Redfern Now Series 2 Portrays Contemporary Inner City Indigenous Life in and Around the Suburb of Redfern in Sydney, New South Wales

Total Page:16

File Type:pdf, Size:1020Kb

Redfern Now Series 2 Portrays Contemporary Inner City Indigenous Life in and Around the Suburb of Redfern in Sydney, New South Wales SERIES 2, EPISODE 6 © ATOM 2013 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN: 978-1-74295-390-8 http://www.theeducationshop.com.au Redfern Now Series 2 portrays contemporary inner city Indigenous life in and around the suburb of Redfern in Sydney, New South Wales. The series offers compelling stories of ordinary people dealing with the ups and downs that life brings. Redfern Now is a drama series written, directed and produced by Indigenous Australians. The series was developed in collaboration with UK screenwriter Jimmy McGovern and is produced by Blackfella Films’ Darren Dale and Miranda Dear, and presented by ABC TV and Screen Australia in association with Screen NSW. Now has relevance to units of work in CURRICULUM Aboriginal and Torres Strait Islander LINKS Studies, Australian History, Cultural Studies, English, Health and Human Redfern Now is suitable for second- Development, Literature, Media, ary students in Years 9–12. The Religion and Society, and Sociology. series offers stories of Aboriginal and Torres Strait Islander peoples told by Teachers are advised to direct stu- Aboriginal and Torres Strait Islander dents to complete activities that are peoples, allowing students to develop subject-relevant and age-appropriate. an awareness and appreciation of Indigenous storytelling and to see the issues affecting Aboriginal and Torres BLACKFELLA Strait Islanders from their perspective. FILMS Given its insight into the present expe- For twenty years, Blackfella Films has riences of Aboriginal and Torres Strait created innovative and high-quality Islander peoples, the series provides content across documentary and nar- opportunities for students to engage rative in both short and feature formats in discussions about Aboriginal and for theatrical, television and online plat- Torres Strait Islander identity and be- forms. Its award-winning productions longing and to examine the influences have screened at premier international of family, kinship, community, place, film festivals including Sundance, culture and mainstream Australian Berlin and Toronto, and distinguished society. its team as creators and curators of distinctive Australian content. In addition, the stories told by Redfern Now are those of ordinary people The company was founded in 1992 dealing with the extraordinary chal- by writer/director/producer Rachel lenges of ordinary existence. The Perkins who was joined by producer episodes explore universal themes Darren Dale in 2002. In 2010, former and issues of significance to any ABC Head of Fiction, Miranda Dear audience, regardless of their cultural joined Blackfella Films as producer on background. the company’s drama slate. For students in Years 9–10, Redfern The company’s credits include the Now has relevance to units of work in documentary series First Australians, the learning areas of English, Media the feature documentary The Tall and History, and addresses the Man (Tony Krawitz, 2011), the ABC cross-curriculum priority of Aboriginal telemovie Mabo (Rachel Perkins, 2013 © ATOM SCREEN EDUCATION and Torres Strait Islander Histories 2012), the annual Indigenous film and Cultures. The series can also be festival Message Sticks (2002–2011) used to teach the general capabilities and Redfern Now Series 1. The series, of Intercultural Understanding and which went to air in November 2012, Ethical Behaviour. was the first Australian drama series written, directed and produced by For students in Years 11–12, Redfern Indigenous Australians. 2 SERIES KEY Most Outstanding Drama Series. Dale currently serves on the board of CREATIVES Screen NSW and the Council of the Visit Blackfella Films online at Jimmy McGovern – Australian Film, Television and Radio <http://blackfellafilms.com.au>. Story Producer School (AFTRS). Miranda Dear – Producer Episode Directors: Adrian Russell With his writing often based on real Wills, Rachel Perkins, Leah Purcell, events or socially vital issues, Liverpool- Producer Miranda Dear began her Beck Cole and Wayne Blair. born Jimmy McGovern has built a career with UK public broadcaster formidable reputation writing powerful Channel 4 Television. In 1997 she Episode Writers: Adrian Russell dramas for the stage and screen. Having moved to Australia as Acquisition and Wills, Jon Bell, Steven McGregor, honed his skill working on Brookside, his Production Consultant and negotiated Leah Purcell