Madden Madeleine.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

sue barnett & associates MADELEINE MADDEN FILM 2020 JARLI (Animated Short) Jarli Like A Photon Creative 2018 DORA THE EXPLORER Sammy Walden Pictures/Platinum Dunes/Paramount Pictures Dir: James Bobin 2016 COOEE (Short) Ripley Samuel Mark Burnett Dir: Toby Morris 2014 FRONTIER (Short) Toora Thirdhalf Productions Dir: Alexandra Edmondson 2012 AROUND THE BLOCK Williemai Around the Block Pty Ltd Dir: Sarah Spillane 2011 THE HOARDERS (Short) Lily (Lead) Stewart Brothers Productions Dir: Keaton Stewart 2010 MOTH (Short) Trinny (Lead) AFTRS Dir: Meryl Tankard THE COMET (In development) Petyagarang (Lead) Dir: Rachel Perkins 2009 RALPH (Short) Maddy (Lead) Jessie Mangum Dir: Deborah Mailman THE FARM (Short) Olivia (Lead) John Harvey Dir: Romaine Moreton 2007 BACK SEAT (Short) Cousin Scarlett Pictures Dir: Pauline Whyman TELEVISION 2020 ARK SURVIVAL EVOLVED Helena Walker Noah Protocol (US Animation) Dir: Nathaniel Luland 2019-20 THE WHEEL OF TIME Egwene Sony Pictures Television Dir: Various 2018 TIDELANDS Violca Hoodlum/Netflix Dir: Toa Fraser PINE GAP Immy DuPain Screentime/ABC/Netflix Dir: Mat King 2017 MYSTERY ROAD Crystal Bunya Productions/ABC Dir: Rachel Perkins DOCTOR DOCTOR (Series 2) Millie Essential Media PICNIC AT HANGING ROCK Marion Quaid Fremantle Media/Foxtel (Mini -series) Dir: Michael Rymer/Larysa Kondraki 2015 TOMORROW WHEN THE WAR Corrie (Lead) Ambience Entertainment BEGAN Dir: Brendan Maher READY FOR THIS Zoe Blackfella Films/Werner Films 2013 THE CODE Sheyna Playmaker Media Dir: Shawn Seet THE MOODYS Lucy ABC TV REDFERN NOW (Series 2) Chloe ABC TV JACK IRISH lll: DEAD POINT Marie Essential Media & Entertainment Dir: Jeffrey Walker 2012 REDFERN NOW Chloe ABC TV Dir: Wayne Blair 2009 MY PLACE Laura (Lead) Matchbox Pictures Dir: Shawn Seet THEATRE 2016 SECRET RIVER Gillyagan Sydney Theatre Company Dir: Neil Armfield sue barnett & associates 1/96 albion street t: +61 (0)2 9281 5670 abn 55 090 980 028 surry hills nsw 2010 australia f: +61 (0)2 9281 5176 acn 090 980 028 m: 0413 746 046 www.suebarnett.net e: [email protected] Madeleine Madden continued… 2015 YELLAMUNDIE: NATIONAL Actor Moogahlin Performing Arts Inc ABORIGINAL & TORRES STRAIT ISLANDER PLAYWRITING FESTIVAL DOCUMENTARY 2012 THE PEOPLE SPEAK WTFN Entertainment 2010 ADDRESS TO THE NATION Generation One WEBISODES 2016 THE HIGH LIFE Holly McMahon More Sauce/Monsoon Pictures Dir: Luke Eve THE WEEKEND SHIFT Laura Knight SBS Dir: Nick McDougall VIDEO GAMES 2020 ARK: GENESIS ll CHRONICLES Helene Walker Noah Protocol LLC AWARDS 2019 9th Equity Awards Nomination – Outstanding Performance by an Ensemble in a Drama Mini-series or Telemovie – Mystery Road, Picnic at Hanging Rock, Pine Gap 2018 Dreamtime Award Nomination – Female Actor of the Year 2016 Sirius Award Nominee, Casting Guild of Australia sue barnett & associates 1/96 albion street t: +61 (0)2 9281 5670 2 abn 55 090 980 028 surry hills nsw 2010 australia f: +61 (0)2 9281 5176 acn 090 980 028 m: 0413 746 046 www.suebarnett.net e: [email protected] .

