‘everyday’ portrayal. The thesis develops an analysis which connects the development and broad political support for multicultural policy as expressed in the National Agenda for a Multicultural Australia to the changes in both employment and representation practices in popular television programming in the late 1990s and early 2000s. The thesis addresses multicultural debates by arguing for a mainstreaming position. The thesis makes detailed comparison of cultural diversity and television in the jurisdictions of the United States, the United Kingdom and New Zealand to support the broad argument that cultural diversity policy measures produce observable outcomes in television programming.
    [Show full text]
  • BRAN NUE DAE by JIMMY CHI & KUCKLES an Opera Conference Production in Association with Perth Festival EDUCATION RESOURCE
    AUSTRALIA DRAMA West Australian Opera presents MUSIC BRAN NUE DAE BY JIMMY CHI & KUCKLES An Opera Conference Production in Association with Perth Festival EDUCATION RESOURCE Image: Ben Symons 1 7 February - 1 March CONTENTS 2 Synopsis 2 Credits 2 Biographies 4 About the Performance 4 Major Themes 4 Key Ideas to Explore 4 Resources 5 Before the Show 7 After the Show 9 Specific Links to Curriculum 10 Appendix Perth Festival respects the Noongar people who remain the spiritual and cultural birdiyangara of this kwobidak boodjar. We honour the significant role they play for our community and our Festival to flourish. SYNOPSIS BIOGRAPHIES Set out on the road trip of a lifetime with a spunky teenager running away from school, two hippies, a wily Uncle and a JIMMY CHI 1948 – 2017 German priest. By the time you shake the red dust from Jimmy Chi was a songwriter, playwright, author and brilliant performer your feet, you’ll know what it means to come home. from the pearling town of Broome. He was studying engineering at University when a near-fatal car accident threw his life off on a different Jimmy Chi’s coming-of-age musical Bran Nue Dae trajectory. He returned to Broome, feeling a failure, unable to work. is an exuberant ride through 1960s Western Australia. Young Willie hitchhikes his way from mission school back On the steps of the Roebuck Hotel verandah with his old people and to Broome, determined to win the heart of the girl he countrymen, he was accepted without expectation or judgement. Their left behind.
    [Show full text]
  • Sbs Submission to the Department of Infrastructure, Transport
    SBS SUBMISSION TO THE DEPARTMENT OF INFRASTRUCTURE, TRANSPORT, REGIONAL DEVELOPMENT AND COMMUNICATIONS SUPPORTING AUSTRALIAN STORIES ON OUR SCREENS – OPTIONS PAPER JULY 2020 The Special Broadcasting Service Corporation (SBS) appreciates the opportunity to submit to Screen Australia and the Australian Communications and Media Authority (the ACMA), regarding the Supporting Australian Stories on Our Screens—Options Paper (the Options Paper), as part of the Government’s consultation on options to support Australian stories on our screens in a modern, multi-platform environment (the Consultation). For over 40 years, SBS has developed compelling and thought-provoking content that tells the stories of a truly diverse Australia. SBS content is delivered free across broadcast and online platforms to all Australians in multiple languages. As part of SBS, National Indigenous Television (NITV) continues to deliver cultural benefits to audiences through its distinctive content and landmark events. NITV creates inspiring storytelling for all Australians, sharing trusted children’s content, news and current affairs, sport and entertainment programming through an Indigenous lens. There is a pressing need to review the current regulatory framework governing the production and communication of Australian stories and SBS is uniquely placed to play an even greater role in supporting the production of high-quality Australian content, if additional funding is made available to SBS to commission additional Australian stories untold by other media. The Options Paper sets out a broad spectrum of potential reforms. SBS does not endorse any of the proposed models as written in the Options Paper, but Option 3 with a number of variations, as outlined in this submission, is preferred.
    [Show full text]
  • The Australian Aboriginal View of Giftedness
    University of Wollongong Research Online Faculty of Education - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 1-1-2007 The Australian Aboriginal View of Giftedness Wilhelmina J. Vialle University of Wollongong, [email protected] Kathleen Gibson University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/edupapers Part of the Education Commons Recommended Citation Vialle, Wilhelmina J. and Gibson, Kathleen: The Australian Aboriginal View of Giftedness 2007, 197-224. https://ro.uow.edu.au/edupapers/616 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Chapter 7 THE AUSTRALIAN ABORIGINAL VIEW OF GIFTEDNESS1 Kay Gibson, Wichita State University, U.S.A. Wilma Vialle, The University of Wollongong, AUSTRALIA Aboriginal people are so special because we understand a lot more that goes on around us. We see a lot more, we hear a lot more, we feel a lot more, we touch a lot more, and we taste a lot more, than the people around us. We have a panoramic vision of what’s behind us, what’s underneath us, and what’s on top of us. (Ernie Dingo, cited by Coolwell, 1993, p. 90) INTRODUCTION To write a chapter on the conceptions of giftedness held by the indigenous people of Australia presents particular challenges to the authors. In framing this chapter, we are mindful that the structure of the book has looked at language as a defining aspect of culture but there is no single Aboriginal language (or culture) and the majority of Aboriginal people speak as their first language either Aboriginal English, a dialect of English, or one of three Kriols, the Aboriginal term for the creole languages (Sandefur, 1986) that have evolved following English settlement of Australia.
    [Show full text]