and Wayne Blair. major breakthrough came with Cracker, Channel 4’s involvement in a number of one of the best-loved UK TV shows film funding and acquisition initiatives. of recent history. McGovern’s other REDFERN NOW television credits include The Accused In 2000, Dear joined SBS Independent (Series 1 and 2) and The Street (Series as Senior Commissioning Editor Drama. Redfern is an inner-city suburb of 1–3), as well as Gunpowder, Treason & Her commissions included Harvie Sydney. It is home to a significant Plot (Gillies MacKinnon, 2004), Dockers Krumpet (Adam Elliot, 2003), RAN, So proportion of Sydney’s Indigenous (Bill Anderson, 1999), The Lakes, Close to Home (Jessica Hobbs, 2003), and Torres Strait Islander popula- Sunday (Charles McDougall, 2002), Jewboy (Tony Krawitz, 2005), Martha’s tion. The traditional owners of the Heart (Charles McDougall, 1999) and New Coat (Rachel Ward, 2003) and land are the Gadigal people who Hillsborough (Charles McDougall, 1996). Roy Hollsdotter Live. She was the SBS occupied the sites known today Commissioning Editor for the feature A detailed biography of Jimmy as Redfern, Erskinville, Surry Hills, filmsLook Both Ways (Sarah Watt, McGovern can be accessed at <http:// Darlinghurst and Paddington for up 2005), Ten Canoes (Rolf de Heer, 2006), www.screenonline.org.uk/people/ to 40,000 years before European Somersault (Cate Shortland, 2004), id/510555/>. settlement. Australian Rules (Paul Goldman, 2002), Darren Dale – Producer Walking on Water (Tony Ayres, 2002) Persecution, disease and pollu- and The Tracker (Rolf de Heer, 2002). tion had decimated the Aboriginal Darren Dale has been a company Dear also commissioned a number of population of Sydney by the end director of Blackfella Films – Australia’s Indigenous dramas, including Warwick of the eighteenth century. The area premier Indigenous production com- Thornton’s Mimi (2002) and Green Bush now occupied by Redfern and pany – for over ten years. In 2008 Dale, (2005), Beck Cole’s Flat (2004) and owned by the government of the together with Rachel Perkins, produced Plains Empty (2005) and Wayne Blair’s day became known as Cleveland the landmark multi-platform history Black Talk (2002) and The Djarn Djarns Paddocks. In 1817, Dr William series First Australians. (2005). Redfern, William Chippendale and In 2011, Dale produced the feature In 2005, Dear joined ABC TV first as an William Hutchinson were given documentary The Tall Man for SBS, Executive Producer and then as Head of land grants in the area. Subdivision which premiered at the Adelaide Film Drama. There she executive produced began and the intention was to cre- Festival and screened at the Toronto a number of programs including Rake, ate housing for the upper classes. International Film Festival and the Sisters of War (Brendan Maher, 2010), 3 By the 1840s, government legisla- International Documentary Film Festival Acts of Murder (Rowan Woods, 2009), tion pushed industry into the area (IDFA) in Amsterdam. In 2011, Dale also Curtin (Jessica Hobbs, 2007), Dirt and Redfern became an industrial produced, together with Miranda Dear, Game, Bed of Roses, The Librarians, suburb. The development of the rail the ABC telemovie Mabo. Rain Shadow, East of Everything, line and establishment of Eveleigh Bastard Boys (Raymond Quint, 2007), Dale has also produced a number of ac- Railway Workshops in the latter Valentine’s Day (Peter Duncan, 2008) claimed short films and documentaries part of the nineteenth century saw and The Silence (Cate Shortland, 2006). that between them have screened at the Redfern subdivided yet again to She was the ABC commissioning editor Sundance, Aspen, Edinburgh, Toronto provide housing for the workers at for the feature films Samson & Delilah and Palm Springs film festivals. The the workshops. (Warwick Thornton, 2009), Bran Nue 2010 SBS documentary Lani’s Story was Dae (Rachel Perkins, 2009) Here I Am the recipient of a United Nations Media In 1900, La Perouse was declared (Beck Cole, 2010), Eye of the Storm Peace Award, the second consecutive an Aboriginal Reserve and this (Fred Schepisi, 2011), and the short year Dale was awarded this prize. 