Copy Link

Recommended publications

Brochure Kilmersdon
BFFS SOUTH WEST GROUP The Sapphires Cert PG Australia 2012 103 mins Crew Director Wayne Blair Screenplay Tony Briggs Keith Thompson Cinematography Warwick Thornton Film Editing Dany Cooper Cast Deborah Mailman Gail Jessica Mauboy Julie Shari Sebbens Kay Miranda Tapsell Cynthia Chris O'Dowd Dave Lovelace Synopsis Reviews Australia, 1968. A trio of Aboriginal girls Based, incredibly, on a true story, and developed from a successful from a remote mission get a stony stage musical, this is a big-hearted, barnstorming put-on-a-show response to their country and western crowdpleaser. Beneath the spangly exterior, however, it has songs at a talentSynopsis show. But Dave, a surprisingly trenchant things to say about Australian identity and drunken Irish talent scout, thinks they have potential. the bitter legacy of institutionalised racism. Seeing them as Australia's answer to 'The Of course, none of this would really hit home unless we believed in Supremes', he recruits their cousin Kay to The Sapphires as authentic soul sisters, achieved thanks to the group, and convinces them to switch to ‘Australian Idol’ finalist Jessica Mauboy’s sumptuous lead vocals, soul songs. Then he gets the girls their and astute song selections from the Motown, Stax and Atlantic first true gig - singing for the troops in the songbooks. middle of the Vietnam war zone... With rising star O’Dowd in command of both the comic timing and emotional grace notes and beautifully playing off Deborah Mailman as the group’s alpha female, the movie is gutsy and entertaining enough to have us forgiving its occasional credibility glitches and obviously CGI-ed battlefront visuals.
[Show full text]
The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people.
[Show full text]
The Sapphires
Waverley Film Society Volume 5 June 2018 Issue 5 June Meeting Waverley Film Society will meet at St John’s Uniting Church, 37 Virginia Street, Mt Waverley on Wednesday, 13th of June. Apologies can be left with Brett on 9807 3426. Visitors are welcome. Bring your friends. This month’s film is The Sapphires. (see page 2 for more information). Next Month Wednesday, July11th: “Tracks” (2013) Tracks chronicles an epic modern ad- venture. Robyn Davidson’s sole trek Posters advertising this through the remote Australian desert screening are available. to the Indian Ocean with her dog Dig- Please post them in com- gity, four camels, and a National Geo- munity spaces. graphic photographer. Last Month’s Film Twenty-eight people attended, including four visitors and two family members. There were six apologies. Mrs Henderson Presents re- corded a rating of 4.4 stars. All raffle books were returned on schedule. Thanks everyone! Classic Cream, Beautiful Black Many members enjoyed Anne Dixon’s A Taste of Blue costume display last year. You may like to visit the Wonthaggi Town Hall for her latest exhibition. June 19 to July 3, 11-4 daily, free entry (the town hall is at 14 Ballieu St East) The Sapphires (2013) (Reference: www.imdb.com) Director Wayne Blair Cast includes: Writing Keith Thompson Chris O’Dowd Dave Lovelace Miranda Tapsell Cynthia Tony Briggs (stage play) Deborah Mailman Gail Music Cezary Skubiszewski Jessica Mauboy Julie Cinematography Warwick Thornton Shari Sebbens Kay Trivia The film premiered at the 2012 Cannes Film Festival where it received a 10 minute standing ova- tion.