2013 © ATOM SCREEN EDUCATION brought subsequent change in film series The New Black. Dear also Redfern. Aboriginal people be- With his Blackfella Films business commissioned the television series The gan returning from rural areas to partner, Perkins, Dale co-curated the Slap, The Straits, Paper Giants and Miss Sydney in search of employment. film program for the Message Sticks Fisher’s Murder Mysteries. Many found work at the Eveleigh Indigenous Festival at the Sydney Since 2010, Dear has worked with Workshops and settled in Redfern, Opera House from 2002 until 2011. Blackfella Films and produced, with until the Great Depression forced Most recently Dale produced Redfern Darren Dale, Mabo and Redfern Now them back into temporary camps in Now Series 1 for ABC TV, which won Series 1. La Perouse. the 2013 TV Week Logie Award for 3 From the end of World War Two, the How does the series portray Aboriginal population in Redfern grew Redfern and the people who live and a sense of community evolved. there? Draw on evidence from By the early 1960s, Redfern was home each episode to support your to over 12,000 Aboriginal people, response. some employed in local industry and • Working as a class, discuss why others who were unemployed and the filmmakers chose to set the underprivileged. New opportunities series in Redfern. and the freedom afforded to Aboriginal • Create an infographic about the people by the National Referendum suburb of Redfern. of 1967 encouraged the migration of Begin your research at the Aboriginal people to Sydney. Redfern’s Australian Bureau of Statistics: population swelled to 35,000 people.
Recommended publications
  • Brochure Kilmersdon
    BFFS SOUTH WEST GROUP The Sapphires Cert PG Australia 2012 103 mins Crew Director Wayne Blair Screenplay Tony Briggs Keith Thompson Cinematography Warwick Thornton Film Editing Dany Cooper Cast Deborah Mailman Gail Jessica Mauboy Julie Shari Sebbens Kay Miranda Tapsell Cynthia Chris O'Dowd Dave Lovelace Synopsis Reviews Australia, 1968. A trio of Aboriginal girls Based, incredibly, on a true story, and developed from a successful from a remote mission get a stony stage musical, this is a big-hearted, barnstorming put-on-a-show response to their country and western crowdpleaser. Beneath the spangly exterior, however, it has songs at a talentSynopsis show. But Dave, a surprisingly trenchant things to say about Australian identity and drunken Irish talent scout, thinks they have potential. the bitter legacy of institutionalised racism. Seeing them as Australia's answer to 'The Of course, none of this would really hit home unless we believed in Supremes', he recruits their cousin Kay to The Sapphires as authentic soul sisters, achieved thanks to the group, and convinces them to switch to ‘Australian Idol’ finalist Jessica Mauboy’s sumptuous lead vocals, soul songs. Then he gets the girls their and astute song selections from the Motown, Stax and Atlantic first true gig - singing for the troops in the songbooks. middle of the Vietnam war zone... With rising star O’Dowd in command of both the comic timing and emotional grace notes and beautifully playing off Deborah Mailman as the group’s alpha female, the movie is gutsy and entertaining enough to have us forgiving its occasional credibility glitches and obviously CGI-ed battlefront visuals.
    [Show full text]
  • The Premiere Fund Slate for MIFF 2021 Comprises the Following
    The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people.
    [Show full text]
  • Visionsplendidfilmfest.Com
    Australia’s only outback film festival visionsplendidfilmfest.comFor more information visit visionsplendidfilmfest.com Vision Splendid Outback Film Festival 2017 WELCOME TO OUTBACK HOLLYWOOD Welcome to Winton’s fourth annual Vision Splendid Outback Film Festival. This year we honour and celebrate Women in Film. The program includes the latest in Australian contemporary, award winning, classic and cult films inspired by the Australian outback. I invite you to join me at this very special Australian Film Festival as we experience films under the stars each evening in the Royal Open Air Theatre and by day at the Winton Shire Hall. Festival Patron, Actor, Mr Roy Billing OAM MESSAGE FROM THE MINISTER FOR TOURISM AND MAJOR EVENTS THE HON KATE JONES MP It is my great pleasure to welcome you to Winton’s Vision Splendid Outback Film Festival, one of Queensland’s many great event experiences here in outback Queensland. Events like the Vision Splendid Outback Film Festival are vital to Queensland’s tourism prosperity, engaging visitors with the locals and the community, and creating memorable experiences. The Palaszczuk Government is proud to support this event through Tourism and Events Queensland’s Destination Events Program, which helps drive visitors to the destination, increase expenditure, support jobs and foster community pride. There is a story to tell in every Queensland event and I hope these stories help inspire you to experience more of what this great State has to offer. Congratulations to the event organisers and all those involved in delivering the outback film festival and I encourage you to take some time to explore the diverse visitor experiences in Outback Queensland.