[Show full text]
2018 Brochure Web.Pdf
SEASON 2018 2 A message from Kip Williams 5 The top benefits of a Season Ticket 10 Insight Events 13 Get the most out of your Season Ticket THE PLAYS 16 Top Girls 18 Lethal Indifference 20 Black is the New White 22 The Resistible Rise of Arturo Ui 24 Going Down 26 The Children 28 Still Point Turning: The Catherine McGregor Story 30 Blackie Blackie Brown 32 Saint Joan 34 The Long Forgotten Dream 36 The Harp in the South: Part One and Part Two 40 Accidental Death of an Anarchist 42 A Cheery Soul SPECIAL OFFERS 46 Hamlet: Prince of Skidmark 48 The Wharf Revue 2018 HOW TO BOOK AND USEFUL INFO 52 Let us help you choose 55 How to book your Season Ticket 56 Ticket prices 58 Venues and access 59 Dates for your diary 60 Walsh Bay Kitchen 61 The Theatre Bar at the End of the Wharf 62 The Wharf Renewal Project 63 Support us 64 Thank you 66 Our community 67 Partners 68 Contact details 1 A MESSAGE FROM KIP WILLIAMS STC is a company that means a lot to me. And, finally, I’ve thought about what theatre means to me, and how best I can share with It’s the company where, as a young teen, I was you the great passion and love I have for this inspired by my first experience of professional art form. It’s at the theatre where I’ve had some theatre. It’s the company that gave me my very of the most transformative experiences of my first job out of drama school.
[Show full text]
Company B ANNUAL REPORT 2008
company b ANNUAL REPORT 2008 A contents Company B SToRy ............................................ 2 Key peRFoRmanCe inDiCaToRS ...................... 30 CoRe ValueS, pRinCipleS & miSSion ............... 3 FinanCial Report ......................................... 32 ChaiR’S Report ............................................... 4 DiReCToRS’ Report ................................... 32 ArtistiC DiReCToR’S Report ........................... 6 DiReCToRS’ DeClaRaTion ........................... 34 GeneRal manaGeR’S Report .......................... 8 inCome STaTemenT .................................... 35 Company B STaFF ........................................... 10 BalanCe SheeT .......................................... 36 SeaSon 2008 .................................................. 11 CaSh Flow STaTemenT .............................. 37 TouRinG ........................................................ 20 STaTemenT oF ChanGeS in equiTy ............ 37 B ShaRp ......................................................... 22 noTeS To The FinanCial STaTements ....... 38 eDuCaTion ..................................................... 24 inDepenDenT auDiT DeClaRaTion CReaTiVe & aRTiSTiC DeVelopmenT ............... 26 & Report ...................................................... 49 CommuniTy AcceSS & awards ...................... 27 DonoRS, partneRS & GoVeRnmenT SupporteRS ............................ 28 1 the company b story Company B sprang into being out of the unique action taken to save Landmark productions like Cloudstreet, The Judas
[Show full text]
WAYNE BLAIR | Actor
SHANAHAN WAYNE BLAIR | Actor FILM Year Production / Character Director Company 2019 TOP END WEDDING Wayne Blair Goalpost Pictures Tow Truck Passenger 2018 RAMS Jeremy Sims Party Upstairs Pty Ltd Lionel 2018 EMU RUNNER Imogen Thomas Imogen Thomas Films Jay Jay 2012 THE TURNING – FAMILY Shaun Gladwell Arenamedia Pty Ltd Max Leaper 2010 WISH YOU WERE HERE Kieran Darcy-Smith Bluetongue Films Willis 2010 X John Hewitt Circle Films Bob 2011 THE LAST TIME I SAW MICHAEL Steven Soderbergh GREGG 2008 BLESSED Ana Kokkinos Bankside Films James Parker 2000 MULLET David Caesar Porchlight Films James Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN TELEVISION Year Production/Character Director Company 2018 SQUINTERS Kate McCartney Jungle Entertainment Gary 2018 BLACK COMEDY Beck Cole Scarlett Pictures Various Characters 2017 MYSTERY ROAD Rachel Perkins Bunya Productions Larry 2017 THE LETDOWN Trent O’Donnell ABC TV / Netflix Father Guinan 2014 REDFERN NOW: TELEMOVIE Rachel Perkins ABC TV Aaron 2013 REDFERN NOW: SERIES 2 Rachel Perkins Blackfella Films/ABC TV Aaron 2013 THE BROKEN SHORE Rowan Woods Essential Media & Entertainment Bobby Walsh 2012 REDFERN NOW: SERIES 1 Rachel Perkins Blackfella Films/ABC TV Aaron 2004 SMALL CLAIMS 3 Tony Tils e RB Films Detective Lacey 2003 SMALL CLAIMS Cherie Nowlan RB Films Detective Lacey 2003 FIREFLIES Rowan Woods Southern Star/ABC TV Wayne Patterson 2001 Water Rats Various Quicksilver
[Show full text]
Theatre Costume, Celebrity Persona, and the Archive
Persona Studies 2019, vol. 5, no. 2 THEATRE COSTUME, CELEBRITY PERSONA, AND THE ARCHIVE EMILY COLLETT ABSTRACT This essay considers the archived costume in relation to the concept of the celebrity performer’s persona. It takes as its case study the Shakespearean costume of Indigenous actress Deborah Mailman, housed in the Australian Performing Arts Collection. It considers what the materiality of the theatre costume might reveal and conceal about a performer’s personas. It asks to what extent artefacts in an archive might both create a new persona or freezeframe a particular construct of a performer. Central to the essay are questions of agency in relation to the memorialisation of a still living actress and the problematisation of persona in terms of the archived object. Can a costume generate its own persona in relation to the actress? And what are the power dynamics involved in persona construction when an archived costume presents a charged narrative which is very different to the actress’s current construction of her persona? KEY WORDS Costume; Archive; Deborah Mailman; Indigenous; Memory; Shakespeare COSTUME IN THE ARCHIVE: A CHARGED OBJECT In this essay I consider the archived theatre costume in relation to persona studies and what the materiality of costume might reveal or conceal about the celebrity performer’s persona(s). Can an archived costume have its own persona? What complexities arise when the charged historical narrative of an archived costume is at odds with a current persona? And in the following case study of Deborah Mailman, what happens when the framing of a living Indigenous actress’s costume constructs a persona that is quite different to the one that the actress currently constructs for herself? A costume worn by a performer live on stage is remembered in particular ways – and many in the audience might focus more on the performer’s stance, physicality, and verbal prowess than what they are wearing.
[Show full text]
First Nation Filmmakers from Around the World 10
MEDIA RELEASE EMBARGOED UNTIL 11.00am WEDNESDAY 10 MAY 2017 FIRST NATION FILMMAKERS FROM AROUND THE WORLD The 64th Sydney Film Festival (7–18 June) in partnership with Screen Australia’s Indigenous Department proudly continues support for First Nation storytelling from Australia and around the world. Leading First Nation Australian directors will premiere their new works at the Festival, including Warwick Thornton’s Opening Night film and Official Competition contender We Don’t Need a Map, and Wayne Blair and Leah Purcell’s highly anticipated second series of Cleverman. “Sydney Film Festival is committed to showcasing First Nation filmmakers and storytelling,” said Festival Director Nashen Moodley. “Throughout the Festival audiences will find examples of outstanding Indigenous cinema, from the red sands of Western Australia to the snowy landscapes of the Arctic Circle. These films promise to surprise, provoke and push boundaries.” “We're proud to continue our partnership with Sydney Film Festival to showcase these powerful documentaries from the world's leading Indigenous filmmakers, as well as premiere the innovative work of emerging new talent from around the country,” said Penny Smallacombe, Head of Indigenous at Screen Australia. “We are very pleased to see five films commissioned by NITV take their place alongside such prestigious works from across the world,” said Tanya Orman, NITV Channel Manager. Two important Australian First Nation documentaries will also have their premieres at the Festival. Connection to Country, directed by Tyson Mowarin, about the Indigenous people of the Pilbara’s battle to preserve Australia’s 40,000-year-old cultural heritage from the ravages of mining, and filmmaker Erica Glynn’s raw, heartfelt and funny journey of adult Aboriginal students and their teachers as they discover the transformative power of reading and writing for the first time (In My Own Words).