    [Show full text]
  • The Sapphires
    Waverley Film Society Volume 5 June 2018 Issue 5 June Meeting Waverley Film Society will meet at St John’s Uniting Church, 37 Virginia Street, Mt Waverley on Wednesday, 13th of June. Apologies can be left with Brett on 9807 3426. Visitors are welcome. Bring your friends. This month’s film is The Sapphires. (see page 2 for more information). Next Month Wednesday, July11th: “Tracks” (2013) Tracks chronicles an epic modern ad- venture. Robyn Davidson’s sole trek Posters advertising this through the remote Australian desert screening are available. to the Indian Ocean with her dog Dig- Please post them in com- gity, four camels, and a National Geo- munity spaces. graphic photographer. Last Month’s Film Twenty-eight people attended, including four visitors and two family members. There were six apologies. Mrs Henderson Presents re- corded a rating of 4.4 stars. All raffle books were returned on schedule. Thanks everyone! Classic Cream, Beautiful Black Many members enjoyed Anne Dixon’s A Taste of Blue costume display last year. You may like to visit the Wonthaggi Town Hall for her latest exhibition. June 19 to July 3, 11-4 daily, free entry (the town hall is at 14 Ballieu St East) The Sapphires (2013) (Reference: www.imdb.com) Director Wayne Blair Cast includes: Writing Keith Thompson Chris O’Dowd Dave Lovelace Miranda Tapsell Cynthia Tony Briggs (stage play) Deborah Mailman Gail Music Cezary Skubiszewski Jessica Mauboy Julie Cinematography Warwick Thornton Shari Sebbens Kay Trivia The film premiered at the 2012 Cannes Film Festival where it received a 10 minute standing ova- tion.
    [Show full text]
  • 2018 Brochure Web.Pdf
    SEASON 2018 2 A message from Kip Williams 5 The top benefits of a Season Ticket 10 Insight Events 13 Get the most out of your Season Ticket THE PLAYS 16 Top Girls 18 Lethal Indifference 20 Black is the New White 22 The Resistible Rise of Arturo Ui 24 Going Down 26 The Children 28 Still Point Turning: The Catherine McGregor Story 30 Blackie Blackie Brown 32 Saint Joan 34 The Long Forgotten Dream 36 The Harp in the South: Part One and Part Two 40 Accidental Death of an Anarchist 42 A Cheery Soul SPECIAL OFFERS 46 Hamlet: Prince of Skidmark 48 The Wharf Revue 2018 HOW TO BOOK AND USEFUL INFO 52 Let us help you choose 55 How to book your Season Ticket 56 Ticket prices 58 Venues and access 59 Dates for your diary 60 Walsh Bay Kitchen 61 The Theatre Bar at the End of the Wharf 62 The Wharf Renewal Project 63 Support us 64 Thank you 66 Our community 67 Partners 68 Contact details 1 A MESSAGE FROM KIP WILLIAMS STC is a company that means a lot to me. And, finally, I’ve thought about what theatre means to me, and how best I can share with It’s the company where, as a young teen, I was you the great passion and love I have for this inspired by my first experience of professional art form. It’s at the theatre where I’ve had some theatre. It’s the company that gave me my very of the most transformative experiences of my first job out of drama school.