[Show full text]
Darkemu-Program.Pdf
1 Bringing the connection to the arts “Broadcast Australia is proud to partner with one of Australia’s most recognised and iconic performing arts companies, Bangarra Dance Theatre. We are committed to supporting the Bangarra community on their journey to create inspiring experiences that change society and bring cultures together. The strength of our partnership is defined by our shared passion of Photo: Daniel Boud Photo: SYDNEY | Sydney Opera House, 14 June – 14 July connecting people across Australia’s CANBERRA | Canberra Theatre Centre, 26 – 28 July vast landscape in metropolitan, PERTH | State Theatre Centre of WA, 2 – 5 August regional and remote communities.” BRISBANE | QPAC, 24 August – 1 September PETER LAMBOURNE MELBOURNE | Arts Centre Melbourne, 6 – 15 September CEO, BROADCAST AUSTRALIA broadcastaustralia.com.au Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national in our 29th year, but our dance technique is tour of a world premiere work, performed in forged from more than 65,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra; and represent the pinnacle of Australian dance. an international tour to maintain our global WE ARE BANGARRA Each has a proud Aboriginal and/or Torres reputation for excellence. Strait Islander background, from various BANGARRA DANCE THEATRE IS AN ABORIGINAL Complementing Bangarra’s touring roster are locations across the country. AND TORRES STRAIT ISLANDER ORGANISATION AND ONE OF education programs, workshops and special AUSTRALIA’S LEADING PERFORMING ARTS COMPANIES, WIDELY Our relationships with Aboriginal and Torres performances and projects, planting the seeds for ACCLAIMED NATIONALLY AND AROUND THE WORLD FOR OUR Strait Islander communities are the heart of the next generation of performers and storytellers.
[Show full text]
Chloe Armstrong
SHANAHAN ROB COLLINS | Actor FILM Year Production/Character Director Company 2018 ANGEL OF MINE Kim Farrant SixtyFourSixty Brian 2018 TOP END WEDDING Wayne Blair Goalpost Pictures Father Isaac 2017 UNDERTOW Miranda Nation Emerald Productions Dan TELEVISION Year Production/Character Director Company 2019 MYSTERY ROAD Wayne Blair & Bunya Productions Amos Warwick Thornton 2019 REEF BREAK Various ABC Studios International Doug O’Casey 2019 UPRIGHT Matthew Saville & Lingo Pictures Kane Tim Minchin 2018 SECRET CITY: UNDER THE EAGLE Tony Krawits & Matchbox / Foxtel Joseph Sullivan Daniel Nettheim 2018 GLITCH SEASON 3 Tony Krawitz Perplexing New Reality Phil 2017 THE WRONG GIRL SEASON 2 Various Playmaker Jack Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] SHANAHAN 2017 GLITCH SEASON 2 Tony Krawitz Perplexing New Reality Phil 2016 CLEVERMAN SEASON 2 Wayne Blair & Goalpost Pictures / Sundance TV Waruu West Leah Purcell 2016 THE WRONG GIRL Various Playmaker Jack 2015 CLEVERMAN Wayne Blair & Goalpost Pictures Waruu West Leah Purcell THEATRE Year Production/Character Director Company 2016 A MIDSUMMER NIGHT’S DREAM Kip Williams Sydney Theatre Company Lysander 2013-14 THE LION KING Julie Taymor Disney Theatrical Productions Mufasa Australia & New Zealand AWARDS AND NOMINATIONS Year Award/Nomination Production 2018 Equity Ensemble Award for Outstanding Performance CLEVERMAN S2 by an Ensemble in A Drama Series 2017 Logie Award for Best New Talent CLEVERMAN 2017 Logie Award Nomination for Best Outstanding Newcomer CLEVERMAN EDUCATION Year Institution 2013 National Institute of Dramatic Art (NIDA) Sydney, Australia Shanahan Management Pty Ltd PO Box 1509 | Darlinghurst NSW 1300 Australia | ABN 46 001 117 728 Telephone 61 2 8202 1800 | Facsimile 61 2 8202 1801 | [email protected] .
[Show full text]
Sydney Theatre Company Annual Report 2011 Annual Report | Chairman’S Report 2011 Annual Report | Chairman’S Report
2011 SYDNEY THEATRE COMPANY ANNUAL REPORT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2 3 2011 ANNUAL REPORT 2011 ANNUAL REPORT “I consider the three hours I spent on Saturday night … among the happiest of my theatregoing life.” Ben Brantley, The New York Times, on STC’s Uncle Vanya “I had never seen live theatre until I saw a production at STC. At first I was engrossed in the medium. but the more plays I saw, the more I understood their power. They started to shape the way I saw the world, the way I analysed social situations, the way I understood myself.” 2011 Youth Advisory Panel member “Every time I set foot on The Wharf at STC, I feel I’m HOME, and I’ve loved this company and this venue ever since Richard Wherrett showed me round the place when it was just a deserted, crumbling, rat-infested industrial pier sometime late 1970’s and a wonderful dream waiting to happen.” Jacki Weaver 4 5 2011 ANNUAL REPORT | THROUGH NUMBERS 2011 ANNUAL REPORT | THROUGH NUMBERS THROUGH NUMBERS 10 8 1 writers under commission new Australian works and adaptations sold out season of Uncle Vanya at the presented across the Company in 2011 Kennedy Center in Washington DC A snapshot of the activity undertaken by STC in 2011 1,310 193 100,000 5 374 hours of theatre actors employed across the year litre rainwater tank installed under national and regional tours presented hours mentoring teachers in our School The Wharf Drama program 1,516 450,000 6 4 200 weeks of employment to actors in 2011 The number of people STC and ST resident actors home theatres people on the payroll each week attracted into the Walsh Bay precinct, driving tourism to NSW and Australia 6 7 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT Andrew Upton & Cate Blanchett time in German art and regular with STC – had a window of availability Resident Artists’ program again to embrace our culture.
[Show full text]
By Wesley Enoch and Deborah Mailman with Lisa Flanagan
Sydney Theatre Company Education present By Wesley Enoch and Deborah Mailman With Lisa Flanagan Directed by Leah Purcell Teacher's Resource Kit Written and compiled by Robyn Edwards and Samantha Kosky sydneytheatre.com.au/education Copyright Copyright protects this Teacher’s Resource Kit. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. Sydney Theatre Company’s The 7 Stages of Grieving Teacher’s Notes © 2008 1 IMPORTANT INFORMATION The 7 Stages of Grieving By Wesley Enoch and Deborah Mailman Season 22 February – 20 March 2008 Venue Wharf 2, Sydney Theatre Company Pier 4/5 Hickson Road,Walsh Bay Touring The 7 Stages of Grieving will tour to Griffith Regional Arts Centre (2 April), Wagga Wagga Civic Theatre (4, 5, 7 April) and Albury Performing Arts Centre 9, 10 April). This tour has been made possible by Arts NSW through the ConnectED programme. Sydney Theatre Company would like to take this opportunity to warn members of the audience that this production contains names and visual representations of people recently dead, which may be distressing to Aboriginal and Torres Strait Islander people. All care has been taken to acquire the appropriate permission and show all proper respect. The performance time is approximately one hour. Please note there will be no interval and latecomers will not be admitted. We respectfully ask teachers discuss theatre etiquette with students prior to attending the performance. We respectfully ask that you discuss theatre etiquette with your students prior to coming to the performance.
[Show full text]