    [Show full text]
  • DNA Nation Press
    PRESS KIT DISTRIBUTOR CONTACT PRODUCTION CONTACT SBS International Blackfella Films Lara von Ahlefeldt Darren Dale Tel: +61 2 9430 3240 Tel: +61 2 9380 4000 Email: [email protected] Email: [email protected] 10 Cecil Street Paddington NSW 2021 Tel: +612 9380 4000 Fax: +612 9252 9577 Email: [email protected] www.blackfellafilms.com.au Production Notes Producer Darren Dale Producer & Writer Jacob Hickey Series Producer Bernice Toni Director Bruce Permezel Production Company Blackfella Films Genre Documentary Series Language English Aspect Ratio 16:9 FHA Duration EP 1 00:51:53:00 EP 2 00:54:54:00 EP 3 00:52:58:00 Sound Stereo Shooting Gauges Arri Amira, F55, DJI Inspire Drone, Blackmagic & Go Pro Logline Who are we? And where do we come from? Short Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. © 2016 Blackfella Films Pty Ltd Page 2 of 40 Long Synopsis Who are we? And where do we come from? Australia’s greatest Olympian Ian Thorpe, iconic Indigenous actor Ernie Dingo, and TV presenter and Queen of Eurovision Julia Zemiro set off on an epic journey of genetic time travel to find out. DNA is the instruction manual that helps build and run our bodies. But scientific breakthroughs have discovered another remarkable use for it. DNA contains a series of genetic route maps. It means we can trace our mother’s mother’s mother and our father’s father’s father, and so on, back through tens of millennia, revealing how our ancestors migrated out of Africa and went on to populate the rest of the world.
    [Show full text]
  • WAYNE BLAIR | Actor
    SHANAHAN WAYNE BLAIR | Actor FILM Year Production / Character Director Company 2019 TOP END WEDDING Wayne Blair Goalpost Pictures Tow Truck Passenger 2018 RAMS Jeremy Sims Party Upstairs Pty Ltd Lionel 2018 EMU RUNNER Imogen Thomas Imogen Thomas Films Jay Jay 2012 THE TURNING – FAMILY Shaun Gladwell Arenamedia Pty Ltd Max Leaper 2010 WISH YOU WERE HERE Kieran Darcy-Smith Bluetongue Films Willis 2010 X John Hewitt Circle Films Bob 2011 THE LAST TIME I SAW MICHAEL Steven Soderbergh GREGG 2008 BLESSED Ana Kokkinos Bankside Films James Parker 2000 MULLET David Caesar Porchlight Films James Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN TELEVISION Year Production/Character Director Company 2018 SQUINTERS Kate McCartney Jungle Entertainment Gary 2018 BLACK COMEDY Beck Cole Scarlett Pictures Various Characters 2017 MYSTERY ROAD Rachel Perkins Bunya Productions Larry 2017 THE LETDOWN Trent O’Donnell ABC TV / Netflix Father Guinan 2014 REDFERN NOW: TELEMOVIE Rachel Perkins ABC TV Aaron 2013 REDFERN NOW: SERIES 2 Rachel Perkins Blackfella Films/ABC TV Aaron 2013 THE BROKEN SHORE Rowan Woods Essential Media & Entertainment Bobby Walsh 2012 REDFERN NOW: SERIES 1 Rachel Perkins Blackfella Films/ABC TV Aaron 2004 SMALL CLAIMS 3 Tony Tils e RB Films Detective Lacey 2003 SMALL CLAIMS Cherie Nowlan RB Films Detective Lacey 2003 FIREFLIES Rowan Woods Southern Star/ABC TV Wayne Patterson 2001 Water Rats Various Quicksilver
    [Show full text]
  • 11593046.Pdf
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit „Aboriginal Drama and the Clash between Cultures: Black versus White Australia as Mirrored in the Plays The Keepers , Murras and The Dreamers ” Verfasserin Nicole Hahnl angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2010 Studienkennzahl lt. Studienblatt: A 190 344 333 Studienrichtung lt. Studienblatt: UF Englisch UF Deutsch Betreuer: Ao. Univ.-Prof. Mag. Dr. Franz-Karl Wöhrer DECLARATION OF AUTHENTICITY I confirm to have conceived and written this M.A. thesis in English all by myself. Quotations from other authors are all clearly marked and acknowledged in the bibliographical references, either in the footnotes or within the text. Any ideas borrowed and/or passages paraphrased from the works of other authors have been truthfully acknowledged and identified in the footnotes. Nicole Hahnl HINWEIS Diese Diplomarbeit hat nachgewiesen, dass die betreffende Kandidatin oder der betreffende Kandidat befähigt ist, wissenschaftliche Themen selbstständig sowie inhaltlich und methodisch vertretbar zu bearbeiten. Da die Korrekturen der/des Beurteilenden nicht eingetragen sind und das Gutachten nicht beiliegt, ist daher nicht erkenntlich mit welcher Note diese Arbeit abgeschlossen wurde. Das Spektrum reicht von sehr gut bis genügend. Die Habilitierten des Instituts für Anglistik und Amerikanistik bitten diesen Hinweis bei der Lektüre zu beachten. Aboriginal achievement Is like the dark side of the moon, For it is there But so little is known. (Ernie Dingo) 1 1 This is an extract from Ernie Dingo’s poem “Aboriginal Achievement”, to be found in Kevin Gilbert’s collection of Aboriginal poems Inside Black Australia.
    [Show full text]
  • First Nation Filmmakers from Around the World 10
    MEDIA RELEASE EMBARGOED UNTIL 11.00am WEDNESDAY 10 MAY 2017 FIRST NATION FILMMAKERS FROM AROUND THE WORLD The 64th Sydney Film Festival (7–18 June) in partnership with Screen Australia’s Indigenous Department proudly continues support for First Nation storytelling from Australia and around the world. Leading First Nation Australian directors will premiere their new works at the Festival, including Warwick Thornton’s Opening Night film and Official Competition contender We Don’t Need a Map, and Wayne Blair and Leah Purcell’s highly anticipated second series of Cleverman. “Sydney Film Festival is committed to showcasing First Nation filmmakers and storytelling,” said Festival Director Nashen Moodley. “Throughout the Festival audiences will find examples of outstanding Indigenous cinema, from the red sands of Western Australia to the snowy landscapes of the Arctic Circle. These films promise to surprise, provoke and push boundaries.” “We're proud to continue our partnership with Sydney Film Festival to showcase these powerful documentaries from the world's leading Indigenous filmmakers, as well as premiere the innovative work of emerging new talent from around the country,” said Penny Smallacombe, Head of Indigenous at Screen Australia. “We are very pleased to see five films commissioned by NITV take their place alongside such prestigious works from across the world,” said Tanya Orman, NITV Channel Manager. Two important Australian First Nation documentaries will also have their premieres at the Festival. Connection to Country, directed by Tyson Mowarin, about the Indigenous people of the Pilbara’s battle to preserve Australia’s 40,000-year-old cultural heritage from the ravages of mining, and filmmaker Erica Glynn’s raw, heartfelt and funny journey of adult Aboriginal students and their teachers as they discover the transformative power of reading and writing for the first time (In My Own Words).
    [Show full text]
  • Chloe Armstrong
    SHANAHAN ROB COLLINS | Actor FILM Year Production/Character Director Company 2018 ANGEL OF MINE Kim Farrant SixtyFourSixty Brian 2018 TOP END WEDDING Wayne Blair Goalpost Pictures Father Isaac 2017 UNDERTOW Miranda Nation Emerald Productions Dan TELEVISION Year Production/Character Director Company 2019 MYSTERY ROAD Wayne Blair & Bunya Productions Amos Warwick Thornton 2019 REEF BREAK Various ABC Studios International Doug O’Casey 2019 UPRIGHT Matthew Saville & Lingo Pictures Kane Tim Minchin 2018 SECRET CITY: UNDER THE EAGLE Tony Krawits & Matchbox / Foxtel Joseph Sullivan Daniel Nettheim 2018 GLITCH SEASON 3 Tony Krawitz Perplexing New Reality Phil 2017 THE WRONG GIRL SEASON 2 Various Playmaker Jack Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN 2017 GLITCH SEASON 2 Tony Krawitz Perplexing New Reality Phil 2016 CLEVERMAN SEASON 2 Wayne Blair & Goalpost Pictures / Sundance TV Waruu West Leah Purcell 2016 THE WRONG GIRL Various Playmaker Jack 2015 CLEVERMAN Wayne Blair & Goalpost Pictures Waruu West Leah Purcell THEATRE Year Production/Character Director Company 2016 A MIDSUMMER NIGHT’S DREAM Kip Williams Sydney Theatre Company Lysander 2013-14 THE LION KING Julie Taymor Disney Theatrical Productions Mufasa Australia & New Zealand AWARDS AND NOMINATIONS Year Award/Nomination Production 2018 Equity Ensemble Award for Outstanding Performance CLEVERMAN S2 by an Ensemble in A Drama Series 2017 Logie Award for Best New Talent CLEVERMAN 2017 Logie Award Nomination for Best Outstanding Newcomer CLEVERMAN EDUCATION Year Institution 2013 National Institute of Dramatic Art (NIDA) Sydney, Australia Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] .
    [Show full text]
  • Sydney Theatre Company Annual Report 2011 Annual Report | Chairman’S Report 2011 Annual Report | Chairman’S Report
    2011 SYDNEY THEATRE COMPANY ANNUAL REPORT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2 3 2011 ANNUAL REPORT 2011 ANNUAL REPORT “I consider the three hours I spent on Saturday night … among the happiest of my theatregoing life.” Ben Brantley, The New York Times, on STC’s Uncle Vanya “I had never seen live theatre until I saw a production at STC. At first I was engrossed in the medium. but the more plays I saw, the more I understood their power. They started to shape the way I saw the world, the way I analysed social situations, the way I understood myself.” 2011 Youth Advisory Panel member “Every time I set foot on The Wharf at STC, I feel I’m HOME, and I’ve loved this company and this venue ever since Richard Wherrett showed me round the place when it was just a deserted, crumbling, rat-infested industrial pier sometime late 1970’s and a wonderful dream waiting to happen.” Jacki Weaver 4 5 2011 ANNUAL REPORT | THROUGH NUMBERS 2011 ANNUAL REPORT | THROUGH NUMBERS THROUGH NUMBERS 10 8 1 writers under commission new Australian works and adaptations sold out season of Uncle Vanya at the presented across the Company in 2011 Kennedy Center in Washington DC A snapshot of the activity undertaken by STC in 2011 1,310 193 100,000 5 374 hours of theatre actors employed across the year litre rainwater tank installed under national and regional tours presented hours mentoring teachers in our School The Wharf Drama program 1,516 450,000 6 4 200 weeks of employment to actors in 2011 The number of people STC and ST resident actors home theatres people on the payroll each week attracted into the Walsh Bay precinct, driving tourism to NSW and Australia 6 7 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT Andrew Upton & Cate Blanchett time in German art and regular with STC – had a window of availability Resident Artists’ program again to embrace our culture.
    [Show full text]
  • Sydney Film Festival's Indigenous Films, Screen
    MEDIA RELEASE EMBARGOED UNTIL 11:00 WEDNESDAY 6 MAY 2015 SYDNEY FILM FESTIVAL’S INDIGENOUS FILMS, SCREEN: BLACK The 62nd Sydney Film Festival in partnership with Screen Australia’s Indigenous Department announces that Screen: Black will return for a third year. Screen: Black is a Festival platform for Indigenous Australian filmmakers. Two initiatives will premiere at the Festival in 2015 to tell significant Indigenous Australian stories. The first, Songlines on Screen presents six short films from the remote parts of Western, Northern and Central Australia that represent Aboriginal people’s ongoing connection to land and culture as told throughout time in the way of creation songs. Echoing the diversity from the regions, Songlines on Screen display the full spectrum of Aboriginal languages and storytelling including dance, song, art, body painting and sites of significance. The shorts are all World Premieres and will see the producers, directors and traditional owners of the films, attend the screening. Songlines on Screen is a special collaboration between Screen Australia and NITV. The second Screen: Black program, Pitch Black Shorts is a collection of seven new short films including five World Premieres from an array of experienced and emerging Indigenous filmmakers. The selection is a display of extraordinary Indigenous talent, from directors and producers to screenwriters and actors. Nulla Nulla, by director Dylan River (Buckskin, SFF Australian documentary prize winner, 2013) stars Khan Chittenden (Underbelly) and Wayne Blair (The Sapphires). YouTurn, directed by Ryan Griffen (producer of The Chuck In, SFF 2013), was produced by John Harvey; Harvey also produced Under Skin, In Blood directed by Larissa Behrendt (author of the novel Home) and starring Aaron Pedersen (Mystery Road, SFF 2013) and Margaret Harvey; and Man Real is directed by Tracey Rigney (Abalone, Endangered), will screen.
    [Show full text]